saxelovnebo mecnierebaTa Ziebani #4 (53), 2012 ART SCIENCE ...

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nikoloz kereseliZesaCvenebeli da Sua TiTi.** `Tojinis gansakuTrebuli saxeobaa _ CrdilisTojina. mayurebeli uSualod ver xedavs amTojinebs,aramed uyurebs maT Sav an feradovan silueturgamosaxulebebs naxevrad gamWvirvale `Crdilis Teatris~ekranze~. 1odesRac Tojina keTdeboda adamianis msgavsad.Tavidan meTojineebma aawyves Tojinis xis sxeulida mxolod Semdgom Caacves mas kostiumi, romelicSeiZleboda gamocvliliyo, rogorc icvlis kostiumsmsaxiobi. droTa ganmavlobaSi meTojineebma daiwyesiseTi Tojinebis keTeba, romlebic mxolod gansazRvrulpersonaJebs warmoadgendnen. Cvens epoqaSi ki es ukveprincipad iqca. magaliTad, zogjer, Tojinebs kostiumipirdapir sxeulze aqvs daxatuli. bevrma daiwyo fiqri,romTojinis specifikuri Tvisebaa, iyos gakeTebuli mxoloderTi rolisaTvis,_ rogorc erTi personaJis mxatvrulisaxisTvis. ase rom,SeiZleba iTqvas,Tojinis Teatraluritransformacia aSkarad gansxvavdeba msaxiobisTeatraluri transformaciisagan. scenaze gamosvlisasTojina, rasakvirvelia, transformirdeba, magram es araris Tojinis gardasaxva scenur personaJad (radganis Tavidanve warmoadgens mis vizualur xats), aramedgardasaxva personaJis usicocxlo xatisa sicocxliTsavse mxatvrul saxed. `msaxiobi misi gacocxlebiTqmnis cocxali arsebis dinamikur ganzogadebas, esgacocxlebis procesi, anu usicocxlos gardasaxvacocxalSi, mayurebels, mozrdils Tu bavSvs saswauladeCveneba.~ 2 rasakvirvelia, istoriis msvlelobisas amgardasaxvebs hqondaT sxvadasxva gamoxatuleba, magrampirvandel impulsad yovelTvis rCeboda usicocxlosgacocxleba.istoriulad am gardasxvaTa saxeobebi yovelTvis1iqve, gv. 242Образцов С., Что такое кукульныи театр ?, M., 1969, gv. 798
Tojina-msaxiobi Teatrsa da televiziaSidamokidebuli iyo Tojinebis funqciebTan. gadavxedoTam funqciebs. zogadad, Tojinis pirvel funqciaswarmoadgenda magiur-ritualuri funqcia. is daibadakerpad. RmerTis, winaprebisa da keTilmosurne demonebismimarT magiurma midgomam uZveles adamians ukarnaxa, Turogor aeZulebina Tojina,amoZravebuliyo,xolo rodesacTojina kerpma daiwyo moZraoba, morwmuneni yovel jerzemayureblebad gardaiqmnebodnen xolme.sanaxaobriv xelovnebaTa areSi Tojina Sevida,rogorcerTgvari xelovnuri adamiani (xelovnuri arseba),romlis sicocxlis saidumloebas magiuri sawyisebihqonda. es iyo Tojinis Teatraluri transformaciismxolod pirveli safexuri. Semdgom Tojinam daiwyococxali msaxiobis Secvla da misi mibaZvac. es XVIIsaukuneebSi moxda. is cdilobda yofiliyo patara adamiani_ homonkulusi. daiwyo gardaqmna ara marto cocxalarsebad, aramed scenur personaJad. es iyo TojinisTeatraluri transformaciis TamaSis safexuri. ai,sworedmaSin daibada Tojinebis Teatric. egreT wodebuliscenuri Tojina, raRac drois Semdeg, homonkulusidanxelovnur xis msaxiobad gardaiqmna meTojine semuelfouti. mogvianebiT germaneli romantikosebi, xedavdnenra scenur TojinaSi xis msaxiobs, misi `xis bunebis~ukeT warmosaCenad, warmodgenebSi mis demonstrirebasaxdendnen cocxal msaxiobebTan erTad.VIII_XIX saukuneebSi Tojinebis TeatrSi viTardebakidev erTi saxeoba _ metamorfoza-Tojina, romelicgardaiqmneboda erT an ramdenime arsebad da Tan pirdapirmayureblis Tvalwin. sainteresoa, rom XX saukuneSiyalibdeba (aranaturalisturi garegnobis) `Tojinurigaregnobis scenuri Tojinis~ koncefcia, romelicwarmoadgens aqamde arsebuli,adamianis mimbaZveli Tojinisanu `gaadamianebuli Tojinis~ koncefciis opozicias. amideisa da praqtikis arsia TeatrSi scenuri Tojinis,99
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saqarTvelos SoTa rusTavelis Teatris
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Shota Rustaveli Theatre and Film Ge
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manana lekboraSvilimontaJi da redaq
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CONTENTSTHEATRE STUDIESGVANTSA GULI
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NINO TSITLANADZEGeorgian Theatre As
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Teatrmcodneoba11
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Teatrzec. revoluciuri kataklizmebis
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Tanamedrove qarTuli Teatris problem
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a) speqtaklis, performansis ganxorc
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ugulebelyofs da dros sivrciT urTier
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moCarCoebul sivrcesa Tu sibrtyeSi g
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cenografiuli kompoziciis sakiTxisaT
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aqtualuria, oRond dro ara marto aCq
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natalia diRmelaSvili,saqarTvelos So
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Tanamedrove midgomebis danergva cek
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Page 47 and 48: Tanamedrove midgomebis danergva cek
Page 49 and 50: Tanamedrove midgomebis danergva cek
Page 51 and 52: stilisturi forma ki araa, sxva form
Page 53 and 54: mdgomareobs, rom is saSualebas mogv
Page 55 and 56: Mmsaxiobis ostatobis sxvadasxvameTo
Page 57 and 58: Tamar firosmanaSvili,saqarTvelos So
Page 59 and 60: qoreografia dramatul speqtaklSi da
Page 61 and 62: qoreografia dramatul speqtaklSi da
Page 63 and 64: da mimdinareobas ver mivakuTvnebT.
Page 65 and 66: avgust strindbergis`intimuri Teatri
Page 67 and 68: koleqtiuri kiTxva da personaJebis a
Page 69 and 70: avgust strindbergis`intimuri Teatri
Page 71 and 72: (idealur SemTxvevaSi _ guli plus go
Page 73 and 74: pirovnebis mniSvneloba samsaxiobo x
Page 75: kinomcodneoba75
Page 78 and 79: Tamar barTaiaamis gamo uars nu ityv
Page 80 and 81: Tamar barTaiasadac orjer ori aucile
Page 82 and 83: Tamar barTaiargoli unda iyos. maSin
Page 84 and 85: Tamar barTaiagaumarTlebeli iqneba a
Page 86 and 87: maka doliZefaSizmi~ 1 warmoadgens a
Page 88 and 89: maka doliZeeniWeboda. 1939 wlidan g
Page 90 and 91: maka doliZefilmebic, magaliTad, reJ
Page 92 and 93: maka doliZevaJis cudi zegavlenisaga
Page 94 and 95: maka doliZeda misi adgili SeevsoT f
Page 96 and 97: 96nikoloz kereseliZe,saqarTvelos So
Page 100 and 101: nikoloz kereseliZerogorc `Teatris p
Page 102 and 103: nikoloz kereseliZeteleviziaSic, Toj
Page 104 and 105: nikoloz kereseliZesanaxaobiTi xelov
Page 106 and 107: nikoloz kereseliZevaldebulebebs am
Page 108 and 109: manana lekboraSvili,saqarTvelos SoT
Page 110 and 111: manana lekboraSviligadabma xdeboda
Page 112 and 113: manana lekboraSviliklasikuri montaJ
Page 114 and 115: manana lekboraSviliikiTxeboda. amgv
Page 116 and 117: manana lekboraSvilimusikalur klipeb
Page 118 and 119: manana lekboraSvilifilmebSi adrinde
Page 120 and 121: 120mzia manjaviZe,saqarTvelos SoTa
Page 122 and 123: mzia manjaviZesubstancia Seaqvs fil
Page 124 and 125: mzia manjaviZefaseulobaze. filmSi a
Page 126 and 127: mzia manjaviZebedis ZebnaSi, xolo m
Page 128 and 129: naTia mefariSvili,saqarTvelos SoTa
Page 130 and 131: naTia mefariSviliisini axdendnen am
Page 132 and 133: naTia mefariSvilipenis filmi amerik
Page 134 and 135: naTia mefariSvilistandartebi, roca
Page 136 and 137: naTia mefariSvilisistemas, miznobri
Page 138 and 139: naTia mefariSviligamoyenebuli liter
Page 140 and 141: giorgi uRreliZ(1910) pirvelad gamoi
Page 142 and 143: giorgi uRreliZekranze xedavda ambav
Page 144 and 145: giorgi uRreliZmontaJi SeiZleba real
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148
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nino dondolaZemas analogi ar moeZeb
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nino dondolaZesanaxaobisamebr, saqa
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nino dondolaZeam dros gaaSiSvlebdne
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nino dondolaZemama avTandil giorgob
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nino dondolaZetardeboda, rasac XIX
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nino dondolaZe`bekikeebi~ #6`gvergv
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Tamar sarCimeliZeriTmi xelovnebaSir
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Tamar sarCimeliZeSinaarsobrivi dina
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Tamar sarCimeliZeriTmulobidan gamom
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Tamar sarCimeliZeganvixiloT ufro de
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Tamar sarCimeliZegaremo da formac w
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Tamar sarCimeliZesur. 7 lakazisur.
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174qeTevan oCxikiZe,saqarTvelos SoT
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qeTevan oCxikiZeZiriTadad, `jojoxeT
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qeTevan oCxikiZedavadginoT maT Sori
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qeTevan oCxikiZexarisxis gamo, amis
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qeTevan oCxikiZeTiToeuli maTgani ga
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qeTevan oCxikiZeredaqciiT aris moce
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qeTevan oCxikiZegamoyenebuli litera
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Sorena fxakaZe2009-dan dRemde - ton
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Sorena fxakaZeaxal Strixad iqca mxa
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Sorena fxakaZexelovnebis axal etapz
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avTandil CaCava,saqarTvelos SoTa ru
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avTandil CaCavaimereTSi niRabs `kva
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avTandil CaCavaxaris rqebs imagrebd
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avTandil CaCavapatarZals ganasaxier
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avTandil CaCavaerTmaneTs maTi mzera
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204
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vladimer (lado) tatiSvilime rwyu li
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vladimer (lado) tatiSviliwyo bi le
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vladimer (lado) tatiSviliwons, mo i
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vladimer (lado) tatiSvilireklamas S
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mzia zautaSvilistiliT Semoifargleba
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mzia zautaSviliratom TiToeuli saleq
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mzia zautaSvilimeSveobiT daganaxebT
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mzia zautaSviliteleJurnalistika, mx
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222
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malxaz Rvinjiliaar iTxovs, radgan a
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malxaz Rvinjiliaavadmyofobis gamo,v
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malxaz RvinjiliadazRvevis saerTaSor
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magda cocxalaSvili,saqarTvelos SoTa
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magda cocxalaSvilidakavSirebuli Rir
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magda cocxalaSvilikulturuli fena, u
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magda cocxalaSvili`literaturuli saq
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magda cocxalaSviliuzrunvelyofa da o
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nino wiTlanaZe,saqarTvelos SoTa rus
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nino wiTlanaZedaTvlasa da Sejamebas
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nino wiTlanaZeefeqturi amuSaveba);_
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nino wiTlanaZeiseTi Tanamedrove teq
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Nino Gunia-Kuznetsova,Shota Rustave
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the plastic characteristics of the
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the victory or labor. So, in antiqu
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is the title and not only the profe
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he shows us that fascism is an eter
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participates in scenic creativity,
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Together with music special sound e
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uilding. When we put the bricks cor
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In village, Putieti, the weekly rit
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integrity is the rhythm.Rhythm (Gre
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The academy has two centres. The fi
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MEDIA STUDIESMzia Zautashvili,Shota
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called musical therapy - . In the
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Magda Tsotskhalashvili,Shota Rustav
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of target audience.The theme also i
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saxelovnebo mecnierebaTa Ziebani #4 (53), 2012 ART SCIENCE ...

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