saxelovnebo mecnierebaTa Ziebani #4 (53), 2012 ART SCIENCE ...

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maka doliZefilmebic, magaliTad, reJisor edmund hoibergerisfilmi `dakarguli xeoba~, romelic gamovida 1934wels. filmSi gadmocemulia, Tu rogor cdiloben tyissiCumis dasacavad, misi bunebrivi garemos dazianebisprevenciisaTvis inJinrebisa da teqnikosebis jgufisgaZevebas,romlebic wiaRiseuli simdidreebis damuSavebasapireben. siuJetidan gamomdinarec advilia aRviqvaT, romadamianis gulwrfel emociebze zemoqmedebiT, rogoraxerxebda xelisufleba sakuTari miznebis TiTqosdapozitiur WrilSi gadmocemas.aq SeuZlebelia ar gagvaxsendes kinosuraTi„axalgazrda hitlereli kveksi~ (1933). misi reJisorihans Stainhofi,romelic,rogorc SemdgomSi moulodneladgairkva, nacisturi partiis wevri aRmoCnda da rac kidevufro mniSvnelovania, iyo uzado ostati. prodiuseraddainiSna karl riteri, rogorc kinokompania „ufas“,aseve faSisturi reJimis ndobiT aRWurvili piri. k. a.Sencingeris poemis mixedviT scenari dawera gamocdilmabobi lutgem. gadamRebma jgufma airCia maRalkvalificiurimsaxiobebi: hainrix georgi, romelmac kveksis mamis roliiTamaSa, klaus klauseni (igi TamaSobda axalgazrduliorganizaciis meTauris rols) da bolos, mTavari rolisSemsrulebeli mozardi,uaRresad niWieri msaxiobi iurgenolseni. hainrix georgma da berta drevsma Seqmnes patarahainis mSoblebis damajerebeli saxeebi. filmis tragediaimaSi mdgomareobs, rom politikur SexedulebaTaWrilSi TaobaTa Soris konfliqti warmoiSoba. haini,romelic hitlerel axalgazrda frTas warmoadgens,amxels sakuTar mamas komunistebTan kavSirSi, risTvisacmas komunistebi gauswordebian. aq gansakuTrebulidatvirTva eZleva imas, rom ideis rwmeniT sakuTar mamissicocxlesac SeiZleba safrTxe Seuqmna. paraleluradki, komunistebis saxiT,Eekranze Seqmnes mtris xati daTavganwiruli axalgazrdis magaliTi.90
germanuli faSizmi da propagandistuli filmebigebelsma dadebiTad Seafasa filmis emociuri muxtida amis Sesaxeb „ufas“ direqciasac ki miswera werilifilmis naxvis Semdeg. igi amtkicebda, rom mravaliadamiani am filmiT sakuTar WeSmarit gzas ipovnida.1933 wels propagandistuli filmis samagaliTo nimuSiiyo reJisor gustav uCickis namuSevari `gaqceulebi~. esiyo poema germanelebis jgufze, 1928 wels Soreulixarbinidan omis, cecxlisa da revoluciuri mRelvarebisgavliT medgrad rom miiswrafvis samSoblosaken _germaniisaken. isini `rkinis xeliT~ mihyavs kaizerisarmiis yofil oficer-veterans, romelmac germaniisdamarcxebis Semdeg CineTis homindanis armiaSi daiwyosamsaxuri. axla ki, dainaxa ra Tavisi TanamemamuleebisgasaWiri, eWvebiTa da ganxeTqilebebiT gawamebulma, maTiwinamZRoloba gadawyvita. es gmiria maiori arneti (hansalbersi) _ meTaurad dabadebuli, brZeni, magram mtkice,romelic daundoblad ilaSqrebs anarqiisa da sisustiswinaaRmdeg. igi uyoymanod klavs germanels, romelic misbrZanebebs SeewinaaRmdegeba.MmTavari gmiris warmoTqmulifraza _ ,,Soria gza samSoblomde. Soria, Soria, Soria...magram igi germanelma jariskacma ipovna~ _ mTavarigzavnili iyo mayureblisadmi. mTeli es siuJeti dasvla samSoblosaken, winaaRmdegobebi gzaze da maTigadalaxvebi uneburad gvavlebinebs paralels bibliurimoses istoriasTan, rodesac man ebraelebi aRTqmulmiwaze miiyvana. aq mose ubralod Secvlilia maioriarnetiT.1935 wels ekranebze gamovida Stainhofis mier Teafon garbous scenaris mixedviT Seqmnili istoriulidrama `moxuci da axalgazrda mefe~. filmis gmirebiiyvnen fridrix-vilhelm I da misi vaJi _ gvirgvinosaniprinci fridrixi, SemdgomSi fridrix II, „fridrixdiadad“ wodebuli. mamis rols TamaSobda emil ianingsi,vaJisas – berner hinci. rodesac fridrix-vilhelmi Tavisi91
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saqarTvelos SoTa rusTavelis Teatris
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Shota Rustaveli Theatre and Film Ge
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manana lekboraSvilimontaJi da redaq
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CONTENTSTHEATRE STUDIESGVANTSA GULI
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NINO TSITLANADZEGeorgian Theatre As
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Teatrmcodneoba11
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Teatrzec. revoluciuri kataklizmebis
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Tanamedrove qarTuli Teatris problem
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a) speqtaklis, performansis ganxorc
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ugulebelyofs da dros sivrciT urTier
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moCarCoebul sivrcesa Tu sibrtyeSi g
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cenografiuli kompoziciis sakiTxisaT
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aqtualuria, oRond dro ara marto aCq
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Page 39 and 40: natalia diRmelaSvili,saqarTvelos So
Page 41 and 42: Tanamedrove midgomebis danergva cek
Page 51 and 52: stilisturi forma ki araa, sxva form
Page 53 and 54: mdgomareobs, rom is saSualebas mogv
Page 55 and 56: Mmsaxiobis ostatobis sxvadasxvameTo
Page 57 and 58: Tamar firosmanaSvili,saqarTvelos So
Page 59 and 60: qoreografia dramatul speqtaklSi da
Page 61 and 62: qoreografia dramatul speqtaklSi da
Page 63 and 64: da mimdinareobas ver mivakuTvnebT.
Page 65 and 66: avgust strindbergis`intimuri Teatri
Page 67 and 68: koleqtiuri kiTxva da personaJebis a
Page 69 and 70: avgust strindbergis`intimuri Teatri
Page 71 and 72: (idealur SemTxvevaSi _ guli plus go
Page 73 and 74: pirovnebis mniSvneloba samsaxiobo x
Page 75: kinomcodneoba75
Page 78 and 79: Tamar barTaiaamis gamo uars nu ityv
Page 80 and 81: Tamar barTaiasadac orjer ori aucile
Page 82 and 83: Tamar barTaiargoli unda iyos. maSin
Page 84 and 85: Tamar barTaiagaumarTlebeli iqneba a
Page 86 and 87: maka doliZefaSizmi~ 1 warmoadgens a
Page 88 and 89: maka doliZeeniWeboda. 1939 wlidan g
Page 92 and 93: maka doliZevaJis cudi zegavlenisaga
Page 94 and 95: maka doliZeda misi adgili SeevsoT f
Page 96 and 97: 96nikoloz kereseliZe,saqarTvelos So
Page 98 and 99: nikoloz kereseliZesaCvenebeli da Su
Page 100 and 101: nikoloz kereseliZerogorc `Teatris p
Page 102 and 103: nikoloz kereseliZeteleviziaSic, Toj
Page 104 and 105: nikoloz kereseliZesanaxaobiTi xelov
Page 106 and 107: nikoloz kereseliZevaldebulebebs am
Page 108 and 109: manana lekboraSvili,saqarTvelos SoT
Page 110 and 111: manana lekboraSviligadabma xdeboda
Page 112 and 113: manana lekboraSviliklasikuri montaJ
Page 114 and 115: manana lekboraSviliikiTxeboda. amgv
Page 116 and 117: manana lekboraSvilimusikalur klipeb
Page 118 and 119: manana lekboraSvilifilmebSi adrinde
Page 120 and 121: 120mzia manjaviZe,saqarTvelos SoTa
Page 122 and 123: mzia manjaviZesubstancia Seaqvs fil
Page 124 and 125: mzia manjaviZefaseulobaze. filmSi a
Page 126 and 127: mzia manjaviZebedis ZebnaSi, xolo m
Page 128 and 129: naTia mefariSvili,saqarTvelos SoTa
Page 130 and 131: naTia mefariSviliisini axdendnen am
Page 132 and 133: naTia mefariSvilipenis filmi amerik
Page 134 and 135: naTia mefariSvilistandartebi, roca
Page 136 and 137: naTia mefariSvilisistemas, miznobri
Page 138 and 139: naTia mefariSviligamoyenebuli liter
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giorgi uRreliZ(1910) pirvelad gamoi
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giorgi uRreliZekranze xedavda ambav
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giorgi uRreliZmontaJi SeiZleba real
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146
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148
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nino dondolaZemas analogi ar moeZeb
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nino dondolaZesanaxaobisamebr, saqa
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nino dondolaZeam dros gaaSiSvlebdne
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nino dondolaZemama avTandil giorgob
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nino dondolaZetardeboda, rasac XIX
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nino dondolaZe`bekikeebi~ #6`gvergv
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Tamar sarCimeliZeriTmi xelovnebaSir
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Tamar sarCimeliZeSinaarsobrivi dina
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Tamar sarCimeliZeriTmulobidan gamom
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Tamar sarCimeliZeganvixiloT ufro de
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Tamar sarCimeliZegaremo da formac w
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Tamar sarCimeliZesur. 7 lakazisur.
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174qeTevan oCxikiZe,saqarTvelos SoT
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qeTevan oCxikiZeZiriTadad, `jojoxeT
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qeTevan oCxikiZedavadginoT maT Sori
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qeTevan oCxikiZexarisxis gamo, amis
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qeTevan oCxikiZeTiToeuli maTgani ga
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qeTevan oCxikiZeredaqciiT aris moce
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qeTevan oCxikiZegamoyenebuli litera
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Sorena fxakaZe2009-dan dRemde - ton
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Sorena fxakaZeaxal Strixad iqca mxa
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Sorena fxakaZexelovnebis axal etapz
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avTandil CaCava,saqarTvelos SoTa ru
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avTandil CaCavaimereTSi niRabs `kva
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avTandil CaCavaxaris rqebs imagrebd
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avTandil CaCavapatarZals ganasaxier
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avTandil CaCavaerTmaneTs maTi mzera
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204
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vladimer (lado) tatiSvilime rwyu li
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vladimer (lado) tatiSviliwyo bi le
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vladimer (lado) tatiSviliwons, mo i
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vladimer (lado) tatiSvilireklamas S
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mzia zautaSvilistiliT Semoifargleba
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mzia zautaSviliratom TiToeuli saleq
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mzia zautaSvilimeSveobiT daganaxebT
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mzia zautaSviliteleJurnalistika, mx
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222
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malxaz Rvinjiliaar iTxovs, radgan a
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malxaz Rvinjiliaavadmyofobis gamo,v
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malxaz RvinjiliadazRvevis saerTaSor
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magda cocxalaSvili,saqarTvelos SoTa
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magda cocxalaSvilidakavSirebuli Rir
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magda cocxalaSvilikulturuli fena, u
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magda cocxalaSvili`literaturuli saq
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magda cocxalaSviliuzrunvelyofa da o
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nino wiTlanaZe,saqarTvelos SoTa rus
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nino wiTlanaZedaTvlasa da Sejamebas
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nino wiTlanaZeefeqturi amuSaveba);_
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nino wiTlanaZeiseTi Tanamedrove teq
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Nino Gunia-Kuznetsova,Shota Rustave
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the plastic characteristics of the
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the victory or labor. So, in antiqu
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is the title and not only the profe
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he shows us that fascism is an eter
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participates in scenic creativity,
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Together with music special sound e
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uilding. When we put the bricks cor
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In village, Putieti, the weekly rit
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integrity is the rhythm.Rhythm (Gre
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The academy has two centres. The fi
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MEDIA STUDIESMzia Zautashvili,Shota
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called musical therapy - . In the
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Magda Tsotskhalashvili,Shota Rustav
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of target audience.The theme also i
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