saxelovnebo mecnierebaTa Ziebani #4 (53), 2012 ART SCIENCE ...

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maka doliZefaSizmi~ 1 warmoadgens am oris urTierTkavSiriskvlevas. igi daiwera germaniis ekonomikuri krizisis(1930-1933) periodSi. usaxelo masebis fsiqologiuristruqtura mTlianad damokidebulia avtoritetze,radgan dakarguli aqvs Tavisuflebisaken ltolvada yvelanairi misticizmisaTvis umaRlesi xarisxiTxdeba xelmisawvdomi.Fraixma kacobriobis ganviTarebisistoriuli etapebi ganixila masebis fsiqologiuristruqturis WrilSi da dagvanaxa,rom faSizmi romelimeperiodisTvis damaxasiaTebeli movlena ki araa, aramedsul arsebobs da Cven mis transformirebul saxeobebTangvaqvs an gveqneba saqme.misticizmisaken midrekilebebs adamianurimoTxovnilebebis (seqsualurobis) daTrgunva iwvevs.`sabWoTa qalebis~ cnobili frTosani gamoTqma: `CvenTan,sabWoTa kavSirSi, seqsi ar aris!~, romelic dRemdeanekdotur magaliTad aRiqmeba sazogadoebaSi,lakoniuradadasturebs aseTi sayovelTao daTrgunvis politikisarsebobas. dRemdec ki bevrisaTvis Seuracxmyofel damtkivneul Sefasebad rCeba faSisturi simptomebissocializmTan kavSirSi ganxilva, ris mizezadac mimaCnia,rom postsabWoTa sazogadoebas gabeduleba ar hyofnis,aRiaros sakuTari warsulis mankierebani, rac kidev erTidasturia imisa, rom am wnexisagan ver vTavisufldebiT.aq aRar SevCerdebiT mosazrebaze sabWoTa adamianismoraluri saxis ùnikalurobis~ Sesaxeb, sayovelTaodcnobil dogmatur Sexedulebebze, romlebic sruliadgamoricxavdnen seqsualurobas, seqsualuri ltolvisfaqtors. saxelmwifos marTvis ori erTnairad utopiurimodelis msoflio batonobisaTvis Setakeba kanonzomierimovlena iyo, aseve kanonzomieria germaniis damarcxebaam omSi da meore imperiuli saxelmwifos _ sabWoTakavSiris daSla.1ix. Reich, Wilhelm. Massenpsychologie Des Faschismus. Kopenhagen:Sexualpolitik, 193386
kinos (germaniis sinamdvileSic) gaaCnia erovnulicnobieris naTlad gamoxatvis, istoriul movlenaTaprocesSi sazogadoebis ganwyobilebaTa Tanmimdevruliasaxvisa da masze zemoqmedebis SesaZleblobebi. cnobilimwerali, Jurnalisti, sociologi, kulturis kritikosida kinos Teoretikosi zigfrid krakaueri wers:`filmebi asaxaven ara imdenad gansazRvrul Sexedulebebs,ramdenadac koleqtiuri sulierebis Rrma Sreebisfsiqologiur ganwyobebs, romlebic Semecnebaze ufroRrmad ileqebian. socialuri fsiqologiis gabatonebulitendenciebis Sesaxeb SesaZlebelia bevris gagebapopularuli Jurnalebis,radiogadacemebis,bestselerebis,moduri leqsikisa da xalxis kulturuli cxovrebissxva saxeobebidan, magram am wyaroebs kinematografi bevrrameSi jobnis. kinokameris mravalnairad gamoyenebis,montaJisa da sxva specifikuri xerxebis saSualebiT,filmebs SeuZliaT da kidevac valdebuli arian,yuradRebiT daakvirdnen xiluli samyaros erTiansuraTs. misi aTvisebis Sedegad gvevlineba is,rasacEervinpanofskim `sivrcis dinamizacia~ uwoda: `kinoTeatrSi...mayurebeli adgilze zis mxolod fizikuri gagebiT...esTetikurad igi imyofeba mudmiv moZraobaSi, ramdenadacTvali gaigivebulia kinokameris obieqtivTan, romelicsxvadasxva mimarTulebiT gamudmebiT gadaadgildeba daicvlis xedvis kuTxes. sivrce mayurebels warmoudgebaiseTive moZraobaSi, rogorSic TviTon imyofeba. sivrceSimoZraoben ara marto mkvrivi sxeulebi, aramed moZraobsTviT sivrcec.~ 1swored kinos es Tviseba gamoiyenes germanel erSifaSisturi ideologiis dasamkvidreblad. kinos da,gansakuTrebiT, dokumentur kinos, mesame raixis periodSipirvelxarisxovani saxelmwifo-politikuri mniSvneloba1Kracauer, Siegfried. From Kaligari to Hitler. Princeton: Princeton UniversityPress, 2004, p.3germanuli faSizmi da propagandistuli filmebi87
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saqarTvelos SoTa rusTavelis Teatris
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Shota Rustaveli Theatre and Film Ge
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manana lekboraSvilimontaJi da redaq
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CONTENTSTHEATRE STUDIESGVANTSA GULI
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NINO TSITLANADZEGeorgian Theatre As
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Teatrmcodneoba11
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Teatrzec. revoluciuri kataklizmebis
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Tanamedrove qarTuli Teatris problem
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a) speqtaklis, performansis ganxorc
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ugulebelyofs da dros sivrciT urTier
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moCarCoebul sivrcesa Tu sibrtyeSi g
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cenografiuli kompoziciis sakiTxisaT
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cenografiuli kompoziciis sakiTxisaT
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aqtualuria, oRond dro ara marto aCq
Page 35 and 36: cenografiuli kompoziciis sakiTxisaT
Page 37 and 38: cenografiuli kompoziciis sakiTxisaT
Page 39 and 40: natalia diRmelaSvili,saqarTvelos So
Page 41 and 42: Tanamedrove midgomebis danergva cek
Page 51 and 52: stilisturi forma ki araa, sxva form
Page 53 and 54: mdgomareobs, rom is saSualebas mogv
Page 55 and 56: Mmsaxiobis ostatobis sxvadasxvameTo
Page 57 and 58: Tamar firosmanaSvili,saqarTvelos So
Page 59 and 60: qoreografia dramatul speqtaklSi da
Page 61 and 62: qoreografia dramatul speqtaklSi da
Page 63 and 64: da mimdinareobas ver mivakuTvnebT.
Page 65 and 66: avgust strindbergisìntimuri Teatri
Page 67 and 68: koleqtiuri kiTxva da personaJebis a
Page 69 and 70: avgust strindbergisìntimuri Teatri
Page 71 and 72: (idealur SemTxvevaSi _ guli plus go
Page 73 and 74: pirovnebis mniSvneloba samsaxiobo x
Page 75: kinomcodneoba75
Page 78 and 79: Tamar barTaiaamis gamo uars nu ityv
Page 80 and 81: Tamar barTaiasadac orjer ori aucile
Page 82 and 83: Tamar barTaiargoli unda iyos. maSin
Page 84 and 85: Tamar barTaiagaumarTlebeli iqneba a
Page 88 and 89: maka doliZeeniWeboda. 1939 wlidan g
Page 90 and 91: maka doliZefilmebic, magaliTad, reJ
Page 92 and 93: maka doliZevaJis cudi zegavlenisaga
Page 94 and 95: maka doliZeda misi adgili SeevsoT f
Page 96 and 97: 96nikoloz kereseliZe,saqarTvelos So
Page 98 and 99: nikoloz kereseliZesaCvenebeli da Su
Page 100 and 101: nikoloz kereseliZerogorc `Teatris p
Page 102 and 103: nikoloz kereseliZeteleviziaSic, Toj
Page 104 and 105: nikoloz kereseliZesanaxaobiTi xelov
Page 106 and 107: nikoloz kereseliZevaldebulebebs am
Page 108 and 109: manana lekboraSvili,saqarTvelos SoT
Page 110 and 111: manana lekboraSviligadabma xdeboda
Page 112 and 113: manana lekboraSviliklasikuri montaJ
Page 114 and 115: manana lekboraSviliikiTxeboda. amgv
Page 116 and 117: manana lekboraSvilimusikalur klipeb
Page 118 and 119: manana lekboraSvilifilmebSi adrinde
Page 120 and 121: 120mzia manjaviZe,saqarTvelos SoTa
Page 122 and 123: mzia manjaviZesubstancia Seaqvs fil
Page 124 and 125: mzia manjaviZefaseulobaze. filmSi a
Page 126 and 127: mzia manjaviZebedis ZebnaSi, xolo m
Page 128 and 129: naTia mefariSvili,saqarTvelos SoTa
Page 130 and 131: naTia mefariSviliisini axdendnen am
Page 132 and 133: naTia mefariSvilipenis filmi amerik
Page 134 and 135: naTia mefariSvilistandartebi, roca
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naTia mefariSvilisistemas, miznobri
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naTia mefariSviligamoyenebuli liter
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giorgi uRreliZ(1910) pirvelad gamoi
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giorgi uRreliZekranze xedavda ambav
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giorgi uRreliZmontaJi SeiZleba real
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146
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148
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nino dondolaZemas analogi ar moeZeb
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nino dondolaZesanaxaobisamebr, saqa
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nino dondolaZeam dros gaaSiSvlebdne
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nino dondolaZemama avTandil giorgob
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nino dondolaZetardeboda, rasac XIX
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nino dondolaZe`bekikeebi~ #6`gvergv
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Tamar sarCimeliZeriTmi xelovnebaSir
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Tamar sarCimeliZeSinaarsobrivi dina
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Tamar sarCimeliZeriTmulobidan gamom
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Tamar sarCimeliZeganvixiloT ufro de
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Tamar sarCimeliZegaremo da formac w
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Tamar sarCimeliZesur. 7 lakazisur.
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174qeTevan oCxikiZe,saqarTvelos SoT
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qeTevan oCxikiZeZiriTadad, `jojoxeT
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qeTevan oCxikiZedavadginoT maT Sori
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qeTevan oCxikiZexarisxis gamo, amis
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qeTevan oCxikiZeTiToeuli maTgani ga
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qeTevan oCxikiZeredaqciiT aris moce
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qeTevan oCxikiZegamoyenebuli litera
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Sorena fxakaZe2009-dan dRemde - ton
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Sorena fxakaZeaxal Strixad iqca mxa
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Sorena fxakaZexelovnebis axal etapz
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avTandil CaCava,saqarTvelos SoTa ru
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avTandil CaCavaimereTSi niRabs `kva
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avTandil CaCavaxaris rqebs imagrebd
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avTandil CaCavapatarZals ganasaxier
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avTandil CaCavaerTmaneTs maTi mzera
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204
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vladimer (lado) tatiSvilime rwyu li
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vladimer (lado) tatiSviliwyo bi le
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vladimer (lado) tatiSviliwons, mo i
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vladimer (lado) tatiSvilireklamas S
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mzia zautaSvilistiliT Semoifargleba
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mzia zautaSviliratom TiToeuli saleq
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mzia zautaSvilimeSveobiT daganaxebT
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mzia zautaSviliteleJurnalistika, mx
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222
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malxaz Rvinjiliaar iTxovs, radgan a
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malxaz Rvinjiliaavadmyofobis gamo,v
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malxaz RvinjiliadazRvevis saerTaSor
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magda cocxalaSvili,saqarTvelos SoTa
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magda cocxalaSvilidakavSirebuli Rir
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magda cocxalaSvilikulturuli fena, u
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magda cocxalaSvili`literaturuli saq
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magda cocxalaSviliuzrunvelyofa da o
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nino wiTlanaZe,saqarTvelos SoTa rus
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nino wiTlanaZedaTvlasa da Sejamebas
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nino wiTlanaZeefeqturi amuSaveba);_
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nino wiTlanaZeiseTi Tanamedrove teq
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Nino Gunia-Kuznetsova,Shota Rustave
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the plastic characteristics of the
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the victory or labor. So, in antiqu
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is the title and not only the profe
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he shows us that fascism is an eter
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participates in scenic creativity,
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Together with music special sound e
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uilding. When we put the bricks cor
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In village, Putieti, the weekly rit
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integrity is the rhythm.Rhythm (Gre
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The academy has two centres. The fi
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MEDIA STUDIESMzia Zautashvili,Shota
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called musical therapy - . In the
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Magda Tsotskhalashvili,Shota Rustav
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of target audience.The theme also i
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278
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