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saxelovnebo mecnierebaTa Ziebani #4 (53), 2012 ART SCIENCE ...

saxelovnebo mecnierebaTa Ziebani #4 (53), 2012 ART SCIENCE ...

saxelovnebo mecnierebaTa Ziebani #4 (53), 2012 ART SCIENCE ...

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CONTENTSTHEATRE STUDIESGVANTSA GULIASHVILIChallenges And Problem Of The Modern Georgian Theatre .........247NINO GUNIA-KUZNETSOVAOn Scenographic Composition ......................................................248NATALIA DIGMELASHVILIModern Approaches Introduction Of To The Study Of Dance ......249GIORGI SAVANELILearning Advantages With Different Methodology Of Actor’s Skills- The Learning Course With The Brekht’s Theatrical Method AndIts Inculcation On The Faculty Of Acting .......................................250TAMAR PIROSMANASHVILIThe Role Of Choreography In A PlayAnd It’s Teaching Methods .............................................................251NINO QIRIA“The Intimate Theatre” Of August Strindberg And GeorgiaNTheatrical Space(“The Dance Of Death» In The Underground Theatre) .................252NANA KHUSKIVADZEFreshman Of Doctoral Candidacy(Creative Pedagogy)The Meaning Of Personality In Theatrical Art ...............................2<strong>53</strong>FILM STUDIESTAMAR B<strong>ART</strong>AIAThe Idea, Plot And Its Writing Specificity ......................................255MAKA DOLIDZEGerman Fascism And Propaganda Films .......................................255NICK KERESELIDZEPuppets As Actors In Theater And On Television .........................257MZIA MANJAVIDZESound And Its Conceptual Role In Films Of Otar Iosseliani ..........259GIORGI UGRELIDZEQuestion Of Montage In Silent ,In Sound FilmsAnd In Television ............................................................................2617

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