saxelovnebo mecnierebaTa Ziebani #4 (53), 2012 ART SCIENCE ...

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nino qiria- unda hqonoda warmosaxvis unari, yofiliyodakvirvebuli, gemovnebiani, TavdaWerili, arc grZnobasunda ayoloda zedmetad da arc mxolod civi gonebiTunda emoqmeda;- kargi pertniori unda yofiliyo;- msaxiobs kargi metyveleba unda hqonoda: `zustadnapovni intonacia yvelafers gansazRvravs:Jestikulacias,mimikas, pozas, scenaze adgilis moZebnas da sxv.~ 1 ;- artists erTxel mignebuli warmatebuli xerximudmivad ar unda gamoeyenebina, radgan: `mxolod efeqtismosaxdenad mimarTuli nebismieri xerxi – manerulobaa~ 2da xSirad `stilis grZnobis ukmarobacaa~ 3 ;- kargad unda gaeazrebina Janri,stili. improvizaciisunariT unda yofiliyo gamorCeuli. `niWieri pirovnebaar iketeba rolis CarCoebSi, mTeli arsebiT eZlevaTamaSs~ 4 ;- àrtisti unda flobdes rols da ara roli –artists~. 5rac Seexeba reJisors:- is didi moTminebisa da dakvirvebis unariT undagamorCeuliyo, raTa saTanadod Seefasebina artistisSesaZleblobebi, radgan msaxiobebs `SeiZleba monacemebihqondeT, magram ver amJRavnebdnen maT~ 6 ;- mas unda aexsna da mieTiTebina artistisTvis amaTu im scenaSi Sesrulenis manera da stili. magramaraviTar SemTxvevaSi Tavad ar unda eCvenebina, radganamiT SeiZleba `msaxiobis individualoba Caklas~ 7 ;- reJisoris organizebiT unda momxdariyo piesis1Ria werili intimur Teatrs, wignSi: skandinaviuri eseebi, Tb., 1992,gv. 1312iqve, gv. 1373iqve, gv. 1364iqve, gv. 1375iqve, gv. 1376iqve, gv. 1297iqve, gv. 13366
koleqtiuri kiTxva da personaJebis analizi;- repeticiaze rolis Sesrulebisas, msaxiobis SeCerebadauSvebeli iyo, radgan artistisTvis Znelia: `kvlavZvel mdgomareobas daubrundes, aRidginos ganwyobilebada intonacia~ 1 ;- reJisors unda Seeqmna ansambluri speqtakli.`msaxiobs rac SeiZleba meti Tavisufleba undamianiWo~ 2 ,_ ganagrZobs avgust strindbergi,_ àraerTxelSeminiSnavs generalur repeticiaze, rogor cvlidaartisti Cems Canafiqrs. Tuki davrwmundi, rom misiTamaSi mofiqrebuli muSaobis Sedegi iyo da mTlianobaSiar arRvevda moqmedebas, msaxiobs saSualebas vaZlevdieTamaSa Tavis nebaze~ 3 .avgust strindbergma SeZlo Tavisi Sexedulebebispraqtikulad ganxorcieleba. im droisTvis ìntimurmaTeatrma~ mniSvnelovani roli Seasrula reJisurisdamoukidebel profesiad Camoyalibebasa da ansamblurispeqtaklis Seqmnis procesSi. magram, unda aRiniSnos, romdramaturgis Teoriuli Sexedulebebi originalobiTar gamoirCeoda, radgan evropis sxvadasxva TeatrSimsgavsi reformebi xorcieldeboda. Tavad avguststrindbergic aRniSnavda, rom agrZelebda TavisTanamedrove cnobili reJisorebis _ andre antuanisada maqs reinhardtis mier ganxorcielebul reformebsda maTi Tanamoazre iyo. rac Seexeba strindbergisdramaturgias, man marTlac waruSleli kvali datova daudidesi gavlena iqonia XIX-XX saukunis literaturasada Teatrze. misi piesebi dResac Tanamedrove daaqtualuria.xSirad gamoiTqmis azri, rom Svedi dramaturgisnawarmoebebisadmi interesi gansakuTrebiT izrdeba1Ria werili intimur Teatrs, wignSi: skandinaviuri eseebi. Tb., 1992,gv. 1302iqve, gv. 1393iqve, gv. 138avgust strindbergisìntimuri Teatri~ da qarTuli Teatraluri sivrce67
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saqarTvelos SoTa rusTavelis Teatris
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Shota Rustaveli Theatre and Film Ge
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manana lekboraSvilimontaJi da redaq
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CONTENTSTHEATRE STUDIESGVANTSA GULI
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NINO TSITLANADZEGeorgian Theatre As
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Teatrmcodneoba11
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Teatrzec. revoluciuri kataklizmebis
Page 15 and 16: Tanamedrove qarTuli Teatris problem
Page 23 and 24: a) speqtaklis, performansis ganxorc
Page 25 and 26: ugulebelyofs da dros sivrciT urTier
Page 27 and 28: moCarCoebul sivrcesa Tu sibrtyeSi g
Page 29 and 30: cenografiuli kompoziciis sakiTxisaT
Page 33 and 34: aqtualuria, oRond dro ara marto aCq
Page 39 and 40: natalia diRmelaSvili,saqarTvelos So
Page 41 and 42: Tanamedrove midgomebis danergva cek
Page 51 and 52: stilisturi forma ki araa, sxva form
Page 53 and 54: mdgomareobs, rom is saSualebas mogv
Page 55 and 56: Mmsaxiobis ostatobis sxvadasxvameTo
Page 57 and 58: Tamar firosmanaSvili,saqarTvelos So
Page 59 and 60: qoreografia dramatul speqtaklSi da
Page 61 and 62: qoreografia dramatul speqtaklSi da
Page 63 and 64: da mimdinareobas ver mivakuTvnebT.
Page 65: avgust strindbergisìntimuri Teatri
Page 69 and 70: avgust strindbergisìntimuri Teatri
Page 71 and 72: (idealur SemTxvevaSi _ guli plus go
Page 73 and 74: pirovnebis mniSvneloba samsaxiobo x
Page 75: kinomcodneoba75
Page 78 and 79: Tamar barTaiaamis gamo uars nu ityv
Page 80 and 81: Tamar barTaiasadac orjer ori aucile
Page 82 and 83: Tamar barTaiargoli unda iyos. maSin
Page 84 and 85: Tamar barTaiagaumarTlebeli iqneba a
Page 86 and 87: maka doliZefaSizmi~ 1 warmoadgens a
Page 88 and 89: maka doliZeeniWeboda. 1939 wlidan g
Page 90 and 91: maka doliZefilmebic, magaliTad, reJ
Page 92 and 93: maka doliZevaJis cudi zegavlenisaga
Page 94 and 95: maka doliZeda misi adgili SeevsoT f
Page 96 and 97: 96nikoloz kereseliZe,saqarTvelos So
Page 98 and 99: nikoloz kereseliZesaCvenebeli da Su
Page 100 and 101: nikoloz kereseliZerogorc `Teatris p
Page 102 and 103: nikoloz kereseliZeteleviziaSic, Toj
Page 104 and 105: nikoloz kereseliZesanaxaobiTi xelov
Page 106 and 107: nikoloz kereseliZevaldebulebebs am
Page 108 and 109: manana lekboraSvili,saqarTvelos SoT
Page 110 and 111: manana lekboraSviligadabma xdeboda
Page 112 and 113: manana lekboraSviliklasikuri montaJ
Page 114 and 115: manana lekboraSviliikiTxeboda. amgv
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manana lekboraSvilimusikalur klipeb
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manana lekboraSvilifilmebSi adrinde
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120mzia manjaviZe,saqarTvelos SoTa
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mzia manjaviZesubstancia Seaqvs fil
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mzia manjaviZefaseulobaze. filmSi a
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mzia manjaviZebedis ZebnaSi, xolo m
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naTia mefariSvili,saqarTvelos SoTa
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naTia mefariSviliisini axdendnen am
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naTia mefariSvilipenis filmi amerik
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naTia mefariSvilistandartebi, roca
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naTia mefariSvilisistemas, miznobri
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naTia mefariSviligamoyenebuli liter
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giorgi uRreliZ(1910) pirvelad gamoi
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giorgi uRreliZekranze xedavda ambav
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giorgi uRreliZmontaJi SeiZleba real
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146
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148
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nino dondolaZemas analogi ar moeZeb
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nino dondolaZesanaxaobisamebr, saqa
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nino dondolaZeam dros gaaSiSvlebdne
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nino dondolaZemama avTandil giorgob
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nino dondolaZetardeboda, rasac XIX
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nino dondolaZe`bekikeebi~ #6`gvergv
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Tamar sarCimeliZeriTmi xelovnebaSir
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Tamar sarCimeliZeSinaarsobrivi dina
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Tamar sarCimeliZeriTmulobidan gamom
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Tamar sarCimeliZeganvixiloT ufro de
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Tamar sarCimeliZegaremo da formac w
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Tamar sarCimeliZesur. 7 lakazisur.
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174qeTevan oCxikiZe,saqarTvelos SoT
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qeTevan oCxikiZeZiriTadad, `jojoxeT
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qeTevan oCxikiZedavadginoT maT Sori
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qeTevan oCxikiZexarisxis gamo, amis
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qeTevan oCxikiZeTiToeuli maTgani ga
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qeTevan oCxikiZeredaqciiT aris moce
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qeTevan oCxikiZegamoyenebuli litera
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Sorena fxakaZe2009-dan dRemde - ton
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Sorena fxakaZeaxal Strixad iqca mxa
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Sorena fxakaZexelovnebis axal etapz
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avTandil CaCava,saqarTvelos SoTa ru
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avTandil CaCavaimereTSi niRabs `kva
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avTandil CaCavaxaris rqebs imagrebd
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avTandil CaCavapatarZals ganasaxier
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avTandil CaCavaerTmaneTs maTi mzera
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204
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vladimer (lado) tatiSvilime rwyu li
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vladimer (lado) tatiSviliwyo bi le
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vladimer (lado) tatiSviliwons, mo i
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vladimer (lado) tatiSvilireklamas S
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mzia zautaSvilistiliT Semoifargleba
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mzia zautaSviliratom TiToeuli saleq
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mzia zautaSvilimeSveobiT daganaxebT
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mzia zautaSviliteleJurnalistika, mx
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222
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malxaz Rvinjiliaar iTxovs, radgan a
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malxaz Rvinjiliaavadmyofobis gamo,v
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malxaz RvinjiliadazRvevis saerTaSor
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magda cocxalaSvili,saqarTvelos SoTa
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magda cocxalaSvilidakavSirebuli Rir
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magda cocxalaSvilikulturuli fena, u
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magda cocxalaSvili`literaturuli saq
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magda cocxalaSviliuzrunvelyofa da o
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nino wiTlanaZe,saqarTvelos SoTa rus
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nino wiTlanaZedaTvlasa da Sejamebas
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nino wiTlanaZeefeqturi amuSaveba);_
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nino wiTlanaZeiseTi Tanamedrove teq
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Nino Gunia-Kuznetsova,Shota Rustave
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the plastic characteristics of the
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the victory or labor. So, in antiqu
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is the title and not only the profe
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he shows us that fascism is an eter
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participates in scenic creativity,
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Together with music special sound e
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uilding. When we put the bricks cor
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In village, Putieti, the weekly rit
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integrity is the rhythm.Rhythm (Gre
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The academy has two centres. The fi
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MEDIA STUDIESMzia Zautashvili,Shota
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called musical therapy - . In the
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Magda Tsotskhalashvili,Shota Rustav
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of target audience.The theme also i
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278
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280
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saxelovnebo mecnierebaTa Ziebani #4 (53), 2012 ART SCIENCE ...

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