saxelovnebo mecnierebaTa Ziebani #4 (53), 2012 ART SCIENCE ...

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Tamar firosmanaSvilimisi personaJidan gamomdinare, TiToeul cekvas zustimniSvneloba misces, rac niSnavs imas, rom cekvisdramaturgia unda damorCildes speqtaklis dramaturgias,raTa cekva speqtaklSi iqces moqmedebad da ar darCesgamWoli moqmedebis gareT. amisTvis saWiroa, swavlisperiodSi maT mivceT amocanebi, romlebic daexmarebaTcekvis moqmedebad gadaqcevaSi. SeiZleba cekva iyosSinagani mdgomareobis gamoxatva, urTierTobis awyoba,raime sirTulis gadalaxva an garemo, sadac garkveulimizniT sruldeba cekva.umaRles Teatralur saswavleblebSi cekvisSeswavlas didi yuradReba eTmoba, radgan igi aviTarebsmsaxiobisTvis saWiro iseT unar-Cvevebs, rogorebicaa_ Sinagani intuicia, ritmis, proporciis, partniorisSegrZneba,sinqronuli moqmedeba,sivrcis aTviseba da sxva.mimaCnia, rom msaxiobisTvis cekvis swavleba am yvelafersunda emsaxurebodes da misTvis aucilebeli unar-CvevebisganviTarebisken iyos mimarTuli.adamianis Sinagan mdgomareobas, zogjer mcire doziT,magram mainc, imeorebs misi sxeuli. magaliTad, raRaciTZalian gaxarebuli an aRfrTovanebuli adamiani, romeliccdilobs ra, garSemomyofebs emocia daumalos, misiSinagani aRmafrena SeumCnevlad, magram mainc, TvalebSida mis mousvenar moZraobebSi aisaxeba. studentisTvisamis miwodeba gagviadvildeba, Tu Tavdapirveladcxovelis, frinvelis an/da usulo sagnebis xasiaTiscekviT gadmocemas davavalebT. magaliTad, Tu studendebiimdroisTvis swavloben espanur cekvas, es cekva vacekvoTmaT rogorc arwivs, niblias, mtreds, qaTams, loms, ZaRls,kurdRels da a. S.,mocemuli cxovelebisa da frinvelebisxasiaTi winaswar gansazRvravs maT Sinagan mdgomareobasada manerebs. swavlis aseTi meTodi saSualebas miscemsmaT, cekvis sxvadasxva xasiaTiT Sesruleba sxvadasxvapersonaJs miusadagon. Tumca, mxolod cekvis xasiaTis60
qoreografia dramatul speqtaklSi da misi swavlebis meTodikagansazRvra ar kmara dramatuli TeatrisTvis qmediTicekvis Sesaqmnelad. amis garda, maT unda SeZlonmusikaluri drmaturgiis wakiTxvac. amisTvis winasavarjiSos Sesruleba piriqiT mogviwevs. maT undamivceT garkveuli musikaluri kompozicia da davavaloT,Tavad amoirCion personaJi. magaliTad, valsis musikasramdenjerme mousminon da Tavad gadawyviton, arwiviicekvebs, melia Tu yvavili. amis Semdeg unda mivawodoTpersonaJebi cnobili nawarmoebebidan, magaliTad _ medea,kleopatra, antigone, hamleti, don Juani da a. S. ampersonaJebis xasiaTi garkveulwilad Stampad arisqceuli da maTi saxelis xseneba yvela CvenganSi garkveulSTabeWdilebas aRZravs. studentebisTvis maTTvis nacnobigmirebis xasiaTis morgeba mniSvnelovani iqneba imiT,rom studentebma ukve winaswar ician, visi ambavi undamogviTxron, amitom, isini iwyeben personaJis xasiaTidangamomdinare cekvas.rac Seexeba savarjiSoebs, cekvis savarjiSoebipirdapir unda imeorebdes ostatobis savarjiSoebs.magaliTad, Tu studentebi gadian yuradRebis varjiSebs,aseve cekvis leqciazec yuradRebis elementi plastikissaSualebiT unda ganviTardes. Temis mTavari mizanic esgaxlavT _ samsaxiobo fakultetis studentebisTvisqoreografia iyos maqsimalur TanxvedraSi ostatobasTan,raTa momavalSi, scenaze, ufro organulad moirgon cekvada speqtaklisTvis sasargeblod gamoiyenon.bibliografia:• vaganova a., klasikuri cekvis safuZvlebi, Tb., 1940.• WaniSvili r., werilebi qoreografiaze, Tb., 2002.• burTikaSvili al., cekvis jadoqari, Tb., 1960.• nadareiSvili l., Tanamedrove qarTuli baleti, Tb., 2002.• Гедеванишвили М. , Юрий Зарецкий, М., 1985.• Захаров Р., Беседы а танце, М., 1963.• Блок Л. Д., Классический танец, история и современность,М., 1987.61
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saqarTvelos SoTa rusTavelis Teatris
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Shota Rustaveli Theatre and Film Ge
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manana lekboraSvilimontaJi da redaq
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CONTENTSTHEATRE STUDIESGVANTSA GULI
Page 9 and 10: NINO TSITLANADZEGeorgian Theatre As
Page 11 and 12: Teatrmcodneoba11
Page 13 and 14: Teatrzec. revoluciuri kataklizmebis
Page 15 and 16: Tanamedrove qarTuli Teatris problem
Page 23 and 24: a) speqtaklis, performansis ganxorc
Page 25 and 26: ugulebelyofs da dros sivrciT urTier
Page 27 and 28: moCarCoebul sivrcesa Tu sibrtyeSi g
Page 29 and 30: cenografiuli kompoziciis sakiTxisaT
Page 33 and 34: aqtualuria, oRond dro ara marto aCq
Page 39 and 40: natalia diRmelaSvili,saqarTvelos So
Page 41 and 42: Tanamedrove midgomebis danergva cek
Page 51 and 52: stilisturi forma ki araa, sxva form
Page 53 and 54: mdgomareobs, rom is saSualebas mogv
Page 55 and 56: Mmsaxiobis ostatobis sxvadasxvameTo
Page 57 and 58: Tamar firosmanaSvili,saqarTvelos So
Page 59: qoreografia dramatul speqtaklSi da
Page 63 and 64: da mimdinareobas ver mivakuTvnebT.
Page 65 and 66: avgust strindbergis`intimuri Teatri
Page 67 and 68: koleqtiuri kiTxva da personaJebis a
Page 69 and 70: avgust strindbergis`intimuri Teatri
Page 71 and 72: (idealur SemTxvevaSi _ guli plus go
Page 73 and 74: pirovnebis mniSvneloba samsaxiobo x
Page 75: kinomcodneoba75
Page 78 and 79: Tamar barTaiaamis gamo uars nu ityv
Page 80 and 81: Tamar barTaiasadac orjer ori aucile
Page 82 and 83: Tamar barTaiargoli unda iyos. maSin
Page 84 and 85: Tamar barTaiagaumarTlebeli iqneba a
Page 86 and 87: maka doliZefaSizmi~ 1 warmoadgens a
Page 88 and 89: maka doliZeeniWeboda. 1939 wlidan g
Page 90 and 91: maka doliZefilmebic, magaliTad, reJ
Page 92 and 93: maka doliZevaJis cudi zegavlenisaga
Page 94 and 95: maka doliZeda misi adgili SeevsoT f
Page 96 and 97: 96nikoloz kereseliZe,saqarTvelos So
Page 98 and 99: nikoloz kereseliZesaCvenebeli da Su
Page 100 and 101: nikoloz kereseliZerogorc `Teatris p
Page 102 and 103: nikoloz kereseliZeteleviziaSic, Toj
Page 104 and 105: nikoloz kereseliZesanaxaobiTi xelov
Page 106 and 107: nikoloz kereseliZevaldebulebebs am
Page 108 and 109: manana lekboraSvili,saqarTvelos SoT
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manana lekboraSviligadabma xdeboda
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manana lekboraSviliklasikuri montaJ
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manana lekboraSviliikiTxeboda. amgv
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manana lekboraSvilimusikalur klipeb
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manana lekboraSvilifilmebSi adrinde
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120mzia manjaviZe,saqarTvelos SoTa
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mzia manjaviZesubstancia Seaqvs fil
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mzia manjaviZefaseulobaze. filmSi a
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mzia manjaviZebedis ZebnaSi, xolo m
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naTia mefariSvili,saqarTvelos SoTa
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naTia mefariSviliisini axdendnen am
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naTia mefariSvilipenis filmi amerik
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naTia mefariSvilistandartebi, roca
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naTia mefariSvilisistemas, miznobri
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naTia mefariSviligamoyenebuli liter
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giorgi uRreliZ(1910) pirvelad gamoi
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giorgi uRreliZekranze xedavda ambav
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giorgi uRreliZmontaJi SeiZleba real
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146
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148
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nino dondolaZemas analogi ar moeZeb
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nino dondolaZesanaxaobisamebr, saqa
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nino dondolaZeam dros gaaSiSvlebdne
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nino dondolaZemama avTandil giorgob
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nino dondolaZetardeboda, rasac XIX
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nino dondolaZe`bekikeebi~ #6`gvergv
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Tamar sarCimeliZeriTmi xelovnebaSir
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Tamar sarCimeliZeSinaarsobrivi dina
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Tamar sarCimeliZeriTmulobidan gamom
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Tamar sarCimeliZeganvixiloT ufro de
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Tamar sarCimeliZegaremo da formac w
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Tamar sarCimeliZesur. 7 lakazisur.
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174qeTevan oCxikiZe,saqarTvelos SoT
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qeTevan oCxikiZeZiriTadad, `jojoxeT
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qeTevan oCxikiZedavadginoT maT Sori
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qeTevan oCxikiZexarisxis gamo, amis
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qeTevan oCxikiZeTiToeuli maTgani ga
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qeTevan oCxikiZeredaqciiT aris moce
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qeTevan oCxikiZegamoyenebuli litera
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Sorena fxakaZe2009-dan dRemde - ton
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Sorena fxakaZeaxal Strixad iqca mxa
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Sorena fxakaZexelovnebis axal etapz
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avTandil CaCava,saqarTvelos SoTa ru
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avTandil CaCavaimereTSi niRabs `kva
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avTandil CaCavaxaris rqebs imagrebd
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avTandil CaCavapatarZals ganasaxier
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avTandil CaCavaerTmaneTs maTi mzera
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204
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vladimer (lado) tatiSvilime rwyu li
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vladimer (lado) tatiSviliwyo bi le
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vladimer (lado) tatiSviliwons, mo i
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vladimer (lado) tatiSvilireklamas S
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mzia zautaSvilistiliT Semoifargleba
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mzia zautaSviliratom TiToeuli saleq
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mzia zautaSvilimeSveobiT daganaxebT
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mzia zautaSviliteleJurnalistika, mx
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222
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malxaz Rvinjiliaar iTxovs, radgan a
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malxaz Rvinjiliaavadmyofobis gamo,v
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malxaz RvinjiliadazRvevis saerTaSor
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magda cocxalaSvili,saqarTvelos SoTa
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magda cocxalaSvilidakavSirebuli Rir
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magda cocxalaSvilikulturuli fena, u
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magda cocxalaSvili`literaturuli saq
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magda cocxalaSviliuzrunvelyofa da o
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nino wiTlanaZe,saqarTvelos SoTa rus
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nino wiTlanaZedaTvlasa da Sejamebas
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nino wiTlanaZeefeqturi amuSaveba);_
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nino wiTlanaZeiseTi Tanamedrove teq
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Nino Gunia-Kuznetsova,Shota Rustave
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the plastic characteristics of the
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the victory or labor. So, in antiqu
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is the title and not only the profe
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he shows us that fascism is an eter
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participates in scenic creativity,
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Together with music special sound e
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uilding. When we put the bricks cor
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In village, Putieti, the weekly rit
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integrity is the rhythm.Rhythm (Gre
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The academy has two centres. The fi
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MEDIA STUDIESMzia Zautashvili,Shota
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called musical therapy - . In the
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Magda Tsotskhalashvili,Shota Rustav
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of target audience.The theme also i
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278
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