saxelovnebo mecnierebaTa Ziebani #4 (53), 2012 ART SCIENCE ...

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Tamar firosmanaSvilixdeba Teatrisa da qoreografiis acdena? albaT imitom,rom zogjer dadgmis procesSi, cekvas viyenebT rogorclamaz moZraobaTa kompozicias da Semdeg aRmoCndeba, rommisi dramaturgia xels uSlis speqtaklis dramaturgiulganviTarebas, vinaidan, rogorc zemoT aRvniSneT,qoreografia safuZvelSi Tavad aris Teatralizebulisanaxaoba. imisaTvis, rom amgvar Seusabamobas ar hqondesadgili, xelovnebis am ori dargis Serwymas ufrosaTuTad unda mivudgeT. pirvel rigSi unda davrwmundeT,rom speqtaklSi namdvilad gvWirdeba cekva, vinaidancekvis auclebloba unda gamomdinareobdes speqtaklisdramaturgiidan. amas zogjer remarkebSi gvkarnaxobspiesis avtori, zogjer mocemuli garemoebisgan viRebTmiTiTebas, zogjer ki personaJis Sinagani Tu garegnuliTvisebebi gvibiZgebs cekvis Sesrulebisken. nebismierSemTxvevaSi, Tu qoreografia aris piesis Semadgenelinawili, maTi urTierTkavSiri saimedo da sainteresoa.amis misaRwevad erT-erTi aucilebeli da mniSvnelovanipirobaa msaxiobis specialuri momzadeba. etiudebisa dasavarjiSoebis daxmarebiT maT unda instinqtis donezegamoumuSavdeT cekviT moqmedebis unari.TeatrisaTvis amomavali wertili moqmedebaa. Tumsaxiobs mivuTiTebT aRiqvas cekva _ rogorc moqmedeba,maSin qoreografia funqciurad dauaxlovdeba Teatrsda maTi urTierTqmedeba harmoniuli gaxdeba. speqtaklSiqoreografiis Sesrulebisken ramdenime garemoebagvibiZgebs, erT-erTi gavrcelebuli variantia, rodesacpiesaSi Tavad avtori migviTiTebs cekvis Sesrulebaze,es imas niSnavs, rom igi garkveul moTxovnas gviyenebsda Sesabamis pasuxismgeblobasac gvakisrebs. arsebobspiesebi, sadac remarkebSi pirdapiraa miTiTebuli _„cekvaven!“. lope de vega piesaSi „cekvis maswavlebeli“uamrav cekvas gvTavazobs, aRsaniSnavia isic, rom piesaSinaxsenebia imdroisTvis msoflioSi gavrcelebuli yvela58
qoreografia dramatul speqtaklSi da misi swavlebis meTodikapopularuli cekva: „tarantela“, „havana“, „bolero“,„navara“ da a. S. am cekvebis dasaxelebiT, avtorimigvaniSnebs, rom speqtaklSi SegviZlia am cekvebisgamoyeneba, raTa speqtaklis moqmedeba Tanadrouli iyosepoqasTan. yvela cekvas Tan axlavs garkveuli siuJeti,ris mixedviTac SegviZlia piesaSi xsenebuli uamravigansxvavebuli ritmis, tempisa da xasiaTis cekvebidanSevarCioT Sesabamisi cekva. garda amisa,mocemuli cekvebimusikalurad gvexmareba speqtaklis Sinagani ritmisSerCevaSic.arsebobs avtoris mier cekvis miTiTebis meore formac,rodesac avtori cekvaze ki ar migvaniSnebs, aramedim situaciaze, sadac cekva aris saWiro. magaliTad u.Seqspiri piesaSi „romeo da julieta“ pirveli moqmedebismexuTe suraTSi gvawvdis informacias, rom lxiniiqneba, iseT garemos gvixatavs, rom gvaiZulebs cekvisSesrulebas. remarkebSi gveubneba,rom Semodian musikosebi,aseve sazeimod gamowyobili niRbiani kapuletebi damaTi stumrebi. Seqspiri, lope de vegasgan gansxvavebiT,arc cekvaze migviTiTebs da arc Sesasrulebel cekvasgvisaxelebs, magram garemos gviqmnis cekvisTvis.cekvisken SeiZleba uamravma garemoebam gvibiZgos,magaliTad _ qorwili, mejlisi, dReoba, saxalxodResaswauli, karnavali _ yvela es garemoeba meoreplanze mainc asocirdeba cekvasTan. Tumca cekva,romelicspeqtaklSi karnavalze Sesruldeba, unda iyos arakarnavalisTvis, aramed im mTavari ideisTvis, risTvisackarnavalis dadgma gaxda aucilebeli.erT ram naTelia, rom msaxiobs cekvis gansxvavebuliswavla sWirdeba. misTvis, garda ileTebis swavlisa,aucilebelia cekvis samsaxiobo ostatobiT Sesrulebada plastikis gamoyeneba saWiro dros da saWiroadgilze. rogorc viciT, scenaze arc erTi moqmedebaubralod ar sruldeba, amitom msaxiobma unda SeZlos,59
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saqarTvelos SoTa rusTavelis Teatris
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Shota Rustaveli Theatre and Film Ge
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manana lekboraSvilimontaJi da redaq
Page 7 and 8: CONTENTSTHEATRE STUDIESGVANTSA GULI
Page 9 and 10: NINO TSITLANADZEGeorgian Theatre As
Page 11 and 12: Teatrmcodneoba11
Page 13 and 14: Teatrzec. revoluciuri kataklizmebis
Page 15 and 16: Tanamedrove qarTuli Teatris problem
Page 23 and 24: a) speqtaklis, performansis ganxorc
Page 25 and 26: ugulebelyofs da dros sivrciT urTier
Page 27 and 28: moCarCoebul sivrcesa Tu sibrtyeSi g
Page 29 and 30: cenografiuli kompoziciis sakiTxisaT
Page 33 and 34: aqtualuria, oRond dro ara marto aCq
Page 39 and 40: natalia diRmelaSvili,saqarTvelos So
Page 41 and 42: Tanamedrove midgomebis danergva cek
Page 51 and 52: stilisturi forma ki araa, sxva form
Page 53 and 54: mdgomareobs, rom is saSualebas mogv
Page 55 and 56: Mmsaxiobis ostatobis sxvadasxvameTo
Page 57: Tamar firosmanaSvili,saqarTvelos So
Page 61 and 62: qoreografia dramatul speqtaklSi da
Page 63 and 64: da mimdinareobas ver mivakuTvnebT.
Page 65 and 66: avgust strindbergis`intimuri Teatri
Page 67 and 68: koleqtiuri kiTxva da personaJebis a
Page 69 and 70: avgust strindbergis`intimuri Teatri
Page 71 and 72: (idealur SemTxvevaSi _ guli plus go
Page 73 and 74: pirovnebis mniSvneloba samsaxiobo x
Page 75: kinomcodneoba75
Page 78 and 79: Tamar barTaiaamis gamo uars nu ityv
Page 80 and 81: Tamar barTaiasadac orjer ori aucile
Page 82 and 83: Tamar barTaiargoli unda iyos. maSin
Page 84 and 85: Tamar barTaiagaumarTlebeli iqneba a
Page 86 and 87: maka doliZefaSizmi~ 1 warmoadgens a
Page 88 and 89: maka doliZeeniWeboda. 1939 wlidan g
Page 90 and 91: maka doliZefilmebic, magaliTad, reJ
Page 92 and 93: maka doliZevaJis cudi zegavlenisaga
Page 94 and 95: maka doliZeda misi adgili SeevsoT f
Page 96 and 97: 96nikoloz kereseliZe,saqarTvelos So
Page 98 and 99: nikoloz kereseliZesaCvenebeli da Su
Page 100 and 101: nikoloz kereseliZerogorc `Teatris p
Page 102 and 103: nikoloz kereseliZeteleviziaSic, Toj
Page 104 and 105: nikoloz kereseliZesanaxaobiTi xelov
Page 106 and 107: nikoloz kereseliZevaldebulebebs am
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manana lekboraSvili,saqarTvelos SoT
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manana lekboraSviligadabma xdeboda
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manana lekboraSviliklasikuri montaJ
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manana lekboraSviliikiTxeboda. amgv
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manana lekboraSvilimusikalur klipeb
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manana lekboraSvilifilmebSi adrinde
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120mzia manjaviZe,saqarTvelos SoTa
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mzia manjaviZesubstancia Seaqvs fil
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mzia manjaviZefaseulobaze. filmSi a
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mzia manjaviZebedis ZebnaSi, xolo m
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naTia mefariSvili,saqarTvelos SoTa
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naTia mefariSviliisini axdendnen am
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naTia mefariSvilipenis filmi amerik
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naTia mefariSvilistandartebi, roca
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naTia mefariSvilisistemas, miznobri
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naTia mefariSviligamoyenebuli liter
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giorgi uRreliZ(1910) pirvelad gamoi
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giorgi uRreliZekranze xedavda ambav
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giorgi uRreliZmontaJi SeiZleba real
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146
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148
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nino dondolaZemas analogi ar moeZeb
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nino dondolaZesanaxaobisamebr, saqa
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nino dondolaZeam dros gaaSiSvlebdne
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nino dondolaZemama avTandil giorgob
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nino dondolaZetardeboda, rasac XIX
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nino dondolaZe`bekikeebi~ #6`gvergv
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Tamar sarCimeliZeriTmi xelovnebaSir
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Tamar sarCimeliZeSinaarsobrivi dina
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Tamar sarCimeliZeriTmulobidan gamom
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Tamar sarCimeliZeganvixiloT ufro de
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Tamar sarCimeliZegaremo da formac w
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Tamar sarCimeliZesur. 7 lakazisur.
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174qeTevan oCxikiZe,saqarTvelos SoT
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qeTevan oCxikiZeZiriTadad, `jojoxeT
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qeTevan oCxikiZedavadginoT maT Sori
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qeTevan oCxikiZexarisxis gamo, amis
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qeTevan oCxikiZeTiToeuli maTgani ga
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qeTevan oCxikiZeredaqciiT aris moce
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qeTevan oCxikiZegamoyenebuli litera
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Sorena fxakaZe2009-dan dRemde - ton
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Sorena fxakaZeaxal Strixad iqca mxa
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Sorena fxakaZexelovnebis axal etapz
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avTandil CaCava,saqarTvelos SoTa ru
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avTandil CaCavaimereTSi niRabs `kva
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avTandil CaCavaxaris rqebs imagrebd
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avTandil CaCavapatarZals ganasaxier
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avTandil CaCavaerTmaneTs maTi mzera
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204
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vladimer (lado) tatiSvilime rwyu li
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vladimer (lado) tatiSviliwyo bi le
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vladimer (lado) tatiSviliwons, mo i
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vladimer (lado) tatiSvilireklamas S
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mzia zautaSvilistiliT Semoifargleba
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mzia zautaSviliratom TiToeuli saleq
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mzia zautaSvilimeSveobiT daganaxebT
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mzia zautaSviliteleJurnalistika, mx
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222
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malxaz Rvinjiliaar iTxovs, radgan a
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malxaz Rvinjiliaavadmyofobis gamo,v
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malxaz RvinjiliadazRvevis saerTaSor
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magda cocxalaSvili,saqarTvelos SoTa
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magda cocxalaSvilidakavSirebuli Rir
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magda cocxalaSvilikulturuli fena, u
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magda cocxalaSvili`literaturuli saq
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magda cocxalaSviliuzrunvelyofa da o
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nino wiTlanaZe,saqarTvelos SoTa rus
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nino wiTlanaZedaTvlasa da Sejamebas
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nino wiTlanaZeefeqturi amuSaveba);_
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nino wiTlanaZeiseTi Tanamedrove teq
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Nino Gunia-Kuznetsova,Shota Rustave
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the plastic characteristics of the
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the victory or labor. So, in antiqu
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is the title and not only the profe
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he shows us that fascism is an eter
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participates in scenic creativity,
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Together with music special sound e
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uilding. When we put the bricks cor
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In village, Putieti, the weekly rit
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integrity is the rhythm.Rhythm (Gre
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The academy has two centres. The fi
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MEDIA STUDIESMzia Zautashvili,Shota
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called musical therapy - . In the
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Magda Tsotskhalashvili,Shota Rustav
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of target audience.The theme also i
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