saxelovnebo mecnierebaTa Ziebani #4 (53), 2012 ART SCIENCE ...

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giorgi savaneliperiodSi, roca brexti ayalibebda Tavis TeatraluresTetikas _ es iyo faSizmis momZlavrebis da zeobisxana, germaneli eris cxovrebaSi didi gardaqmnebisda qveynis Camoyalibebis procesi. msgavsi procesebiCvenTan jer kidev ar damTavrebula; amitom msgavsisaxis Teatraluri forma da misi principebis codnamsaxiobisaTvis CvenTan dResac aqtualuria da SeuZliadidi samsaxuri gaswios.ZiriTadi siaxle iqneba _ brextis meTodiT, msaxiobisostatobis swavlebis ganxorcielebisaTvis, pirvelisafuZvliani da Tanmimdevruli namuSevari.Gganxiluliiqneba `gancdis~ Teatrisa da brextis meTodis mixedviTmsaxiobis aRzrdis urTierTSeTavsebis sakiTxi, racgarkveuli TvalsazrisiT, aseve siaxle iqneba. agreTve,Turogor SeiZleba praqtikulad ganxorcieldes msaxiobisostatobis swavleba èpikuri~ da gaucxoebis meTodisprincipebiT (paralelurad tradiciuli meTodisa); rada romeli scenuri qmedebisaTvis saWiro elementebida rolze muSaobis principebi moiTxoven sxvagvar,specifikur ganxorcielebas, gamovlenis da Sesrulebisformebs; SemuSavdeba gegma, Tu rogor SeiZleba,msaxiobisgamomsaxvelobiT saSualebaTa mravalferovnebisaTviskompleqsurad dainergos brextis meTodiT msaxiobisostatobis swavlebis kursi; da SemoqmedebiTi profilissaswavlo procesis gadaxaliseba-gamravalferovnebisaTvisra mniSvneloba da Sedegi eqneba mas.am Temis prioritetuloba swored imaSi mdgomareobs,rom igi saSualebas mogvcems dainergos am meTodiTswavleba Cvens realobaSi. sul mcire ki, misi gacnobagamoadgebaT brextis Semoqmedebisa da qarTul TeatrSimisi Teatris esTetikis Semosvlis Seswavlis msurvelTda mkvlevrebs, romlebic muSaoben am da monaTesavesakiTxebze. Tumca, naSroms mainc ufro praqtikulidaniSnuleba da praqtikaSi realizaciis motivi eqneba.54
Mmsaxiobis ostatobis sxvadasxvameTodologiuri swavlebis upiratesobaganxiluli iqneba, dResdReobiT msaxiobis ostatobisswavlebis miznebi, Sedegebi, problemebi da gaumjobesebisgzebi; sxvadasxva aspeqti, rom `totaluri reJisuris~epoqaSi msaxiobebma SeZlon reJisoruli Canafiqris(`gadawyvetis~), ideis, TamaSi da ara mxolod TavianTirolis Sesruleba, Tundac maRal mxatvrul doneze.ganvixilavT, Tu raoden mniSvnelovania, rom ama Tu imTeatrSi, Teatraluri saswavleblidan, SeZlebisdagvaradsrulyofilad momzadebuli mivides msaxiobi da is aRarsaWiroebdes, ukve speqtaklze muSaobis dros, damatebiT`samsaxiobo masterklasebs~, rac, samwuxarod, xSiriaCvens realobaSi.dabolos, gavarkvevT samsaxiobo ostatobis kursisra nawili unda hqondes gavlili student-msaxiobs,roca SesaZlebeli da rekomendebuli iqneba saswavloprogramaSi brextis meTodiT msaxiobis ostatobisswavlebis kursis CarTva anu swavlis ra periodSiiqneba ukeTesi am meTodis Semotana (damateba) saswavlobadeSi; ra saxiT (spec-kursis, fakulteturi sagnis,msaxiobis ostatobis damatebiTi saleqcio kursis Tusamagistro programis saxiT) da ramdeni semestrisganmavlobaSi. naSromSi zogadad SevexebiT da warmovaCenTbrextis Teoriisa da meTodis Tanadroulobis sakiTxs,msaxiobis ostatobis, rogorc saswavlo disciplinis,winaSe mdgar moTxovnebs da am sakiTxebis saerTaSorisoanalogebs (magaliTad, msaxiobis ostatobis kursze,specialoba mravali sxvadasxva Teatraluri meTodiTiswavleba ielisa da harvardis universitetebSi, sanfranciskosxelovnebis da niu-iorkis kinoakademiaSi).detalurad iqneba Camoyalibebuli, ra TanmimdevrobiTunda ganvaxorcieloT brextis meTodiT TamaSisswavleba,raTa studentebs SevaswavloT,ukve aTvisebulida ganvlili programis (scenuri qmedebisaTvis saWiroelementebi, urTierToba, qveteqsti, fsiqologiuri Jestida a. S.) èpikuri~ Teatris principebiT gansxvavebulad55
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saqarTvelos SoTa rusTavelis Teatris
Page 3 and 4: Shota Rustaveli Theatre and Film Ge
Page 5 and 6: manana lekboraSvilimontaJi da redaq
Page 7 and 8: CONTENTSTHEATRE STUDIESGVANTSA GULI
Page 9 and 10: NINO TSITLANADZEGeorgian Theatre As
Page 11 and 12: Teatrmcodneoba11
Page 13 and 14: Teatrzec. revoluciuri kataklizmebis
Page 15 and 16: Tanamedrove qarTuli Teatris problem
Page 23 and 24: a) speqtaklis, performansis ganxorc
Page 25 and 26: ugulebelyofs da dros sivrciT urTier
Page 27 and 28: moCarCoebul sivrcesa Tu sibrtyeSi g
Page 29 and 30: cenografiuli kompoziciis sakiTxisaT
Page 33 and 34: aqtualuria, oRond dro ara marto aCq
Page 39 and 40: natalia diRmelaSvili,saqarTvelos So
Page 41 and 42: Tanamedrove midgomebis danergva cek
Page 51 and 52: stilisturi forma ki araa, sxva form
Page 53: mdgomareobs, rom is saSualebas mogv
Page 57 and 58: Tamar firosmanaSvili,saqarTvelos So
Page 59 and 60: qoreografia dramatul speqtaklSi da
Page 61 and 62: qoreografia dramatul speqtaklSi da
Page 63 and 64: da mimdinareobas ver mivakuTvnebT.
Page 65 and 66: avgust strindbergisìntimuri Teatri
Page 67 and 68: koleqtiuri kiTxva da personaJebis a
Page 69 and 70: avgust strindbergisìntimuri Teatri
Page 71 and 72: (idealur SemTxvevaSi _ guli plus go
Page 73 and 74: pirovnebis mniSvneloba samsaxiobo x
Page 75: kinomcodneoba75
Page 78 and 79: Tamar barTaiaamis gamo uars nu ityv
Page 80 and 81: Tamar barTaiasadac orjer ori aucile
Page 82 and 83: Tamar barTaiargoli unda iyos. maSin
Page 84 and 85: Tamar barTaiagaumarTlebeli iqneba a
Page 86 and 87: maka doliZefaSizmi~ 1 warmoadgens a
Page 88 and 89: maka doliZeeniWeboda. 1939 wlidan g
Page 90 and 91: maka doliZefilmebic, magaliTad, reJ
Page 92 and 93: maka doliZevaJis cudi zegavlenisaga
Page 94 and 95: maka doliZeda misi adgili SeevsoT f
Page 96 and 97: 96nikoloz kereseliZe,saqarTvelos So
Page 98 and 99: nikoloz kereseliZesaCvenebeli da Su
Page 100 and 101: nikoloz kereseliZerogorc `Teatris p
Page 102 and 103: nikoloz kereseliZeteleviziaSic, Toj
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nikoloz kereseliZesanaxaobiTi xelov
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nikoloz kereseliZevaldebulebebs am
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manana lekboraSvili,saqarTvelos SoT
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manana lekboraSviligadabma xdeboda
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manana lekboraSviliklasikuri montaJ
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manana lekboraSviliikiTxeboda. amgv
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manana lekboraSvilimusikalur klipeb
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manana lekboraSvilifilmebSi adrinde
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120mzia manjaviZe,saqarTvelos SoTa
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mzia manjaviZesubstancia Seaqvs fil
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mzia manjaviZefaseulobaze. filmSi a
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mzia manjaviZebedis ZebnaSi, xolo m
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naTia mefariSvili,saqarTvelos SoTa
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naTia mefariSviliisini axdendnen am
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naTia mefariSvilipenis filmi amerik
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naTia mefariSvilistandartebi, roca
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naTia mefariSvilisistemas, miznobri
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naTia mefariSviligamoyenebuli liter
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giorgi uRreliZ(1910) pirvelad gamoi
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giorgi uRreliZekranze xedavda ambav
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giorgi uRreliZmontaJi SeiZleba real
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146
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148
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nino dondolaZemas analogi ar moeZeb
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nino dondolaZesanaxaobisamebr, saqa
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nino dondolaZeam dros gaaSiSvlebdne
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nino dondolaZemama avTandil giorgob
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nino dondolaZetardeboda, rasac XIX
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nino dondolaZe`bekikeebi~ #6`gvergv
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Tamar sarCimeliZeriTmi xelovnebaSir
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Tamar sarCimeliZeSinaarsobrivi dina
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Tamar sarCimeliZeriTmulobidan gamom
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Tamar sarCimeliZeganvixiloT ufro de
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Tamar sarCimeliZegaremo da formac w
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Tamar sarCimeliZesur. 7 lakazisur.
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174qeTevan oCxikiZe,saqarTvelos SoT
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qeTevan oCxikiZeZiriTadad, `jojoxeT
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qeTevan oCxikiZedavadginoT maT Sori
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qeTevan oCxikiZexarisxis gamo, amis
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qeTevan oCxikiZeTiToeuli maTgani ga
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qeTevan oCxikiZeredaqciiT aris moce
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qeTevan oCxikiZegamoyenebuli litera
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Sorena fxakaZe2009-dan dRemde - ton
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Sorena fxakaZeaxal Strixad iqca mxa
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Sorena fxakaZexelovnebis axal etapz
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avTandil CaCava,saqarTvelos SoTa ru
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avTandil CaCavaimereTSi niRabs `kva
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avTandil CaCavaxaris rqebs imagrebd
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avTandil CaCavapatarZals ganasaxier
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avTandil CaCavaerTmaneTs maTi mzera
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204
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vladimer (lado) tatiSvilime rwyu li
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vladimer (lado) tatiSviliwyo bi le
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vladimer (lado) tatiSviliwons, mo i
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vladimer (lado) tatiSvilireklamas S
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mzia zautaSvilistiliT Semoifargleba
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mzia zautaSviliratom TiToeuli saleq
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mzia zautaSvilimeSveobiT daganaxebT
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mzia zautaSviliteleJurnalistika, mx
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222
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malxaz Rvinjiliaar iTxovs, radgan a
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malxaz Rvinjiliaavadmyofobis gamo,v
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malxaz RvinjiliadazRvevis saerTaSor
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magda cocxalaSvili,saqarTvelos SoTa
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magda cocxalaSvilidakavSirebuli Rir
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magda cocxalaSvilikulturuli fena, u
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magda cocxalaSvili`literaturuli saq
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magda cocxalaSviliuzrunvelyofa da o
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nino wiTlanaZe,saqarTvelos SoTa rus
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nino wiTlanaZedaTvlasa da Sejamebas
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nino wiTlanaZeefeqturi amuSaveba);_
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nino wiTlanaZeiseTi Tanamedrove teq
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Nino Gunia-Kuznetsova,Shota Rustave
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the plastic characteristics of the
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the victory or labor. So, in antiqu
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is the title and not only the profe
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he shows us that fascism is an eter
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participates in scenic creativity,
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Together with music special sound e
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uilding. When we put the bricks cor
Page 264 and 265:
In village, Putieti, the weekly rit
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integrity is the rhythm.Rhythm (Gre
Page 268 and 269:
The academy has two centres. The fi
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MEDIA STUDIESMzia Zautashvili,Shota
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called musical therapy - . In the
Page 274 and 275:
Magda Tsotskhalashvili,Shota Rustav
Page 276 and 277:
of target audience.The theme also i
Page 278 and 279:
278
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280
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