saxelovnebo mecnierebaTa Ziebani #4 (53), 2012 ART SCIENCE ...

More documents

Recommendations

Info

natalia diRmelaSvilirogorc zemoT iyo Tqmuli, XVI-XIX saukuneebissaistorio-yofiTi cekvebis Seswavlisas, studentebiukve I kursze bunebrivad iTviseben am epoqebisTvisdamaxasiaTebel misalmebas, maneras, stils da a. S. asevesagani `ritmika~, romelsac aqvs Tavisi konkretulidaniSnuleba _ daexmaros studentebs, swavlebis sawyisetapze ganaviTaron ritmis grZnoba, musikaluri smena dayuradReba,xSirad cvlis `cekvas~. iq studentebi cekvavenespanur da sxva ritmul cekvebs, erTi konkretulimusikis TanxlebiT, fexis bakuniTa da taSis dakvriT, e.i., maTi `gavarjiSeba~ xdeba, rac ar Seesabameba mTavardaniSnulebas _ maT metro-ritmul ganviTarebas. anu,saswavlo dro araracionalurad gamoiyeneba, maSin, rocamas `cekvis~ sagnisTvis saaTebi aSkarad ar yofnis.rogorc praqtika gviCvenebs, studentebis mier, sxvasaganSi miRebul codnas studentebi ar iyeneben cekvaSi,e. i. realobaSi xdeba is, razec zemoT iyo saubari –darRveulia disciplinaTSorisi kavSirebi.dRes cekvis pedagogebi am konkretikas naklebyuradRebas aqceven. amis mizezia: pirveli – saaTebisarasakmarisi raodenoba – kviraSi sul 3 saaTi. meore –maT imedi aqvT, rom studentebi Seiswavlian ama Tu imsacekvao elements sxva sagnebSi. mesame – konkretulimoZraobiTi sagnebis erTiani moTxovnebis ararseboba,SesaZloa am sferoSi arasakmarisi codnis gamo.zemoxsenebulidan gamomdinare, Cvens universitetSidadga moZraobebis, disciplinebis programebisa dasaswavlo gegmebis gadaxedvis, plastikisa da cekvisswavlebisadmi kompleqsuri, Tanamedrove midgomismwvave aucilebloba. misaReb SemoqmedebiT turebze,abiturientebis miRebisas, meti yuradReba unda mieqcesmaTSi ritmis grZnobisa da koordinaciis arsebobas.universitetis bazaze unda Seiqmnas kvalificiuripedagogiuri kadrebis mozidvisa da momzadebisSesaZlebloba.48
Tanamedrove midgomebis danergva cekvis swavlebaSigamoyenebuli literatura:• gegiaZe S., musika sasceno moZraobis gakveTilze da misifsiqofiziologiuri zemoqmedeba msaxiobis aRzrdisprocesSi, saqarTvelos SoTa rusTavelis saxelmwifoTeatraluri institutis, sasceno-moZraobis kaTedrissamecniero -kvleviTi Sromebi (xelnaweri), 1985 w.• ionaTamiSvili n., msaxiobis teqnikis Sesaxeb, saqarTvelosSoTa rusTavelis saxelobis saxelmwifo Teatraluriinstitutis, sasceno-moZraobis kaTedris samecnierokvleviTiSromebi (xelnaweri), 1980/81 sas. w.• Грачева Л., Эуженио Барба: Принципы, которые возвращаются- принципы родства в актёрской психотехике Востока иЗапада//Вокруг Гротовского Изд-во. Санкт-Петербургскойгосударственной академии театрального искусства, СПб,2009.• Конорова Е.В., Ритмика в театральной школе, Искусство, М.-Л., 1947,137 с.• 5. Кузина Е.Е., Эволюция тренинга Эудженио Барбы// ВокругГротовского. Изд-во Санкт-Петербургской• Uосударственной академии театрального искусства, СПб,2009.• Turner, Lane. Eugenio Barba. – Routledge, London and NewYork, 2004.49
Page 1 and 2: saqarTvelos SoTa rusTavelis Teatris
Page 3 and 4: Shota Rustaveli Theatre and Film Ge
Page 5 and 6: manana lekboraSvilimontaJi da redaq
Page 7 and 8: CONTENTSTHEATRE STUDIESGVANTSA GULI
Page 9 and 10: NINO TSITLANADZEGeorgian Theatre As
Page 11 and 12: Teatrmcodneoba11
Page 13 and 14: Teatrzec. revoluciuri kataklizmebis
Page 15 and 16: Tanamedrove qarTuli Teatris problem
Page 23 and 24: a) speqtaklis, performansis ganxorc
Page 25 and 26: ugulebelyofs da dros sivrciT urTier
Page 27 and 28: moCarCoebul sivrcesa Tu sibrtyeSi g
Page 29 and 30: cenografiuli kompoziciis sakiTxisaT
Page 33 and 34: aqtualuria, oRond dro ara marto aCq
Page 39 and 40: natalia diRmelaSvili,saqarTvelos So
Page 41 and 42: Tanamedrove midgomebis danergva cek
Page 47: Tanamedrove midgomebis danergva cek
Page 51 and 52: stilisturi forma ki araa, sxva form
Page 53 and 54: mdgomareobs, rom is saSualebas mogv
Page 55 and 56: Mmsaxiobis ostatobis sxvadasxvameTo
Page 57 and 58: Tamar firosmanaSvili,saqarTvelos So
Page 59 and 60: qoreografia dramatul speqtaklSi da
Page 61 and 62: qoreografia dramatul speqtaklSi da
Page 63 and 64: da mimdinareobas ver mivakuTvnebT.
Page 65 and 66: avgust strindbergis`intimuri Teatri
Page 67 and 68: koleqtiuri kiTxva da personaJebis a
Page 69 and 70: avgust strindbergis`intimuri Teatri
Page 71 and 72: (idealur SemTxvevaSi _ guli plus go
Page 73 and 74: pirovnebis mniSvneloba samsaxiobo x
Page 75: kinomcodneoba75
Page 78 and 79: Tamar barTaiaamis gamo uars nu ityv
Page 80 and 81: Tamar barTaiasadac orjer ori aucile
Page 82 and 83: Tamar barTaiargoli unda iyos. maSin
Page 84 and 85: Tamar barTaiagaumarTlebeli iqneba a
Page 86 and 87: maka doliZefaSizmi~ 1 warmoadgens a
Page 88 and 89: maka doliZeeniWeboda. 1939 wlidan g
Page 90 and 91: maka doliZefilmebic, magaliTad, reJ
Page 92 and 93: maka doliZevaJis cudi zegavlenisaga
Page 94 and 95: maka doliZeda misi adgili SeevsoT f
Page 96 and 97: 96nikoloz kereseliZe,saqarTvelos So
Page 98 and 99:
nikoloz kereseliZesaCvenebeli da Su
Page 100 and 101:
nikoloz kereseliZerogorc `Teatris p
Page 102 and 103:
nikoloz kereseliZeteleviziaSic, Toj
Page 104 and 105:
nikoloz kereseliZesanaxaobiTi xelov
Page 106 and 107:
nikoloz kereseliZevaldebulebebs am
Page 108 and 109:
manana lekboraSvili,saqarTvelos SoT
Page 110 and 111:
manana lekboraSviligadabma xdeboda
Page 112 and 113:
manana lekboraSviliklasikuri montaJ
Page 114 and 115:
manana lekboraSviliikiTxeboda. amgv
Page 116 and 117:
manana lekboraSvilimusikalur klipeb
Page 118 and 119:
manana lekboraSvilifilmebSi adrinde
Page 120 and 121:
120mzia manjaviZe,saqarTvelos SoTa
Page 122 and 123:
mzia manjaviZesubstancia Seaqvs fil
Page 124 and 125:
mzia manjaviZefaseulobaze. filmSi a
Page 126 and 127:
mzia manjaviZebedis ZebnaSi, xolo m
Page 128 and 129:
naTia mefariSvili,saqarTvelos SoTa
Page 130 and 131:
naTia mefariSviliisini axdendnen am
Page 132 and 133:
naTia mefariSvilipenis filmi amerik
Page 134 and 135:
naTia mefariSvilistandartebi, roca
Page 136 and 137:
naTia mefariSvilisistemas, miznobri
Page 138 and 139:
naTia mefariSviligamoyenebuli liter
Page 140 and 141:
giorgi uRreliZ(1910) pirvelad gamoi
Page 142 and 143:
giorgi uRreliZekranze xedavda ambav
Page 144 and 145:
giorgi uRreliZmontaJi SeiZleba real
Page 146 and 147:
146
Page 148 and 149:
148
Page 150 and 151:
nino dondolaZemas analogi ar moeZeb
Page 152 and 153:
nino dondolaZesanaxaobisamebr, saqa
Page 154 and 155:
nino dondolaZeam dros gaaSiSvlebdne
Page 156 and 157:
nino dondolaZemama avTandil giorgob
Page 158 and 159:
nino dondolaZetardeboda, rasac XIX
Page 160 and 161:
nino dondolaZe`bekikeebi~ #6`gvergv
Page 162 and 163:
Tamar sarCimeliZeriTmi xelovnebaSir
Page 164 and 165:
Tamar sarCimeliZeSinaarsobrivi dina
Page 166 and 167:
Tamar sarCimeliZeriTmulobidan gamom
Page 168 and 169:
Tamar sarCimeliZeganvixiloT ufro de
Page 170 and 171:
Tamar sarCimeliZegaremo da formac w
Page 172 and 173:
Tamar sarCimeliZesur. 7 lakazisur.
Page 174 and 175:
174qeTevan oCxikiZe,saqarTvelos SoT
Page 176 and 177:
qeTevan oCxikiZeZiriTadad, `jojoxeT
Page 178 and 179:
qeTevan oCxikiZedavadginoT maT Sori
Page 180 and 181:
qeTevan oCxikiZexarisxis gamo, amis
Page 182 and 183:
qeTevan oCxikiZeTiToeuli maTgani ga
Page 184 and 185:
qeTevan oCxikiZeredaqciiT aris moce
Page 186 and 187:
qeTevan oCxikiZegamoyenebuli litera
Page 188 and 189:
Sorena fxakaZe2009-dan dRemde - ton
Page 190 and 191:
Sorena fxakaZeaxal Strixad iqca mxa
Page 192 and 193:
Sorena fxakaZexelovnebis axal etapz
Page 194 and 195:
avTandil CaCava,saqarTvelos SoTa ru
Page 196 and 197:
avTandil CaCavaimereTSi niRabs `kva
Page 198 and 199:
avTandil CaCavaxaris rqebs imagrebd
Page 200 and 201:
avTandil CaCavapatarZals ganasaxier
Page 202 and 203:
avTandil CaCavaerTmaneTs maTi mzera
Page 204 and 205:
204
Page 206 and 207:
vladimer (lado) tatiSvilime rwyu li
Page 208 and 209:
vladimer (lado) tatiSviliwyo bi le
Page 210 and 211:
vladimer (lado) tatiSviliwons, mo i
Page 212 and 213:
vladimer (lado) tatiSvilireklamas S
Page 214 and 215:
mzia zautaSvilistiliT Semoifargleba
Page 216 and 217:
mzia zautaSviliratom TiToeuli saleq
Page 218 and 219:
mzia zautaSvilimeSveobiT daganaxebT
Page 220 and 221:
mzia zautaSviliteleJurnalistika, mx
Page 222 and 223:
222
Page 224 and 225:
malxaz Rvinjiliaar iTxovs, radgan a
Page 226 and 227:
malxaz Rvinjiliaavadmyofobis gamo,v
Page 228 and 229:
malxaz RvinjiliadazRvevis saerTaSor
Page 230 and 231:
magda cocxalaSvili,saqarTvelos SoTa
Page 232 and 233:
magda cocxalaSvilidakavSirebuli Rir
Page 234 and 235:
magda cocxalaSvilikulturuli fena, u
Page 236 and 237:
magda cocxalaSvili`literaturuli saq
Page 238 and 239:
magda cocxalaSviliuzrunvelyofa da o
Page 240 and 241:
nino wiTlanaZe,saqarTvelos SoTa rus
Page 242 and 243:
nino wiTlanaZedaTvlasa da Sejamebas
Page 244 and 245:
nino wiTlanaZeefeqturi amuSaveba);_
Page 246 and 247:
nino wiTlanaZeiseTi Tanamedrove teq
Page 248 and 249:
Nino Gunia-Kuznetsova,Shota Rustave
Page 250 and 251:
the plastic characteristics of the
Page 252 and 253:
the victory or labor. So, in antiqu
Page 254 and 255:
is the title and not only the profe
Page 256 and 257:
he shows us that fascism is an eter
Page 258 and 259:
participates in scenic creativity,
Page 260 and 261:
Together with music special sound e
Page 262 and 263:
uilding. When we put the bricks cor
Page 264 and 265:
In village, Putieti, the weekly rit
Page 266 and 267:
integrity is the rhythm.Rhythm (Gre
Page 268 and 269:
The academy has two centres. The fi
Page 270 and 271:
MEDIA STUDIESMzia Zautashvili,Shota
Page 272 and 273:
called musical therapy - . In the
Page 274 and 275:
Magda Tsotskhalashvili,Shota Rustav
Page 276 and 277:
of target audience.The theme also i
Page 278 and 279:
278
Page 280:
280
show all

saxelovnebo mecnierebaTa Ziebani #4 (53), 2012 ART SCIENCE ...

You also want an ePaper? Increase the reach of your titles

Delete template?

Save as template?