saxelovnebo mecnierebaTa Ziebani #4 (53), 2012 ART SCIENCE ...

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nino gunia-kuznecovapersonaJebTan erTad da Tanac, realur droSi. albaT,uaxlesi drois dramaturgebidan, mxolod a. CexovTan,msaxiobis darad, romelic sxvadasxva personaJadgardaisaxeba, scenur sivrcesac gardasaxvis unariaRmoaCnda. da mas Semdeg scenografiis amocanac scenurisivrcis am gardasaxvis Tvisebis gamomJRavneba gaxda.konstantine stanislavskis mier moTxovnili scenurisimarTlisa da ubraloebisagan gansxvavebiT, gordonkregma sivrcis sisadavesa da formaTa uSualobas jerarnaxuli ganzogadoebuloba da monumenturoba SesZina daSemdeg aamoZrava kidec /1907w/. kregma Seqmna kinetikurisivrcis koncefcia, romelic XX saukunis scenuri enissafuZveli gaxda. man Semoitana `gare samyaros“ cneba,mis kosmiuri masStabebis sivrceSi abstragirebuliformebi realuri arqiteqturis funqciebs ki aRarasrulebdnen, aramed Tavad sivrcis, rogorc fizikuri dafilosofiuri simbolos rols TamaSobdnen.kregma sruliad axleburad gaiazra scenografiisfunqcia da axali TvalTaxedviT dainaxa scenuri sivrce.da, rac mTavaria, kregma moaxdina revolucia mayurebelTada xelovanTa xedvaSi, axorcielebda ra sivrcis myisiergardasaxvebs ara saxviT gamosaxulebaSi, aramed adamianTagonebasa da warmosaxvaSi.sagulisxmoa, rom sivrcis arsis Ziebisas, kregmamimarTa ara Tanamedrove avtorebs, aramed Seqspirs,mis „hamlets“, rac adasturebs maRali zeideis, Rrmanarativis zegavlenasa da mniSvnelobas novaciurimxatvruli formis Ziebisas da Seqmnisas.kregis Semdeg dro XX saukunis scenografiismniSvnelovani atributi gaxda. mis kompoziciaSi dro dasivrce erTmaneTs avsebda da enacvleboda. da rogorcSeqspiris TeatrSi, kregTanac dro tragikuli aCqarebiTmiqroda.es tendencia XXI saukunis scenografiaSic32
aqtualuria, oRond dro ara marto aCqarebuli, aramedkumSvad-welvadic gaxda,magram scenografiuli ideisa daformis Tanxvedra kregiseul harmonias veRar aRwevs.XX saukunis korifeebi (meierholdi, brexti,streleri), aviTarebdnen ra kregis aRmoCenebs, carieliscenis gardasaxvis am magias Caswvdnen da abstraqtulisivrcisa da cocxali, yofiTi detalebis Tanaarseboba,rogorc mTlianisa da nawilis kanonzomieri Tanafardoba,daakanones.scenografTagan kregs, albaT, yvelaze axlos iozefsvoboda miuaxlovda, romelmac misi ideebi sakuTarkinetikur kompoziciebSi ganaviTara. man polisivrculiekranuli mozaikisa da kregis nawinaswarmetyvelebimontaJis idea 50 wlis Semdeg ganaxorciela.3. scenografiuli kompoziciis daxuruli da RiasaxeebiniSan-xati da sivrcecenografiuli kompoziciis sakiTxisaTviskompoziciaSi da kerZod scenografiul kompoziciaSi,mniSvnelovania saxe-xatis,niSnis aramibaZviTi aramimeturielementebi /rogoricaa CarCo, aseve scenoteqnikurisaSualebebi/ da maTi roli scenografiuli niSan-xatiskonstruirebaSi.Tu SevadarebT saxviTi xelovnebis kompoziciisda scenografiis niSan-xatebs, aRmovaCenT sakmaod bevrparalels: CarCo, rogorc umniSvnelovanesi aramimeturielementi, romlis mimarT damokidebulebis cvlakulturaTa da istoriul etapTa monacvleobis Sedegia,damaxasiaTebelia ara marto saxviTi suraTisTvis, aramedscenografiuli kompoziciisTvisac; scenografiaSi CarCoscena-yuTSi portalisa da sarkis saxiT gvevlineba.Teatraluri sarke aris sazRvari mayurebelsa33
Page 1 and 2: saqarTvelos SoTa rusTavelis Teatris
Page 3 and 4: Shota Rustaveli Theatre and Film Ge
Page 5 and 6: manana lekboraSvilimontaJi da redaq
Page 7 and 8: CONTENTSTHEATRE STUDIESGVANTSA GULI
Page 9 and 10: NINO TSITLANADZEGeorgian Theatre As
Page 11 and 12: Teatrmcodneoba11
Page 13 and 14: Teatrzec. revoluciuri kataklizmebis
Page 15 and 16: Tanamedrove qarTuli Teatris problem
Page 23 and 24: a) speqtaklis, performansis ganxorc
Page 25 and 26: ugulebelyofs da dros sivrciT urTier
Page 27 and 28: moCarCoebul sivrcesa Tu sibrtyeSi g
Page 29 and 30: cenografiuli kompoziciis sakiTxisaT
Page 31: cenografiuli kompoziciis sakiTxisaT
Page 39 and 40: natalia diRmelaSvili,saqarTvelos So
Page 41 and 42: Tanamedrove midgomebis danergva cek
Page 51 and 52: stilisturi forma ki araa, sxva form
Page 53 and 54: mdgomareobs, rom is saSualebas mogv
Page 55 and 56: Mmsaxiobis ostatobis sxvadasxvameTo
Page 57 and 58: Tamar firosmanaSvili,saqarTvelos So
Page 59 and 60: qoreografia dramatul speqtaklSi da
Page 61 and 62: qoreografia dramatul speqtaklSi da
Page 63 and 64: da mimdinareobas ver mivakuTvnebT.
Page 65 and 66: avgust strindbergis`intimuri Teatri
Page 67 and 68: koleqtiuri kiTxva da personaJebis a
Page 69 and 70: avgust strindbergis`intimuri Teatri
Page 71 and 72: (idealur SemTxvevaSi _ guli plus go
Page 73 and 74: pirovnebis mniSvneloba samsaxiobo x
Page 75: kinomcodneoba75
Page 78 and 79: Tamar barTaiaamis gamo uars nu ityv
Page 80 and 81: Tamar barTaiasadac orjer ori aucile
Page 82 and 83:
Tamar barTaiargoli unda iyos. maSin
Page 84 and 85:
Tamar barTaiagaumarTlebeli iqneba a
Page 86 and 87:
maka doliZefaSizmi~ 1 warmoadgens a
Page 88 and 89:
maka doliZeeniWeboda. 1939 wlidan g
Page 90 and 91:
maka doliZefilmebic, magaliTad, reJ
Page 92 and 93:
maka doliZevaJis cudi zegavlenisaga
Page 94 and 95:
maka doliZeda misi adgili SeevsoT f
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96nikoloz kereseliZe,saqarTvelos So
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nikoloz kereseliZesaCvenebeli da Su
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nikoloz kereseliZerogorc `Teatris p
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nikoloz kereseliZeteleviziaSic, Toj
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nikoloz kereseliZesanaxaobiTi xelov
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nikoloz kereseliZevaldebulebebs am
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manana lekboraSvili,saqarTvelos SoT
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manana lekboraSviligadabma xdeboda
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manana lekboraSviliklasikuri montaJ
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manana lekboraSviliikiTxeboda. amgv
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manana lekboraSvilimusikalur klipeb
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manana lekboraSvilifilmebSi adrinde
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120mzia manjaviZe,saqarTvelos SoTa
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mzia manjaviZesubstancia Seaqvs fil
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mzia manjaviZefaseulobaze. filmSi a
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mzia manjaviZebedis ZebnaSi, xolo m
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naTia mefariSvili,saqarTvelos SoTa
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naTia mefariSviliisini axdendnen am
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naTia mefariSvilipenis filmi amerik
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naTia mefariSvilistandartebi, roca
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naTia mefariSvilisistemas, miznobri
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naTia mefariSviligamoyenebuli liter
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giorgi uRreliZ(1910) pirvelad gamoi
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giorgi uRreliZekranze xedavda ambav
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giorgi uRreliZmontaJi SeiZleba real
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146
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148
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nino dondolaZemas analogi ar moeZeb
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nino dondolaZesanaxaobisamebr, saqa
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nino dondolaZeam dros gaaSiSvlebdne
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nino dondolaZemama avTandil giorgob
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nino dondolaZetardeboda, rasac XIX
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nino dondolaZe`bekikeebi~ #6`gvergv
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Tamar sarCimeliZeriTmi xelovnebaSir
Page 164 and 165:
Tamar sarCimeliZeSinaarsobrivi dina
Page 166 and 167:
Tamar sarCimeliZeriTmulobidan gamom
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Tamar sarCimeliZeganvixiloT ufro de
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Tamar sarCimeliZegaremo da formac w
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Tamar sarCimeliZesur. 7 lakazisur.
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174qeTevan oCxikiZe,saqarTvelos SoT
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qeTevan oCxikiZeZiriTadad, `jojoxeT
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qeTevan oCxikiZedavadginoT maT Sori
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qeTevan oCxikiZexarisxis gamo, amis
Page 182 and 183:
qeTevan oCxikiZeTiToeuli maTgani ga
Page 184 and 185:
qeTevan oCxikiZeredaqciiT aris moce
Page 186 and 187:
qeTevan oCxikiZegamoyenebuli litera
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Sorena fxakaZe2009-dan dRemde - ton
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Sorena fxakaZeaxal Strixad iqca mxa
Page 192 and 193:
Sorena fxakaZexelovnebis axal etapz
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avTandil CaCava,saqarTvelos SoTa ru
Page 196 and 197:
avTandil CaCavaimereTSi niRabs `kva
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avTandil CaCavaxaris rqebs imagrebd
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avTandil CaCavapatarZals ganasaxier
Page 202 and 203:
avTandil CaCavaerTmaneTs maTi mzera
Page 204 and 205:
204
Page 206 and 207:
vladimer (lado) tatiSvilime rwyu li
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vladimer (lado) tatiSviliwyo bi le
Page 210 and 211:
vladimer (lado) tatiSviliwons, mo i
Page 212 and 213:
vladimer (lado) tatiSvilireklamas S
Page 214 and 215:
mzia zautaSvilistiliT Semoifargleba
Page 216 and 217:
mzia zautaSviliratom TiToeuli saleq
Page 218 and 219:
mzia zautaSvilimeSveobiT daganaxebT
Page 220 and 221:
mzia zautaSviliteleJurnalistika, mx
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222
Page 224 and 225:
malxaz Rvinjiliaar iTxovs, radgan a
Page 226 and 227:
malxaz Rvinjiliaavadmyofobis gamo,v
Page 228 and 229:
malxaz RvinjiliadazRvevis saerTaSor
Page 230 and 231:
magda cocxalaSvili,saqarTvelos SoTa
Page 232 and 233:
magda cocxalaSvilidakavSirebuli Rir
Page 234 and 235:
magda cocxalaSvilikulturuli fena, u
Page 236 and 237:
magda cocxalaSvili`literaturuli saq
Page 238 and 239:
magda cocxalaSviliuzrunvelyofa da o
Page 240 and 241:
nino wiTlanaZe,saqarTvelos SoTa rus
Page 242 and 243:
nino wiTlanaZedaTvlasa da Sejamebas
Page 244 and 245:
nino wiTlanaZeefeqturi amuSaveba);_
Page 246 and 247:
nino wiTlanaZeiseTi Tanamedrove teq
Page 248 and 249:
Nino Gunia-Kuznetsova,Shota Rustave
Page 250 and 251:
the plastic characteristics of the
Page 252 and 253:
the victory or labor. So, in antiqu
Page 254 and 255:
is the title and not only the profe
Page 256 and 257:
he shows us that fascism is an eter
Page 258 and 259:
participates in scenic creativity,
Page 260 and 261:
Together with music special sound e
Page 262 and 263:
uilding. When we put the bricks cor
Page 264 and 265:
In village, Putieti, the weekly rit
Page 266 and 267:
integrity is the rhythm.Rhythm (Gre
Page 268 and 269:
The academy has two centres. The fi
Page 270 and 271:
MEDIA STUDIESMzia Zautashvili,Shota
Page 272 and 273:
called musical therapy - . In the
Page 274 and 275:
Magda Tsotskhalashvili,Shota Rustav
Page 276 and 277:
of target audience.The theme also i
Page 278 and 279:
278
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280
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