saxelovnebo mecnierebaTa Ziebani #4 (53), 2012 ART SCIENCE ...

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nino gunia-kuznecovasimZimisa da woniTi urTierTqmedebis kanonzomierebazedayrdnobiT. speqtaklSi igi gamovlindeba rogorc:a) saerTo Teatraluri sivrcis organizacia;b) scenuri sivrcis organizacia;g) samsaxiobo ansambli sivrciT urTierTobaSi.2. plastikuri wyoba _ speqtaklis plastika Sendebamasalaze „plastika“, plastikur damuSavebaze, scenurisivrcis siRrmeze, da mis kavSirze msaxiobTa plastikurTamaSTan /TamaSis plastikasTan. speqtaklSi igigamovlindeba rogorc:a) formaTa plastika;b) msaxiobisa da mizanscenis plastika;g) samsaxiobo plastikis scenuri sivrcisplastikasTan urTierToba.3. ganaTebiTi wyoba _ speqtaklis mxatvruli ganaTeba,romelSic gaTvaliswinebulia scenur sivrceSi Suqisganawilebis kanonzomiereba; misi zemoqmedeba scenisnivTobrivi samyaros feradovan gamaze/xasiaTze;koloristuli mTlianoba. speqtaklSi igi gamovlindebarogorc:a) scenuri ganaTeba, romelic speqtaklis saerToganaTebiT partituras iTvaliswinebs;b) speqtaklis koloristuli daxasiaTeba;g) ganaTebiT-koloristuli urTierTqmedeba.scenografiis am sami kompoziciuri wyobisurTierToba performansSi, speqtaklSi, Tavis mxriv, samarqiteqtonikul sistemas warmoSobs:1. pirveli _ fizikuri sistema sivrceSi masebisganawilebiT warmoiqmneba.2. meore sistema _ pirvelis bazaze masebis30
cenografiuli kompoziciis sakiTxisaTviskompoziciur gamokveTas,Suq-Crdilisa da koloristuliurTierTqmedebiT, formaTa da moculobaTa gamovlenasgulisxmobs.3. mesame sistema _ moqmedebis dinamikaSi sivrceSi masebisgaRrmavebul detalizacias iTvaliswinebs.scenografiuli kompoziciis ganviTarebis safuZveli_ filosofiuri xedvebis zegavlena scenografiulsivrcezescenografiuli kompoziciis ganviTareba filosofiuriTvalTaxedvis, narativis tipologiur saxecvlas,Sesabamisad, gamomsaxvelobiTi xerxebis gafarToebasa daganviTarebas efuZneba.istoriuli mniSvnelobis yvela Teatralurikoncefciis dabadeba da warmoCena sivrcis axleburgadafasebasa da ganawilebas,axal artikulacias upirobodgulisxmobs. uaxlesi drois scenografia XX saukunisrevoluciuri ideebis da TeatrSi mimdinare teqtonikuriZvrebis erTdroulad subieqti da matianea.jer kidev XIX saukunis naturalisturi Teatrimoxerxebulad iyenebda renesansul scena-yuTs,romlis sarke idealurad „Wrida da aCarCoebda“saZiebel `cxovrebis naWers“. msgavsi midgoma e. w.„daxuruli/daxSuli“ kompoziciis utrirebuli versiaa,romlis sensitiur variaciebs Tanamedrove evropulperformansistebis klaustrofobiul scenografiul„kamerebSi“ vawydebiT, oRond im gansxvavebiT, romTanamedrove artistebi, warmosaxviTi „meoTxe kedlis“nacvlad,realur Sav kedlebs aSeneben da iketebian maTSi./Sveicarieli muriel gerstneris Savi konteineri,PQ07/.XX saukunis gariJraJze,moskovis samxatvro Teatrisrealistur speqtaklebSi v. simovis scenografiaSigaCnda atmosfero _ Cexovis piesebis sivrce sunTqavda31
Page 1 and 2: saqarTvelos SoTa rusTavelis Teatris
Page 3 and 4: Shota Rustaveli Theatre and Film Ge
Page 5 and 6: manana lekboraSvilimontaJi da redaq
Page 7 and 8: CONTENTSTHEATRE STUDIESGVANTSA GULI
Page 9 and 10: NINO TSITLANADZEGeorgian Theatre As
Page 11 and 12: Teatrmcodneoba11
Page 13 and 14: Teatrzec. revoluciuri kataklizmebis
Page 15 and 16: Tanamedrove qarTuli Teatris problem
Page 23 and 24: a) speqtaklis, performansis ganxorc
Page 25 and 26: ugulebelyofs da dros sivrciT urTier
Page 27 and 28: moCarCoebul sivrcesa Tu sibrtyeSi g
Page 29: cenografiuli kompoziciis sakiTxisaT
Page 33 and 34: aqtualuria, oRond dro ara marto aCq
Page 35 and 36: cenografiuli kompoziciis sakiTxisaT
Page 37 and 38: cenografiuli kompoziciis sakiTxisaT
Page 39 and 40: natalia diRmelaSvili,saqarTvelos So
Page 41 and 42: Tanamedrove midgomebis danergva cek
Page 51 and 52: stilisturi forma ki araa, sxva form
Page 53 and 54: mdgomareobs, rom is saSualebas mogv
Page 55 and 56: Mmsaxiobis ostatobis sxvadasxvameTo
Page 57 and 58: Tamar firosmanaSvili,saqarTvelos So
Page 59 and 60: qoreografia dramatul speqtaklSi da
Page 61 and 62: qoreografia dramatul speqtaklSi da
Page 63 and 64: da mimdinareobas ver mivakuTvnebT.
Page 65 and 66: avgust strindbergis`intimuri Teatri
Page 67 and 68: koleqtiuri kiTxva da personaJebis a
Page 69 and 70: avgust strindbergis`intimuri Teatri
Page 71 and 72: (idealur SemTxvevaSi _ guli plus go
Page 73 and 74: pirovnebis mniSvneloba samsaxiobo x
Page 75: kinomcodneoba75
Page 78 and 79: Tamar barTaiaamis gamo uars nu ityv
Page 80 and 81:
Tamar barTaiasadac orjer ori aucile
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Tamar barTaiargoli unda iyos. maSin
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Tamar barTaiagaumarTlebeli iqneba a
Page 86 and 87:
maka doliZefaSizmi~ 1 warmoadgens a
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maka doliZeeniWeboda. 1939 wlidan g
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maka doliZefilmebic, magaliTad, reJ
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maka doliZevaJis cudi zegavlenisaga
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maka doliZeda misi adgili SeevsoT f
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96nikoloz kereseliZe,saqarTvelos So
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nikoloz kereseliZesaCvenebeli da Su
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nikoloz kereseliZerogorc `Teatris p
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nikoloz kereseliZeteleviziaSic, Toj
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nikoloz kereseliZesanaxaobiTi xelov
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nikoloz kereseliZevaldebulebebs am
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manana lekboraSvili,saqarTvelos SoT
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manana lekboraSviligadabma xdeboda
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manana lekboraSviliklasikuri montaJ
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manana lekboraSviliikiTxeboda. amgv
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manana lekboraSvilimusikalur klipeb
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manana lekboraSvilifilmebSi adrinde
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120mzia manjaviZe,saqarTvelos SoTa
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mzia manjaviZesubstancia Seaqvs fil
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mzia manjaviZefaseulobaze. filmSi a
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mzia manjaviZebedis ZebnaSi, xolo m
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naTia mefariSvili,saqarTvelos SoTa
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naTia mefariSviliisini axdendnen am
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naTia mefariSvilipenis filmi amerik
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naTia mefariSvilistandartebi, roca
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naTia mefariSvilisistemas, miznobri
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naTia mefariSviligamoyenebuli liter
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giorgi uRreliZ(1910) pirvelad gamoi
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giorgi uRreliZekranze xedavda ambav
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giorgi uRreliZmontaJi SeiZleba real
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146
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148
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nino dondolaZemas analogi ar moeZeb
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nino dondolaZesanaxaobisamebr, saqa
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nino dondolaZeam dros gaaSiSvlebdne
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nino dondolaZemama avTandil giorgob
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nino dondolaZetardeboda, rasac XIX
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nino dondolaZe`bekikeebi~ #6`gvergv
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Tamar sarCimeliZeriTmi xelovnebaSir
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Tamar sarCimeliZeSinaarsobrivi dina
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Tamar sarCimeliZeriTmulobidan gamom
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Tamar sarCimeliZeganvixiloT ufro de
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Tamar sarCimeliZegaremo da formac w
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Tamar sarCimeliZesur. 7 lakazisur.
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174qeTevan oCxikiZe,saqarTvelos SoT
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qeTevan oCxikiZeZiriTadad, `jojoxeT
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qeTevan oCxikiZedavadginoT maT Sori
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qeTevan oCxikiZexarisxis gamo, amis
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qeTevan oCxikiZeTiToeuli maTgani ga
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qeTevan oCxikiZeredaqciiT aris moce
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qeTevan oCxikiZegamoyenebuli litera
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Sorena fxakaZe2009-dan dRemde - ton
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Sorena fxakaZeaxal Strixad iqca mxa
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Sorena fxakaZexelovnebis axal etapz
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avTandil CaCava,saqarTvelos SoTa ru
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avTandil CaCavaimereTSi niRabs `kva
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avTandil CaCavaxaris rqebs imagrebd
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avTandil CaCavapatarZals ganasaxier
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avTandil CaCavaerTmaneTs maTi mzera
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204
Page 206 and 207:
vladimer (lado) tatiSvilime rwyu li
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vladimer (lado) tatiSviliwyo bi le
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vladimer (lado) tatiSviliwons, mo i
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vladimer (lado) tatiSvilireklamas S
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mzia zautaSvilistiliT Semoifargleba
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mzia zautaSviliratom TiToeuli saleq
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mzia zautaSvilimeSveobiT daganaxebT
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mzia zautaSviliteleJurnalistika, mx
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222
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malxaz Rvinjiliaar iTxovs, radgan a
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malxaz Rvinjiliaavadmyofobis gamo,v
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malxaz RvinjiliadazRvevis saerTaSor
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magda cocxalaSvili,saqarTvelos SoTa
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magda cocxalaSvilidakavSirebuli Rir
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magda cocxalaSvilikulturuli fena, u
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magda cocxalaSvili`literaturuli saq
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magda cocxalaSviliuzrunvelyofa da o
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nino wiTlanaZe,saqarTvelos SoTa rus
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nino wiTlanaZedaTvlasa da Sejamebas
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nino wiTlanaZeefeqturi amuSaveba);_
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nino wiTlanaZeiseTi Tanamedrove teq
Page 248 and 249:
Nino Gunia-Kuznetsova,Shota Rustave
Page 250 and 251:
the plastic characteristics of the
Page 252 and 253:
the victory or labor. So, in antiqu
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is the title and not only the profe
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he shows us that fascism is an eter
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participates in scenic creativity,
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Together with music special sound e
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uilding. When we put the bricks cor
Page 264 and 265:
In village, Putieti, the weekly rit
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integrity is the rhythm.Rhythm (Gre
Page 268 and 269:
The academy has two centres. The fi
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MEDIA STUDIESMzia Zautashvili,Shota
Page 272 and 273:
called musical therapy - . In the
Page 274 and 275:
Magda Tsotskhalashvili,Shota Rustav
Page 276 and 277:
of target audience.The theme also i
Page 278 and 279:
278
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280
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