saxelovnebo mecnierebaTa Ziebani #4 (53), 2012 ART SCIENCE ...

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UDC(uak) 7(051.2)s-364saqarTvelos SoTa rusTavelis Teatrisa da kinossaxelmwifo universitetisaxelovnebo mecnierebaTa Ziebani #4 (53), 2012saredaqcio sabWonato gengiurigiorgicqitiSvilizviad doliZemaia goSaZenino sanadiraZenana doliZekrebulisaTvis mowodebulimasala uzrunvelyofili undaiyos Sesabamisi samecnieroaparatiT. Tan unda axldesmonacemebi avtoris samecnierokvalifikaciis Sesaxeb qarTulda inglisur enebze, agreTvenaSromis inglisurenovanireziume.literaturuliredaqtorimariam iaSviligarekanis dizainilevan dadianidakabadonebaekaterineoqropiriZegamomcemlobisxelmZRvanelimaka vasaZekrebulis stamburi gamocemaegzavneba sxvadasxvasaerTaSoriso kvleviT centrs.naSromebi mogvawodeT dacnobebisaTvis mogvmarTeT:0102, Tbilisi, daviT aRmaSeneblisgamziri #40, saqarTvelos SoTarusTavelis Teatrisa da kinossaxelmwifo universiteti,II korpusi.tel/faqsi: +995 (32) 2943728mob: +995 (95) 305 060+995 (77) 288 750E-mail: mariamiashvili@tafu.edu.geWeb: www.tafu.edu.ge
Shota Rustaveli Theatre and Film Georgian State UniversityArt Science Studies #4 (53), 2012Editorial GroupNATO GENGIURIGIORGITSKITISHVILIZVIAD DOLIDZEMAIA GOSHADZENINO SANADIRADZENANA DOLIDZELiterary EditorMARIAM IASHVILICover DesignLEVAN DADIANIBook BindingEKATERINEOKROPIRIDZEHead of PublishingHouseMAKA VASADZEMaterials supplied for thevolume should be providedwith corresponding scientificappliance. Paperworkconcerning author’s academicqualification and summary ofwork should be attached inGeorgian and English languages.Printed version of the volume issent out to various internationalresearch centers.Works should be supplied underthe following contact:0102, Tbilisi, DavitAgmashenebeli Avenue #40Shota Rustaveli Theatre andFilm Georgian State UniversitySecond BlockTel/Fax: +995 (32) 2943728Mob: +995 (95) 305 060+995 (55) 288 750E-mail: mariamiashvili@tafu.edu.geWeb: www.tafu.edu.ge
Page 1: saqarTvelos SoTa rusTavelis Teatris
Page 5 and 6: manana lekboraSvilimontaJi da redaq
Page 7 and 8: CONTENTSTHEATRE STUDIESGVANTSA GULI
Page 9 and 10: NINO TSITLANADZEGeorgian Theatre As
Page 11 and 12: Teatrmcodneoba11
Page 13 and 14: Teatrzec. revoluciuri kataklizmebis
Page 15 and 16: Tanamedrove qarTuli Teatris problem
Page 23 and 24: a) speqtaklis, performansis ganxorc
Page 25 and 26: ugulebelyofs da dros sivrciT urTier
Page 27 and 28: moCarCoebul sivrcesa Tu sibrtyeSi g
Page 29 and 30: cenografiuli kompoziciis sakiTxisaT
Page 33 and 34: aqtualuria, oRond dro ara marto aCq
Page 39 and 40: natalia diRmelaSvili,saqarTvelos So
Page 41 and 42: Tanamedrove midgomebis danergva cek
Page 51 and 52: stilisturi forma ki araa, sxva form
Page 53 and 54:
mdgomareobs, rom is saSualebas mogv
Page 55 and 56:
Mmsaxiobis ostatobis sxvadasxvameTo
Page 57 and 58:
Tamar firosmanaSvili,saqarTvelos So
Page 59 and 60:
qoreografia dramatul speqtaklSi da
Page 61 and 62:
qoreografia dramatul speqtaklSi da
Page 63 and 64:
da mimdinareobas ver mivakuTvnebT.
Page 65 and 66:
avgust strindbergis`intimuri Teatri
Page 67 and 68:
koleqtiuri kiTxva da personaJebis a
Page 69 and 70:
avgust strindbergis`intimuri Teatri
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(idealur SemTxvevaSi _ guli plus go
Page 73 and 74:
pirovnebis mniSvneloba samsaxiobo x
Page 75:
kinomcodneoba75
Page 78 and 79:
Tamar barTaiaamis gamo uars nu ityv
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Tamar barTaiasadac orjer ori aucile
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Tamar barTaiargoli unda iyos. maSin
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Tamar barTaiagaumarTlebeli iqneba a
Page 86 and 87:
maka doliZefaSizmi~ 1 warmoadgens a
Page 88 and 89:
maka doliZeeniWeboda. 1939 wlidan g
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maka doliZefilmebic, magaliTad, reJ
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maka doliZevaJis cudi zegavlenisaga
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maka doliZeda misi adgili SeevsoT f
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96nikoloz kereseliZe,saqarTvelos So
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nikoloz kereseliZesaCvenebeli da Su
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nikoloz kereseliZerogorc `Teatris p
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nikoloz kereseliZeteleviziaSic, Toj
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nikoloz kereseliZesanaxaobiTi xelov
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nikoloz kereseliZevaldebulebebs am
Page 108 and 109:
manana lekboraSvili,saqarTvelos SoT
Page 110 and 111:
manana lekboraSviligadabma xdeboda
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manana lekboraSviliklasikuri montaJ
Page 114 and 115:
manana lekboraSviliikiTxeboda. amgv
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manana lekboraSvilimusikalur klipeb
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manana lekboraSvilifilmebSi adrinde
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120mzia manjaviZe,saqarTvelos SoTa
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mzia manjaviZesubstancia Seaqvs fil
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mzia manjaviZefaseulobaze. filmSi a
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mzia manjaviZebedis ZebnaSi, xolo m
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naTia mefariSvili,saqarTvelos SoTa
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naTia mefariSviliisini axdendnen am
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naTia mefariSvilipenis filmi amerik
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naTia mefariSvilistandartebi, roca
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naTia mefariSvilisistemas, miznobri
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naTia mefariSviligamoyenebuli liter
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giorgi uRreliZ(1910) pirvelad gamoi
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giorgi uRreliZekranze xedavda ambav
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giorgi uRreliZmontaJi SeiZleba real
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146
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148
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nino dondolaZemas analogi ar moeZeb
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nino dondolaZesanaxaobisamebr, saqa
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nino dondolaZeam dros gaaSiSvlebdne
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nino dondolaZemama avTandil giorgob
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nino dondolaZetardeboda, rasac XIX
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nino dondolaZe`bekikeebi~ #6`gvergv
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Tamar sarCimeliZeriTmi xelovnebaSir
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Tamar sarCimeliZeSinaarsobrivi dina
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Tamar sarCimeliZeriTmulobidan gamom
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Tamar sarCimeliZeganvixiloT ufro de
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Tamar sarCimeliZegaremo da formac w
Page 172 and 173:
Tamar sarCimeliZesur. 7 lakazisur.
Page 174 and 175:
174qeTevan oCxikiZe,saqarTvelos SoT
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qeTevan oCxikiZeZiriTadad, `jojoxeT
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qeTevan oCxikiZedavadginoT maT Sori
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qeTevan oCxikiZexarisxis gamo, amis
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qeTevan oCxikiZeTiToeuli maTgani ga
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qeTevan oCxikiZeredaqciiT aris moce
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qeTevan oCxikiZegamoyenebuli litera
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Sorena fxakaZe2009-dan dRemde - ton
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Sorena fxakaZeaxal Strixad iqca mxa
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Sorena fxakaZexelovnebis axal etapz
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avTandil CaCava,saqarTvelos SoTa ru
Page 196 and 197:
avTandil CaCavaimereTSi niRabs `kva
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avTandil CaCavaxaris rqebs imagrebd
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avTandil CaCavapatarZals ganasaxier
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avTandil CaCavaerTmaneTs maTi mzera
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204
Page 206 and 207:
vladimer (lado) tatiSvilime rwyu li
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vladimer (lado) tatiSviliwyo bi le
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vladimer (lado) tatiSviliwons, mo i
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vladimer (lado) tatiSvilireklamas S
Page 214 and 215:
mzia zautaSvilistiliT Semoifargleba
Page 216 and 217:
mzia zautaSviliratom TiToeuli saleq
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mzia zautaSvilimeSveobiT daganaxebT
Page 220 and 221:
mzia zautaSviliteleJurnalistika, mx
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222
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malxaz Rvinjiliaar iTxovs, radgan a
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malxaz Rvinjiliaavadmyofobis gamo,v
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malxaz RvinjiliadazRvevis saerTaSor
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magda cocxalaSvili,saqarTvelos SoTa
Page 232 and 233:
magda cocxalaSvilidakavSirebuli Rir
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magda cocxalaSvilikulturuli fena, u
Page 236 and 237:
magda cocxalaSvili`literaturuli saq
Page 238 and 239:
magda cocxalaSviliuzrunvelyofa da o
Page 240 and 241:
nino wiTlanaZe,saqarTvelos SoTa rus
Page 242 and 243:
nino wiTlanaZedaTvlasa da Sejamebas
Page 244 and 245:
nino wiTlanaZeefeqturi amuSaveba);_
Page 246 and 247:
nino wiTlanaZeiseTi Tanamedrove teq
Page 248 and 249:
Nino Gunia-Kuznetsova,Shota Rustave
Page 250 and 251:
the plastic characteristics of the
Page 252 and 253:
the victory or labor. So, in antiqu
Page 254 and 255:
is the title and not only the profe
Page 256 and 257:
he shows us that fascism is an eter
Page 258 and 259:
participates in scenic creativity,
Page 260 and 261:
Together with music special sound e
Page 262 and 263:
uilding. When we put the bricks cor
Page 264 and 265:
In village, Putieti, the weekly rit
Page 266 and 267:
integrity is the rhythm.Rhythm (Gre
Page 268 and 269:
The academy has two centres. The fi
Page 270 and 271:
MEDIA STUDIESMzia Zautashvili,Shota
Page 272 and 273:
called musical therapy - . In the
Page 274 and 275:
Magda Tsotskhalashvili,Shota Rustav
Page 276 and 277:
of target audience.The theme also i
Page 278 and 279:
278
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280
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