saxelovnebo mecnierebaTa Ziebani #4 (53), 2012 ART SCIENCE ...

integrity is the rhythm.Rhythm (Greece - rhythmos) is the regular periodicrecurrence of identical or analogous phenomena, elements andrelations in space or time. Rhythmical processes define the widesphere of actuality: there could be discussed the rhythms ofcosmic phenomena, rhythms of inorganic nature (surf, crystalfacets), repeated, rhythmic cycles of plant world, periodicityin the field of industry and communications, or the rhythms ofhuman organism (“physiological watch”, rhythms of brain ormetabolism, breathing, heart beat).Classic aesthetics considered rhythm presence to be ofthe signs to beauty. There is no art without rhythm. Rhythmof the arts is naturally closer to the principles of reiteration inorganic world, rather than machines and mechanisms. Artisticrhythm is always correlated to psycho-physiological abilitiesand reactions of human being, and tends to be adequate tothem. It is impossible to ignore the great activity of rhythmicalvariability in modern arts, as well as raising complexity of therhythmic compositions. Invariable recurrence in the arts hasrather qualified limits, beyond which our perception starts tofeel tedious monotony. In many particular sciences about arts,the rhythm conception is nowadays interpreted in the widesense. It might be various types of recurrence in the arts: subjectscope, situations, description details, color spots, graphic lines,tunes etc. In space arts there is a problem of rhythm interruption(limited repetitions of the elements reoccurred, creation ofthe center, highlighting of framing objects).“Interruptions” ofrhythm, rhythmic accents, interstices and tightening are thedistinct peculiarities of the arts.Rhythm is carrying out the aesthetic function of thecomplex artistic structure, the most adequate to human psychophysiologicalsystems;It separates and integrates the impression, addingdynamism in the effect of expectation and suddenness, raises266