saxelovnebo mecnierebaTa Ziebani #4 (53), 2012 ART SCIENCE ...

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nino gunia-kuznecovaideisa da kompoziciis Sesabamisobas, erTobas.2. kontrastis kanoni gamoixateba „mTlianobisa“da „Sexamebisa da Sedarebis“ kanonebis urRveobispirobebSi, Sexamebadi elementebis kontrastulobasada urTierTkonfliqtur damokidemulebaSi, kompoziciiselementTa da maT urTierTobaTa gansxvavebebisa damravalferovnebebis xazgasmaSi.kontrastis ZiriTadi saxeebia:• zomaTa kontrasti /didi-patara/;• feriTi, tonaluri kontrasti /Ria-muqi/;• azrobrivi kontrasti.kontrastisTvis damaxasiaTebelia rogorc mxareTamkveTri dapirispirebuloba, aseve sapirispiro mxareTamTlianoba; anu kontrasti erTdroulad dapirispirebaTabrZolaa da maTi dialeqtikuri erTobac.3. daqvemdebarebis kanoni gamoixateba kompoziciisyvela elementisa da saSualebis erTiani ideisadmi,Canafiqrisadmi da nawarmoebis zeamocanisadmidaqvemdebarebaSi.4. siaxlis kanoni gamoixateba kompoziciis inovaciurobasada eqskluziurobaSi. siaxlis kanoni moqmedebs, rogorcxelovnebis universaluri kanoni, romlis arsi imaSimdgomareobs, rom mxatvruli nawarmoebis saxe-xatiyovelTvis axalia, rogorc formis, aseve Sinaarsismxriv.5. vitalobis, igive tipizaciis kanoni, efuZneba SerCevisim princips, romelic mocemuli situaciisTvis anpersonaJisTvis damaxasiaTebel ZiriTad detalTatipurobas efuZneba. SerCeuli elementebi erTmaneTis dazogadi ideis identuri unda iyos. es kanoni ara rogorckompoziciis universaluri, aramed, rogorc kerZo kanonivlindeba im xelovnebis nimuSebSi, romlebSic arismcdeloba _ gadmoices moZraoba drosa /da sivrceSi/.6. zemoqmedebis kanoni mdgomareobs `CarCos~ gavlenaSi26
moCarCoebul sivrcesa Tu sibrtyeSi gaSlil kompoziciurwyobaze; anu CarCos mimarT sagnisa an formis ganlagebisada mdebareobis mixedviT am saganTa aRqma cvalebadia.CarCos meore mniSvnelovani Tvisebaa misi formatiszemoqmedeba kompoziciaze. 17. Sexamebisa da Sedarebis kanoni zemoT dasaxelebulkanonebs efuZneba da pirdapir kavSirSia kontrastiskanonTan. is mdgomareobs imaSi,rom elementebi,romlebicSeirCa, rogorc tipuri, damaxasiaTebeli, ar undaewinaaRmdegebodnen erTmaneTs da ar unda anadgurebdnensakuTar semantikur (rogorc azrobriv, aseve saxier)mniSvnelobebs.kompoziciis yvela kanoni pirdapirkavSirSia kompoziciis mTlianobis ganmsazRvrelartiteqtonikasTan.kompoziciis arqiteqtonika1scenografiul kompoziciaSi CarCos rols scenuri sarke, portali,xolo arenaze an amfiTeatrSi orxestris wriuli forma da arqiteqturissilueti asrulebs. performansSi, aratradiciul sivrceSi kimis nacvlad, moqmedebis adgilis SemomsazRvreli urbanuli land-Safti SeiZleba vigulisxmoT.2struqtura _ sistemis yvelaze mdgradi elementebis, maTi abstragirebuliarsia. is statikuria da morfologiis, anu sistemis wyobisgamomsaxvelia. struqtura mxatvrul nawarmoebSi SeiZleba gancenografiulikompoziciis sakiTxisaTvisarqiteqtonika kompoziciuri mTlianobis ZiriTadixarisxobrivi maCvenebelia, ganasxvavebs mxatvrulnawarmoebs naturalurisa Tu abstraqtulisgan.arqiteqtonika nebismieri mxatvruli nawarmoebiskompoziciuri Sida wyobaa, romelic misi mTavarida meorexarisxovani elementebis urTierTobasa daTanafardobas ganapirobebs.arqiteqtonika efuZneba kompoziciis struqturas,teqtonikas, formas da mis plastikas, esTetikursaSualebebs, rogorc arqiteqtonikis gamomsaxvelobas. 227
Page 1 and 2: saqarTvelos SoTa rusTavelis Teatris
Page 3 and 4: Shota Rustaveli Theatre and Film Ge
Page 5 and 6: manana lekboraSvilimontaJi da redaq
Page 7 and 8: CONTENTSTHEATRE STUDIESGVANTSA GULI
Page 9 and 10: NINO TSITLANADZEGeorgian Theatre As
Page 11 and 12: Teatrmcodneoba11
Page 13 and 14: Teatrzec. revoluciuri kataklizmebis
Page 15 and 16: Tanamedrove qarTuli Teatris problem
Page 23 and 24: a) speqtaklis, performansis ganxorc
Page 25: ugulebelyofs da dros sivrciT urTier
Page 29 and 30: cenografiuli kompoziciis sakiTxisaT
Page 33 and 34: aqtualuria, oRond dro ara marto aCq
Page 39 and 40: natalia diRmelaSvili,saqarTvelos So
Page 41 and 42: Tanamedrove midgomebis danergva cek
Page 51 and 52: stilisturi forma ki araa, sxva form
Page 53 and 54: mdgomareobs, rom is saSualebas mogv
Page 55 and 56: Mmsaxiobis ostatobis sxvadasxvameTo
Page 57 and 58: Tamar firosmanaSvili,saqarTvelos So
Page 59 and 60: qoreografia dramatul speqtaklSi da
Page 61 and 62: qoreografia dramatul speqtaklSi da
Page 63 and 64: da mimdinareobas ver mivakuTvnebT.
Page 65 and 66: avgust strindbergis`intimuri Teatri
Page 67 and 68: koleqtiuri kiTxva da personaJebis a
Page 69 and 70: avgust strindbergis`intimuri Teatri
Page 71 and 72: (idealur SemTxvevaSi _ guli plus go
Page 73 and 74: pirovnebis mniSvneloba samsaxiobo x
Page 75: kinomcodneoba75
Page 78 and 79:
Tamar barTaiaamis gamo uars nu ityv
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Tamar barTaiasadac orjer ori aucile
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Tamar barTaiargoli unda iyos. maSin
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Tamar barTaiagaumarTlebeli iqneba a
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maka doliZefaSizmi~ 1 warmoadgens a
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maka doliZeeniWeboda. 1939 wlidan g
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maka doliZefilmebic, magaliTad, reJ
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maka doliZevaJis cudi zegavlenisaga
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maka doliZeda misi adgili SeevsoT f
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96nikoloz kereseliZe,saqarTvelos So
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nikoloz kereseliZesaCvenebeli da Su
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nikoloz kereseliZerogorc `Teatris p
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nikoloz kereseliZeteleviziaSic, Toj
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nikoloz kereseliZesanaxaobiTi xelov
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nikoloz kereseliZevaldebulebebs am
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manana lekboraSvili,saqarTvelos SoT
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manana lekboraSviligadabma xdeboda
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manana lekboraSviliklasikuri montaJ
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manana lekboraSviliikiTxeboda. amgv
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manana lekboraSvilimusikalur klipeb
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manana lekboraSvilifilmebSi adrinde
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120mzia manjaviZe,saqarTvelos SoTa
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mzia manjaviZesubstancia Seaqvs fil
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mzia manjaviZefaseulobaze. filmSi a
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mzia manjaviZebedis ZebnaSi, xolo m
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naTia mefariSvili,saqarTvelos SoTa
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naTia mefariSviliisini axdendnen am
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naTia mefariSvilipenis filmi amerik
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naTia mefariSvilistandartebi, roca
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naTia mefariSvilisistemas, miznobri
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naTia mefariSviligamoyenebuli liter
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giorgi uRreliZ(1910) pirvelad gamoi
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giorgi uRreliZekranze xedavda ambav
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giorgi uRreliZmontaJi SeiZleba real
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146
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148
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nino dondolaZemas analogi ar moeZeb
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nino dondolaZesanaxaobisamebr, saqa
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nino dondolaZeam dros gaaSiSvlebdne
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nino dondolaZemama avTandil giorgob
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nino dondolaZetardeboda, rasac XIX
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nino dondolaZe`bekikeebi~ #6`gvergv
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Tamar sarCimeliZeriTmi xelovnebaSir
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Tamar sarCimeliZeSinaarsobrivi dina
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Tamar sarCimeliZeriTmulobidan gamom
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Tamar sarCimeliZeganvixiloT ufro de
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Tamar sarCimeliZegaremo da formac w
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Tamar sarCimeliZesur. 7 lakazisur.
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174qeTevan oCxikiZe,saqarTvelos SoT
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qeTevan oCxikiZeZiriTadad, `jojoxeT
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qeTevan oCxikiZedavadginoT maT Sori
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qeTevan oCxikiZexarisxis gamo, amis
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qeTevan oCxikiZeTiToeuli maTgani ga
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qeTevan oCxikiZeredaqciiT aris moce
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qeTevan oCxikiZegamoyenebuli litera
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Sorena fxakaZe2009-dan dRemde - ton
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Sorena fxakaZeaxal Strixad iqca mxa
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Sorena fxakaZexelovnebis axal etapz
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avTandil CaCava,saqarTvelos SoTa ru
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avTandil CaCavaimereTSi niRabs `kva
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avTandil CaCavaxaris rqebs imagrebd
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avTandil CaCavapatarZals ganasaxier
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avTandil CaCavaerTmaneTs maTi mzera
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204
Page 206 and 207:
vladimer (lado) tatiSvilime rwyu li
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vladimer (lado) tatiSviliwyo bi le
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vladimer (lado) tatiSviliwons, mo i
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vladimer (lado) tatiSvilireklamas S
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mzia zautaSvilistiliT Semoifargleba
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mzia zautaSviliratom TiToeuli saleq
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mzia zautaSvilimeSveobiT daganaxebT
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mzia zautaSviliteleJurnalistika, mx
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222
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malxaz Rvinjiliaar iTxovs, radgan a
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malxaz Rvinjiliaavadmyofobis gamo,v
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malxaz RvinjiliadazRvevis saerTaSor
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magda cocxalaSvili,saqarTvelos SoTa
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magda cocxalaSvilidakavSirebuli Rir
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magda cocxalaSvilikulturuli fena, u
Page 236 and 237:
magda cocxalaSvili`literaturuli saq
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magda cocxalaSviliuzrunvelyofa da o
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nino wiTlanaZe,saqarTvelos SoTa rus
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nino wiTlanaZedaTvlasa da Sejamebas
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nino wiTlanaZeefeqturi amuSaveba);_
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nino wiTlanaZeiseTi Tanamedrove teq
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Nino Gunia-Kuznetsova,Shota Rustave
Page 250 and 251:
the plastic characteristics of the
Page 252 and 253:
the victory or labor. So, in antiqu
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is the title and not only the profe
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he shows us that fascism is an eter
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participates in scenic creativity,
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Together with music special sound e
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uilding. When we put the bricks cor
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In village, Putieti, the weekly rit
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integrity is the rhythm.Rhythm (Gre
Page 268 and 269:
The academy has two centres. The fi
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MEDIA STUDIESMzia Zautashvili,Shota
Page 272 and 273:
called musical therapy - . In the
Page 274 and 275:
Magda Tsotskhalashvili,Shota Rustav
Page 276 and 277:
of target audience.The theme also i
Page 278 and 279:
278
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280
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