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saxelovnebo mecnierebaTa Ziebani #4 (53), 2012 ART SCIENCE ...

saxelovnebo mecnierebaTa Ziebani #4 (53), 2012 ART SCIENCE ...

saxelovnebo mecnierebaTa Ziebani #4 (53), 2012 ART SCIENCE ...

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modern theatre” (1889) and in the memorandum “The openletter to the intimate theatre”(1908).Practical organization of the theatrical opinion by A.Strindberg in the “intimate theatre” founded in 1907. The cycleof chamber plays.“The dance of death” by August Strindberg in theunderground theatre. A. Strindberg’s chamber drama in theGeorgian “experimental laboratory”.Nana Khuskivadze,Shota Rustaveli Theatre and Film Georgian State UniversityPHD student of Drama faculty,Supervisor: Davit KobakhidzeFRESHMAN OF DOCTORAL CANDIDACY(CREATIVE PEDAGOGY)The Meaning of Personality in Theatrical Art“I don’t know how good actors you become, the only thingI know, I’ll do all my best you to become personalities”. Thesewords belong to my tutor Mr. Gizo Jordania. He told me andmy friends (and now my colleagues) 30 years ago at our veryfirst lecture. His words were a bit vague that time. We enteredTheatrical Institute (that was the name by that time) as we wantedto become actors and today everything is clear-Personality, onlypersonality with its individualism can create the precedent ofuniqueness in art of acting. An actor is alive in its creation (as heitself is as material as creature of art). That’s why art of acting isunique branch in creative work.Georgian Theatre experienced transformation many times.By means of great directors and actors the Georgian Theatre wasalways important and this type of importance was stipulated bypersonalities called directors and actors (their tutors). Yes, actor2<strong>53</strong>

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