saxelovnebo mecnierebaTa Ziebani #4 (53), 2012 ART SCIENCE ...

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nino wiTlanaZedaTvlasa da Sejamebas ar eqvemdebareba~, amitom,kulturis sferos nebismier dargze msjeloba, rogorcmxolod biznesze da materialuri mogebis momtanzedauSvebelia. yovelTvis gasaTvaliswinebelia am sferosspecifikuroba, upirveles yovlisa ki, misi esTetikurida SemoqmedebiTi xasiaTi.ZiriTadi nawili. problemis gadaWris gzebikulturis sferos marTvis mTavari Tavisebureba imaSimdebareobs,rom Semosavlebis miReba ZiriTadad xdeba arasargeblis miRebis mizniT,aramed dainteresebuli donorebismozidvis xarjze: sponsoroba,patronaJi,qvelmoqmedeba dasxva. amitom aucilebelia,es mimarTulebebi strategiuligaxdes TiToeuli TeatrisaTvis. msoflio praqtikaSiarsebuli menejeruli amocanis gadaWris ZiriTad meTodswarmoadgens marketinguli xerxi _ SWOT–analizi,romlis mixedviTac kvlevis obieqti ganixileba Sidada gareTa garemoebis mixedviT dadebiTi da uaryofiTifaqtorebis TvalsazrisiT,rac mravalmxrivi analizis daswori menejeruli gadawyvetilebebis miRebis saSualebasiZleva.winamdebare problemis gasaazreblad SWOT–analiziCatarda Tbilisis al. griboedovis sax. saxelmwiforusuli dramatuli Teatris da Tavisufali TeatrismagaliTze. es ori Teatri SeirCa, vinaidan gvsurdaSegvedarebina saxelmwifo dotaciaze myofi da komerciuliTeatrebis menejeruli midgomebi da Taviseburebebi.SWOT–analizis Sedegebis SejerebaSi monawileobamiiRo orive Teatris samxatvro xelmZRvanelma avTandilvarsimaSvilma. amgvarad, Sida garemos dadebiTi faqtoriaris sferos Zlieri mxareebi (Strenghts). es aris resursisSida Zalebi, romlebic ganapirobeben mis stabilurobasda ganviTarebas. Teatris SemTxvevaSi aseTad SeiZlebamiviCnioT, magaliTad iseTi faqtorebi, rodesac:242
qarTuli Teatri, rogorc kulturis sferos resursi_ iqmneba konkretuli samuSao adgilebi (TavisufaliTeatris SemTxvevaSi gasaTvaliswinebelia, rom samuSaoadgilebi ar iqmneba mudmivad. adamianuri resursebis(msaxiobebis) daqiraveba xdeba miznobrivad, konkretulispeqtaklisTvis);_ sferos aqvs sakuTari avtonomiuri gasaRebisbazari, rogorc Sida bazari, aseve saerTaSoriso;_ Sesabamisad, mas gaaCnia sainvesticio potenciali;_ bazris konkurentunarianobas rac Seexeba, _griboedovis Teatri SeiZleba ganixilos, erTi mxriv,rogorc saerTo qarTuli Teatraluri sivrcisTanasworuflebiani moTamaSe. meore mxriv ki, rogorcamave bazarze arsebuli erTaderTi rusulenovani Teatri.aseve ar unda daviviwyoT, rom `griboedovis Teatri~ amsivrcisaTvis brends warmoadgens._ Tavisufali Teatri metad konkurentunariania,rogorc analogiur kerZo TeatrebTan, aseve saxelmwifodotaciaze myof TeatrebTan SedarebiT._ orive Teatri ganaTlebis, masmediis, turizmis,garTobis industriis ganviTarebis erT-erT wyaroswarmoadgens.amasTanave,Sida garemos uaryofiT faqtorad miCneulianaklovanebebi (Weaknesses)._ dafinansebis ukmarisoba (Tumca, <strong>2012</strong> wlisdasawyisidan griboedovis TeatrSi saxelmwifo dafinansebagaizarda, is kvlav arasakmarisia. amasTanave, miuxedavadbazarze myari poziciebisa, dafinansebis (Semosavlebis)ukmarisobas ganicdis Tavisufali Teatric).SWOT–analizis gareTa garemoebebis dadebiTifaqtori aris sferos SesaZleblobebi (Opportunities)._ gonivruli da gaazrebuli kulturis politikasaxelmwifos mxridan;_ finansebis mozidvis mizniT axali meqanizmebisSemuSaveba (pirvel rigSi, fandraizingis sistemis ufro243
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saqarTvelos SoTa rusTavelis Teatris
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Shota Rustaveli Theatre and Film Ge
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manana lekboraSvilimontaJi da redaq
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CONTENTSTHEATRE STUDIESGVANTSA GULI
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NINO TSITLANADZEGeorgian Theatre As
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Teatrmcodneoba11
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Teatrzec. revoluciuri kataklizmebis
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Tanamedrove qarTuli Teatris problem
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a) speqtaklis, performansis ganxorc
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ugulebelyofs da dros sivrciT urTier
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moCarCoebul sivrcesa Tu sibrtyeSi g
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cenografiuli kompoziciis sakiTxisaT
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aqtualuria, oRond dro ara marto aCq
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natalia diRmelaSvili,saqarTvelos So
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Tanamedrove midgomebis danergva cek
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stilisturi forma ki araa, sxva form
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mdgomareobs, rom is saSualebas mogv
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Mmsaxiobis ostatobis sxvadasxvameTo
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Tamar firosmanaSvili,saqarTvelos So
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qoreografia dramatul speqtaklSi da
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qoreografia dramatul speqtaklSi da
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da mimdinareobas ver mivakuTvnebT.
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avgust strindbergis`intimuri Teatri
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koleqtiuri kiTxva da personaJebis a
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avgust strindbergis`intimuri Teatri
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(idealur SemTxvevaSi _ guli plus go
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pirovnebis mniSvneloba samsaxiobo x
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kinomcodneoba75
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Tamar barTaiaamis gamo uars nu ityv
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Tamar barTaiasadac orjer ori aucile
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Tamar barTaiargoli unda iyos. maSin
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Tamar barTaiagaumarTlebeli iqneba a
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maka doliZefaSizmi~ 1 warmoadgens a
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maka doliZeeniWeboda. 1939 wlidan g
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maka doliZefilmebic, magaliTad, reJ
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maka doliZevaJis cudi zegavlenisaga
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maka doliZeda misi adgili SeevsoT f
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96nikoloz kereseliZe,saqarTvelos So
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nikoloz kereseliZesaCvenebeli da Su
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nikoloz kereseliZerogorc `Teatris p
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nikoloz kereseliZeteleviziaSic, Toj
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nikoloz kereseliZesanaxaobiTi xelov
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nikoloz kereseliZevaldebulebebs am
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manana lekboraSvili,saqarTvelos SoT
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manana lekboraSviligadabma xdeboda
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manana lekboraSviliklasikuri montaJ
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manana lekboraSviliikiTxeboda. amgv
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manana lekboraSvilimusikalur klipeb
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manana lekboraSvilifilmebSi adrinde
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120mzia manjaviZe,saqarTvelos SoTa
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mzia manjaviZesubstancia Seaqvs fil
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mzia manjaviZefaseulobaze. filmSi a
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mzia manjaviZebedis ZebnaSi, xolo m
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naTia mefariSvili,saqarTvelos SoTa
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naTia mefariSviliisini axdendnen am
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naTia mefariSvilipenis filmi amerik
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naTia mefariSvilistandartebi, roca
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naTia mefariSvilisistemas, miznobri
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naTia mefariSviligamoyenebuli liter
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giorgi uRreliZ(1910) pirvelad gamoi
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giorgi uRreliZekranze xedavda ambav
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giorgi uRreliZmontaJi SeiZleba real
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nino dondolaZemas analogi ar moeZeb
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nino dondolaZesanaxaobisamebr, saqa
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nino dondolaZeam dros gaaSiSvlebdne
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nino dondolaZemama avTandil giorgob
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nino dondolaZetardeboda, rasac XIX
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nino dondolaZe`bekikeebi~ #6`gvergv
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Tamar sarCimeliZeriTmi xelovnebaSir
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Tamar sarCimeliZeSinaarsobrivi dina
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Tamar sarCimeliZeriTmulobidan gamom
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Tamar sarCimeliZeganvixiloT ufro de
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Tamar sarCimeliZegaremo da formac w
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Tamar sarCimeliZesur. 7 lakazisur.
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174qeTevan oCxikiZe,saqarTvelos SoT
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qeTevan oCxikiZeZiriTadad, `jojoxeT
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qeTevan oCxikiZedavadginoT maT Sori
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qeTevan oCxikiZexarisxis gamo, amis
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qeTevan oCxikiZeTiToeuli maTgani ga
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qeTevan oCxikiZeredaqciiT aris moce
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qeTevan oCxikiZegamoyenebuli litera
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Sorena fxakaZe2009-dan dRemde - ton
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Sorena fxakaZeaxal Strixad iqca mxa
Page 192 and 193: Sorena fxakaZexelovnebis axal etapz
Page 194 and 195: avTandil CaCava,saqarTvelos SoTa ru
Page 196 and 197: avTandil CaCavaimereTSi niRabs `kva
Page 198 and 199: avTandil CaCavaxaris rqebs imagrebd
Page 200 and 201: avTandil CaCavapatarZals ganasaxier
Page 202 and 203: avTandil CaCavaerTmaneTs maTi mzera
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Page 206 and 207: vladimer (lado) tatiSvilime rwyu li
Page 208 and 209: vladimer (lado) tatiSviliwyo bi le
Page 210 and 211: vladimer (lado) tatiSviliwons, mo i
Page 212 and 213: vladimer (lado) tatiSvilireklamas S
Page 214 and 215: mzia zautaSvilistiliT Semoifargleba
Page 216 and 217: mzia zautaSviliratom TiToeuli saleq
Page 218 and 219: mzia zautaSvilimeSveobiT daganaxebT
Page 220 and 221: mzia zautaSviliteleJurnalistika, mx
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Page 224 and 225: malxaz Rvinjiliaar iTxovs, radgan a
Page 226 and 227: malxaz Rvinjiliaavadmyofobis gamo,v
Page 228 and 229: malxaz RvinjiliadazRvevis saerTaSor
Page 230 and 231: magda cocxalaSvili,saqarTvelos SoTa
Page 232 and 233: magda cocxalaSvilidakavSirebuli Rir
Page 234 and 235: magda cocxalaSvilikulturuli fena, u
Page 236 and 237: magda cocxalaSvili`literaturuli saq
Page 238 and 239: magda cocxalaSviliuzrunvelyofa da o
Page 240 and 241: nino wiTlanaZe,saqarTvelos SoTa rus
Page 244 and 245: nino wiTlanaZeefeqturi amuSaveba);_
Page 246 and 247: nino wiTlanaZeiseTi Tanamedrove teq
Page 248 and 249: Nino Gunia-Kuznetsova,Shota Rustave
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Page 252 and 253: the victory or labor. So, in antiqu
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Page 256 and 257: he shows us that fascism is an eter
Page 258 and 259: participates in scenic creativity,
Page 260 and 261: Together with music special sound e
Page 262 and 263: uilding. When we put the bricks cor
Page 264 and 265: In village, Putieti, the weekly rit
Page 266 and 267: integrity is the rhythm.Rhythm (Gre
Page 268 and 269: The academy has two centres. The fi
Page 270 and 271: MEDIA STUDIESMzia Zautashvili,Shota
Page 272 and 273: called musical therapy - . In the
Page 274 and 275: Magda Tsotskhalashvili,Shota Rustav
Page 276 and 277: of target audience.The theme also i
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saxelovnebo mecnierebaTa Ziebani #4 (53), 2012 ART SCIENCE ...

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