saxelovnebo mecnierebaTa Ziebani #4 (53), 2012 ART SCIENCE ...

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nino wiTlanaZe,saqarTvelos SoTa rusTavelis Teatrisa da kinossaxelmwifo universiteti,xelovnebis menejmentis mimarTulebis doqtoranti,xelmZRvaneli nino sanadiraZeqarTuli Teatri, rogorc kulturissferos resursikulturis politikis sferoSi gavleniani evropulisaitis angariSis Tanaxmad, 2010 wels saqarTveloSikulturis sferoSi CUPIX indeqsma (Cultural Price Index onGoods and Services) kulturis produqtebis raodenobismixedviT Seadgina 38%,xolo sajaro kulturis servisiscifrma 15%. Teatris wili orive am niSnulSi ucnobia.dResdReobiT saqarTveloSi Teatrebis umetesi nawilikulturisa da ZeglTa dacvis saministros dafinansebiTarsebobs da ssip – sajaro samarTlis iuridiul pirswarmoadgens. sul, 2011 wlis monacemebiT, saministrosbalansze 26 Teatria aRniSnuli. aqedan 10 dedaqalaqSi,16 ki _ regionebSi.sxvadasxva qveyanaSi Catarebuli sociologiurikvlevis Sedegad gairkva,rom didi qalaqebis mosaxleobismxolod 10-12%-ia Teatris mayurebeli. magram amraodenobis SenarCuneba da gazrda ukve Teatris swormarTvazea damokidebuli. swored aq iCens Tavs Teatri,rogorc ekonomikuri resursi. ra unda gakeTdes, raTagaizardos Teatrisadmi yuradReba mayureblis mxridan,da Sesabamisad, – Teatris ekonomikuri sargebeli?saqarTvelos kulturisa da ZeglTa dacvis saministrosqarTuli profesiuli Teatraluri xelovnebisganviTarebis 2011 wlis programis Tanaxmad, ZiriTadproblemas warmoadgens is garemoeba, rom: `... milevadiinerciis ZaliT xangrZlivad momuSave Teatrebi wlebis240
manZilze stagnaciis pirobebSi aRmoCndnen, simbolurianazRaurebiTa da mwiri SemoqmedebiTi nayofierebiTmiusafarTa TavSesafars daemsgavsnen. marTalia, ammdgomareobidan gamosvla 2004 wlidan daiwyo, racZiriTadad axali dadgmebis raodenobriv zrdaSi,sagastrolo moZraobis gamococxlebis pirvel niSnebSi,xelfasebis mowesrigebis tendenciaSi gamoixata.Tumca, ganviTarebis axal etapze gadasulma qveyanam damasTan dakavSirebulma axalma SesaZleblobebma mTelisimwvaviT warmoaCina xelovnebis am dargSi dagrovilimravalaspeqtiani problemebi, romelTa etapobrivmagadaWram da am mimarTulebiT dasaxulma ZalisxmevamTandaTanobiT unda migviyvanos Tanamedrove qarTuliTeatris ganviTarebis axal etapamde. dReisaTvis Teatrebi,komerciuli interesebis, masobrivi momsaxurebisa daSemosavlebis zrdis TvalsazrisiT ufro viTardebian,vidre dauRalavi SemoqmedebiTi Ziebis, mayurebelTainteresebisa da problemebis mxatvrulad gaazrebis gziT.Sedegad,erTferovnebasa da erTjerad warmatebebTan erTad,am warmatebebis reklamirebas speqtaklidan speqtaklSigardamavali Stampebsa da profesiuli kritikis srulidumils viRebT. gamomdinare aqedan, saxelmwifoskulturis politika Teatraluri xelovnebis sferoSiunda emsaxurebodes ramdenime ZiriTad mizans:_ qarTuli saTeatro azrovnebis ganviTarebisxelSewyoba;_ qarTuli Teatraluri memkvidreobispopularizacia;_ axali formebis, ideebis, iniciativebis mxardaWera.gasaTvaliswinebelia `kulturis sferos menejmentisspecifika. mas, rogorc wesi, `sulieri warmoebis~Taviseburebebs ukavSireben. amgvari saqmianobis`produqtebi~ ara imdenad sagnobrivi xasiaTisaa,ramdenadac azrovnebis fenomens ukavSirdeba da uSualo241
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saqarTvelos SoTa rusTavelis Teatris
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Shota Rustaveli Theatre and Film Ge
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manana lekboraSvilimontaJi da redaq
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CONTENTSTHEATRE STUDIESGVANTSA GULI
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NINO TSITLANADZEGeorgian Theatre As
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Teatrmcodneoba11
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Teatrzec. revoluciuri kataklizmebis
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Tanamedrove qarTuli Teatris problem
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a) speqtaklis, performansis ganxorc
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ugulebelyofs da dros sivrciT urTier
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moCarCoebul sivrcesa Tu sibrtyeSi g
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cenografiuli kompoziciis sakiTxisaT
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aqtualuria, oRond dro ara marto aCq
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natalia diRmelaSvili,saqarTvelos So
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Tanamedrove midgomebis danergva cek
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stilisturi forma ki araa, sxva form
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mdgomareobs, rom is saSualebas mogv
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Mmsaxiobis ostatobis sxvadasxvameTo
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Tamar firosmanaSvili,saqarTvelos So
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qoreografia dramatul speqtaklSi da
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qoreografia dramatul speqtaklSi da
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da mimdinareobas ver mivakuTvnebT.
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avgust strindbergis`intimuri Teatri
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koleqtiuri kiTxva da personaJebis a
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avgust strindbergis`intimuri Teatri
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(idealur SemTxvevaSi _ guli plus go
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pirovnebis mniSvneloba samsaxiobo x
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kinomcodneoba75
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Tamar barTaiaamis gamo uars nu ityv
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Tamar barTaiasadac orjer ori aucile
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Tamar barTaiargoli unda iyos. maSin
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Tamar barTaiagaumarTlebeli iqneba a
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maka doliZefaSizmi~ 1 warmoadgens a
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maka doliZeeniWeboda. 1939 wlidan g
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maka doliZefilmebic, magaliTad, reJ
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maka doliZevaJis cudi zegavlenisaga
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maka doliZeda misi adgili SeevsoT f
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96nikoloz kereseliZe,saqarTvelos So
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nikoloz kereseliZesaCvenebeli da Su
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nikoloz kereseliZerogorc `Teatris p
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nikoloz kereseliZeteleviziaSic, Toj
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nikoloz kereseliZesanaxaobiTi xelov
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nikoloz kereseliZevaldebulebebs am
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manana lekboraSvili,saqarTvelos SoT
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manana lekboraSviligadabma xdeboda
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manana lekboraSviliklasikuri montaJ
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manana lekboraSviliikiTxeboda. amgv
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manana lekboraSvilimusikalur klipeb
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manana lekboraSvilifilmebSi adrinde
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120mzia manjaviZe,saqarTvelos SoTa
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mzia manjaviZesubstancia Seaqvs fil
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mzia manjaviZefaseulobaze. filmSi a
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mzia manjaviZebedis ZebnaSi, xolo m
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naTia mefariSvili,saqarTvelos SoTa
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naTia mefariSviliisini axdendnen am
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naTia mefariSvilipenis filmi amerik
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naTia mefariSvilistandartebi, roca
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naTia mefariSvilisistemas, miznobri
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naTia mefariSviligamoyenebuli liter
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giorgi uRreliZ(1910) pirvelad gamoi
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giorgi uRreliZekranze xedavda ambav
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giorgi uRreliZmontaJi SeiZleba real
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146
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148
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nino dondolaZemas analogi ar moeZeb
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nino dondolaZesanaxaobisamebr, saqa
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nino dondolaZeam dros gaaSiSvlebdne
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nino dondolaZemama avTandil giorgob
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nino dondolaZetardeboda, rasac XIX
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nino dondolaZe`bekikeebi~ #6`gvergv
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Tamar sarCimeliZeriTmi xelovnebaSir
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Tamar sarCimeliZeSinaarsobrivi dina
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Tamar sarCimeliZeriTmulobidan gamom
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Tamar sarCimeliZeganvixiloT ufro de
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Tamar sarCimeliZegaremo da formac w
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Tamar sarCimeliZesur. 7 lakazisur.
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174qeTevan oCxikiZe,saqarTvelos SoT
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qeTevan oCxikiZeZiriTadad, `jojoxeT
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qeTevan oCxikiZedavadginoT maT Sori
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qeTevan oCxikiZexarisxis gamo, amis
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qeTevan oCxikiZeTiToeuli maTgani ga
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qeTevan oCxikiZeredaqciiT aris moce
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qeTevan oCxikiZegamoyenebuli litera
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Sorena fxakaZe2009-dan dRemde - ton
Page 190 and 191: Sorena fxakaZeaxal Strixad iqca mxa
Page 192 and 193: Sorena fxakaZexelovnebis axal etapz
Page 194 and 195: avTandil CaCava,saqarTvelos SoTa ru
Page 196 and 197: avTandil CaCavaimereTSi niRabs `kva
Page 198 and 199: avTandil CaCavaxaris rqebs imagrebd
Page 200 and 201: avTandil CaCavapatarZals ganasaxier
Page 202 and 203: avTandil CaCavaerTmaneTs maTi mzera
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Page 206 and 207: vladimer (lado) tatiSvilime rwyu li
Page 208 and 209: vladimer (lado) tatiSviliwyo bi le
Page 210 and 211: vladimer (lado) tatiSviliwons, mo i
Page 212 and 213: vladimer (lado) tatiSvilireklamas S
Page 214 and 215: mzia zautaSvilistiliT Semoifargleba
Page 216 and 217: mzia zautaSviliratom TiToeuli saleq
Page 218 and 219: mzia zautaSvilimeSveobiT daganaxebT
Page 220 and 221: mzia zautaSviliteleJurnalistika, mx
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Page 224 and 225: malxaz Rvinjiliaar iTxovs, radgan a
Page 226 and 227: malxaz Rvinjiliaavadmyofobis gamo,v
Page 228 and 229: malxaz RvinjiliadazRvevis saerTaSor
Page 230 and 231: magda cocxalaSvili,saqarTvelos SoTa
Page 232 and 233: magda cocxalaSvilidakavSirebuli Rir
Page 234 and 235: magda cocxalaSvilikulturuli fena, u
Page 236 and 237: magda cocxalaSvili`literaturuli saq
Page 238 and 239: magda cocxalaSviliuzrunvelyofa da o
Page 242 and 243: nino wiTlanaZedaTvlasa da Sejamebas
Page 244 and 245: nino wiTlanaZeefeqturi amuSaveba);_
Page 246 and 247: nino wiTlanaZeiseTi Tanamedrove teq
Page 248 and 249: Nino Gunia-Kuznetsova,Shota Rustave
Page 250 and 251: the plastic characteristics of the
Page 252 and 253: the victory or labor. So, in antiqu
Page 254 and 255: is the title and not only the profe
Page 256 and 257: he shows us that fascism is an eter
Page 258 and 259: participates in scenic creativity,
Page 260 and 261: Together with music special sound e
Page 262 and 263: uilding. When we put the bricks cor
Page 264 and 265: In village, Putieti, the weekly rit
Page 266 and 267: integrity is the rhythm.Rhythm (Gre
Page 268 and 269: The academy has two centres. The fi
Page 270 and 271: MEDIA STUDIESMzia Zautashvili,Shota
Page 272 and 273: called musical therapy - . In the
Page 274 and 275: Magda Tsotskhalashvili,Shota Rustav
Page 276 and 277: of target audience.The theme also i
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saxelovnebo mecnierebaTa Ziebani #4 (53), 2012 ART SCIENCE ...

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