saxelovnebo mecnierebaTa Ziebani #4 (53), 2012 ART SCIENCE ...

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nino gunia-kuznecova„garegnul“ iers, aseve dramatuli qmedebis vizualurarss gansazRvravs da siuJetur-dramaturgiuli anunaratiuli xazis ganviTarebasa da xmovan-musikalurwyobasTan erTad, speqtaklis mxatvrul erTianobasqmnis. scenografiuli gadawyveta dramatuli dialogiskonteqstSi moiazreba da mudmivad mis zegavlenasganicdis. Sesabamisad,scenogafiuli kompozicia narativistipologiasTan urTierTmimarTebaSi cvalebadia. amrigad,SeiZleba iTqvas, rom scenografiuli kompoziciiswarmomqmneli ZiriTadi da arsobrivi principebiasivrcobrivi da dramaturgiuli principi.2. scenografiuli kompoziciis ZiriTadi gamomsaxvelobiTisaSualebebi:kompoziciis raobakompozicia, aris ra calkeul nawilTa erT mxatvrulmTlianobad SeerTeba, mxatvruli formis umTavresigamaerTianebeli komponentia, romelic nawarmoebsmxatvrul erTianobasa da mTlianobas aniWebs.leon batista albertis mixedviT, romelmacpirvelma Semoitana kompoziciis cneba, kompozicia _Txzva da gamogonebaa, rogorc mxatvris Tavisufalinebis gamoxatvis aqti; anu kompozicias is ganixilavsara rogorc produqts, aramed rogorc process, romlisarsi sivrcis organizebaa.formaluri erTianobisa da ansamblurobisgangansxvavebiT, kompozicia calkeul nawilebad ar iyofa.kompozicia mxatvruli elementebis gansakuTrebuladgaazrebuli da droSi ganviTarebadi mTlianobaa. amgvarimTlianoba gulisxmobs axali SemoqmedebiT-mxatvrulirealobis Seqmnas, romelic aaxloebs ra universalursada aqtualurs, nawilobriv drois ganzomilebas24
ugulebelyofs da dros sivrciT urTierTobebadgardaqmnis.swored kompoziciuri mTlianobis gziT vizualurixelovnebis Sinaarsi imanenturi xdeba. Sedegad, mxatvris,scenografis formiTi azrovnebis unaris safuZvelzexelovnebis nimuSSi da gansakuTrebiT, dro-sivrciTxelovnebaSi, istoriuli dro mxatvrulad SekumSuldrod gadaiqceva.ZiriTadi kompoziciuri kategoriebis sistemaSi,romlis bazisi konstruqciaa, xolo umaRlesi wertili_ kompozicia (semantikuri, azrobrivi mTlianoba),umniSvnelovanesi roli eniWeba mxatvris azrovnebaSimimdinare `saSualeba-xerxebis~ meSveobiT masalisTanamimdevrul transformacias xarisxobrivad axalmxatvrul `Sedeg-xarisxSi~. amdenad, kompozicia arisTviTganviTarebadi sistema, 1 romlis Rirebuleba misikomponentebis jams aRemateba. es ZiriTadi kanonzomierebasaerToa yvela saxis xelovnebis dargisTvis da,Sesabamisad, scenografiisTvisac.kompoziciuri kanonebicenografiuli kompoziciis sakiTxisaTvisrogorc yvela sistemas, kompoziciasac sakuTarikanonebi gaaCnia, kerZod:1. mTlianobis kanoni, romelic gamoixateba yvelaelementisa da maTi bmebis harmoniaSi, kompoziciurelementTa Soris kavSirisa da urTierTSeTanxmebisaucileblobaSi, drosa da sivrceSi maT uwyvetmTlianobaSi; kanoni gamomdinareobs kompoziciisganuyofelobis Tvisebidan, rac efuZneba mxatvruli1sistema - gulisxmobs elementebisa da garkveuli struqturisarsebobis kanonzomierebas, romlis safuZvelzec elementebidakavSirebulni arian erTmaneTTan. materialuri garemos obieqtebisfunqcionirebis gansxvavebuli xasiaTi ganapirobebs maTi teqtonikisada moculobiT-sivrcobrivi organizaciis specifikas.25
Page 1 and 2: saqarTvelos SoTa rusTavelis Teatris
Page 3 and 4: Shota Rustaveli Theatre and Film Ge
Page 5 and 6: manana lekboraSvilimontaJi da redaq
Page 7 and 8: CONTENTSTHEATRE STUDIESGVANTSA GULI
Page 9 and 10: NINO TSITLANADZEGeorgian Theatre As
Page 11 and 12: Teatrmcodneoba11
Page 13 and 14: Teatrzec. revoluciuri kataklizmebis
Page 15 and 16: Tanamedrove qarTuli Teatris problem
Page 23: a) speqtaklis, performansis ganxorc
Page 27 and 28: moCarCoebul sivrcesa Tu sibrtyeSi g
Page 29 and 30: cenografiuli kompoziciis sakiTxisaT
Page 33 and 34: aqtualuria, oRond dro ara marto aCq
Page 39 and 40: natalia diRmelaSvili,saqarTvelos So
Page 41 and 42: Tanamedrove midgomebis danergva cek
Page 51 and 52: stilisturi forma ki araa, sxva form
Page 53 and 54: mdgomareobs, rom is saSualebas mogv
Page 55 and 56: Mmsaxiobis ostatobis sxvadasxvameTo
Page 57 and 58: Tamar firosmanaSvili,saqarTvelos So
Page 59 and 60: qoreografia dramatul speqtaklSi da
Page 61 and 62: qoreografia dramatul speqtaklSi da
Page 63 and 64: da mimdinareobas ver mivakuTvnebT.
Page 65 and 66: avgust strindbergis`intimuri Teatri
Page 67 and 68: koleqtiuri kiTxva da personaJebis a
Page 69 and 70: avgust strindbergis`intimuri Teatri
Page 71 and 72: (idealur SemTxvevaSi _ guli plus go
Page 73 and 74: pirovnebis mniSvneloba samsaxiobo x
Page 75:
kinomcodneoba75
Page 78 and 79:
Tamar barTaiaamis gamo uars nu ityv
Page 80 and 81:
Tamar barTaiasadac orjer ori aucile
Page 82 and 83:
Tamar barTaiargoli unda iyos. maSin
Page 84 and 85:
Tamar barTaiagaumarTlebeli iqneba a
Page 86 and 87:
maka doliZefaSizmi~ 1 warmoadgens a
Page 88 and 89:
maka doliZeeniWeboda. 1939 wlidan g
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maka doliZefilmebic, magaliTad, reJ
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maka doliZevaJis cudi zegavlenisaga
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maka doliZeda misi adgili SeevsoT f
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96nikoloz kereseliZe,saqarTvelos So
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nikoloz kereseliZesaCvenebeli da Su
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nikoloz kereseliZerogorc `Teatris p
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nikoloz kereseliZeteleviziaSic, Toj
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nikoloz kereseliZesanaxaobiTi xelov
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nikoloz kereseliZevaldebulebebs am
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manana lekboraSvili,saqarTvelos SoT
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manana lekboraSviligadabma xdeboda
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manana lekboraSviliklasikuri montaJ
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manana lekboraSviliikiTxeboda. amgv
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manana lekboraSvilimusikalur klipeb
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manana lekboraSvilifilmebSi adrinde
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120mzia manjaviZe,saqarTvelos SoTa
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mzia manjaviZesubstancia Seaqvs fil
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mzia manjaviZefaseulobaze. filmSi a
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mzia manjaviZebedis ZebnaSi, xolo m
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naTia mefariSvili,saqarTvelos SoTa
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naTia mefariSviliisini axdendnen am
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naTia mefariSvilipenis filmi amerik
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naTia mefariSvilistandartebi, roca
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naTia mefariSvilisistemas, miznobri
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naTia mefariSviligamoyenebuli liter
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giorgi uRreliZ(1910) pirvelad gamoi
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giorgi uRreliZekranze xedavda ambav
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giorgi uRreliZmontaJi SeiZleba real
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146
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148
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nino dondolaZemas analogi ar moeZeb
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nino dondolaZesanaxaobisamebr, saqa
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nino dondolaZeam dros gaaSiSvlebdne
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nino dondolaZemama avTandil giorgob
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nino dondolaZetardeboda, rasac XIX
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nino dondolaZe`bekikeebi~ #6`gvergv
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Tamar sarCimeliZeriTmi xelovnebaSir
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Tamar sarCimeliZeSinaarsobrivi dina
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Tamar sarCimeliZeriTmulobidan gamom
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Tamar sarCimeliZeganvixiloT ufro de
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Tamar sarCimeliZegaremo da formac w
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Tamar sarCimeliZesur. 7 lakazisur.
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174qeTevan oCxikiZe,saqarTvelos SoT
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qeTevan oCxikiZeZiriTadad, `jojoxeT
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qeTevan oCxikiZedavadginoT maT Sori
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qeTevan oCxikiZexarisxis gamo, amis
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qeTevan oCxikiZeTiToeuli maTgani ga
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qeTevan oCxikiZeredaqciiT aris moce
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qeTevan oCxikiZegamoyenebuli litera
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Sorena fxakaZe2009-dan dRemde - ton
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Sorena fxakaZeaxal Strixad iqca mxa
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Sorena fxakaZexelovnebis axal etapz
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avTandil CaCava,saqarTvelos SoTa ru
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avTandil CaCavaimereTSi niRabs `kva
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avTandil CaCavaxaris rqebs imagrebd
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avTandil CaCavapatarZals ganasaxier
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avTandil CaCavaerTmaneTs maTi mzera
Page 204 and 205:
204
Page 206 and 207:
vladimer (lado) tatiSvilime rwyu li
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vladimer (lado) tatiSviliwyo bi le
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vladimer (lado) tatiSviliwons, mo i
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vladimer (lado) tatiSvilireklamas S
Page 214 and 215:
mzia zautaSvilistiliT Semoifargleba
Page 216 and 217:
mzia zautaSviliratom TiToeuli saleq
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mzia zautaSvilimeSveobiT daganaxebT
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mzia zautaSviliteleJurnalistika, mx
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222
Page 224 and 225:
malxaz Rvinjiliaar iTxovs, radgan a
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malxaz Rvinjiliaavadmyofobis gamo,v
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malxaz RvinjiliadazRvevis saerTaSor
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magda cocxalaSvili,saqarTvelos SoTa
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magda cocxalaSvilidakavSirebuli Rir
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magda cocxalaSvilikulturuli fena, u
Page 236 and 237:
magda cocxalaSvili`literaturuli saq
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magda cocxalaSviliuzrunvelyofa da o
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nino wiTlanaZe,saqarTvelos SoTa rus
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nino wiTlanaZedaTvlasa da Sejamebas
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nino wiTlanaZeefeqturi amuSaveba);_
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nino wiTlanaZeiseTi Tanamedrove teq
Page 248 and 249:
Nino Gunia-Kuznetsova,Shota Rustave
Page 250 and 251:
the plastic characteristics of the
Page 252 and 253:
the victory or labor. So, in antiqu
Page 254 and 255:
is the title and not only the profe
Page 256 and 257:
he shows us that fascism is an eter
Page 258 and 259:
participates in scenic creativity,
Page 260 and 261:
Together with music special sound e
Page 262 and 263:
uilding. When we put the bricks cor
Page 264 and 265:
In village, Putieti, the weekly rit
Page 266 and 267:
integrity is the rhythm.Rhythm (Gre
Page 268 and 269:
The academy has two centres. The fi
Page 270 and 271:
MEDIA STUDIESMzia Zautashvili,Shota
Page 272 and 273:
called musical therapy - . In the
Page 274 and 275:
Magda Tsotskhalashvili,Shota Rustav
Page 276 and 277:
of target audience.The theme also i
Page 278 and 279:
278
Page 280:
280
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