saxelovnebo mecnierebaTa Ziebani #4 (53), 2012 ART SCIENCE ...

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magda cocxalaSvili,saqarTvelos SoTa rusTavelis Teatrisa da kinossaxelmwifo universiteti,xelovnebis menejmentis mimarTulebis doqtoranti,xelmZRvaneli: nino sanadiraZekulturuli memkvidreobis marTvissistemebi da urbanuli memkvidreobaTbilisis istoriuli moednis magaliTzesaqarTvelos kulturuli memkvidreobis mniSvnelovannawils warmoadgens Zveli qalaqebis urbanularqiteqturuliZeglebi (gori,quTaisi,siRnaRi,Tbilisi).saqarTvelos dedaqalaqis garkveul nawils `Zveliqalaqi~ warmoadgens,romelic didwilad gansazRvravs mismomxibvlelobasa da mimzidvelobas. Zvel ubnebSi (kala,isani, seidabadi, sololaki, mTawminda, CuRureTi, vera...)SemorCenilia rogorc istoriuli Zeglebi (eklesiebi,sinagogebi, meCeTi, cixe-simagre, qarvaslebi), aseve XIXs-sa da XX s-is dasawyisis sacxovrebeli saxlebi.isini ganumeorebel erTian sivrcobriv kompoziciasda mxatvrul-urbanul mTlianobas qmnian, romelSicgamoikveTeba landSaftisa da urbanuli garemosunikaluri kavSiri. am ubnebma, nawilobriv, jer kidevSeinarCuna Zveli qalaqisaTvis damaxasiaTebeli cxovrebiswesic. Zveli qalaqi polifunqciuri iyo: sacxovrebeli,religiuri, savaWro, samrewvelo, kulturuli da sxva,da yovelTvis mniSvnelovan rols TamaSobda TbilisisevoluciaSi.kultura unda ganixilebodes,rogorc sazogadoebisan socialuri jgufisTvis damaxasiaTebel sulier,materialur,inteleqtualur da emociuri niSan-TvisebaTaerToblioba, romelic xelovnebasa da literaturasTanerTad moicavs cxovrebis stils, cxovrebis unars,230
faseulobaTa sistemebs, tradiciebs da rwmenebs(kulturuli mravalferovnebis Sesaxeb UNESCO-ssayovelTao deklaracia). kulturis gavrcelebisformebi saukuneebis manZilze icvleboda drosa dasivrceSi. misi mravalferovneba vlindeba kacobriobisSemadgeneli jgufebisa da sazogadoebebis unikalurobasada mravalgvarobaSi. warmoadgens ra urTierTgaziarebis,novatorobisa da Semoqmedebis wyaros, kulturulimravalferovneba iseve aucilebelia kacobriobisaTvis,rogorc biomravalferovneba bunebisaTvis. amTvalsazrisiT, igi warmoadgens kacobriobis saerTomemkvidreobas da aRiarebul da SenarCunebul unda iqnasamJamindeli da momavali TaobebisaTvis.vinaidan kulturuli memkvidreoba msoflios erTerTiumniSvnelovanesi ara-ganaxlebadi resursia,amitomac gansakuTrebuli Zalisxmevaa saWiro adamianebismoTxovnilebebsa da memkvidreobis dacvis interesebsSoris wonasworobis aRsadgenad.kulturuli memkvidreoba sxvadasxva viTarebaSiarsebuli sxvadasxva tipis obieqtebisagan Sedgeba;amasTan, igi moicavs ara mxolod calkeul mniSvnelovanZeglebs, istoriul arealebsa da baR-parkebs, aramedadamianis mier Seqmnil garemos, rogorc erT mTlians.kulturuli memkvidreobis resursebi,maTi konteqstidangamomdinare, SeiZleba asocirebul iqnen sxvadasxvaRirebulebebTan, romlebic, Tavis mxriv, ganapirobebensxvadasxva SemTxvevaSi maTi mkurnalobis specifikas.obieqtis, misi Rirebulebebisa da misi mkurnalobisgansazRvrasTan dakavSirebuli cnebebi mkafiod unda iqnanganmartebulni, raTa Tavidan acilebul iqnas Sinaarsismcdari gageba. 1kulturuli memkvidreobis daxasiaTebis, masTan1MANAGEMENT GUIDELINES FOR WORLD HERITAGE SITES –ISBN:978-99940-987-0-5231
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saqarTvelos SoTa rusTavelis Teatris
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Shota Rustaveli Theatre and Film Ge
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manana lekboraSvilimontaJi da redaq
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CONTENTSTHEATRE STUDIESGVANTSA GULI
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NINO TSITLANADZEGeorgian Theatre As
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Teatrmcodneoba11
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Teatrzec. revoluciuri kataklizmebis
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Tanamedrove qarTuli Teatris problem
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a) speqtaklis, performansis ganxorc
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ugulebelyofs da dros sivrciT urTier
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moCarCoebul sivrcesa Tu sibrtyeSi g
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cenografiuli kompoziciis sakiTxisaT
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aqtualuria, oRond dro ara marto aCq
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natalia diRmelaSvili,saqarTvelos So
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Tanamedrove midgomebis danergva cek
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stilisturi forma ki araa, sxva form
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mdgomareobs, rom is saSualebas mogv
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Mmsaxiobis ostatobis sxvadasxvameTo
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Tamar firosmanaSvili,saqarTvelos So
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qoreografia dramatul speqtaklSi da
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qoreografia dramatul speqtaklSi da
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da mimdinareobas ver mivakuTvnebT.
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avgust strindbergis`intimuri Teatri
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koleqtiuri kiTxva da personaJebis a
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avgust strindbergis`intimuri Teatri
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(idealur SemTxvevaSi _ guli plus go
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pirovnebis mniSvneloba samsaxiobo x
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kinomcodneoba75
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Tamar barTaiaamis gamo uars nu ityv
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Tamar barTaiasadac orjer ori aucile
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Tamar barTaiargoli unda iyos. maSin
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Tamar barTaiagaumarTlebeli iqneba a
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maka doliZefaSizmi~ 1 warmoadgens a
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maka doliZeeniWeboda. 1939 wlidan g
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maka doliZefilmebic, magaliTad, reJ
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maka doliZevaJis cudi zegavlenisaga
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maka doliZeda misi adgili SeevsoT f
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96nikoloz kereseliZe,saqarTvelos So
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nikoloz kereseliZesaCvenebeli da Su
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nikoloz kereseliZerogorc `Teatris p
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nikoloz kereseliZeteleviziaSic, Toj
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nikoloz kereseliZesanaxaobiTi xelov
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nikoloz kereseliZevaldebulebebs am
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manana lekboraSvili,saqarTvelos SoT
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manana lekboraSviligadabma xdeboda
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manana lekboraSviliklasikuri montaJ
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manana lekboraSviliikiTxeboda. amgv
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manana lekboraSvilimusikalur klipeb
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manana lekboraSvilifilmebSi adrinde
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120mzia manjaviZe,saqarTvelos SoTa
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mzia manjaviZesubstancia Seaqvs fil
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mzia manjaviZefaseulobaze. filmSi a
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mzia manjaviZebedis ZebnaSi, xolo m
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naTia mefariSvili,saqarTvelos SoTa
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naTia mefariSviliisini axdendnen am
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naTia mefariSvilipenis filmi amerik
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naTia mefariSvilistandartebi, roca
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naTia mefariSvilisistemas, miznobri
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naTia mefariSviligamoyenebuli liter
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giorgi uRreliZ(1910) pirvelad gamoi
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giorgi uRreliZekranze xedavda ambav
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giorgi uRreliZmontaJi SeiZleba real
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146
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148
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nino dondolaZemas analogi ar moeZeb
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nino dondolaZesanaxaobisamebr, saqa
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nino dondolaZeam dros gaaSiSvlebdne
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nino dondolaZemama avTandil giorgob
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nino dondolaZetardeboda, rasac XIX
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nino dondolaZe`bekikeebi~ #6`gvergv
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Tamar sarCimeliZeriTmi xelovnebaSir
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Tamar sarCimeliZeSinaarsobrivi dina
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Tamar sarCimeliZeriTmulobidan gamom
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Tamar sarCimeliZeganvixiloT ufro de
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Tamar sarCimeliZegaremo da formac w
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Tamar sarCimeliZesur. 7 lakazisur.
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174qeTevan oCxikiZe,saqarTvelos SoT
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qeTevan oCxikiZeZiriTadad, `jojoxeT
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qeTevan oCxikiZedavadginoT maT Sori
Page 180 and 181: qeTevan oCxikiZexarisxis gamo, amis
Page 182 and 183: qeTevan oCxikiZeTiToeuli maTgani ga
Page 184 and 185: qeTevan oCxikiZeredaqciiT aris moce
Page 186 and 187: qeTevan oCxikiZegamoyenebuli litera
Page 188 and 189: Sorena fxakaZe2009-dan dRemde - ton
Page 190 and 191: Sorena fxakaZeaxal Strixad iqca mxa
Page 192 and 193: Sorena fxakaZexelovnebis axal etapz
Page 194 and 195: avTandil CaCava,saqarTvelos SoTa ru
Page 196 and 197: avTandil CaCavaimereTSi niRabs `kva
Page 198 and 199: avTandil CaCavaxaris rqebs imagrebd
Page 200 and 201: avTandil CaCavapatarZals ganasaxier
Page 202 and 203: avTandil CaCavaerTmaneTs maTi mzera
Page 204 and 205: 204
Page 206 and 207: vladimer (lado) tatiSvilime rwyu li
Page 208 and 209: vladimer (lado) tatiSviliwyo bi le
Page 210 and 211: vladimer (lado) tatiSviliwons, mo i
Page 212 and 213: vladimer (lado) tatiSvilireklamas S
Page 214 and 215: mzia zautaSvilistiliT Semoifargleba
Page 216 and 217: mzia zautaSviliratom TiToeuli saleq
Page 218 and 219: mzia zautaSvilimeSveobiT daganaxebT
Page 220 and 221: mzia zautaSviliteleJurnalistika, mx
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Page 224 and 225: malxaz Rvinjiliaar iTxovs, radgan a
Page 226 and 227: malxaz Rvinjiliaavadmyofobis gamo,v
Page 228 and 229: malxaz RvinjiliadazRvevis saerTaSor
Page 232 and 233: magda cocxalaSvilidakavSirebuli Rir
Page 234 and 235: magda cocxalaSvilikulturuli fena, u
Page 236 and 237: magda cocxalaSvili`literaturuli saq
Page 238 and 239: magda cocxalaSviliuzrunvelyofa da o
Page 240 and 241: nino wiTlanaZe,saqarTvelos SoTa rus
Page 242 and 243: nino wiTlanaZedaTvlasa da Sejamebas
Page 244 and 245: nino wiTlanaZeefeqturi amuSaveba);_
Page 246 and 247: nino wiTlanaZeiseTi Tanamedrove teq
Page 248 and 249: Nino Gunia-Kuznetsova,Shota Rustave
Page 250 and 251: the plastic characteristics of the
Page 252 and 253: the victory or labor. So, in antiqu
Page 254 and 255: is the title and not only the profe
Page 256 and 257: he shows us that fascism is an eter
Page 258 and 259: participates in scenic creativity,
Page 260 and 261: Together with music special sound e
Page 262 and 263: uilding. When we put the bricks cor
Page 264 and 265: In village, Putieti, the weekly rit
Page 266 and 267: integrity is the rhythm.Rhythm (Gre
Page 268 and 269: The academy has two centres. The fi
Page 270 and 271: MEDIA STUDIESMzia Zautashvili,Shota
Page 272 and 273: called musical therapy - . In the
Page 274 and 275: Magda Tsotskhalashvili,Shota Rustav
Page 276 and 277: of target audience.The theme also i
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