saxelovnebo mecnierebaTa Ziebani #4 (53), 2012 ART SCIENCE ...

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Sesavali22nino gunia-kuznecova,saqarTvelos SoTa rusTavelis Teatrisa da kinossaxelmwifo universiteti,Teatrmcodneobis mimarTulebis doqtorantixelmZRvaneli Tamar bokuCavascenografiuli kompoziciissakiTxisaTvisscenografia SeiZleba vuwodoT performansis(Cven naSromSi am termins ara mxolod Teatralurispeqtaklis, aramed zogadad sanaxaobiTi warmodgenisfarTo gansazRvrisTvis viyenebT) vizualur imijs,misi mravalkomponentianobiTa da mravalwaxnagovnebiT.scenografiis raoba rusi xelovnebaTmcodne v.beriozkinis mixedviT ase ganisazRvreba: `scenografiaxelovnebis dargia, romelic speqtaklis (performansis)saxviT-plastikur vizualur saxes qmnis scenur drosada sivrceSi. speqtaklSi scenografias ganekuTvnebayovelive, rac msaxiobis garSemo arsebobs (dekoracia),rasTanac msaxiobs aqvs Sexeba,riTac TamaSobs da moqmedebs(materialur-nivTobrivi atributebi), yvelaferi, racsxeulze aqvs (kostiumi, grimi, niRabi, garegnobisgardasaxvis sxva elementebi) da gardasaxvisTvisiyenebs~.1. scenografiis principebiscenografiis teritoriaTeatraluri xelovnebis erT-erTi umniSvnelovanesinawilia dramatuli qmedebis vizualuroba, romelic orikomponentiTaa ganpirobebuli:
a) speqtaklis, performansis ganxorcielebis arealiT,garemoTi anu landSaftiT (araTeatraluri sivrcispirobebSi), Teatris anda sxva samoqmedo nagebobis(taZridan _ stadionamde) arqiteqturiT;b) Teatraluri qmedebis, kerZod ki, samsaxiobojgufis uSualo saTamaSo ariT, e. w. scenuri sivrciT,misi vizualuri organizebiT.Teatralur xelovnebaSi sivrces, rogorcumniSvnelovanes nawils, Semoaqvs yvela is parametri /anu samganzomilebianoba, romlebic simaRliT, siRrmiTada siganiT ganizomeba/ da niSan-Tviseba /sidide, zoma,wona, moculoba, masa, forma, struqtura, arqiteqtonika,teqtonika, plastika/, rac sivrcobriv xelovnebaTadargebs axasiaTebs.sivrce aris scenografiis amosavali piroba. sivrciscneba Zalze farToa,is rogorc realur,aseve virtualurkonteqstebs moicavs. nebismier warmodgenaSi scenurisivrcis organizeba dualisturia; igi realuri _fizikurad mocemuli da irealuri _ mxatvrulad aRqmulisivrceebis urTierTdamokidebulebas gansazRvravs.qmedebis adgilis,saTamaSo sivrcis dinamika samsaxiobowarmodgenis mizanscenuri naxatiT ganisazRvreba. anusivrce SegviZlia davyoT performansis monawileTa qmedebisadgiliT (scenuri sivrce) da mayurebelTa ganlagebisadgilis (mayurebelTa darbazi an/da amfiTeatri) mixedviT:es dayofa aris nebismieri warmodgenis scenografiuligadawyvetis ganmsazRvreli.drosa da sivrceSi ganxorcielebuli dramaturgiuliqmedebis arsi warmodgenis dinamikaSi vlindeba. xolovizualur-esTetikuri aRqmis kanonebze damyarebuliscenografia nebismieri tipis performansis struqturaSi,sxva elementebTan erTad, speqtaklis rogorc zogadad23
Page 1 and 2: saqarTvelos SoTa rusTavelis Teatris
Page 3 and 4: Shota Rustaveli Theatre and Film Ge
Page 5 and 6: manana lekboraSvilimontaJi da redaq
Page 7 and 8: CONTENTSTHEATRE STUDIESGVANTSA GULI
Page 9 and 10: NINO TSITLANADZEGeorgian Theatre As
Page 11 and 12: Teatrmcodneoba11
Page 13 and 14: Teatrzec. revoluciuri kataklizmebis
Page 15 and 16: Tanamedrove qarTuli Teatris problem
Page 21: Tanamedrove qarTuli Teatris problem
Page 25 and 26: ugulebelyofs da dros sivrciT urTier
Page 27 and 28: moCarCoebul sivrcesa Tu sibrtyeSi g
Page 29 and 30: cenografiuli kompoziciis sakiTxisaT
Page 33 and 34: aqtualuria, oRond dro ara marto aCq
Page 39 and 40: natalia diRmelaSvili,saqarTvelos So
Page 41 and 42: Tanamedrove midgomebis danergva cek
Page 51 and 52: stilisturi forma ki araa, sxva form
Page 53 and 54: mdgomareobs, rom is saSualebas mogv
Page 55 and 56: Mmsaxiobis ostatobis sxvadasxvameTo
Page 57 and 58: Tamar firosmanaSvili,saqarTvelos So
Page 59 and 60: qoreografia dramatul speqtaklSi da
Page 61 and 62: qoreografia dramatul speqtaklSi da
Page 63 and 64: da mimdinareobas ver mivakuTvnebT.
Page 65 and 66: avgust strindbergis`intimuri Teatri
Page 67 and 68: koleqtiuri kiTxva da personaJebis a
Page 69 and 70: avgust strindbergis`intimuri Teatri
Page 71 and 72: (idealur SemTxvevaSi _ guli plus go
Page 73 and 74:
pirovnebis mniSvneloba samsaxiobo x
Page 75:
kinomcodneoba75
Page 78 and 79:
Tamar barTaiaamis gamo uars nu ityv
Page 80 and 81:
Tamar barTaiasadac orjer ori aucile
Page 82 and 83:
Tamar barTaiargoli unda iyos. maSin
Page 84 and 85:
Tamar barTaiagaumarTlebeli iqneba a
Page 86 and 87:
maka doliZefaSizmi~ 1 warmoadgens a
Page 88 and 89:
maka doliZeeniWeboda. 1939 wlidan g
Page 90 and 91:
maka doliZefilmebic, magaliTad, reJ
Page 92 and 93:
maka doliZevaJis cudi zegavlenisaga
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maka doliZeda misi adgili SeevsoT f
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96nikoloz kereseliZe,saqarTvelos So
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nikoloz kereseliZesaCvenebeli da Su
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nikoloz kereseliZerogorc `Teatris p
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nikoloz kereseliZeteleviziaSic, Toj
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nikoloz kereseliZesanaxaobiTi xelov
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nikoloz kereseliZevaldebulebebs am
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manana lekboraSvili,saqarTvelos SoT
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manana lekboraSviligadabma xdeboda
Page 112 and 113:
manana lekboraSviliklasikuri montaJ
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manana lekboraSviliikiTxeboda. amgv
Page 116 and 117:
manana lekboraSvilimusikalur klipeb
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manana lekboraSvilifilmebSi adrinde
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120mzia manjaviZe,saqarTvelos SoTa
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mzia manjaviZesubstancia Seaqvs fil
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mzia manjaviZefaseulobaze. filmSi a
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mzia manjaviZebedis ZebnaSi, xolo m
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naTia mefariSvili,saqarTvelos SoTa
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naTia mefariSviliisini axdendnen am
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naTia mefariSvilipenis filmi amerik
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naTia mefariSvilistandartebi, roca
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naTia mefariSvilisistemas, miznobri
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naTia mefariSviligamoyenebuli liter
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giorgi uRreliZ(1910) pirvelad gamoi
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giorgi uRreliZekranze xedavda ambav
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giorgi uRreliZmontaJi SeiZleba real
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146
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148
Page 150 and 151:
nino dondolaZemas analogi ar moeZeb
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nino dondolaZesanaxaobisamebr, saqa
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nino dondolaZeam dros gaaSiSvlebdne
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nino dondolaZemama avTandil giorgob
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nino dondolaZetardeboda, rasac XIX
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nino dondolaZe`bekikeebi~ #6`gvergv
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Tamar sarCimeliZeriTmi xelovnebaSir
Page 164 and 165:
Tamar sarCimeliZeSinaarsobrivi dina
Page 166 and 167:
Tamar sarCimeliZeriTmulobidan gamom
Page 168 and 169:
Tamar sarCimeliZeganvixiloT ufro de
Page 170 and 171:
Tamar sarCimeliZegaremo da formac w
Page 172 and 173:
Tamar sarCimeliZesur. 7 lakazisur.
Page 174 and 175:
174qeTevan oCxikiZe,saqarTvelos SoT
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qeTevan oCxikiZeZiriTadad, `jojoxeT
Page 178 and 179:
qeTevan oCxikiZedavadginoT maT Sori
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qeTevan oCxikiZexarisxis gamo, amis
Page 182 and 183:
qeTevan oCxikiZeTiToeuli maTgani ga
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qeTevan oCxikiZeredaqciiT aris moce
Page 186 and 187:
qeTevan oCxikiZegamoyenebuli litera
Page 188 and 189:
Sorena fxakaZe2009-dan dRemde - ton
Page 190 and 191:
Sorena fxakaZeaxal Strixad iqca mxa
Page 192 and 193:
Sorena fxakaZexelovnebis axal etapz
Page 194 and 195:
avTandil CaCava,saqarTvelos SoTa ru
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avTandil CaCavaimereTSi niRabs `kva
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avTandil CaCavaxaris rqebs imagrebd
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avTandil CaCavapatarZals ganasaxier
Page 202 and 203:
avTandil CaCavaerTmaneTs maTi mzera
Page 204 and 205:
204
Page 206 and 207:
vladimer (lado) tatiSvilime rwyu li
Page 208 and 209:
vladimer (lado) tatiSviliwyo bi le
Page 210 and 211:
vladimer (lado) tatiSviliwons, mo i
Page 212 and 213:
vladimer (lado) tatiSvilireklamas S
Page 214 and 215:
mzia zautaSvilistiliT Semoifargleba
Page 216 and 217:
mzia zautaSviliratom TiToeuli saleq
Page 218 and 219:
mzia zautaSvilimeSveobiT daganaxebT
Page 220 and 221:
mzia zautaSviliteleJurnalistika, mx
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222
Page 224 and 225:
malxaz Rvinjiliaar iTxovs, radgan a
Page 226 and 227:
malxaz Rvinjiliaavadmyofobis gamo,v
Page 228 and 229:
malxaz RvinjiliadazRvevis saerTaSor
Page 230 and 231:
magda cocxalaSvili,saqarTvelos SoTa
Page 232 and 233:
magda cocxalaSvilidakavSirebuli Rir
Page 234 and 235:
magda cocxalaSvilikulturuli fena, u
Page 236 and 237:
magda cocxalaSvili`literaturuli saq
Page 238 and 239:
magda cocxalaSviliuzrunvelyofa da o
Page 240 and 241:
nino wiTlanaZe,saqarTvelos SoTa rus
Page 242 and 243:
nino wiTlanaZedaTvlasa da Sejamebas
Page 244 and 245:
nino wiTlanaZeefeqturi amuSaveba);_
Page 246 and 247:
nino wiTlanaZeiseTi Tanamedrove teq
Page 248 and 249:
Nino Gunia-Kuznetsova,Shota Rustave
Page 250 and 251:
the plastic characteristics of the
Page 252 and 253:
the victory or labor. So, in antiqu
Page 254 and 255:
is the title and not only the profe
Page 256 and 257:
he shows us that fascism is an eter
Page 258 and 259:
participates in scenic creativity,
Page 260 and 261:
Together with music special sound e
Page 262 and 263:
uilding. When we put the bricks cor
Page 264 and 265:
In village, Putieti, the weekly rit
Page 266 and 267:
integrity is the rhythm.Rhythm (Gre
Page 268 and 269:
The academy has two centres. The fi
Page 270 and 271:
MEDIA STUDIESMzia Zautashvili,Shota
Page 272 and 273:
called musical therapy - . In the
Page 274 and 275:
Magda Tsotskhalashvili,Shota Rustav
Page 276 and 277:
of target audience.The theme also i
Page 278 and 279:
278
Page 280:
280
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