saxelovnebo mecnierebaTa Ziebani #4 (53), 2012 ART SCIENCE ...

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mzia zautaSvilistiliT Semoifargleba.Mmsxvili universitetebimasobrivi komunikaciis ganzogadebul programebsgvTavazoben. profesiuli skolebi upiratesobasteqnikur disciplinebs aniWeben da naklebad aswavlianTeorias. patara kinoskolas, Tu is ZviradRirebuliaraa, xSirad ar yofnis finansuri resursi.Ees kiimas niSnavs, rom gadaRebis saSualeba studentebsiSviaTad eZleva. seriozul saswavlebelSi kino datelereJisuris sabaziso Teoriad mxatvruli filmiswarmoebisa da saxviTi gadawyvetis kanonebi iswavleba.`kinoxelovnebis Seswavla aucilebelia humanitaruliganaTlebisTvis,aRqmas amaxvilebs,Tumca warmoebis gareSefilmis SefasebisTvis Tu gamodgeba da ara filmisgadasaRebad~. 1marTalia, kino da televizia erT enaze mogviTxrobsda gramatikis codna aucilebelia kvalificiurispecialistisaTvis, telewarmoebas mainc aqvsgansakuTrebuli,specifikuri niSnebi,rasac gaTvaliswinebasWirdeba swavlebis procesSi da Sesrulebis xarisxiCvevebze ufroa damokidebuli vidre Teoriul wesrigze.vgulisxmob uwyveti moqmedebis `cocxlad~ dafiqsirebisprocess. sadac moqmedeba ar SeiZleba ganmeordes dajgufs gadaRebis mxolod erTi Sansi aqvs. am sawarmooteqnikiT Sesrulebul programebs saeTero sivrcis metinawili uWiravs. satelevizio instrumentebis teqnikuriparametrebis codnas moiTxovs da intensiuri praqtikiTixveweba:• maxvili Tvali;• saintereso epizodis Tu personaJis momgebianikuTxiT dafiqsireba;• realobis adekvaturi aRqma;• gadaRebis procesSive intuiciuri gansja daefeqturi dramaturgiuli ganviTareba;1rabigeri m., dokumenturi kinos reJisura, Fokal press, 2006, gv. 461.214
specifikuri unar-Cvevebis daxvewapraqtikuli telereJisuris swavlebis procesSi• realur droSi ganviTarebuli moqmedebisekranuli Txrobis logikiTa da dinamikiT gadmocema;• gadasaRebi obieqtis swrafi teqnikuri analizi,aucilebeli samuSao xelsawyoebis kompleqtacia daswori ganlageba.dRes swavleba Teoriuli leqciebisa da praqtikulisavarjiSoebis monacvleobiT mimdinareobs. Sualedurdavalebebs sakurso da bolos, _ sadiplomo namuSevariajamebs. aseTi midgoma tradiciulia da mxatvrulikomponentis,kinoTeoriis praqtikiT gamyarebas emsaxureba.telereJisuris saswavlo programis metad daaxlovebakinowarmoebis TeoriasTan, Sedegad gvaZlevs axalgazrdaspecialists, romelic xSirad ibneva realur sawarmooprocesSi. iq,sadac yoveldRiurad moeTxoveba gamoavlinosSesabamisi profesiuli kompetencia. SeiZleba problemagaxdes ara mxolod aucilebeli profesiuli Cvevebisnakleboba, aramed standartul satelevizio situaciebSidamoukidebeli moqmedebis, orientaciis, gadawyvetilebismiRebis unaric.Tanamedrove videoteqnologiebis, gadamRebi, TusamontaJo aparaturis operatiuli funqciebisgamartiveba, sabaziso ganaTlebis doneze, gvaZlevssaSualebas, reJisuris fundamenturi Teoriuli kursisSeswavla mimdinareobdes studentis profesiuli,praqtikuli teqnikis daxvewis paralelurad. moqnilireagireba axal teqnologiur miRwevebze, institutisada telereJisuris specifikis gaTvaliswinebiT, iZlevapirobebs meTodis gansaxorcieleblad.saswavlo procesis modelirebis logika agebuliatelewarmoebis specifikaze da strategiad irCevsganumeorebeli kadris, movlenis fiqsirebis profesiulteqnikas. realur droSi ganviTarebuli moqmedeba,`gadasaRebi movlena,~ romelic erTi dubliT undadafiqsirdes aris kino-tele Teoriis leqcia.215
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saqarTvelos SoTa rusTavelis Teatris
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Shota Rustaveli Theatre and Film Ge
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manana lekboraSvilimontaJi da redaq
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CONTENTSTHEATRE STUDIESGVANTSA GULI
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NINO TSITLANADZEGeorgian Theatre As
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Teatrmcodneoba11
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Teatrzec. revoluciuri kataklizmebis
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Tanamedrove qarTuli Teatris problem
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a) speqtaklis, performansis ganxorc
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ugulebelyofs da dros sivrciT urTier
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moCarCoebul sivrcesa Tu sibrtyeSi g
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cenografiuli kompoziciis sakiTxisaT
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aqtualuria, oRond dro ara marto aCq
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natalia diRmelaSvili,saqarTvelos So
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Tanamedrove midgomebis danergva cek
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stilisturi forma ki araa, sxva form
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mdgomareobs, rom is saSualebas mogv
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Mmsaxiobis ostatobis sxvadasxvameTo
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Tamar firosmanaSvili,saqarTvelos So
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qoreografia dramatul speqtaklSi da
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qoreografia dramatul speqtaklSi da
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da mimdinareobas ver mivakuTvnebT.
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avgust strindbergis`intimuri Teatri
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koleqtiuri kiTxva da personaJebis a
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avgust strindbergis`intimuri Teatri
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(idealur SemTxvevaSi _ guli plus go
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pirovnebis mniSvneloba samsaxiobo x
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kinomcodneoba75
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Tamar barTaiaamis gamo uars nu ityv
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Tamar barTaiasadac orjer ori aucile
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Tamar barTaiargoli unda iyos. maSin
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Tamar barTaiagaumarTlebeli iqneba a
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maka doliZefaSizmi~ 1 warmoadgens a
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maka doliZeeniWeboda. 1939 wlidan g
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maka doliZefilmebic, magaliTad, reJ
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maka doliZevaJis cudi zegavlenisaga
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maka doliZeda misi adgili SeevsoT f
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96nikoloz kereseliZe,saqarTvelos So
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nikoloz kereseliZesaCvenebeli da Su
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nikoloz kereseliZerogorc `Teatris p
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nikoloz kereseliZeteleviziaSic, Toj
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nikoloz kereseliZesanaxaobiTi xelov
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nikoloz kereseliZevaldebulebebs am
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manana lekboraSvili,saqarTvelos SoT
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manana lekboraSviligadabma xdeboda
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manana lekboraSviliklasikuri montaJ
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manana lekboraSviliikiTxeboda. amgv
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manana lekboraSvilimusikalur klipeb
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manana lekboraSvilifilmebSi adrinde
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120mzia manjaviZe,saqarTvelos SoTa
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mzia manjaviZesubstancia Seaqvs fil
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mzia manjaviZefaseulobaze. filmSi a
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mzia manjaviZebedis ZebnaSi, xolo m
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naTia mefariSvili,saqarTvelos SoTa
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naTia mefariSviliisini axdendnen am
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naTia mefariSvilipenis filmi amerik
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naTia mefariSvilistandartebi, roca
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naTia mefariSvilisistemas, miznobri
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naTia mefariSviligamoyenebuli liter
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giorgi uRreliZ(1910) pirvelad gamoi
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giorgi uRreliZekranze xedavda ambav
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giorgi uRreliZmontaJi SeiZleba real
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146
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148
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nino dondolaZemas analogi ar moeZeb
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nino dondolaZesanaxaobisamebr, saqa
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nino dondolaZeam dros gaaSiSvlebdne
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nino dondolaZemama avTandil giorgob
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nino dondolaZetardeboda, rasac XIX
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nino dondolaZe`bekikeebi~ #6`gvergv
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Tamar sarCimeliZeriTmi xelovnebaSir
Page 164 and 165: Tamar sarCimeliZeSinaarsobrivi dina
Page 166 and 167: Tamar sarCimeliZeriTmulobidan gamom
Page 168 and 169: Tamar sarCimeliZeganvixiloT ufro de
Page 170 and 171: Tamar sarCimeliZegaremo da formac w
Page 172 and 173: Tamar sarCimeliZesur. 7 lakazisur.
Page 174 and 175: 174qeTevan oCxikiZe,saqarTvelos SoT
Page 176 and 177: qeTevan oCxikiZeZiriTadad, `jojoxeT
Page 178 and 179: qeTevan oCxikiZedavadginoT maT Sori
Page 180 and 181: qeTevan oCxikiZexarisxis gamo, amis
Page 182 and 183: qeTevan oCxikiZeTiToeuli maTgani ga
Page 184 and 185: qeTevan oCxikiZeredaqciiT aris moce
Page 186 and 187: qeTevan oCxikiZegamoyenebuli litera
Page 188 and 189: Sorena fxakaZe2009-dan dRemde - ton
Page 190 and 191: Sorena fxakaZeaxal Strixad iqca mxa
Page 192 and 193: Sorena fxakaZexelovnebis axal etapz
Page 194 and 195: avTandil CaCava,saqarTvelos SoTa ru
Page 196 and 197: avTandil CaCavaimereTSi niRabs `kva
Page 198 and 199: avTandil CaCavaxaris rqebs imagrebd
Page 200 and 201: avTandil CaCavapatarZals ganasaxier
Page 202 and 203: avTandil CaCavaerTmaneTs maTi mzera
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Page 206 and 207: vladimer (lado) tatiSvilime rwyu li
Page 208 and 209: vladimer (lado) tatiSviliwyo bi le
Page 210 and 211: vladimer (lado) tatiSviliwons, mo i
Page 212 and 213: vladimer (lado) tatiSvilireklamas S
Page 216 and 217: mzia zautaSviliratom TiToeuli saleq
Page 218 and 219: mzia zautaSvilimeSveobiT daganaxebT
Page 220 and 221: mzia zautaSviliteleJurnalistika, mx
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Page 224 and 225: malxaz Rvinjiliaar iTxovs, radgan a
Page 226 and 227: malxaz Rvinjiliaavadmyofobis gamo,v
Page 228 and 229: malxaz RvinjiliadazRvevis saerTaSor
Page 230 and 231: magda cocxalaSvili,saqarTvelos SoTa
Page 232 and 233: magda cocxalaSvilidakavSirebuli Rir
Page 234 and 235: magda cocxalaSvilikulturuli fena, u
Page 236 and 237: magda cocxalaSvili`literaturuli saq
Page 238 and 239: magda cocxalaSviliuzrunvelyofa da o
Page 240 and 241: nino wiTlanaZe,saqarTvelos SoTa rus
Page 242 and 243: nino wiTlanaZedaTvlasa da Sejamebas
Page 244 and 245: nino wiTlanaZeefeqturi amuSaveba);_
Page 246 and 247: nino wiTlanaZeiseTi Tanamedrove teq
Page 248 and 249: Nino Gunia-Kuznetsova,Shota Rustave
Page 250 and 251: the plastic characteristics of the
Page 252 and 253: the victory or labor. So, in antiqu
Page 254 and 255: is the title and not only the profe
Page 256 and 257: he shows us that fascism is an eter
Page 258 and 259: participates in scenic creativity,
Page 260 and 261: Together with music special sound e
Page 262 and 263: uilding. When we put the bricks cor
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In village, Putieti, the weekly rit
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integrity is the rhythm.Rhythm (Gre
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The academy has two centres. The fi
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MEDIA STUDIESMzia Zautashvili,Shota
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called musical therapy - . In the
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Magda Tsotskhalashvili,Shota Rustav
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of target audience.The theme also i
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278
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280
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