saxelovnebo mecnierebaTa Ziebani #4 (53), 2012 ART SCIENCE ...

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vladimer (lado) tatiSvilireklamas Semdegnairad SeiZleba miesadagos:vizuali, su li _ mu si ka.sxe u ligamoyenebuli literatura:• uznaZe d., zogadi fsiqologia, saqarTvelos macne, Tbilisi,2006.• ВиталеД. Идеи на миллион долларов от Брюса Бартона,ЭКСМО, Москва, 2009.• ДжефкинсФ. Реклама, изд. Юнити-Дана, 2008.• ДюпонЛ. Реклама, 1001 совет, секреты ремесла от великихмастеров рекламы, Минск, 2008.• Избранные сочинения по естествознания, М., 1958.• Katz D. Der Aufbau der Tastwelt, 1925.• Ratz D. Der Aufbau der Farbwelt, 2A. 1930.• Лено A. Восприятие музыки, http:/www.otkroveiede/beta/xml/other/cilaMyziki/ xml/9• Лимб J. Мозг “подджазом”, ж. Public Librury of Science(PLOS).• Огилви Д. Тайны рекламного двора, www.koob.ru• Рыжков Ю. Психосоматические реакции на некоторые видымузыкального искусства, http://www.yugzone.ru/.• Томатис А. Слуховая терапия, Диск “Звёздный странник” наоснове метода Томатиса, www.flibusta.net• Хан Ф. И. Библия рекламы, Москва, 2004.• Хопкинс К. Моя жизнь в рекламе , 2006 Эксмо• Хромов Л. Н. Рекламная деятельность: искусство, теория,практика212
mzia zautaSvili,saqarTvelos SoTa rusTavelis Teatrisa da kinosuniversiteti,kino-tele fakultetis doqtoranti ,xelmZRvaneli: aleqsandre vaxtangovispecifikuri unar-Cvevebis daxvewapraqtikuli telereJisuris swavlebisprocesSi(meTodis aRwera)Cvens televiziebSi Tavidanve da dResac, reJisoriSeiZleba gaxdes nebismieri profesiis adamiani, ukeTesSemTxvevaSi da Zalian iSviaTad, kinoskolidan anTeatraluri ganaTlebiT, romelic sxvadasxva garemoebiswyalobiT muSaobas iwyebs romelime studiaSi,profesiuli funqciiT yvelaze dabal safexurze dagarkveuli sawarmoo gamocdilebis dagrovebis Semdeg,Tudauzareli, usityvo Semsruleblis reputaciis moxveWiT,xdeba programis reJisori. SeiZleba, praqtikuli codnisTvalsazrisiT, es gza saukeTesoc iyos, Tumca, `mxolodgamocdileba sakmarisi ar aris, miT ufro, Tu is amyarebsmcdar principebs, sul patara niuansic ki mTlianadcvlis programis Sesrulebisa da aRqmis xarisxs~, 1 radgan`TiTi daado pultis romelime Rilaks,ar niSnavs eTerSigadasce xarisxiani satelevizio nawarmoebi~. 2satelevizio specialobebi, maT Soris telereJisura,sxvadasxva formatiT msoflios sxvadasxvasaganmanaTleblo dawesebulebebSi iswavleba: kolejebSi,saxelganTqmul universitetebSi, ònline~ reJimSi,saerTaSoriso kinoskolebSi, moklevadian kursebze.moklevadiani kursebi aparaturisa da teqnologiisgacnobazea orientirebuli, an videowarmoebis romelime1milersoni j.,satelevizio warmoeba, Fokal press, 2004, gv.162iqve, gv. 9213
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saqarTvelos SoTa rusTavelis Teatris
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Shota Rustaveli Theatre and Film Ge
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manana lekboraSvilimontaJi da redaq
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CONTENTSTHEATRE STUDIESGVANTSA GULI
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NINO TSITLANADZEGeorgian Theatre As
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Teatrmcodneoba11
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Teatrzec. revoluciuri kataklizmebis
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Tanamedrove qarTuli Teatris problem
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a) speqtaklis, performansis ganxorc
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ugulebelyofs da dros sivrciT urTier
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moCarCoebul sivrcesa Tu sibrtyeSi g
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cenografiuli kompoziciis sakiTxisaT
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aqtualuria, oRond dro ara marto aCq
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natalia diRmelaSvili,saqarTvelos So
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Tanamedrove midgomebis danergva cek
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stilisturi forma ki araa, sxva form
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mdgomareobs, rom is saSualebas mogv
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Mmsaxiobis ostatobis sxvadasxvameTo
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Tamar firosmanaSvili,saqarTvelos So
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qoreografia dramatul speqtaklSi da
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qoreografia dramatul speqtaklSi da
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da mimdinareobas ver mivakuTvnebT.
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avgust strindbergisìntimuri Teatri
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koleqtiuri kiTxva da personaJebis a
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avgust strindbergisìntimuri Teatri
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(idealur SemTxvevaSi _ guli plus go
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pirovnebis mniSvneloba samsaxiobo x
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kinomcodneoba75
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Tamar barTaiaamis gamo uars nu ityv
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Tamar barTaiasadac orjer ori aucile
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Tamar barTaiargoli unda iyos. maSin
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Tamar barTaiagaumarTlebeli iqneba a
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maka doliZefaSizmi~ 1 warmoadgens a
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maka doliZeeniWeboda. 1939 wlidan g
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maka doliZefilmebic, magaliTad, reJ
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maka doliZevaJis cudi zegavlenisaga
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maka doliZeda misi adgili SeevsoT f
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96nikoloz kereseliZe,saqarTvelos So
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nikoloz kereseliZesaCvenebeli da Su
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nikoloz kereseliZerogorc `Teatris p
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nikoloz kereseliZeteleviziaSic, Toj
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nikoloz kereseliZesanaxaobiTi xelov
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nikoloz kereseliZevaldebulebebs am
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manana lekboraSvili,saqarTvelos SoT
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manana lekboraSviligadabma xdeboda
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manana lekboraSviliklasikuri montaJ
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manana lekboraSviliikiTxeboda. amgv
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manana lekboraSvilimusikalur klipeb
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manana lekboraSvilifilmebSi adrinde
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120mzia manjaviZe,saqarTvelos SoTa
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mzia manjaviZesubstancia Seaqvs fil
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mzia manjaviZefaseulobaze. filmSi a
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mzia manjaviZebedis ZebnaSi, xolo m
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naTia mefariSvili,saqarTvelos SoTa
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naTia mefariSviliisini axdendnen am
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naTia mefariSvilipenis filmi amerik
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naTia mefariSvilistandartebi, roca
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naTia mefariSvilisistemas, miznobri
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naTia mefariSviligamoyenebuli liter
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giorgi uRreliZ(1910) pirvelad gamoi
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giorgi uRreliZekranze xedavda ambav
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giorgi uRreliZmontaJi SeiZleba real
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146
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148
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nino dondolaZemas analogi ar moeZeb
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nino dondolaZesanaxaobisamebr, saqa
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nino dondolaZeam dros gaaSiSvlebdne
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nino dondolaZemama avTandil giorgob
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nino dondolaZetardeboda, rasac XIX
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nino dondolaZe`bekikeebi~ #6`gvergv
Page 162 and 163: Tamar sarCimeliZeriTmi xelovnebaSir
Page 164 and 165: Tamar sarCimeliZeSinaarsobrivi dina
Page 166 and 167: Tamar sarCimeliZeriTmulobidan gamom
Page 168 and 169: Tamar sarCimeliZeganvixiloT ufro de
Page 170 and 171: Tamar sarCimeliZegaremo da formac w
Page 172 and 173: Tamar sarCimeliZesur. 7 lakazisur.
Page 174 and 175: 174qeTevan oCxikiZe,saqarTvelos SoT
Page 176 and 177: qeTevan oCxikiZeZiriTadad, `jojoxeT
Page 178 and 179: qeTevan oCxikiZedavadginoT maT Sori
Page 180 and 181: qeTevan oCxikiZexarisxis gamo, amis
Page 182 and 183: qeTevan oCxikiZeTiToeuli maTgani ga
Page 184 and 185: qeTevan oCxikiZeredaqciiT aris moce
Page 186 and 187: qeTevan oCxikiZegamoyenebuli litera
Page 188 and 189: Sorena fxakaZe2009-dan dRemde - ton
Page 190 and 191: Sorena fxakaZeaxal Strixad iqca mxa
Page 192 and 193: Sorena fxakaZexelovnebis axal etapz
Page 194 and 195: avTandil CaCava,saqarTvelos SoTa ru
Page 196 and 197: avTandil CaCavaimereTSi niRabs `kva
Page 198 and 199: avTandil CaCavaxaris rqebs imagrebd
Page 200 and 201: avTandil CaCavapatarZals ganasaxier
Page 202 and 203: avTandil CaCavaerTmaneTs maTi mzera
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Page 206 and 207: vladimer (lado) tatiSvilime rwyu li
Page 208 and 209: vladimer (lado) tatiSviliwyo bi le
Page 210 and 211: vladimer (lado) tatiSviliwons, mo i
Page 214 and 215: mzia zautaSvilistiliT Semoifargleba
Page 216 and 217: mzia zautaSviliratom TiToeuli saleq
Page 218 and 219: mzia zautaSvilimeSveobiT daganaxebT
Page 220 and 221: mzia zautaSviliteleJurnalistika, mx
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Page 224 and 225: malxaz Rvinjiliaar iTxovs, radgan a
Page 226 and 227: malxaz Rvinjiliaavadmyofobis gamo,v
Page 228 and 229: malxaz RvinjiliadazRvevis saerTaSor
Page 230 and 231: magda cocxalaSvili,saqarTvelos SoTa
Page 232 and 233: magda cocxalaSvilidakavSirebuli Rir
Page 234 and 235: magda cocxalaSvilikulturuli fena, u
Page 236 and 237: magda cocxalaSvili`literaturuli saq
Page 238 and 239: magda cocxalaSviliuzrunvelyofa da o
Page 240 and 241: nino wiTlanaZe,saqarTvelos SoTa rus
Page 242 and 243: nino wiTlanaZedaTvlasa da Sejamebas
Page 244 and 245: nino wiTlanaZeefeqturi amuSaveba);_
Page 246 and 247: nino wiTlanaZeiseTi Tanamedrove teq
Page 248 and 249: Nino Gunia-Kuznetsova,Shota Rustave
Page 250 and 251: the plastic characteristics of the
Page 252 and 253: the victory or labor. So, in antiqu
Page 254 and 255: is the title and not only the profe
Page 256 and 257: he shows us that fascism is an eter
Page 258 and 259: participates in scenic creativity,
Page 260 and 261: Together with music special sound e
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uilding. When we put the bricks cor
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In village, Putieti, the weekly rit
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integrity is the rhythm.Rhythm (Gre
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The academy has two centres. The fi
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MEDIA STUDIESMzia Zautashvili,Shota
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called musical therapy - . In the
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Magda Tsotskhalashvili,Shota Rustav
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of target audience.The theme also i
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280
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