saxelovnebo mecnierebaTa Ziebani #4 (53), 2012 ART SCIENCE ...

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avTandil CaCavaxaris rqebs imagrebda da xaris tyavs wamoisxamdaxolme.qarTl-kaxeTSi yeens, berikas msgavsad, cxvrisgadmobrunebuli tyav-kaba ecva an tyavwamoxurulidadioda, ukan ki saqonlis an wnelisgan gakeTebulkuds imagrebda. tyapuWze mas qamari hqonda Semokruli,romelzedac kameCis an xaris kanWis Zvali, wiTelnaWerSemoxveuli an SeRebili simindis nafurCi an xismokle joxi hqonda dakiduli.zog yeens Coxa-axaluxi scmia, zogs yaraCoxelistansacmeli. qalaqSi xSiri yofila mefe erekles msgavsadmorTuli yeenic, romelsac `mefes~ eZaxdnen. yeens yelzeyvelierSi gamomcxvari nazuqis kveri da sagangeboddamzadebuli mamlis Tavi ekida, romelsac niskartSiTavisive brWyali hqonda gayrili. yeens xSirad yurZnisgamxmari jagnebiT, kaklis xrialebiT, xaxvis galaTi anferadi mZivebiT Seamkobdnen.yeeni sxvadasxvagvarad iyo morTuli. imereTSijaloebiT da WilofiT iyo Semosili,zogjer banjgvlianiqurqi ecva, an Savi axaluxi da ganieri Sarvali. arc TuiSviaTad igi `samefo~ tansacmliTac mourTavT. 1imereTSi yeens wver-ulvaSiT damSvenebuli `kvaxbera~efara an saxe hqonda SeRebili. Tavze exura `SaqrisTavis~ msgavsi qaRaldis an cxvris tyavis maRali qudi,romelsac `gudis tyavis~ qudsac eZaxdnen.yeeni saxeze qaRaldis an muyaosagan damzadebul niRabsifarebda, romelic pirisfrad an wiTlad iyo SeRebili.ufro xSirad ki igi saxes Savad iRebavda, ferad an Savinabdis niRabsac ikeTebda, Tavze rqebs idgamda da Rorisjagris an Txis bewvis wver-ulvaSiT iyo morTuli.niRabi amoWrili iyo Tvalebisa da cxviris gamosaCenad.svaneTSi Sobis dResaswaulSi yaeni/yeeni Txis an1ruxaZe j., xalxuri dResaswaulebi da Tanamedroveoba, ,,mecniereba~,Tbilisi, 1980, gv. 23198
sakulto sanaxaobaTa niRbebi da maTi ganviTareba saqarTveloSijixvis tyavSi gamoewyoba, ciknis xalaTs (`gudras~)daixuravs, xelSi xis daSnas daiWers da win xis falossCamoikidebs. saqmisas kanafis Zveli qveda sacvlebi acvia,zurgze Calis burdo kuziviT adgas, Tavze ubralodboxoxs Camoicvams da saxes nivriT Semdegnairaddaixatavs; naxSiris zolebi Sublidan nikapamde uwevs,zeda tuCis gaswvriv miemarTeba da loyebic gamuruliaqvs. 1rac Seexeba sxva sakulto dResaswaulebs,sayuradReboa TuSeTSi yvelierSi gamarTuli òfofoba~.aq, mamakacebis magivrad ukve qalebi arian yuradRebiscentrSi. am dRes eqvs qals berikebad amoirCevdnen. samsofofebad morTavdnen. qalis Zvelebur grZel kabebs_ win Caxsnil tolis jubebs Caacmevdnen, saxeloebSifexebs gaayrevinebdnen, TvalebTan patara saWvretebsdautovebdnen, kabis bolos Tavs zemoT Seyridnen daTavs bawriT moukravdnen.SeiZleba Tamamad iTqvas, rom xangrZlivma TanacxovrebamsaqarTveloSi macxovrebel eTnikur umciresobaTa saxalxoritualebSi SeimCneva sakulto niRbebis mxatvrulidamzadebis qarTulTan mimsgavsebuli esTetika. amaspeqtiT, yuradRebas imsaxurebs TeTri wyaros raionisberZenTa Soris Semonaxuli axali wlis dResaswauli.axal wels daaxloebiT Tormeti kaci sxvadasxvanairadmoirTveboda, erT maTganis Txas ganasaxierebda, TavzeTxis an bumbulis `rqa~ edga da Txis bewvis an simindisfoCis wver-ulvaSi ekeTa. igi Sav niRabs atarebda ansaxe Savad hqonda SeRebili. Txis tyavi an cxvristyapuWi ecva, romelzedac mamrobiTi sqesis aRmniSvneligamosaxuleba ekida. dResaswaulSi monawileobas iRebdaagreTve qalurad gadacmuli mamakaci,romelic dedofals,1ruxaZe j., bunebis ZalTa aRorZinebis xalxuri dResaswaulisaqarTveloSi, berikaoba-yeenoba, Tbilisi, 1999. gv. 92-93199
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saqarTvelos SoTa rusTavelis Teatris
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Shota Rustaveli Theatre and Film Ge
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manana lekboraSvilimontaJi da redaq
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CONTENTSTHEATRE STUDIESGVANTSA GULI
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NINO TSITLANADZEGeorgian Theatre As
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Teatrmcodneoba11
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Teatrzec. revoluciuri kataklizmebis
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Tanamedrove qarTuli Teatris problem
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a) speqtaklis, performansis ganxorc
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ugulebelyofs da dros sivrciT urTier
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moCarCoebul sivrcesa Tu sibrtyeSi g
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cenografiuli kompoziciis sakiTxisaT
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aqtualuria, oRond dro ara marto aCq
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natalia diRmelaSvili,saqarTvelos So
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Tanamedrove midgomebis danergva cek
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stilisturi forma ki araa, sxva form
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mdgomareobs, rom is saSualebas mogv
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Mmsaxiobis ostatobis sxvadasxvameTo
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Tamar firosmanaSvili,saqarTvelos So
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qoreografia dramatul speqtaklSi da
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qoreografia dramatul speqtaklSi da
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da mimdinareobas ver mivakuTvnebT.
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avgust strindbergisìntimuri Teatri
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koleqtiuri kiTxva da personaJebis a
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avgust strindbergisìntimuri Teatri
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(idealur SemTxvevaSi _ guli plus go
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pirovnebis mniSvneloba samsaxiobo x
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kinomcodneoba75
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Tamar barTaiaamis gamo uars nu ityv
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Tamar barTaiasadac orjer ori aucile
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Tamar barTaiargoli unda iyos. maSin
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Tamar barTaiagaumarTlebeli iqneba a
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maka doliZefaSizmi~ 1 warmoadgens a
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maka doliZeeniWeboda. 1939 wlidan g
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maka doliZefilmebic, magaliTad, reJ
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maka doliZevaJis cudi zegavlenisaga
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maka doliZeda misi adgili SeevsoT f
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96nikoloz kereseliZe,saqarTvelos So
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nikoloz kereseliZesaCvenebeli da Su
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nikoloz kereseliZerogorc `Teatris p
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nikoloz kereseliZeteleviziaSic, Toj
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nikoloz kereseliZesanaxaobiTi xelov
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nikoloz kereseliZevaldebulebebs am
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manana lekboraSvili,saqarTvelos SoT
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manana lekboraSviligadabma xdeboda
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manana lekboraSviliklasikuri montaJ
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manana lekboraSviliikiTxeboda. amgv
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manana lekboraSvilimusikalur klipeb
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manana lekboraSvilifilmebSi adrinde
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120mzia manjaviZe,saqarTvelos SoTa
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mzia manjaviZesubstancia Seaqvs fil
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mzia manjaviZefaseulobaze. filmSi a
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mzia manjaviZebedis ZebnaSi, xolo m
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naTia mefariSvili,saqarTvelos SoTa
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naTia mefariSviliisini axdendnen am
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naTia mefariSvilipenis filmi amerik
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naTia mefariSvilistandartebi, roca
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naTia mefariSvilisistemas, miznobri
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naTia mefariSviligamoyenebuli liter
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giorgi uRreliZ(1910) pirvelad gamoi
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giorgi uRreliZekranze xedavda ambav
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giorgi uRreliZmontaJi SeiZleba real
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146
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Page 150 and 151: nino dondolaZemas analogi ar moeZeb
Page 152 and 153: nino dondolaZesanaxaobisamebr, saqa
Page 154 and 155: nino dondolaZeam dros gaaSiSvlebdne
Page 156 and 157: nino dondolaZemama avTandil giorgob
Page 158 and 159: nino dondolaZetardeboda, rasac XIX
Page 160 and 161: nino dondolaZe`bekikeebi~ #6`gvergv
Page 162 and 163: Tamar sarCimeliZeriTmi xelovnebaSir
Page 164 and 165: Tamar sarCimeliZeSinaarsobrivi dina
Page 166 and 167: Tamar sarCimeliZeriTmulobidan gamom
Page 168 and 169: Tamar sarCimeliZeganvixiloT ufro de
Page 170 and 171: Tamar sarCimeliZegaremo da formac w
Page 172 and 173: Tamar sarCimeliZesur. 7 lakazisur.
Page 174 and 175: 174qeTevan oCxikiZe,saqarTvelos SoT
Page 176 and 177: qeTevan oCxikiZeZiriTadad, `jojoxeT
Page 178 and 179: qeTevan oCxikiZedavadginoT maT Sori
Page 180 and 181: qeTevan oCxikiZexarisxis gamo, amis
Page 182 and 183: qeTevan oCxikiZeTiToeuli maTgani ga
Page 184 and 185: qeTevan oCxikiZeredaqciiT aris moce
Page 186 and 187: qeTevan oCxikiZegamoyenebuli litera
Page 188 and 189: Sorena fxakaZe2009-dan dRemde - ton
Page 190 and 191: Sorena fxakaZeaxal Strixad iqca mxa
Page 192 and 193: Sorena fxakaZexelovnebis axal etapz
Page 194 and 195: avTandil CaCava,saqarTvelos SoTa ru
Page 196 and 197: avTandil CaCavaimereTSi niRabs `kva
Page 200 and 201: avTandil CaCavapatarZals ganasaxier
Page 202 and 203: avTandil CaCavaerTmaneTs maTi mzera
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Page 206 and 207: vladimer (lado) tatiSvilime rwyu li
Page 208 and 209: vladimer (lado) tatiSviliwyo bi le
Page 210 and 211: vladimer (lado) tatiSviliwons, mo i
Page 212 and 213: vladimer (lado) tatiSvilireklamas S
Page 214 and 215: mzia zautaSvilistiliT Semoifargleba
Page 216 and 217: mzia zautaSviliratom TiToeuli saleq
Page 218 and 219: mzia zautaSvilimeSveobiT daganaxebT
Page 220 and 221: mzia zautaSviliteleJurnalistika, mx
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Page 224 and 225: malxaz Rvinjiliaar iTxovs, radgan a
Page 226 and 227: malxaz Rvinjiliaavadmyofobis gamo,v
Page 228 and 229: malxaz RvinjiliadazRvevis saerTaSor
Page 230 and 231: magda cocxalaSvili,saqarTvelos SoTa
Page 232 and 233: magda cocxalaSvilidakavSirebuli Rir
Page 234 and 235: magda cocxalaSvilikulturuli fena, u
Page 236 and 237: magda cocxalaSvili`literaturuli saq
Page 238 and 239: magda cocxalaSviliuzrunvelyofa da o
Page 240 and 241: nino wiTlanaZe,saqarTvelos SoTa rus
Page 242 and 243: nino wiTlanaZedaTvlasa da Sejamebas
Page 244 and 245: nino wiTlanaZeefeqturi amuSaveba);_
Page 246 and 247: nino wiTlanaZeiseTi Tanamedrove teq
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Nino Gunia-Kuznetsova,Shota Rustave
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the plastic characteristics of the
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the victory or labor. So, in antiqu
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is the title and not only the profe
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he shows us that fascism is an eter
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participates in scenic creativity,
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Together with music special sound e
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uilding. When we put the bricks cor
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In village, Putieti, the weekly rit
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integrity is the rhythm.Rhythm (Gre
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The academy has two centres. The fi
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MEDIA STUDIESMzia Zautashvili,Shota
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called musical therapy - . In the
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Magda Tsotskhalashvili,Shota Rustav
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of target audience.The theme also i
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278
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280
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