saxelovnebo mecnierebaTa Ziebani #4 (53), 2012 ART SCIENCE ...

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avTandil CaCava,saqarTvelos SoTa rusTavelis Teatris da kinossaxelmwifo universiteti,xelovnebaTmcodneobis mimarTulebis doqtoranti,xelmZRvaneli: irine abesaZe.sakulto sanaxaobaTa niRbebi da maTiganviTareba saqarTveloSiqarTuli xalxuri dResaswauli! am sityvebze, pirvelrigSi, berikaoba-yeenoba warmogvidgeba, sxvadasxvacxovelad gadacmuli niRbosani personaJebiT,warmarTuli xanidan momdinare ritualebiT, qarTvelixalxis istoriis sxvadasxva epoqis amsaxveli JanruliscenebiT.berikaoba-yeenoba Tavisi Tavdapirveli bunebiTnayofierebisa da aRorZinebisadmi miZRvnili agrarulidResaswaulia, is uZvelesi xalxuri Teatricaa.soflismamakacebi _ axalgazrdebi da moxucebi sakazmis mzadebasSeudgebodnen. raRa ar iyo aq saamisod motanili _ Txis,cxvrisa da xaris tyavebi, tyavkabebi, saqonlis kudebi,gogris, nabdis, muyaosa da qaRaldis niRabi. RorisaTu Txis gamxmari Tavebi, sxvadasxva cxovelis rqebida frinvelTa bumbulebi, sadedoflo qarTuli kaba dasxvadasxva saxis Tavsaburavebi, feradi qaRaldebi, naWrisWreli Tojinebi, zarebi da krialosnebi, ina da naxSiri,simindis naqurCis, xisa da rqis wiTlad SeRebili`konkila~ _ falosebi, xisagan gaTlili xmal-xanjlebi,farebi da Surdulebi. aqve keTdeboda sxvadasxva ferismaRali almebi da CiraRdnebi. miwaze ewyo sanovagisSesakravi Wreli xurjinebi, morCili gudebi, kalaTebi,xeladebi da didi kokebi. 1meore dRes dResaswaulis monawileni myudro1ruxaZe j., qarTuli xalxuri dResaswauli, sabWoTa saqarTvelo,Tbilisi, 1966, gv. 6;194
adgilas Seikribebodnen da Sesaferisad moirTvebodnen.berika – beroli da dResaswaulis sxva monawileni,rogorc ki morTva-mokazmvas daamTavrebdnen, bukisa danaRaris xma sofels maT mzadyofnas amcnobda berikebswin Tavberika da dedofali miuZRodaT, maT xis xmlebiTfarebiT, joxebiTa da SurdulebiT SeiaraRebuli amalamosdevda. mestvireni, meCongureni, mefandureni da sxvaniTavianT unarsa da ostatobas warmoaCendnen.berikaoba-yeenobis dResaswaulma ukve XlX saukuneSimiipyro qarTvel moRvaweTa da mkvlevarTa yuradReba. 1saqarTveloSi sxvadasxva kuTxeSi mopovebulieTnografiuli masala gvarwmunebs, rom berikaoba-yeenobaar aris warmoSobiT erTmaneTisgan damoukidebeli orisxvadasxva dReoba, rogorc es mkvlevarTa nawils miaCnda,aramed yeenoba, berikaobis safuZvelze CamoyalibebulidResaswaulia, romelSiac berikaobidan momdinarewarmarTuli xasiaTis elementebTan erTad,qarTveli erisistoriuli warsulis calkeuli epizodebi aisaxa.istoriul masalaze dakvirveba naTlad warmoaCens,rom qarTveli xalxis wiaRSi Camoyalibebul amsanaxaobebs TviTmyofadi ier-saxe da monawileTaCacmulobis Taviseburebebi gamoarCevs. esaa tansacmeli,niRabi, saritualo nivTebi da sxva, romelTa xasiaTiforma da aRweriloba uSualod gamomdinareobs TviTmovlenis Sinaarsidan, monawileTaTvis mikuTvnebulirolidan Tu weliwadis drosTan dakavSirebuli msgavsimovlenebidan.amjerad, Cveni interesis obieqts warmoadgens araTavad rituali,aramed am ritualebis dros gamoyenebuliniRbebis mxatvruli saxeebi da maTi ganviTareba Zvelidroidan dRevandel dromde.qarTlsa da kaxeTSi niRbis aRmniSvnelia termini`beriko~ da aseve, evropulidan Semosuli `pariki~.1ruxaZe j., qarTuli xalxuri dResaswauli, `sabWoTa saqarTvelo~,Tbilisi, 1966, gv. 16;195
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saqarTvelos SoTa rusTavelis Teatris
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Shota Rustaveli Theatre and Film Ge
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manana lekboraSvilimontaJi da redaq
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CONTENTSTHEATRE STUDIESGVANTSA GULI
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NINO TSITLANADZEGeorgian Theatre As
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Teatrmcodneoba11
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Teatrzec. revoluciuri kataklizmebis
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Tanamedrove qarTuli Teatris problem
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a) speqtaklis, performansis ganxorc
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ugulebelyofs da dros sivrciT urTier
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moCarCoebul sivrcesa Tu sibrtyeSi g
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cenografiuli kompoziciis sakiTxisaT
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aqtualuria, oRond dro ara marto aCq
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natalia diRmelaSvili,saqarTvelos So
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Tanamedrove midgomebis danergva cek
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stilisturi forma ki araa, sxva form
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mdgomareobs, rom is saSualebas mogv
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Mmsaxiobis ostatobis sxvadasxvameTo
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Tamar firosmanaSvili,saqarTvelos So
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qoreografia dramatul speqtaklSi da
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qoreografia dramatul speqtaklSi da
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da mimdinareobas ver mivakuTvnebT.
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avgust strindbergis`intimuri Teatri
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koleqtiuri kiTxva da personaJebis a
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avgust strindbergis`intimuri Teatri
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(idealur SemTxvevaSi _ guli plus go
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pirovnebis mniSvneloba samsaxiobo x
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kinomcodneoba75
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Tamar barTaiaamis gamo uars nu ityv
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Tamar barTaiasadac orjer ori aucile
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Tamar barTaiargoli unda iyos. maSin
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Tamar barTaiagaumarTlebeli iqneba a
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maka doliZefaSizmi~ 1 warmoadgens a
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maka doliZeeniWeboda. 1939 wlidan g
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maka doliZefilmebic, magaliTad, reJ
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maka doliZevaJis cudi zegavlenisaga
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maka doliZeda misi adgili SeevsoT f
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96nikoloz kereseliZe,saqarTvelos So
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nikoloz kereseliZesaCvenebeli da Su
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nikoloz kereseliZerogorc `Teatris p
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nikoloz kereseliZeteleviziaSic, Toj
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nikoloz kereseliZesanaxaobiTi xelov
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nikoloz kereseliZevaldebulebebs am
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manana lekboraSvili,saqarTvelos SoT
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manana lekboraSviligadabma xdeboda
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manana lekboraSviliklasikuri montaJ
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manana lekboraSviliikiTxeboda. amgv
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manana lekboraSvilimusikalur klipeb
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manana lekboraSvilifilmebSi adrinde
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120mzia manjaviZe,saqarTvelos SoTa
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mzia manjaviZesubstancia Seaqvs fil
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mzia manjaviZefaseulobaze. filmSi a
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mzia manjaviZebedis ZebnaSi, xolo m
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naTia mefariSvili,saqarTvelos SoTa
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naTia mefariSviliisini axdendnen am
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naTia mefariSvilipenis filmi amerik
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naTia mefariSvilistandartebi, roca
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naTia mefariSvilisistemas, miznobri
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naTia mefariSviligamoyenebuli liter
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giorgi uRreliZ(1910) pirvelad gamoi
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giorgi uRreliZekranze xedavda ambav
Page 144 and 145: giorgi uRreliZmontaJi SeiZleba real
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Page 150 and 151: nino dondolaZemas analogi ar moeZeb
Page 152 and 153: nino dondolaZesanaxaobisamebr, saqa
Page 154 and 155: nino dondolaZeam dros gaaSiSvlebdne
Page 156 and 157: nino dondolaZemama avTandil giorgob
Page 158 and 159: nino dondolaZetardeboda, rasac XIX
Page 160 and 161: nino dondolaZe`bekikeebi~ #6`gvergv
Page 162 and 163: Tamar sarCimeliZeriTmi xelovnebaSir
Page 164 and 165: Tamar sarCimeliZeSinaarsobrivi dina
Page 166 and 167: Tamar sarCimeliZeriTmulobidan gamom
Page 168 and 169: Tamar sarCimeliZeganvixiloT ufro de
Page 170 and 171: Tamar sarCimeliZegaremo da formac w
Page 172 and 173: Tamar sarCimeliZesur. 7 lakazisur.
Page 174 and 175: 174qeTevan oCxikiZe,saqarTvelos SoT
Page 176 and 177: qeTevan oCxikiZeZiriTadad, `jojoxeT
Page 178 and 179: qeTevan oCxikiZedavadginoT maT Sori
Page 180 and 181: qeTevan oCxikiZexarisxis gamo, amis
Page 182 and 183: qeTevan oCxikiZeTiToeuli maTgani ga
Page 184 and 185: qeTevan oCxikiZeredaqciiT aris moce
Page 186 and 187: qeTevan oCxikiZegamoyenebuli litera
Page 188 and 189: Sorena fxakaZe2009-dan dRemde - ton
Page 190 and 191: Sorena fxakaZeaxal Strixad iqca mxa
Page 192 and 193: Sorena fxakaZexelovnebis axal etapz
Page 196 and 197: avTandil CaCavaimereTSi niRabs `kva
Page 198 and 199: avTandil CaCavaxaris rqebs imagrebd
Page 200 and 201: avTandil CaCavapatarZals ganasaxier
Page 202 and 203: avTandil CaCavaerTmaneTs maTi mzera
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Page 206 and 207: vladimer (lado) tatiSvilime rwyu li
Page 208 and 209: vladimer (lado) tatiSviliwyo bi le
Page 210 and 211: vladimer (lado) tatiSviliwons, mo i
Page 212 and 213: vladimer (lado) tatiSvilireklamas S
Page 214 and 215: mzia zautaSvilistiliT Semoifargleba
Page 216 and 217: mzia zautaSviliratom TiToeuli saleq
Page 218 and 219: mzia zautaSvilimeSveobiT daganaxebT
Page 220 and 221: mzia zautaSviliteleJurnalistika, mx
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Page 224 and 225: malxaz Rvinjiliaar iTxovs, radgan a
Page 226 and 227: malxaz Rvinjiliaavadmyofobis gamo,v
Page 228 and 229: malxaz RvinjiliadazRvevis saerTaSor
Page 230 and 231: magda cocxalaSvili,saqarTvelos SoTa
Page 232 and 233: magda cocxalaSvilidakavSirebuli Rir
Page 234 and 235: magda cocxalaSvilikulturuli fena, u
Page 236 and 237: magda cocxalaSvili`literaturuli saq
Page 238 and 239: magda cocxalaSviliuzrunvelyofa da o
Page 240 and 241: nino wiTlanaZe,saqarTvelos SoTa rus
Page 242 and 243: nino wiTlanaZedaTvlasa da Sejamebas
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nino wiTlanaZeefeqturi amuSaveba);_
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nino wiTlanaZeiseTi Tanamedrove teq
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Nino Gunia-Kuznetsova,Shota Rustave
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the plastic characteristics of the
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the victory or labor. So, in antiqu
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is the title and not only the profe
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he shows us that fascism is an eter
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participates in scenic creativity,
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Together with music special sound e
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uilding. When we put the bricks cor
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In village, Putieti, the weekly rit
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integrity is the rhythm.Rhythm (Gre
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The academy has two centres. The fi
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MEDIA STUDIESMzia Zautashvili,Shota
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called musical therapy - . In the
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Magda Tsotskhalashvili,Shota Rustav
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of target audience.The theme also i
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278
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280
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