saxelovnebo mecnierebaTa Ziebani #4 (53), 2012 ART SCIENCE ...

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Sorena fxakaZe2009-dan dRemde - toni kregi.SevCerdeT maTgan or yvelaze cnobil moRvaweze- peter iozef fon korneliusi da vilhelm fonSadovi. peter iozefi, germanuli romantizmis erT-erTiudidesi warmomadgenelia. moRvaweoba daiwyo, rogorcadgilobrivi eklesiebis mxatvarma, romSi gamgzavrebisSemdeg is germaneli mxatvrebis gaerTianebas SeuerTda.am gaerTianebis wevrebi Tavs `wminda lukas kavSirs“(Lukasbund) uwodebdnen, magram germanuli ferwerisistoriaSi isini Sevidnen metsaxeliT „nazarevelebi“.romSi yofnis periodSi korneliusma sxva nazarevelebTanerTad monawileoba miiRo bartoldis - romSi prusiiskonsulis saxlis moxatvaSi. aseve aRsaniSnavia isfaqti, rom muSaobda ilustraciebze _ „simReranibelungebze“.1811–1818 wlebSi korneliusi bevrs mogzaurobdaitaliaSi: milani, parma, piaCenca, modena, bolonia,florencia, siena, orvieto, swavlobda aRorZinebisostatebis ferweras. 1820-iani wlebis bolodankorneliusi miunxenSi gadadis ludvig bavarielismiwveviT, 1825 wlidan xelmZRvanelobs miunxenis saxviTixelovnebis akademias (Akademie der bildenden KünsteMünchen), moxata ramdenime miunxenuri eklesia, asevegliptoTekisa da pinakoTekis Senobebi. 1840 welskorneliusi berlinSi gadadis, 1841 wels berlinissamxatvro akademiis direqtori xdeba. is berlinSicxovrebis bolomde darCa. CvenTvis udaod sainteresoamsoflmxedvelobrivi mrwamsi, romelic man gaatarasamive akademiaSi. SegviZlia am mimarTulebas vuwodoTgermanuli romantikuli akademizmi.vilhelm fon Sadovs rac Seexeba, is cnobili moqandakis,iohan gotfrid Sadovis Svili iyo. mis saxels ukavSirdebapeter iozefTan erTad ferweris `diuseldorfisskolis~ Camoyalibeba. samxatvro ganaTleba man berlinis188
diuseldorfis samxatvroakademiis daarsebisa da ganviTarebis tendenciebiakademiaSi miiRo, romlis warmatebiT damTavrebiT SemdegitaliaSi gaemgzavra, sadac cnobili danieli moqandakeberTel Torvaldseni gaicno. Sadovze didi STabeWdilebamoaxdina nazarevelebis Semoqmedebam. 1813 wels mangadawyvita am jgufs SeerTeboda.berlinSi dabrunebis Semdeg is privat-docentigaxda, xelmZRvanelobda did saxelosnos, sadac mefismfarvelobis wyalobiT bevri moswavle iRebda samxatvroganaTlebas. 1825 wlidan Sadovi xdeba diuseldorfisakademiis reqtori.am ori xelovanis Sesaxeb informaciis mowodebamizanSewonilad miviCnieT, radgan swored maT saxelsada moRvaweobas ukavSirdeba ferweris `diuseldorfisskolis~ Camoyalibeba, rac, ra Tqma unda, mWidrokavSirSia akademiasTan, misi ganviTarebis tendenciebTan.gavrcelebuli Sexedulebis mixedviT, peter iozeffon korneliusi cdilobda daemkvidrebina romatizmisesTetikisaTvis damaxasiaTebeli tendenciebi, xoloSadovis direqtorobis periodSi Seiqmna sxvadasxvamimdinareoba, romlebic Sua saukuneebis germanul Temebsasaxavdnen. bunebrivia, es yvelaferi akademiis studentTanamuSevrebSi airekleboda (zoni, hildebrandti, reteli,lesingi). viTardeboda realisturi peizaJuri mxatvroba(o. da a. axenbaxebi) da yofiTi Janri (k.hiubneri).aRsaniSnavia karl ferdinand zonis moRvaweoba.berlinis akademiasa da Sadovis kerZo saxelosnoSiganaTlebis miRebis Semdeg, SadovTan erTad gadasaxldadiuseldorfSi. rogorc ukve aRvniSneT,1833 wels miiRoprofesoris Tanamdeboba, romelic sicocxlis bolomdeekava. amgvarad is ferweris `diuseldorfis skolis~erT-erTi damaarsebeli gaxda. aRsaniSnavia aseve is faqti,rom is ekuTvnoda zonebis cnobil mxatvarTa ojaxs.ramdenime sityviT ufro dawvrilebiT nazarevelebisSesaxeb: XIX saukunis evropis kulturuli cxovrebis189
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saqarTvelos SoTa rusTavelis Teatris
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Shota Rustaveli Theatre and Film Ge
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manana lekboraSvilimontaJi da redaq
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CONTENTSTHEATRE STUDIESGVANTSA GULI
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NINO TSITLANADZEGeorgian Theatre As
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Teatrmcodneoba11
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Teatrzec. revoluciuri kataklizmebis
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Tanamedrove qarTuli Teatris problem
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a) speqtaklis, performansis ganxorc
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ugulebelyofs da dros sivrciT urTier
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moCarCoebul sivrcesa Tu sibrtyeSi g
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cenografiuli kompoziciis sakiTxisaT
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aqtualuria, oRond dro ara marto aCq
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natalia diRmelaSvili,saqarTvelos So
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Tanamedrove midgomebis danergva cek
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stilisturi forma ki araa, sxva form
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mdgomareobs, rom is saSualebas mogv
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Mmsaxiobis ostatobis sxvadasxvameTo
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Tamar firosmanaSvili,saqarTvelos So
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qoreografia dramatul speqtaklSi da
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qoreografia dramatul speqtaklSi da
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da mimdinareobas ver mivakuTvnebT.
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avgust strindbergis`intimuri Teatri
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koleqtiuri kiTxva da personaJebis a
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avgust strindbergis`intimuri Teatri
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(idealur SemTxvevaSi _ guli plus go
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pirovnebis mniSvneloba samsaxiobo x
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kinomcodneoba75
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Tamar barTaiaamis gamo uars nu ityv
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Tamar barTaiasadac orjer ori aucile
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Tamar barTaiargoli unda iyos. maSin
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Tamar barTaiagaumarTlebeli iqneba a
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maka doliZefaSizmi~ 1 warmoadgens a
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maka doliZeeniWeboda. 1939 wlidan g
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maka doliZefilmebic, magaliTad, reJ
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maka doliZevaJis cudi zegavlenisaga
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maka doliZeda misi adgili SeevsoT f
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96nikoloz kereseliZe,saqarTvelos So
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nikoloz kereseliZesaCvenebeli da Su
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nikoloz kereseliZerogorc `Teatris p
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nikoloz kereseliZeteleviziaSic, Toj
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nikoloz kereseliZesanaxaobiTi xelov
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nikoloz kereseliZevaldebulebebs am
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manana lekboraSvili,saqarTvelos SoT
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manana lekboraSviligadabma xdeboda
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manana lekboraSviliklasikuri montaJ
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manana lekboraSviliikiTxeboda. amgv
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manana lekboraSvilimusikalur klipeb
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manana lekboraSvilifilmebSi adrinde
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120mzia manjaviZe,saqarTvelos SoTa
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mzia manjaviZesubstancia Seaqvs fil
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mzia manjaviZefaseulobaze. filmSi a
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mzia manjaviZebedis ZebnaSi, xolo m
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naTia mefariSvili,saqarTvelos SoTa
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naTia mefariSviliisini axdendnen am
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naTia mefariSvilipenis filmi amerik
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naTia mefariSvilistandartebi, roca
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naTia mefariSvilisistemas, miznobri
Page 138 and 139: naTia mefariSviligamoyenebuli liter
Page 140 and 141: giorgi uRreliZ(1910) pirvelad gamoi
Page 142 and 143: giorgi uRreliZekranze xedavda ambav
Page 144 and 145: giorgi uRreliZmontaJi SeiZleba real
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Page 150 and 151: nino dondolaZemas analogi ar moeZeb
Page 152 and 153: nino dondolaZesanaxaobisamebr, saqa
Page 154 and 155: nino dondolaZeam dros gaaSiSvlebdne
Page 156 and 157: nino dondolaZemama avTandil giorgob
Page 158 and 159: nino dondolaZetardeboda, rasac XIX
Page 160 and 161: nino dondolaZe`bekikeebi~ #6`gvergv
Page 162 and 163: Tamar sarCimeliZeriTmi xelovnebaSir
Page 164 and 165: Tamar sarCimeliZeSinaarsobrivi dina
Page 166 and 167: Tamar sarCimeliZeriTmulobidan gamom
Page 168 and 169: Tamar sarCimeliZeganvixiloT ufro de
Page 170 and 171: Tamar sarCimeliZegaremo da formac w
Page 172 and 173: Tamar sarCimeliZesur. 7 lakazisur.
Page 174 and 175: 174qeTevan oCxikiZe,saqarTvelos SoT
Page 176 and 177: qeTevan oCxikiZeZiriTadad, `jojoxeT
Page 178 and 179: qeTevan oCxikiZedavadginoT maT Sori
Page 180 and 181: qeTevan oCxikiZexarisxis gamo, amis
Page 182 and 183: qeTevan oCxikiZeTiToeuli maTgani ga
Page 184 and 185: qeTevan oCxikiZeredaqciiT aris moce
Page 186 and 187: qeTevan oCxikiZegamoyenebuli litera
Page 190 and 191: Sorena fxakaZeaxal Strixad iqca mxa
Page 192 and 193: Sorena fxakaZexelovnebis axal etapz
Page 194 and 195: avTandil CaCava,saqarTvelos SoTa ru
Page 196 and 197: avTandil CaCavaimereTSi niRabs `kva
Page 198 and 199: avTandil CaCavaxaris rqebs imagrebd
Page 200 and 201: avTandil CaCavapatarZals ganasaxier
Page 202 and 203: avTandil CaCavaerTmaneTs maTi mzera
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Page 206 and 207: vladimer (lado) tatiSvilime rwyu li
Page 208 and 209: vladimer (lado) tatiSviliwyo bi le
Page 210 and 211: vladimer (lado) tatiSviliwons, mo i
Page 212 and 213: vladimer (lado) tatiSvilireklamas S
Page 214 and 215: mzia zautaSvilistiliT Semoifargleba
Page 216 and 217: mzia zautaSviliratom TiToeuli saleq
Page 218 and 219: mzia zautaSvilimeSveobiT daganaxebT
Page 220 and 221: mzia zautaSviliteleJurnalistika, mx
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Page 224 and 225: malxaz Rvinjiliaar iTxovs, radgan a
Page 226 and 227: malxaz Rvinjiliaavadmyofobis gamo,v
Page 228 and 229: malxaz RvinjiliadazRvevis saerTaSor
Page 230 and 231: magda cocxalaSvili,saqarTvelos SoTa
Page 232 and 233: magda cocxalaSvilidakavSirebuli Rir
Page 234 and 235: magda cocxalaSvilikulturuli fena, u
Page 236 and 237: magda cocxalaSvili`literaturuli saq
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magda cocxalaSviliuzrunvelyofa da o
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nino wiTlanaZe,saqarTvelos SoTa rus
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nino wiTlanaZedaTvlasa da Sejamebas
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nino wiTlanaZeefeqturi amuSaveba);_
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nino wiTlanaZeiseTi Tanamedrove teq
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Nino Gunia-Kuznetsova,Shota Rustave
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the plastic characteristics of the
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the victory or labor. So, in antiqu
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is the title and not only the profe
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he shows us that fascism is an eter
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participates in scenic creativity,
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Together with music special sound e
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uilding. When we put the bricks cor
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In village, Putieti, the weekly rit
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integrity is the rhythm.Rhythm (Gre
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The academy has two centres. The fi
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MEDIA STUDIESMzia Zautashvili,Shota
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called musical therapy - . In the
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Magda Tsotskhalashvili,Shota Rustav
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of target audience.The theme also i
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278
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280
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saxelovnebo mecnierebaTa Ziebani #4 (53), 2012 ART SCIENCE ...

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