saxelovnebo mecnierebaTa Ziebani #4 (53), 2012 ART SCIENCE ...

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qeTevan oCxikiZeTiToeuli maTgani gansxvavebul Sinaarss Seicavs:erTgan, codvilebis maradiul cecxlSi tanjvaa asaxuli,meoregan, Sav fonze anu bneleTSi, matlebdaxveuli Tavisqalebia, sxeulis sxvadasxva nawili da Zvlebi danarCenkvadratebSia moTavsebuli da a. S..atenis sionSi, XI saukunis II naxevriT daTariRebulivrceli redaqciis mqone `saSineli samsjavro~ ramdenimeregistrs moicavs da mTlianad dasavleT mklavSia gaSlili.codvilTa dasjis scenebisagan, aq mxolod fragmentebiRaSemorCa. kompoziciis centrSi taxtze dabrZanebuliqristea,romlis fexTagan gamomavali cecxlovani mdinarejojoxeTSi Caedineba. qristes marcxniv jojoxeTissatanjvelebi iyo gamosaxuli. cecxlovan mdinaresTanS. amiranaSvilma amoikiTxa: àrs eSmakisa da msaxurTamisTa~. misive dakvirvebiT,`marcxena kuTxeSi SemorCeniliacodvili qalis gamosaxuleba, romelic cecxlis alSiagaxveuli~. 1 mis zemoT kargad moCans, Sav fonze wiTeliferis sferoebi, TeTri aliseburi zedapiriT, rac erTiSexedviT, cecxlovan wvimas mogvagonebs. aseTi siuJetiCven mier ganxilul kompoziciebs Soris versad moviZieT,amitom, unda vifiqroT, rom aq gamosaxuli unda iyos`mtili dauZinebeli~, sadac adamianTa Tavebs wvrilwvrilimatlebi xraven. es sferoebi Tavis qalebia,maTze suliad waSlilia adamianuri ieri, erTgvarovanmasad qceulni, jojoxeTSi samudamod itanjebian. atenSigamosaxuli es scena pirdapir ukavSirdeba torCelosmozaikis erT-erT siuJets, sadac jojoxeTis maradiulsknelSi analogiuri scenaa mocemuli, Tumca, aq savsebiTnaTladaa warmodgenili adamianTa Tavis qalebica damaTze daxveuli matlebic.jojoxeTis ikonogrfia kvadratuli formis laqebissaxiT, boWormis eklesiaSic aris gamosaxuli (XI-XIIss. mijna), samxreT-dasavleT afsidSi. codvilTa dasjis1Амиранашвили Ш. История грузинской монументальной живописи,Роспис Атени, Тб. 1957, 91.182
codvilTa dasjis Tema `gankiTxvis dRis~ ikonografiaSiscenebidan, mxolod Cauqrobel cecxlSi codvilTatanjvaa SemorCenili. satanis zemoxsenebuli ikonografiaaqac meordeba – orTavian gveleSapze amxedrebuls,xelSiantiqristes suli uWiravs. 1siuJeti grZeldeba ikvSic (XIII s.). 2 dasavleTkedelze, meore registrSi warmodgenilia jojoxeTissamyofelebi, romelic, oTx Tanabar nawiladaa dayofili.TiToeul maTganSi adamianTa Tavebi moCans. gumbaTqveSaTaRis burjze gamosaxulebaa _ `mdidari uwyaloi~.es aris adamianis SiSveli figura, romelsac xelipirTan aqvs mitanili. amgvari saxiT gvxvdeba codvispersonifikacia ikvSi. qveda registrSi tradiciuli,gveleSapze mjdomi satanaa antiqristes suliT kalTaSi.maT qvemoT ori gvelSemoxveuli qalis figura gairCeva.saqarTvelos farglebs gareT, analogiuri siuJetikapadokiaSi,ilanli kilises eklesiaSi,`gankiTxvis dRis~kompoziciaSia CarTuli (IX-X ss.). ikvisagan gansxvavebiT,aq codvili qalebi oTxni arian. miuxedavad figuraTagulubryvilo da grafikuli maneriT gamosaxvisa, maTisaxeebi Zalian dramatulia da mnaxvelSi did emociasiwveven. ilanli kilises `gankiTxvis dReSi~, yuradRebaufro codvilTa dasjis scenebzea gamaxvilebuli. mTelipirveli registri eTmoba angelozisa da eSmakis miersulTa awonvis scenas, uzarmazar, samTavian gveleSaps,samive piriTEeSmakis mier gadawonil codvilebs romWams. misi uzarmazari, daklaknili sxeulis gaswvriv,sxvadasxva satanjvelSi, sammwkriva, horizontalurrigebad gamwesebuli codvilebis naRvliani saxeebi moCans.jojoxeTis sknelebis ikonografia aq gansxvavebuli1oqropiriZe a. boWormis wm. giorgis eklesiis moxatuloba (sadisertacionaSromi xelovnebaTmcodneobis kandidatis samecnierixarisxismosapoveblad), 1997, gv. 75.2 ikvis taZarSi moxatulobis ori fena gairCeva. eklesia pirveladagebisTanave- XII saukuneSi iqna moxatuli, dasavleT mklavi dagumbaTqveSa TaRebi ki XIII saukuneSi meored moixata.183
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saqarTvelos SoTa rusTavelis Teatris
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Shota Rustaveli Theatre and Film Ge
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manana lekboraSvilimontaJi da redaq
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CONTENTSTHEATRE STUDIESGVANTSA GULI
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NINO TSITLANADZEGeorgian Theatre As
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Teatrmcodneoba11
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Teatrzec. revoluciuri kataklizmebis
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Tanamedrove qarTuli Teatris problem
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a) speqtaklis, performansis ganxorc
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ugulebelyofs da dros sivrciT urTier
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moCarCoebul sivrcesa Tu sibrtyeSi g
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cenografiuli kompoziciis sakiTxisaT
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aqtualuria, oRond dro ara marto aCq
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natalia diRmelaSvili,saqarTvelos So
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Tanamedrove midgomebis danergva cek
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stilisturi forma ki araa, sxva form
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mdgomareobs, rom is saSualebas mogv
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Mmsaxiobis ostatobis sxvadasxvameTo
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Tamar firosmanaSvili,saqarTvelos So
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qoreografia dramatul speqtaklSi da
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qoreografia dramatul speqtaklSi da
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da mimdinareobas ver mivakuTvnebT.
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avgust strindbergisìntimuri Teatri
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koleqtiuri kiTxva da personaJebis a
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avgust strindbergisìntimuri Teatri
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(idealur SemTxvevaSi _ guli plus go
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pirovnebis mniSvneloba samsaxiobo x
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kinomcodneoba75
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Tamar barTaiaamis gamo uars nu ityv
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Tamar barTaiasadac orjer ori aucile
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Tamar barTaiargoli unda iyos. maSin
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Tamar barTaiagaumarTlebeli iqneba a
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maka doliZefaSizmi~ 1 warmoadgens a
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maka doliZeeniWeboda. 1939 wlidan g
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maka doliZefilmebic, magaliTad, reJ
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maka doliZevaJis cudi zegavlenisaga
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maka doliZeda misi adgili SeevsoT f
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96nikoloz kereseliZe,saqarTvelos So
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nikoloz kereseliZesaCvenebeli da Su
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nikoloz kereseliZerogorc `Teatris p
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nikoloz kereseliZeteleviziaSic, Toj
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nikoloz kereseliZesanaxaobiTi xelov
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nikoloz kereseliZevaldebulebebs am
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manana lekboraSvili,saqarTvelos SoT
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manana lekboraSviligadabma xdeboda
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manana lekboraSviliklasikuri montaJ
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manana lekboraSviliikiTxeboda. amgv
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manana lekboraSvilimusikalur klipeb
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manana lekboraSvilifilmebSi adrinde
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120mzia manjaviZe,saqarTvelos SoTa
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mzia manjaviZesubstancia Seaqvs fil
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mzia manjaviZefaseulobaze. filmSi a
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mzia manjaviZebedis ZebnaSi, xolo m
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naTia mefariSvili,saqarTvelos SoTa
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naTia mefariSviliisini axdendnen am
Page 132 and 133: naTia mefariSvilipenis filmi amerik
Page 134 and 135: naTia mefariSvilistandartebi, roca
Page 136 and 137: naTia mefariSvilisistemas, miznobri
Page 138 and 139: naTia mefariSviligamoyenebuli liter
Page 140 and 141: giorgi uRreliZ(1910) pirvelad gamoi
Page 142 and 143: giorgi uRreliZekranze xedavda ambav
Page 144 and 145: giorgi uRreliZmontaJi SeiZleba real
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Page 150 and 151: nino dondolaZemas analogi ar moeZeb
Page 152 and 153: nino dondolaZesanaxaobisamebr, saqa
Page 154 and 155: nino dondolaZeam dros gaaSiSvlebdne
Page 156 and 157: nino dondolaZemama avTandil giorgob
Page 158 and 159: nino dondolaZetardeboda, rasac XIX
Page 160 and 161: nino dondolaZe`bekikeebi~ #6`gvergv
Page 162 and 163: Tamar sarCimeliZeriTmi xelovnebaSir
Page 164 and 165: Tamar sarCimeliZeSinaarsobrivi dina
Page 166 and 167: Tamar sarCimeliZeriTmulobidan gamom
Page 168 and 169: Tamar sarCimeliZeganvixiloT ufro de
Page 170 and 171: Tamar sarCimeliZegaremo da formac w
Page 172 and 173: Tamar sarCimeliZesur. 7 lakazisur.
Page 174 and 175: 174qeTevan oCxikiZe,saqarTvelos SoT
Page 176 and 177: qeTevan oCxikiZeZiriTadad, `jojoxeT
Page 178 and 179: qeTevan oCxikiZedavadginoT maT Sori
Page 180 and 181: qeTevan oCxikiZexarisxis gamo, amis
Page 184 and 185: qeTevan oCxikiZeredaqciiT aris moce
Page 186 and 187: qeTevan oCxikiZegamoyenebuli litera
Page 188 and 189: Sorena fxakaZe2009-dan dRemde - ton
Page 190 and 191: Sorena fxakaZeaxal Strixad iqca mxa
Page 192 and 193: Sorena fxakaZexelovnebis axal etapz
Page 194 and 195: avTandil CaCava,saqarTvelos SoTa ru
Page 196 and 197: avTandil CaCavaimereTSi niRabs `kva
Page 198 and 199: avTandil CaCavaxaris rqebs imagrebd
Page 200 and 201: avTandil CaCavapatarZals ganasaxier
Page 202 and 203: avTandil CaCavaerTmaneTs maTi mzera
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Page 206 and 207: vladimer (lado) tatiSvilime rwyu li
Page 208 and 209: vladimer (lado) tatiSviliwyo bi le
Page 210 and 211: vladimer (lado) tatiSviliwons, mo i
Page 212 and 213: vladimer (lado) tatiSvilireklamas S
Page 214 and 215: mzia zautaSvilistiliT Semoifargleba
Page 216 and 217: mzia zautaSviliratom TiToeuli saleq
Page 218 and 219: mzia zautaSvilimeSveobiT daganaxebT
Page 220 and 221: mzia zautaSviliteleJurnalistika, mx
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Page 224 and 225: malxaz Rvinjiliaar iTxovs, radgan a
Page 226 and 227: malxaz Rvinjiliaavadmyofobis gamo,v
Page 228 and 229: malxaz RvinjiliadazRvevis saerTaSor
Page 230 and 231: magda cocxalaSvili,saqarTvelos SoTa
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magda cocxalaSvilidakavSirebuli Rir
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magda cocxalaSvilikulturuli fena, u
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magda cocxalaSvili`literaturuli saq
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magda cocxalaSviliuzrunvelyofa da o
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nino wiTlanaZe,saqarTvelos SoTa rus
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nino wiTlanaZedaTvlasa da Sejamebas
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nino wiTlanaZeefeqturi amuSaveba);_
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nino wiTlanaZeiseTi Tanamedrove teq
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Nino Gunia-Kuznetsova,Shota Rustave
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the plastic characteristics of the
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the victory or labor. So, in antiqu
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is the title and not only the profe
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he shows us that fascism is an eter
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participates in scenic creativity,
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Together with music special sound e
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uilding. When we put the bricks cor
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In village, Putieti, the weekly rit
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integrity is the rhythm.Rhythm (Gre
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The academy has two centres. The fi
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MEDIA STUDIESMzia Zautashvili,Shota
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called musical therapy - . In the
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Magda Tsotskhalashvili,Shota Rustav
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of target audience.The theme also i
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278
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saxelovnebo mecnierebaTa Ziebani #4 (53), 2012 ART SCIENCE ...

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