saxelovnebo mecnierebaTa Ziebani #4 (53), 2012 ART SCIENCE ...

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174qeTevan oCxikiZe,saqarTvelos SoTa rusTavelis Teatrisa dakinos saxelmwifo universiteti,xelovnebaTmcodneobis mimarTulebis doqtoranti,xelmZRvaneli: nato gengiuricodvilTa dasjis Tema `gankiTxvis dRis~ikonografiaSi(qarTuli xelovnebis X-XIII ss-is nimuSebismagaliTze)XI saukunis dasawyisisaTvis, anu mas Semdeg, racsaqarTveloSi eklesiaTa sruli moxatvis sistemadamkvidrda, TiToeulma ikonografiulma Temam Tavisiadgili daikava taZris interierSi. mxatvruli sqemebisganviTareba, rogorc gumbaTovan, ise ugumbaTo eklesiebSi,garkveulwilad, dakavSirebuli iyo qveynis politikurekonomikurda ra Tqma unda, kulturul viTarebasTan,rac Taviseburad gavlenas axdenda am procesze.mTeli Sua saukuneebis ganmavlobaSi, qarTuli eklesiaTavisufali iyo ikonografiuli sqemebis damuSavebaSi,ramac ganapiroba kidec misi TviTmyofadoba. TumcamxatvrobasTan dakavSirebiT, arsebiTia misi kavSiribizantiis xelovnebasTan.qarTuli arqiteqturuli Zeglebis interierismoxatulobis Teologiuri programebi ukavSirdebauflis maradiuli didebis ideas da TiToeuli scenaTu kompozicia am ideis irgvliv aris gaerTianebuli.gumbaTsa Tu sakurTxevlis konqSi gamosaxuli `jvrisamaRlebisa~ da `qristes amaRlebis~ kompoziciebiesqatologiuri SinaarsiT arian datvirTulni da amiT`meored mosvlis~ TemasTan pirdapiri kavSiri aqvT. esukanaskneli ki, Tavis mxriv, kidev ramdenime Temas moicavs,maT Soris ganixileba `deisusi~, rogorc mimaniSnebeli`saSinel samsjavroze~ da sakuTriv `gankiTxvis dRis~kompozicia.
`gankiTxvis dRis~ mravalfigurian, mravalkomponentiankompozicias, TiTqmis yovelTvis dasavleT kedeli anmTlianad dasavleT mklavi eTmoba. 1 misi ikonografiaZiriTadad, efrem asuris or da sxva esqatologiurTxzulebebzea dafuZnebuli, romelTa mizani iyo,dawvrilebiT aRewera qristianuli dogmatisaTvis esumniSvnelovanesi Tema. saqarTveloSi, `gankiTxvis dRis~moxatulobaSi gamoCena maSin unda momxdariyo, rocaeklesiis interieris srulad moxatvis aucileblobissakiTxi dadga da erT-erTi adreuli nimuSi, romelicam periods ganekuTvneba, aris daviT garejis kompleqsSiSemavali, udabnos monastris mTavari eklesiisdasavleT kedlis moxatuloba (XI s.). `gankiTxvisdRis~ ikonografia mravalferovnebiT xasiaTdeba damasSi ramdenime ZiriTadi komponentia gaerTianebuli:`deisusi,~ saydari ganmzadebuli – hetimasia, adam daevas gamosaxulebebi, mebuke angelozebi, romlebic uflismeored mosvlas iuwyebian, marTalTa gundebi, cecxlovanimdinare, samoTxe da jojoxeTis satanjvelebi, angelozismier cis Segragvna, sulTa awonvis scena da sxv. xSirad,moxatulobaSi CarTulia Teofaniuri xasiaTis kompozicia,qriste mandorlaSi qerubimebTan erTad, warmodgenilirogorc mTavari msajuli.`saSinel samsjavroSi~ gaerTianebul TemaTa ammravalferovnebidan Cven winamdebare naSromSi erTsakiTxs gamovyofT. esaa codvilTa dasjis gamosaxvisTaviseburebebi.`gankiTxvis dRis~ ikonografia didi xnis ganmavlobaSiyalibdeboda. es exeba masSi Semaval konkretul siuJetebsac,maT Soris codvilTa dasjasac. Camoyalibebis procesismimdinareoba kargad Cans uZveles bizantiur,kapadokiur TuqarTul moxatulobebSi. kompoziciuri mravalferovnebiTgamoirCeva codvilTa dasjis scenebi. maTi gamosaxva,1arsebobs gamonaklisebic, mag., varZiis mTavar eklesiaSi mas samxreTistoa mTlianad aqvs daTmobili.175
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saqarTvelos SoTa rusTavelis Teatris
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Shota Rustaveli Theatre and Film Ge
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manana lekboraSvilimontaJi da redaq
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CONTENTSTHEATRE STUDIESGVANTSA GULI
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NINO TSITLANADZEGeorgian Theatre As
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Teatrmcodneoba11
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Teatrzec. revoluciuri kataklizmebis
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Tanamedrove qarTuli Teatris problem
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a) speqtaklis, performansis ganxorc
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ugulebelyofs da dros sivrciT urTier
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moCarCoebul sivrcesa Tu sibrtyeSi g
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cenografiuli kompoziciis sakiTxisaT
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aqtualuria, oRond dro ara marto aCq
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natalia diRmelaSvili,saqarTvelos So
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Tanamedrove midgomebis danergva cek
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stilisturi forma ki araa, sxva form
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mdgomareobs, rom is saSualebas mogv
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Mmsaxiobis ostatobis sxvadasxvameTo
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Tamar firosmanaSvili,saqarTvelos So
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qoreografia dramatul speqtaklSi da
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qoreografia dramatul speqtaklSi da
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da mimdinareobas ver mivakuTvnebT.
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avgust strindbergis`intimuri Teatri
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koleqtiuri kiTxva da personaJebis a
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avgust strindbergis`intimuri Teatri
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(idealur SemTxvevaSi _ guli plus go
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pirovnebis mniSvneloba samsaxiobo x
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kinomcodneoba75
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Tamar barTaiaamis gamo uars nu ityv
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Tamar barTaiasadac orjer ori aucile
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Tamar barTaiargoli unda iyos. maSin
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Tamar barTaiagaumarTlebeli iqneba a
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maka doliZefaSizmi~ 1 warmoadgens a
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maka doliZeeniWeboda. 1939 wlidan g
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maka doliZefilmebic, magaliTad, reJ
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maka doliZevaJis cudi zegavlenisaga
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maka doliZeda misi adgili SeevsoT f
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96nikoloz kereseliZe,saqarTvelos So
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nikoloz kereseliZesaCvenebeli da Su
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nikoloz kereseliZerogorc `Teatris p
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nikoloz kereseliZeteleviziaSic, Toj
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nikoloz kereseliZesanaxaobiTi xelov
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nikoloz kereseliZevaldebulebebs am
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manana lekboraSvili,saqarTvelos SoT
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manana lekboraSviligadabma xdeboda
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manana lekboraSviliklasikuri montaJ
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manana lekboraSviliikiTxeboda. amgv
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manana lekboraSvilimusikalur klipeb
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manana lekboraSvilifilmebSi adrinde
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120mzia manjaviZe,saqarTvelos SoTa
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mzia manjaviZesubstancia Seaqvs fil
Page 124 and 125: mzia manjaviZefaseulobaze. filmSi a
Page 126 and 127: mzia manjaviZebedis ZebnaSi, xolo m
Page 128 and 129: naTia mefariSvili,saqarTvelos SoTa
Page 130 and 131: naTia mefariSviliisini axdendnen am
Page 132 and 133: naTia mefariSvilipenis filmi amerik
Page 134 and 135: naTia mefariSvilistandartebi, roca
Page 136 and 137: naTia mefariSvilisistemas, miznobri
Page 138 and 139: naTia mefariSviligamoyenebuli liter
Page 140 and 141: giorgi uRreliZ(1910) pirvelad gamoi
Page 142 and 143: giorgi uRreliZekranze xedavda ambav
Page 144 and 145: giorgi uRreliZmontaJi SeiZleba real
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Page 150 and 151: nino dondolaZemas analogi ar moeZeb
Page 152 and 153: nino dondolaZesanaxaobisamebr, saqa
Page 154 and 155: nino dondolaZeam dros gaaSiSvlebdne
Page 156 and 157: nino dondolaZemama avTandil giorgob
Page 158 and 159: nino dondolaZetardeboda, rasac XIX
Page 160 and 161: nino dondolaZe`bekikeebi~ #6`gvergv
Page 162 and 163: Tamar sarCimeliZeriTmi xelovnebaSir
Page 164 and 165: Tamar sarCimeliZeSinaarsobrivi dina
Page 166 and 167: Tamar sarCimeliZeriTmulobidan gamom
Page 168 and 169: Tamar sarCimeliZeganvixiloT ufro de
Page 170 and 171: Tamar sarCimeliZegaremo da formac w
Page 172 and 173: Tamar sarCimeliZesur. 7 lakazisur.
Page 176 and 177: qeTevan oCxikiZeZiriTadad, `jojoxeT
Page 178 and 179: qeTevan oCxikiZedavadginoT maT Sori
Page 180 and 181: qeTevan oCxikiZexarisxis gamo, amis
Page 182 and 183: qeTevan oCxikiZeTiToeuli maTgani ga
Page 184 and 185: qeTevan oCxikiZeredaqciiT aris moce
Page 186 and 187: qeTevan oCxikiZegamoyenebuli litera
Page 188 and 189: Sorena fxakaZe2009-dan dRemde - ton
Page 190 and 191: Sorena fxakaZeaxal Strixad iqca mxa
Page 192 and 193: Sorena fxakaZexelovnebis axal etapz
Page 194 and 195: avTandil CaCava,saqarTvelos SoTa ru
Page 196 and 197: avTandil CaCavaimereTSi niRabs `kva
Page 198 and 199: avTandil CaCavaxaris rqebs imagrebd
Page 200 and 201: avTandil CaCavapatarZals ganasaxier
Page 202 and 203: avTandil CaCavaerTmaneTs maTi mzera
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Page 206 and 207: vladimer (lado) tatiSvilime rwyu li
Page 208 and 209: vladimer (lado) tatiSviliwyo bi le
Page 210 and 211: vladimer (lado) tatiSviliwons, mo i
Page 212 and 213: vladimer (lado) tatiSvilireklamas S
Page 214 and 215: mzia zautaSvilistiliT Semoifargleba
Page 216 and 217: mzia zautaSviliratom TiToeuli saleq
Page 218 and 219: mzia zautaSvilimeSveobiT daganaxebT
Page 220 and 221: mzia zautaSviliteleJurnalistika, mx
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malxaz Rvinjiliaar iTxovs, radgan a
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malxaz Rvinjiliaavadmyofobis gamo,v
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malxaz RvinjiliadazRvevis saerTaSor
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magda cocxalaSvili,saqarTvelos SoTa
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magda cocxalaSvilidakavSirebuli Rir
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magda cocxalaSvilikulturuli fena, u
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magda cocxalaSvili`literaturuli saq
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magda cocxalaSviliuzrunvelyofa da o
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nino wiTlanaZe,saqarTvelos SoTa rus
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nino wiTlanaZedaTvlasa da Sejamebas
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nino wiTlanaZeefeqturi amuSaveba);_
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nino wiTlanaZeiseTi Tanamedrove teq
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Nino Gunia-Kuznetsova,Shota Rustave
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the plastic characteristics of the
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the victory or labor. So, in antiqu
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is the title and not only the profe
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he shows us that fascism is an eter
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participates in scenic creativity,
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Together with music special sound e
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uilding. When we put the bricks cor
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In village, Putieti, the weekly rit
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integrity is the rhythm.Rhythm (Gre
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The academy has two centres. The fi
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MEDIA STUDIESMzia Zautashvili,Shota
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called musical therapy - . In the
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Magda Tsotskhalashvili,Shota Rustav
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of target audience.The theme also i
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saxelovnebo mecnierebaTa Ziebani #4 (53), 2012 ART SCIENCE ...

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