saxelovnebo mecnierebaTa Ziebani #4 (53), 2012 ART SCIENCE ...

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Tamar sarCimeliZeriTmulobidan gamomdinare. ra niSnebis safuZvelze?~ 1sakiTxis gasarkvevad kvlevas mivmarTav riTmissqematur ganxilvaze cnobili mxatvrebis suraTebis(peizaJebis,naturmortebis,portretebis da kompoziciebis)magaliTebis moxmobiT.riTmis gamoyenebis kanonzomierebebis sqematuradganxilvisas TvalnaTliv Cans,rom mxatvrebi xSirad iyeneben,rogorc ukve aRiniSna: vertikaluri, horizontaluri,diagonaluri, rkaliseburi an wriuli xazebis, formebis,feris laqebis da a. S. monacvleobas. swored ammonacvleobaTa sxvadasxva kombinacia warmoadgens qvemoTmoyvanili konkretuli kompoziciaTa sametyvelo enisgansakuTrebulobas.portreticnobilia, rom portretul xelovnebaSi adamianisxasiaTis siRrmeebi yvelaze ufro metad mJRavndebakonkretul moqmedebaSi, konkretul moZraobaSi, amitomportretSi mxatvrebi cdiloben, ara mxolod aRbeWdongamosaxuleba, aramed gamoxaton gamosaxulebis arsiqmedebaSi da ganmsWvalon is dinamikiT. isini xSiradadamianis fsiqoganwyobis gadmosacemad riTmis xerxsacmimarTaven. magaliTad a.Mmodilianis portretSi`mklavgadaweuli~ (sur. 3, 4) gamoyenebulia diagonaluririTmi. qalis xelebi,saxe da mkveTrad aqcentirebuli Tmamoyvanilia diagonalur moZraobaSi, rac gamZafrebuliasxeulisa da interieris sagnebis formebis vertikalurformebTan SepirispirebiT. amgvarad miiRweva portretisaraerTgavarovani moZraobis efeqti, romelic qalisim wuTier ganwyobasa da misi xasiaTis TvisebebzemigvaniSnebs.1Волков Н., Композиция в Живписи. “ Искусство”, М., 1977,gv.64_68166
iTmis mniSvnelobis sakiTxi suraTis kompoziciaSinaturmortinaturmorti xSirad aris agebuli wriuli,vertikaluri, horizontaluri da diagonaluri riTmissxvadasxva kombinaciaze.x. miros warmodgenil tiloze `naturmorti vardiT~,SenarCunebulia sagnobrivi samyaros formaTa mTlianoba.Aaq dominirebs diagonaluri dinamikuri riTmi, romelicSefardebulia wriuli formebis monacvleobasTan.mxatvarma praqtikulad gamoricxa naturmortSivertikaluri an horizontaluri forma, Tu xazi(esoden damaxasiaTebeli klasikuri naturmortisTvis).naturmortSi wamyvani mwvane feri (TavisTavad wynarida stabiluri) moyvanilia dinamikaSi formaTa riTmiT,rasac kidev ufro amZafrebs vardis (sapirispiro)wiTeli feri (sur. 5, 6).k.Llakazis naturmorti ki Seqmnilia sagnobriviformebis Sinaarsobrivi (cnebiTi) mxaris win wamoweviT.rac mocemul SemTxvevaSi gulisxmobs konkretulimaterialuris (moculobis, masStabis, Suq-Crdilisda a. S.) ugulebelyofas. SeiZleba iTqvas, rom aseTSemTxvevaSi sagani kargavs Tavis sagnobriobas dagadaiqceva abstraqtul formad, romlis manipulaciiTada komponirebiT mxatvrebi qmnian formaTa riTms,Sesabamisad `moZraobas~ da ase ukeTeben organizebassuraTis abstraqtul sivrces (sur.7, 8).peizaJizogadad suraTebSi bunebis landSafturi reliefisgamosaxva sxvadasxva (vertikaluri, horizontaluri,diagonaluri da morkaluli) formis monacvleobisgamoyenebas ganapirobebs. peizaJebi xSirad Seicavsyvela zemoT xsenebuli formebis erTobliobas, amasTanerTad maTi kompoziciuri wyoba riTmis ganviTarebiskanonzomierebebs eqvemdebareba.167
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saqarTvelos SoTa rusTavelis Teatris
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Shota Rustaveli Theatre and Film Ge
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manana lekboraSvilimontaJi da redaq
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CONTENTSTHEATRE STUDIESGVANTSA GULI
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NINO TSITLANADZEGeorgian Theatre As
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Teatrmcodneoba11
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Teatrzec. revoluciuri kataklizmebis
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Tanamedrove qarTuli Teatris problem
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a) speqtaklis, performansis ganxorc
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ugulebelyofs da dros sivrciT urTier
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moCarCoebul sivrcesa Tu sibrtyeSi g
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cenografiuli kompoziciis sakiTxisaT
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aqtualuria, oRond dro ara marto aCq
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natalia diRmelaSvili,saqarTvelos So
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Tanamedrove midgomebis danergva cek
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stilisturi forma ki araa, sxva form
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mdgomareobs, rom is saSualebas mogv
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Mmsaxiobis ostatobis sxvadasxvameTo
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Tamar firosmanaSvili,saqarTvelos So
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qoreografia dramatul speqtaklSi da
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qoreografia dramatul speqtaklSi da
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da mimdinareobas ver mivakuTvnebT.
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avgust strindbergis`intimuri Teatri
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koleqtiuri kiTxva da personaJebis a
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avgust strindbergis`intimuri Teatri
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(idealur SemTxvevaSi _ guli plus go
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pirovnebis mniSvneloba samsaxiobo x
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kinomcodneoba75
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Tamar barTaiaamis gamo uars nu ityv
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Tamar barTaiasadac orjer ori aucile
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Tamar barTaiargoli unda iyos. maSin
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Tamar barTaiagaumarTlebeli iqneba a
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maka doliZefaSizmi~ 1 warmoadgens a
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maka doliZeeniWeboda. 1939 wlidan g
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maka doliZefilmebic, magaliTad, reJ
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maka doliZevaJis cudi zegavlenisaga
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maka doliZeda misi adgili SeevsoT f
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96nikoloz kereseliZe,saqarTvelos So
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nikoloz kereseliZesaCvenebeli da Su
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nikoloz kereseliZerogorc `Teatris p
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nikoloz kereseliZeteleviziaSic, Toj
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nikoloz kereseliZesanaxaobiTi xelov
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nikoloz kereseliZevaldebulebebs am
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manana lekboraSvili,saqarTvelos SoT
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manana lekboraSviligadabma xdeboda
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manana lekboraSviliklasikuri montaJ
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manana lekboraSviliikiTxeboda. amgv
Page 116 and 117: manana lekboraSvilimusikalur klipeb
Page 118 and 119: manana lekboraSvilifilmebSi adrinde
Page 120 and 121: 120mzia manjaviZe,saqarTvelos SoTa
Page 122 and 123: mzia manjaviZesubstancia Seaqvs fil
Page 124 and 125: mzia manjaviZefaseulobaze. filmSi a
Page 126 and 127: mzia manjaviZebedis ZebnaSi, xolo m
Page 128 and 129: naTia mefariSvili,saqarTvelos SoTa
Page 130 and 131: naTia mefariSviliisini axdendnen am
Page 132 and 133: naTia mefariSvilipenis filmi amerik
Page 134 and 135: naTia mefariSvilistandartebi, roca
Page 136 and 137: naTia mefariSvilisistemas, miznobri
Page 138 and 139: naTia mefariSviligamoyenebuli liter
Page 140 and 141: giorgi uRreliZ(1910) pirvelad gamoi
Page 142 and 143: giorgi uRreliZekranze xedavda ambav
Page 144 and 145: giorgi uRreliZmontaJi SeiZleba real
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Page 150 and 151: nino dondolaZemas analogi ar moeZeb
Page 152 and 153: nino dondolaZesanaxaobisamebr, saqa
Page 154 and 155: nino dondolaZeam dros gaaSiSvlebdne
Page 156 and 157: nino dondolaZemama avTandil giorgob
Page 158 and 159: nino dondolaZetardeboda, rasac XIX
Page 160 and 161: nino dondolaZe`bekikeebi~ #6`gvergv
Page 162 and 163: Tamar sarCimeliZeriTmi xelovnebaSir
Page 164 and 165: Tamar sarCimeliZeSinaarsobrivi dina
Page 168 and 169: Tamar sarCimeliZeganvixiloT ufro de
Page 170 and 171: Tamar sarCimeliZegaremo da formac w
Page 172 and 173: Tamar sarCimeliZesur. 7 lakazisur.
Page 174 and 175: 174qeTevan oCxikiZe,saqarTvelos SoT
Page 176 and 177: qeTevan oCxikiZeZiriTadad, `jojoxeT
Page 178 and 179: qeTevan oCxikiZedavadginoT maT Sori
Page 180 and 181: qeTevan oCxikiZexarisxis gamo, amis
Page 182 and 183: qeTevan oCxikiZeTiToeuli maTgani ga
Page 184 and 185: qeTevan oCxikiZeredaqciiT aris moce
Page 186 and 187: qeTevan oCxikiZegamoyenebuli litera
Page 188 and 189: Sorena fxakaZe2009-dan dRemde - ton
Page 190 and 191: Sorena fxakaZeaxal Strixad iqca mxa
Page 192 and 193: Sorena fxakaZexelovnebis axal etapz
Page 194 and 195: avTandil CaCava,saqarTvelos SoTa ru
Page 196 and 197: avTandil CaCavaimereTSi niRabs `kva
Page 198 and 199: avTandil CaCavaxaris rqebs imagrebd
Page 200 and 201: avTandil CaCavapatarZals ganasaxier
Page 202 and 203: avTandil CaCavaerTmaneTs maTi mzera
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Page 206 and 207: vladimer (lado) tatiSvilime rwyu li
Page 208 and 209: vladimer (lado) tatiSviliwyo bi le
Page 210 and 211: vladimer (lado) tatiSviliwons, mo i
Page 212 and 213: vladimer (lado) tatiSvilireklamas S
Page 214 and 215: mzia zautaSvilistiliT Semoifargleba
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mzia zautaSviliratom TiToeuli saleq
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mzia zautaSvilimeSveobiT daganaxebT
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mzia zautaSviliteleJurnalistika, mx
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222
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malxaz Rvinjiliaar iTxovs, radgan a
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malxaz Rvinjiliaavadmyofobis gamo,v
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malxaz RvinjiliadazRvevis saerTaSor
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magda cocxalaSvili,saqarTvelos SoTa
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magda cocxalaSvilidakavSirebuli Rir
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magda cocxalaSvilikulturuli fena, u
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magda cocxalaSvili`literaturuli saq
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magda cocxalaSviliuzrunvelyofa da o
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nino wiTlanaZe,saqarTvelos SoTa rus
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nino wiTlanaZedaTvlasa da Sejamebas
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nino wiTlanaZeefeqturi amuSaveba);_
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nino wiTlanaZeiseTi Tanamedrove teq
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Nino Gunia-Kuznetsova,Shota Rustave
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the plastic characteristics of the
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the victory or labor. So, in antiqu
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is the title and not only the profe
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he shows us that fascism is an eter
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participates in scenic creativity,
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Together with music special sound e
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uilding. When we put the bricks cor
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In village, Putieti, the weekly rit
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integrity is the rhythm.Rhythm (Gre
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The academy has two centres. The fi
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MEDIA STUDIESMzia Zautashvili,Shota
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called musical therapy - . In the
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Magda Tsotskhalashvili,Shota Rustav
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of target audience.The theme also i
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saxelovnebo mecnierebaTa Ziebani #4 (53), 2012 ART SCIENCE ...

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