saxelovnebo mecnierebaTa Ziebani #4 (53), 2012 ART SCIENCE ...

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gvanca guliaSvilitiloebi, musikaluri nawarmoebebi, speqtaklebi Tufilmebi. ùZraobis~ epoqaSi kargad esmodaT, riswinaaRmdeg iyo mimarTuli Teatraluri xelovnebissaukeTeso, Tamami warmodgenebi, ras gamoxatavdnen isiniara pirdapir, aramed SefarviT, qveteqstiT. araerTiTeatris kritikosi Tu Teoritikosi aRniSnavs, rommkacri cenzura, TiTqos, erTgvar stimuls warmoadgendareJisorebisaTvis _ mxatvruli xerxebiTa da metaforebiTgadmoecaT scenidan im periodisaTvis esoden akrZalulipatriotuli, zneobrivi Tu moqalaqeobrivi pozicia.dRes yovelive es, arc Tu ise Soreuli, magrammainc warsulia. bolo ori aTwleulis ganmavlobaSisaqarTveloSi bevri ram ramdenjerme radikaluradSeicvala. socializmi kapitalizmis e. w. `velurma~stadiam Caanacvla. amas mohyva sisxliani gadatrialeba,samoqalaqo omi, omebi afxazeTsa da samaCabloSi,teritoriuli mTlianobis rRveva, qveyanaSi arsebuliumZimesi socialuri foni, SimSili, udidesi ekonomikurikrizisi. yovelive zemoT aRniSnulma, arsebiTi gavlenamoaxdina sazogadoebrivi cxovrebis yvela sferoze,cxadia _ Teatrzec da uSualod dramaturgiis, rogorcliteraturuli Janris ganviTarebaze, romlis gareSecTeatraluri xelovnebis arseboba warmoudgenelia. Tumca,Tanamedrove msoflio Teatri ukve karga xania gatacebuliae. w. plastikuri, araverbaluri warmodgenebiT, maincliteraturuli pirvelwyaro,dramaturgiuli nawarmoebisaTeatro xelovnebis im ucvlel, myar safuZvlad rCeba,romelze dayrdnobiTac damdgmelma reJisorma speqtakliunda SeTxzas.dramaturgiis upirvelesi daniSnuleba, rogorc amasaristotele aRwers, aris sinamdvilis SemoqmedebiTiasaxva. cxadia, am SemTxvevaSi ar igulisxmeba cxovrebiskopireba pirdapiri gagebiT, aramed cxovrebis aRqma, misiSecnoba da gaanalizeba mibaZvis gziT. aqedan gamomdinare,14
Tanamedrove qarTuli Teatris problemebi da gamowvevebiarsebuli realoba, dramaturgiisaTvis yovelTviswarmoadgenda da warmoadgens ZiriTad sayrdens,masazrdoebels. Tu gadavxedavT msoflio dramaturgiisistorias, mas sxvadasxva epoqaSi sruliad gansxvavebuliamocanebis Sesruleba uwevda da am cvalebadobaSi ibadebodadamokidebuleba dramaturgiisadmi. erTmaneTisaganradikalurad gansxvavebulia dramaturgiis ganviTarebisTaviseburebani antikur epoqasa da Sua saukuneebSi.rogorc cnobilia, Sua saukuneebSi tragedia, rogorcJanri, ver ganviTarda. amis umTavresi mizezi kaTolikurieklesia iyo, romelic ebrZoda Teatralur xelovnebas.mogvianebiT, ukve renesansis epoqam da humanizmismoZRvrebam sruliad sxva gasaqani misca dramaturgiisganviTarebas da erTgvarad daubruna mas antikur epoqaSive,anu mis CanasaxSive miniWebuli funqcia. SeiZleba TamamadiTqvas, rom epoqa, misTvis damaxasiaTebeli sirTuleebiTada gabatonebuli stereotipebiT, mZlavr gavlenasaxdens dramaturgiis, rogorc Janris ganviTarebazeda Sesabamisad gansazRvravs kidec mis Sinaarss. vidreuSualod Tanamedrove qarTuli dramaturgiisaTvisdamaxasiaTebel problemebs SevexebodeT, minda yuradRebaSevaCero qarTul TeatrSi Seqmnil situaciaze.Tanamedrove qarTuli Teatri uamravi problemiswinaSe dadga. upirveles yovlisa, aRsaniSnavia finansurorganizaciuliproblemebi. gasuli saukunis 90-ianwlebSi, saxelmwifo ukve veRar afinansebda Teatrebsda maT axali speqtaklebis dadgmis saSualeba arhqondaT. sxvadasxva mizezTa gamo, Zvel repertuarsacsrulyofilad ver TamaSobdnen. Seiqmna suraTi, romlismixedviTac ideologiuri cenzura finansurma Secvala.saqarTvelo damoukidebeli gaxda, Sesabamisad, TeatrigaTavisuflda mkacri sabWoTa ideologiis zewolisgan,magram es mxolod formalurad ganxorcielda. aRmoCnda,rom nanatrma Tavisuflebam uamravi sirTule warmoSva15
Page 1 and 2: saqarTvelos SoTa rusTavelis Teatris
Page 3 and 4: Shota Rustaveli Theatre and Film Ge
Page 5 and 6: manana lekboraSvilimontaJi da redaq
Page 7 and 8: CONTENTSTHEATRE STUDIESGVANTSA GULI
Page 9 and 10: NINO TSITLANADZEGeorgian Theatre As
Page 11 and 12: Teatrmcodneoba11
Page 13: Teatrzec. revoluciuri kataklizmebis
Page 17 and 18: Tanamedrove qarTuli Teatris problem
Page 23 and 24: a) speqtaklis, performansis ganxorc
Page 25 and 26: ugulebelyofs da dros sivrciT urTier
Page 27 and 28: moCarCoebul sivrcesa Tu sibrtyeSi g
Page 29 and 30: cenografiuli kompoziciis sakiTxisaT
Page 33 and 34: aqtualuria, oRond dro ara marto aCq
Page 39 and 40: natalia diRmelaSvili,saqarTvelos So
Page 41 and 42: Tanamedrove midgomebis danergva cek
Page 51 and 52: stilisturi forma ki araa, sxva form
Page 53 and 54: mdgomareobs, rom is saSualebas mogv
Page 55 and 56: Mmsaxiobis ostatobis sxvadasxvameTo
Page 57 and 58: Tamar firosmanaSvili,saqarTvelos So
Page 59 and 60: qoreografia dramatul speqtaklSi da
Page 61 and 62: qoreografia dramatul speqtaklSi da
Page 63 and 64: da mimdinareobas ver mivakuTvnebT.
Page 65 and 66:
avgust strindbergisìntimuri Teatri
Page 67 and 68:
koleqtiuri kiTxva da personaJebis a
Page 69 and 70:
avgust strindbergisìntimuri Teatri
Page 71 and 72:
(idealur SemTxvevaSi _ guli plus go
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pirovnebis mniSvneloba samsaxiobo x
Page 75:
kinomcodneoba75
Page 78 and 79:
Tamar barTaiaamis gamo uars nu ityv
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Tamar barTaiasadac orjer ori aucile
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Tamar barTaiargoli unda iyos. maSin
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Tamar barTaiagaumarTlebeli iqneba a
Page 86 and 87:
maka doliZefaSizmi~ 1 warmoadgens a
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maka doliZeeniWeboda. 1939 wlidan g
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maka doliZefilmebic, magaliTad, reJ
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maka doliZevaJis cudi zegavlenisaga
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maka doliZeda misi adgili SeevsoT f
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96nikoloz kereseliZe,saqarTvelos So
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nikoloz kereseliZesaCvenebeli da Su
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nikoloz kereseliZerogorc `Teatris p
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nikoloz kereseliZeteleviziaSic, Toj
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nikoloz kereseliZesanaxaobiTi xelov
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nikoloz kereseliZevaldebulebebs am
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manana lekboraSvili,saqarTvelos SoT
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manana lekboraSviligadabma xdeboda
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manana lekboraSviliklasikuri montaJ
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manana lekboraSviliikiTxeboda. amgv
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manana lekboraSvilimusikalur klipeb
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manana lekboraSvilifilmebSi adrinde
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120mzia manjaviZe,saqarTvelos SoTa
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mzia manjaviZesubstancia Seaqvs fil
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mzia manjaviZefaseulobaze. filmSi a
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mzia manjaviZebedis ZebnaSi, xolo m
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naTia mefariSvili,saqarTvelos SoTa
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naTia mefariSviliisini axdendnen am
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naTia mefariSvilipenis filmi amerik
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naTia mefariSvilistandartebi, roca
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naTia mefariSvilisistemas, miznobri
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naTia mefariSviligamoyenebuli liter
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giorgi uRreliZ(1910) pirvelad gamoi
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giorgi uRreliZekranze xedavda ambav
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giorgi uRreliZmontaJi SeiZleba real
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146
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148
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nino dondolaZemas analogi ar moeZeb
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nino dondolaZesanaxaobisamebr, saqa
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nino dondolaZeam dros gaaSiSvlebdne
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nino dondolaZemama avTandil giorgob
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nino dondolaZetardeboda, rasac XIX
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nino dondolaZe`bekikeebi~ #6`gvergv
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Tamar sarCimeliZeriTmi xelovnebaSir
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Tamar sarCimeliZeSinaarsobrivi dina
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Tamar sarCimeliZeriTmulobidan gamom
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Tamar sarCimeliZeganvixiloT ufro de
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Tamar sarCimeliZegaremo da formac w
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Tamar sarCimeliZesur. 7 lakazisur.
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174qeTevan oCxikiZe,saqarTvelos SoT
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qeTevan oCxikiZeZiriTadad, `jojoxeT
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qeTevan oCxikiZedavadginoT maT Sori
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qeTevan oCxikiZexarisxis gamo, amis
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qeTevan oCxikiZeTiToeuli maTgani ga
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qeTevan oCxikiZeredaqciiT aris moce
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qeTevan oCxikiZegamoyenebuli litera
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Sorena fxakaZe2009-dan dRemde - ton
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Sorena fxakaZeaxal Strixad iqca mxa
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Sorena fxakaZexelovnebis axal etapz
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avTandil CaCava,saqarTvelos SoTa ru
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avTandil CaCavaimereTSi niRabs `kva
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avTandil CaCavaxaris rqebs imagrebd
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avTandil CaCavapatarZals ganasaxier
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avTandil CaCavaerTmaneTs maTi mzera
Page 204 and 205:
204
Page 206 and 207:
vladimer (lado) tatiSvilime rwyu li
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vladimer (lado) tatiSviliwyo bi le
Page 210 and 211:
vladimer (lado) tatiSviliwons, mo i
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vladimer (lado) tatiSvilireklamas S
Page 214 and 215:
mzia zautaSvilistiliT Semoifargleba
Page 216 and 217:
mzia zautaSviliratom TiToeuli saleq
Page 218 and 219:
mzia zautaSvilimeSveobiT daganaxebT
Page 220 and 221:
mzia zautaSviliteleJurnalistika, mx
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222
Page 224 and 225:
malxaz Rvinjiliaar iTxovs, radgan a
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malxaz Rvinjiliaavadmyofobis gamo,v
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malxaz RvinjiliadazRvevis saerTaSor
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magda cocxalaSvili,saqarTvelos SoTa
Page 232 and 233:
magda cocxalaSvilidakavSirebuli Rir
Page 234 and 235:
magda cocxalaSvilikulturuli fena, u
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magda cocxalaSvili`literaturuli saq
Page 238 and 239:
magda cocxalaSviliuzrunvelyofa da o
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nino wiTlanaZe,saqarTvelos SoTa rus
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nino wiTlanaZedaTvlasa da Sejamebas
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nino wiTlanaZeefeqturi amuSaveba);_
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nino wiTlanaZeiseTi Tanamedrove teq
Page 248 and 249:
Nino Gunia-Kuznetsova,Shota Rustave
Page 250 and 251:
the plastic characteristics of the
Page 252 and 253:
the victory or labor. So, in antiqu
Page 254 and 255:
is the title and not only the profe
Page 256 and 257:
he shows us that fascism is an eter
Page 258 and 259:
participates in scenic creativity,
Page 260 and 261:
Together with music special sound e
Page 262 and 263:
uilding. When we put the bricks cor
Page 264 and 265:
In village, Putieti, the weekly rit
Page 266 and 267:
integrity is the rhythm.Rhythm (Gre
Page 268 and 269:
The academy has two centres. The fi
Page 270 and 271:
MEDIA STUDIESMzia Zautashvili,Shota
Page 272 and 273:
called musical therapy - . In the
Page 274 and 275:
Magda Tsotskhalashvili,Shota Rustav
Page 276 and 277:
of target audience.The theme also i
Page 278 and 279:
278
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280
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