saxelovnebo mecnierebaTa Ziebani #4 (53), 2012 ART SCIENCE ...

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naTia mefariSvilisistemas, miznobriv xasiaTze dayrdnobiT aSenebda TavisSemakavSirebel novatorul formulas da qmnida TxrobisTavisebur stils misTvis damaxasiaTebeli efeqturobiT,eleganturi formebiTa da ubraloebiT. televiziazeaRzrdili reJisorebi moeqcnen saavtoro Teoriis `mavnezegavlenis~ qveS da ganudgnen klasicizmis fundamentursafuZvlebs barokos sasargeblod, moCvenebiTi martivisiuJetebis ganxorcielebisaTvis. postklasikurikinos gmirebs aRar axasiaTebdaT mkveTrad dasaxulimiznebi, mkafio moraluri poziciebi da Sedegad, maTiqmedebebi xSirad xdeboda aramotivirebuli da xSiradiracionaluri Zaladobis naTebas warmoadgendnen. aqmxedvelobaSia axali holivudis `xatebi~, rogorebicaa`boni da klaidi~, `buC qesidi da sandens qidi~ an sempekinpas gmirebi. konservatorul blokbasterze gadasvlaSecvlis gmiris koncefciasac, magram sisastike daZaladoba damaxasiaTebeli Strixad iqca, rac cxadyofs60-iani wlebis `heisis kodeqsis~ damxobas da iqcevamTeli rigi Tanamedrove holivuduri Janris ganuyofelnawilad da, rogorc minimum, mxardaWeras hpovebs rigireJisorebis mxridan (deivid linCi, quentin tarantino).postklasikuri kino ukve arasdros ityvis uarssisastikesa da Zaladobaze,rogorc sanaxaobriv elementze.mogvianebiT zogierTi maTgani, rogorebic arian paulverxuveni an gviandeli deivid kronenbergi, ganixilavenZaladobas,rogorc adamianuri urTierTobebis safuZvels.es pozicia zustad gamoxata braian de palmam, romelmacaRniSna, rom `Zaladoba vizualuri formaa. is Zalianefeqturia, aRagznebs. arasdros vityvi uars Zaladobazeimitom, rom igi gansakuTrebulad lamazia~. 1Zaladoba, romelzec saubrobs de palma, `speqtaklis~,sanaxaobriobis nawilia, romelic postklasikur kinoSi1De Palma, Brian. Interviews. Jackson: University Press of Mississippi,2003, p. 85136
holivudi – faseulobebis cvlamadominirebeli faqtori xdeba. ùaxlesi holivudis~blokbasterebi akeTeben aqcents apoTeozTan miaxloebulsanaxaobaze, maT Soris gadaWarbebuli specefeqtebiT.rogorc jof qingi werda, sanaxaoba `sicocxleze metia~,igi yoveldRiurobaze ufro mkafiod da intensiuradgamoiyureba. 1amdenad àxali holivudi~ aris kinematografSiaxali `Trendebis~ damkvidreba. televiziam Tavis TavzeaiRo masobrivi auditoriis `tvinis gamorecxvis~funqcia (amiT adre dakavebuli iyo masobrivi kino).Tavis mxriv,holivudi mimarTavs amerikuli sazogadoebisnaklebad ìdeologizebul~ warmodgenebs. Tanamedroveholivudi daiwyo rogorc dominanti mimarTulebamsoflio sanaxaobriv bazarze, rasac mohyva axalibiznes-kombinaciebi. Tanamedrove holivudis pirobebSisul ufro rTuldeba ara mxolod mkveTri sazRvrisgavleba kinoindustriasa da sxva media da sanaxaobrivindustriebs Soris, aramed kinos, rogorc kulturulida `teqstualuri~ obieqtis gaazreba. modernizmisgangansxvavebiT, romelic iJinebs maRal unikalur stils daavangarduli xelovnebis mxatvrul ideals,postmodernizmiuars ambobs stilze, unikalurobis grZnobasa daindividualizmze. axali holivudi Tavisi reJisorulistilis fsoniT, aRmoCnda unikalurobis ùkanasknelimercxali~. axalma holivudma blokbasterebze, brendebzeda am brendebis gardasaxviT sxvadasxva mediaformaSiunikalurobis uaryofa daiwyo. miuxedavad imisa, romcalkeuli reJisorebi,rogorebic arian stiven spilbergida braian de palma, jer kidev cdiloben, Seaxsenonklasikuri `wyobis~ stilis Sesaxeb, isini wesebidanerTgvar gamonakliss warmoadgenen.1King, Geoff. dasax. naSr., gv. 4137
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saqarTvelos SoTa rusTavelis Teatris
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Shota Rustaveli Theatre and Film Ge
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manana lekboraSvilimontaJi da redaq
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CONTENTSTHEATRE STUDIESGVANTSA GULI
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NINO TSITLANADZEGeorgian Theatre As
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Teatrmcodneoba11
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Teatrzec. revoluciuri kataklizmebis
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Tanamedrove qarTuli Teatris problem
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a) speqtaklis, performansis ganxorc
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ugulebelyofs da dros sivrciT urTier
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moCarCoebul sivrcesa Tu sibrtyeSi g
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cenografiuli kompoziciis sakiTxisaT
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aqtualuria, oRond dro ara marto aCq
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natalia diRmelaSvili,saqarTvelos So
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Tanamedrove midgomebis danergva cek
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stilisturi forma ki araa, sxva form
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mdgomareobs, rom is saSualebas mogv
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Mmsaxiobis ostatobis sxvadasxvameTo
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Tamar firosmanaSvili,saqarTvelos So
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qoreografia dramatul speqtaklSi da
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qoreografia dramatul speqtaklSi da
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da mimdinareobas ver mivakuTvnebT.
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avgust strindbergisìntimuri Teatri
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koleqtiuri kiTxva da personaJebis a
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avgust strindbergisìntimuri Teatri
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(idealur SemTxvevaSi _ guli plus go
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pirovnebis mniSvneloba samsaxiobo x
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kinomcodneoba75
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Tamar barTaiaamis gamo uars nu ityv
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Tamar barTaiasadac orjer ori aucile
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Tamar barTaiargoli unda iyos. maSin
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Tamar barTaiagaumarTlebeli iqneba a
Page 86 and 87: maka doliZefaSizmi~ 1 warmoadgens a
Page 88 and 89: maka doliZeeniWeboda. 1939 wlidan g
Page 90 and 91: maka doliZefilmebic, magaliTad, reJ
Page 92 and 93: maka doliZevaJis cudi zegavlenisaga
Page 94 and 95: maka doliZeda misi adgili SeevsoT f
Page 96 and 97: 96nikoloz kereseliZe,saqarTvelos So
Page 98 and 99: nikoloz kereseliZesaCvenebeli da Su
Page 100 and 101: nikoloz kereseliZerogorc `Teatris p
Page 102 and 103: nikoloz kereseliZeteleviziaSic, Toj
Page 104 and 105: nikoloz kereseliZesanaxaobiTi xelov
Page 106 and 107: nikoloz kereseliZevaldebulebebs am
Page 108 and 109: manana lekboraSvili,saqarTvelos SoT
Page 110 and 111: manana lekboraSviligadabma xdeboda
Page 112 and 113: manana lekboraSviliklasikuri montaJ
Page 114 and 115: manana lekboraSviliikiTxeboda. amgv
Page 116 and 117: manana lekboraSvilimusikalur klipeb
Page 118 and 119: manana lekboraSvilifilmebSi adrinde
Page 120 and 121: 120mzia manjaviZe,saqarTvelos SoTa
Page 122 and 123: mzia manjaviZesubstancia Seaqvs fil
Page 124 and 125: mzia manjaviZefaseulobaze. filmSi a
Page 126 and 127: mzia manjaviZebedis ZebnaSi, xolo m
Page 128 and 129: naTia mefariSvili,saqarTvelos SoTa
Page 130 and 131: naTia mefariSviliisini axdendnen am
Page 132 and 133: naTia mefariSvilipenis filmi amerik
Page 134 and 135: naTia mefariSvilistandartebi, roca
Page 138 and 139: naTia mefariSviligamoyenebuli liter
Page 140 and 141: giorgi uRreliZ(1910) pirvelad gamoi
Page 142 and 143: giorgi uRreliZekranze xedavda ambav
Page 144 and 145: giorgi uRreliZmontaJi SeiZleba real
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Page 150 and 151: nino dondolaZemas analogi ar moeZeb
Page 152 and 153: nino dondolaZesanaxaobisamebr, saqa
Page 154 and 155: nino dondolaZeam dros gaaSiSvlebdne
Page 156 and 157: nino dondolaZemama avTandil giorgob
Page 158 and 159: nino dondolaZetardeboda, rasac XIX
Page 160 and 161: nino dondolaZe`bekikeebi~ #6`gvergv
Page 162 and 163: Tamar sarCimeliZeriTmi xelovnebaSir
Page 164 and 165: Tamar sarCimeliZeSinaarsobrivi dina
Page 166 and 167: Tamar sarCimeliZeriTmulobidan gamom
Page 168 and 169: Tamar sarCimeliZeganvixiloT ufro de
Page 170 and 171: Tamar sarCimeliZegaremo da formac w
Page 172 and 173: Tamar sarCimeliZesur. 7 lakazisur.
Page 174 and 175: 174qeTevan oCxikiZe,saqarTvelos SoT
Page 176 and 177: qeTevan oCxikiZeZiriTadad, `jojoxeT
Page 178 and 179: qeTevan oCxikiZedavadginoT maT Sori
Page 180 and 181: qeTevan oCxikiZexarisxis gamo, amis
Page 182 and 183: qeTevan oCxikiZeTiToeuli maTgani ga
Page 184 and 185: qeTevan oCxikiZeredaqciiT aris moce
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qeTevan oCxikiZegamoyenebuli litera
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Sorena fxakaZe2009-dan dRemde - ton
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Sorena fxakaZeaxal Strixad iqca mxa
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Sorena fxakaZexelovnebis axal etapz
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avTandil CaCava,saqarTvelos SoTa ru
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avTandil CaCavaimereTSi niRabs `kva
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avTandil CaCavaxaris rqebs imagrebd
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avTandil CaCavapatarZals ganasaxier
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avTandil CaCavaerTmaneTs maTi mzera
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204
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vladimer (lado) tatiSvilime rwyu li
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vladimer (lado) tatiSviliwyo bi le
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vladimer (lado) tatiSviliwons, mo i
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vladimer (lado) tatiSvilireklamas S
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mzia zautaSvilistiliT Semoifargleba
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mzia zautaSviliratom TiToeuli saleq
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mzia zautaSvilimeSveobiT daganaxebT
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mzia zautaSviliteleJurnalistika, mx
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222
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malxaz Rvinjiliaar iTxovs, radgan a
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malxaz Rvinjiliaavadmyofobis gamo,v
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malxaz RvinjiliadazRvevis saerTaSor
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magda cocxalaSvili,saqarTvelos SoTa
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magda cocxalaSvilidakavSirebuli Rir
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magda cocxalaSvilikulturuli fena, u
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magda cocxalaSvili`literaturuli saq
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magda cocxalaSviliuzrunvelyofa da o
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nino wiTlanaZe,saqarTvelos SoTa rus
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nino wiTlanaZedaTvlasa da Sejamebas
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nino wiTlanaZeefeqturi amuSaveba);_
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nino wiTlanaZeiseTi Tanamedrove teq
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Nino Gunia-Kuznetsova,Shota Rustave
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the plastic characteristics of the
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the victory or labor. So, in antiqu
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is the title and not only the profe
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he shows us that fascism is an eter
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participates in scenic creativity,
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Together with music special sound e
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uilding. When we put the bricks cor
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In village, Putieti, the weekly rit
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integrity is the rhythm.Rhythm (Gre
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The academy has two centres. The fi
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MEDIA STUDIESMzia Zautashvili,Shota
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called musical therapy - . In the
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Magda Tsotskhalashvili,Shota Rustav
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of target audience.The theme also i
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