saxelovnebo mecnierebaTa Ziebani #4 (53), 2012 ART SCIENCE ...

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gvanca guliaSvili,saqarTvelos SoTa rusTavelis Teatrisada kinos universiteti,Teatrmcodneobis mimarTulebis doqtorantixelmZRvaneli: giorgi cqitiSviliTanamedrove qarTuli Teatrisproblemebi da gamowvevebiqarTuli Teatris istoria, iseve rogorc nebismierisxva qveynis, moicavs mraval mniSvnelovan, sainteresoSemoqmedebiTi aRzevebisa Tu dacemis, warmatebisa Tuwarumateblobis, Ziebebis, aRiarebisa da karCaketilobisperiods. bunebrivia, yovelive zemoaRniSnuls, yovelkonkretul SemTxvevaSi, ganapirobebs mravali subieqturi,Tu obieqturi mizezi.Cven qveyanaSi, gasuli saukunis 90-iani wlebidaniwyeba Teatraluri xelovnebis erT-erTi rTuliperiodi. `xelovneba miemarTeba iqiT, saiTac mas drouxmobs~. xelovnebis nebismieri nawarmoebi, garkveuldrosa da sivrceSi iqmneba da cxadia, mniSvnelovanwiladdamokidebulia epoqis Taviseburebebze. Teatralurixelovnebis SemTxvevaSi, es sakiTxi gansakuTrebulaqtualobas iZens, radgan Teatri cocxali qmedebisxelovnebaa, romelic arsebobs mxolod warmodgenismimdinareobis procesSi da nivTieri saxiT ar rCeba.kvlav mixeil TumaniSvilis sityvebs Tu moviSveliebT:`Teatri aris imis anarekli, rac Teatris kedlebs gareTxdeba. saqme is aris, rom sarke, ris saSualebiTac iqmnebaanarekli, marTali unda iyos.~gasuli saukunis 90-iani wlebidan moyolebuli,saqarTveloSi momxdarma mniSvnelovanma socialurpolitikurmamovlenebma arsebiTi gavlena moaxdinasazogadoebrivi cxovrebis yvela sferoze, cxadia,12
Teatrzec. revoluciuri kataklizmebis, sazogadoebrivcnobierebaSi mimdinare mniSvnelovani cvlilebebis,zneobriv faseulobaTa gadafasebis pirobebSi, erTerTmniSvnelovan rgols warmoadgens mentalitetis,zogadad msoflmxedvelobis cvla droisa da viTarebisSesabamisad. es procesi ki,Tavis mxriv,pirdapir kavSirSiaxelovnebasTan.vidre uSualod SevexebiT ukanaskneli ori aTwleulisganmavlobaSi wamoWril problemebsa Tu siaxleebsqarTul dramaturgiasa da Teatralur xelovnebaSi,gavixsenoT periodi, romelic win uZRoda am xanas, anu e.w. ùZraobis xana~. es XX saukunis 70-80-iani wlebia.periodi, rodesac mTeli sabWoTa kavSiris teritoriazebatonobda komunisturi cenzura,ideologiuri marwuxebi,romelic mniSvnelovnad cvlida adamianis cnobierebas.komunisturi cenzuris pirdapiri moTxovniT, scenazexdeboda problemaTa erTgvari `SefuTva~ mayureblisTvisda misi reJimisaTvis sasurveli formiT miwodeba. es iyoepoqa,roca Teatri,iseve rogorc adamianuri moRvaweobisnebismieri sfero, unda yofiliyo erTgvari rupori daagitatori komunisturi msoflmxedvelobisa. Tumca,undaaRiniSnos, rom qarTuli Teatri mainc axerxebda iseTispeqtaklebis dadgmas, sadac xazgasmuli iyo adamianuriRirebulebebi, Tu erovnuli faseulobebi. mixeilTumaniSvilis àntigone~, robert sturuas `yvaryvare~,`kavkasiuri carcis wre~, `riCard III~, Temur CxeiZis`guSindelni~, `jayos xiznebi~, haki aZba~... albaT, kidevaraerTi speqtaklis dasaxeleba SeiZleba, romlebicTavianTi mxatvruli RirebulebiTa Tu moqalaqeobriviJReradobiT uaRresad did STabeWdilebas axdendamayurebelze. raoden gasakviric ar unda iyos, eswarmodgenebi gadaurCa sabWoTa cenzuras maSin, rodesacmTel sabWoTa kavSirSi erTmaneTis miyolebiT ikrZaleboda`sabWoTa ideologiisaTvis ucxo~ wignebi, ferweruli13
Page 1 and 2: saqarTvelos SoTa rusTavelis Teatris
Page 3 and 4: Shota Rustaveli Theatre and Film Ge
Page 5 and 6: manana lekboraSvilimontaJi da redaq
Page 7 and 8: CONTENTSTHEATRE STUDIESGVANTSA GULI
Page 9 and 10: NINO TSITLANADZEGeorgian Theatre As
Page 11: Teatrmcodneoba11
Page 15 and 16: Tanamedrove qarTuli Teatris problem
Page 23 and 24: a) speqtaklis, performansis ganxorc
Page 25 and 26: ugulebelyofs da dros sivrciT urTier
Page 27 and 28: moCarCoebul sivrcesa Tu sibrtyeSi g
Page 29 and 30: cenografiuli kompoziciis sakiTxisaT
Page 33 and 34: aqtualuria, oRond dro ara marto aCq
Page 39 and 40: natalia diRmelaSvili,saqarTvelos So
Page 41 and 42: Tanamedrove midgomebis danergva cek
Page 51 and 52: stilisturi forma ki araa, sxva form
Page 53 and 54: mdgomareobs, rom is saSualebas mogv
Page 55 and 56: Mmsaxiobis ostatobis sxvadasxvameTo
Page 57 and 58: Tamar firosmanaSvili,saqarTvelos So
Page 59 and 60: qoreografia dramatul speqtaklSi da
Page 61 and 62: qoreografia dramatul speqtaklSi da
Page 63 and 64:
da mimdinareobas ver mivakuTvnebT.
Page 65 and 66:
avgust strindbergisìntimuri Teatri
Page 67 and 68:
koleqtiuri kiTxva da personaJebis a
Page 69 and 70:
avgust strindbergisìntimuri Teatri
Page 71 and 72:
(idealur SemTxvevaSi _ guli plus go
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pirovnebis mniSvneloba samsaxiobo x
Page 75:
kinomcodneoba75
Page 78 and 79:
Tamar barTaiaamis gamo uars nu ityv
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Tamar barTaiasadac orjer ori aucile
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Tamar barTaiargoli unda iyos. maSin
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Tamar barTaiagaumarTlebeli iqneba a
Page 86 and 87:
maka doliZefaSizmi~ 1 warmoadgens a
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maka doliZeeniWeboda. 1939 wlidan g
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maka doliZefilmebic, magaliTad, reJ
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maka doliZevaJis cudi zegavlenisaga
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maka doliZeda misi adgili SeevsoT f
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96nikoloz kereseliZe,saqarTvelos So
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nikoloz kereseliZesaCvenebeli da Su
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nikoloz kereseliZerogorc `Teatris p
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nikoloz kereseliZeteleviziaSic, Toj
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nikoloz kereseliZesanaxaobiTi xelov
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nikoloz kereseliZevaldebulebebs am
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manana lekboraSvili,saqarTvelos SoT
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manana lekboraSviligadabma xdeboda
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manana lekboraSviliklasikuri montaJ
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manana lekboraSviliikiTxeboda. amgv
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manana lekboraSvilimusikalur klipeb
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manana lekboraSvilifilmebSi adrinde
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120mzia manjaviZe,saqarTvelos SoTa
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mzia manjaviZesubstancia Seaqvs fil
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mzia manjaviZefaseulobaze. filmSi a
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mzia manjaviZebedis ZebnaSi, xolo m
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naTia mefariSvili,saqarTvelos SoTa
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naTia mefariSviliisini axdendnen am
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naTia mefariSvilipenis filmi amerik
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naTia mefariSvilistandartebi, roca
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naTia mefariSvilisistemas, miznobri
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naTia mefariSviligamoyenebuli liter
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giorgi uRreliZ(1910) pirvelad gamoi
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giorgi uRreliZekranze xedavda ambav
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giorgi uRreliZmontaJi SeiZleba real
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146
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148
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nino dondolaZemas analogi ar moeZeb
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nino dondolaZesanaxaobisamebr, saqa
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nino dondolaZeam dros gaaSiSvlebdne
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nino dondolaZemama avTandil giorgob
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nino dondolaZetardeboda, rasac XIX
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nino dondolaZe`bekikeebi~ #6`gvergv
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Tamar sarCimeliZeriTmi xelovnebaSir
Page 164 and 165:
Tamar sarCimeliZeSinaarsobrivi dina
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Tamar sarCimeliZeriTmulobidan gamom
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Tamar sarCimeliZeganvixiloT ufro de
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Tamar sarCimeliZegaremo da formac w
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Tamar sarCimeliZesur. 7 lakazisur.
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174qeTevan oCxikiZe,saqarTvelos SoT
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qeTevan oCxikiZeZiriTadad, `jojoxeT
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qeTevan oCxikiZedavadginoT maT Sori
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qeTevan oCxikiZexarisxis gamo, amis
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qeTevan oCxikiZeTiToeuli maTgani ga
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qeTevan oCxikiZeredaqciiT aris moce
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qeTevan oCxikiZegamoyenebuli litera
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Sorena fxakaZe2009-dan dRemde - ton
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Sorena fxakaZeaxal Strixad iqca mxa
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Sorena fxakaZexelovnebis axal etapz
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avTandil CaCava,saqarTvelos SoTa ru
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avTandil CaCavaimereTSi niRabs `kva
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avTandil CaCavaxaris rqebs imagrebd
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avTandil CaCavapatarZals ganasaxier
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avTandil CaCavaerTmaneTs maTi mzera
Page 204 and 205:
204
Page 206 and 207:
vladimer (lado) tatiSvilime rwyu li
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vladimer (lado) tatiSviliwyo bi le
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vladimer (lado) tatiSviliwons, mo i
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vladimer (lado) tatiSvilireklamas S
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mzia zautaSvilistiliT Semoifargleba
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mzia zautaSviliratom TiToeuli saleq
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mzia zautaSvilimeSveobiT daganaxebT
Page 220 and 221:
mzia zautaSviliteleJurnalistika, mx
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222
Page 224 and 225:
malxaz Rvinjiliaar iTxovs, radgan a
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malxaz Rvinjiliaavadmyofobis gamo,v
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malxaz RvinjiliadazRvevis saerTaSor
Page 230 and 231:
magda cocxalaSvili,saqarTvelos SoTa
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magda cocxalaSvilidakavSirebuli Rir
Page 234 and 235:
magda cocxalaSvilikulturuli fena, u
Page 236 and 237:
magda cocxalaSvili`literaturuli saq
Page 238 and 239:
magda cocxalaSviliuzrunvelyofa da o
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nino wiTlanaZe,saqarTvelos SoTa rus
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nino wiTlanaZedaTvlasa da Sejamebas
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nino wiTlanaZeefeqturi amuSaveba);_
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nino wiTlanaZeiseTi Tanamedrove teq
Page 248 and 249:
Nino Gunia-Kuznetsova,Shota Rustave
Page 250 and 251:
the plastic characteristics of the
Page 252 and 253:
the victory or labor. So, in antiqu
Page 254 and 255:
is the title and not only the profe
Page 256 and 257:
he shows us that fascism is an eter
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participates in scenic creativity,
Page 260 and 261:
Together with music special sound e
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uilding. When we put the bricks cor
Page 264 and 265:
In village, Putieti, the weekly rit
Page 266 and 267:
integrity is the rhythm.Rhythm (Gre
Page 268 and 269:
The academy has two centres. The fi
Page 270 and 271:
MEDIA STUDIESMzia Zautashvili,Shota
Page 272 and 273:
called musical therapy - . In the
Page 274 and 275:
Magda Tsotskhalashvili,Shota Rustav
Page 276 and 277:
of target audience.The theme also i
Page 278 and 279:
278
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280
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