saxelovnebo mecnierebaTa Ziebani #4 (53), 2012 ART SCIENCE ...
saxelovnebo mecnierebaTa Ziebani #4 (53), 2012 ART SCIENCE ... saxelovnebo mecnierebaTa Ziebani #4 (53), 2012 ART SCIENCE ...
naTia mefariSvili,saqarTvelos SoTa rusTavelis Teatrisa da kinossaxelmwifo universiteti,kinomcodneobis mimarTulebis doqtoranti,xelmZRvaneli: zviad doliZeholivudi – faseulobebis cvlara aerTianebs frensis ford kopolas, stiven alanspilbergs, braian de palmas, jorj lukassa da martinskorsezes? upirveles yovlisa is, rom TiToeulimaTganis SemoqmedebiTi Taviseburebebi Camoyalibda axaliholivudis epoqaSi – periodSi,romlis kvlevaze dRemdeadakavebuli dasavleTis yvelaze kaSkaSa kinomcodneTagoneba. termini `axali holivudi~ 1970 wlebis SuaxanebSi damkvidrda, rodesac amerikuli kino Tanamedrove`blokbasterebis eraSi~ Sesasvlelad emzadeboda dakars iyo momdgari iseTi mniSvnelovani da saetapokinosuraTebi, rogorebicaa `ybebi~ (1975) da pirveli`varskvlavuri omebi~ (1977).`axali holivudi~ – esaa SesaZleblobebisfarTod gaRebuli fanjara, romelic `gaixsna~ 1960-iani wlebis bolodan 1970-iani wlebis Sua xanebamde,warmoadgenda klasikuri holivuduri Janris reJisuras,rasac emateboda evropuli art-kinos stilistikuriinovaciebi. koncepti `axali~ gulisxmobs orientirebasgansxvavebul auditoriaze.filmebis principulad axali xarisxi nakarnaxevi iyoaSS-s gansakuTrebiT mkacri socialuri da politikuriZvrebis epoqiT, ramac mTeli Taoba moicva da moaxdinagardatexa. es periodi SesaZloa movixsenioT, rogorcudidesi depresiis epoqa. martin luTer kingismkvlelobasa da riCard niqsonis gadadgomas Soris,amerika ganicdida koleqtiuri sulis intensiur Ziebas,128
omelic dakavSirebuli iyo Taobebs Soris mZafrkonfliqtTan `rasobriv~ da `genderul~ sakiTxebze.vietnamis omis sawinaaRmdego protestma, moZraobamsamoqalaqo uflebebisaTvis da feminizmis talRamwarmoSva sxvadasxvagvari politikuri kultura.kinomcodne Tomas elsaeseri am epoqas SemdegnairadgvixasiaTebs: `axali holivudis~ paradoqsi imaSimdgomareobda, rom man eris mimarT ndobis dakargvisdemonstrireba moaxdina, gaCnda eWvebi `marTlmsajulebada Tavisufleba yvelasaTvis~ Taobaze, rac aisaxebodamTeli rigi kinematografistebis namuSevrebze. esfilmebi afiqsirebdnen moralur ukmayofilebas, racar anelebda maT interess stilisturi da formalurieqsperimentebis mimarT. pirvel rigSi, wamoiwia umizno,depresiulma, TviTganadgurebisken midrekilma xasiaTebma.warmodgenili Temebi ki Tamami da aratradiciuli iyo. 1gansazRvreba `axali~ gaCnda axali Taobiskinoskolebidan da kinokritikidan mosuli reJisorebisgamoCenasTan erTad. maT daiwyes komerciuli amerikulifilmebis gadaReba, rac mogvagonebs frangul `axaltalRas~. 1960 wels martin skorsezem daamTavraNniuiorkisuniversiteti, braian de palma kolumbiisuniversitetis kursdamTavrebulia, maSin, rodesacdasavleT sanapiroze frensis ford kopolam da jorjlukasma daamTavres kaliforniis universiteti losanJelesSida samxreT karolinis universiteti, stivenspilbergma ki kaliforniis saxelmwifo universiteti.isini polin qeilis, endriu sarisis da meni barberis60-iani wlebis kinokritikas kiTxulobdnen, moeqcnen`kaie diu sinemas~ gavlenis qveS, aRfrTovanebulni iyvnenbergmanis, felinis, antonionis, bertoluCis, triufosada godaris filmebiT. saavtoro Teoriis saSualebiT1Horwath Alexander, Elsaesser Thomas and Noel King. The Last GreatAmerican Picture Show: New Hollywood Cinema in the 1070s. Amsterdam:Amsterdam University Press, 2004, p. 38129
- Page 78 and 79: Tamar barTaiaamis gamo uars nu ityv
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omelic dakavSirebuli iyo Taobebs Soris mZafrkonfliqtTan `rasobriv~ da `genderul~ sakiTxebze.vietnamis omis sawinaaRmdego protestma, moZraobamsamoqalaqo uflebebisaTvis da feminizmis talRamwarmoSva sxvadasxvagvari politikuri kultura.kinomcodne Tomas elsaeseri am epoqas SemdegnairadgvixasiaTebs: `axali holivudis~ paradoqsi imaSimdgomareobda, rom man eris mimarT ndobis dakargvisdemonstrireba moaxdina, gaCnda eWvebi `marTlmsajulebada Tavisufleba yvelasaTvis~ Taobaze, rac aisaxebodamTeli rigi kinematografistebis namuSevrebze. esfilmebi afiqsirebdnen moralur ukmayofilebas, racar anelebda maT interess stilisturi da formalurieqsperimentebis mimarT. pirvel rigSi, wamoiwia umizno,depresiulma, TviTganadgurebisken midrekilma xasiaTebma.warmodgenili Temebi ki Tamami da aratradiciuli iyo. 1gansazRvreba `axali~ gaCnda axali Taobiskinoskolebidan da kinokritikidan mosuli reJisorebisgamoCenasTan erTad. maT daiwyes komerciuli amerikulifilmebis gadaReba, rac mogvagonebs frangul `axaltalRas~. 1960 wels martin skorsezem daamTavraNniuiorkisuniversiteti, braian de palma kolumbiisuniversitetis kursdamTavrebulia, maSin, rodesacdasavleT sanapiroze frensis ford kopolam da jorjlukasma daamTavres kaliforniis universiteti losanJelesSida samxreT karolinis universiteti, stivenspilbergma ki kaliforniis saxelmwifo universiteti.isini polin qeilis, endriu sarisis da meni barberis60-iani wlebis kinokritikas kiTxulobdnen, moeqcnen`kaie diu sinemas~ gavlenis qveS, aRfrTovanebulni iyvnenbergmanis, felinis, antonionis, bertoluCis, triufosada godaris filmebiT. saavtoro Teoriis saSualebiT1Horwath Alexander, Elsaesser Thomas and Noel King. The Last GreatAmerican Picture Show: New Hollywood Cinema in the 1070s. Amsterdam:Amsterdam University Press, 2004, p. 38129
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