saxelovnebo mecnierebaTa Ziebani #4 (53), 2012 ART SCIENCE ...

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naTia mefariSvili,saqarTvelos SoTa rusTavelis Teatrisa da kinossaxelmwifo universiteti,kinomcodneobis mimarTulebis doqtoranti,xelmZRvaneli: zviad doliZeholivudi – faseulobebis cvlara aerTianebs frensis ford kopolas, stiven alanspilbergs, braian de palmas, jorj lukassa da martinskorsezes? upirveles yovlisa is, rom TiToeulimaTganis SemoqmedebiTi Taviseburebebi Camoyalibda axaliholivudis epoqaSi – periodSi,romlis kvlevaze dRemdeadakavebuli dasavleTis yvelaze kaSkaSa kinomcodneTagoneba. termini àxali holivudi~ 1970 wlebis SuaxanebSi damkvidrda, rodesac amerikuli kino Tanamedrove`blokbasterebis eraSi~ Sesasvlelad emzadeboda dakars iyo momdgari iseTi mniSvnelovani da saetapokinosuraTebi, rogorebicaa `ybebi~ (1975) da pirveli`varskvlavuri omebi~ (1977).àxali holivudi~ – esaa SesaZleblobebisfarTod gaRebuli fanjara, romelic `gaixsna~ 1960-iani wlebis bolodan 1970-iani wlebis Sua xanebamde,warmoadgenda klasikuri holivuduri Janris reJisuras,rasac emateboda evropuli art-kinos stilistikuriinovaciebi. koncepti àxali~ gulisxmobs orientirebasgansxvavebul auditoriaze.filmebis principulad axali xarisxi nakarnaxevi iyoaSS-s gansakuTrebiT mkacri socialuri da politikuriZvrebis epoqiT, ramac mTeli Taoba moicva da moaxdinagardatexa. es periodi SesaZloa movixsenioT, rogorcudidesi depresiis epoqa. martin luTer kingismkvlelobasa da riCard niqsonis gadadgomas Soris,amerika ganicdida koleqtiuri sulis intensiur Ziebas,128
omelic dakavSirebuli iyo Taobebs Soris mZafrkonfliqtTan `rasobriv~ da `genderul~ sakiTxebze.vietnamis omis sawinaaRmdego protestma, moZraobamsamoqalaqo uflebebisaTvis da feminizmis talRamwarmoSva sxvadasxvagvari politikuri kultura.kinomcodne Tomas elsaeseri am epoqas SemdegnairadgvixasiaTebs: àxali holivudis~ paradoqsi imaSimdgomareobda, rom man eris mimarT ndobis dakargvisdemonstrireba moaxdina, gaCnda eWvebi `marTlmsajulebada Tavisufleba yvelasaTvis~ Taobaze, rac aisaxebodamTeli rigi kinematografistebis namuSevrebze. esfilmebi afiqsirebdnen moralur ukmayofilebas, racar anelebda maT interess stilisturi da formalurieqsperimentebis mimarT. pirvel rigSi, wamoiwia umizno,depresiulma, TviTganadgurebisken midrekilma xasiaTebma.warmodgenili Temebi ki Tamami da aratradiciuli iyo. 1gansazRvreba àxali~ gaCnda axali Taobiskinoskolebidan da kinokritikidan mosuli reJisorebisgamoCenasTan erTad. maT daiwyes komerciuli amerikulifilmebis gadaReba, rac mogvagonebs frangul àxaltalRas~. 1960 wels martin skorsezem daamTavraNniuiorkisuniversiteti, braian de palma kolumbiisuniversitetis kursdamTavrebulia, maSin, rodesacdasavleT sanapiroze frensis ford kopolam da jorjlukasma daamTavres kaliforniis universiteti losanJelesSida samxreT karolinis universiteti, stivenspilbergma ki kaliforniis saxelmwifo universiteti.isini polin qeilis, endriu sarisis da meni barberis60-iani wlebis kinokritikas kiTxulobdnen, moeqcnen`kaie diu sinemas~ gavlenis qveS, aRfrTovanebulni iyvnenbergmanis, felinis, antonionis, bertoluCis, triufosada godaris filmebiT. saavtoro Teoriis saSualebiT1Horwath Alexander, Elsaesser Thomas and Noel King. The Last GreatAmerican Picture Show: New Hollywood Cinema in the 1070s. Amsterdam:Amsterdam University Press, 2004, p. 38129
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saqarTvelos SoTa rusTavelis Teatris
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Shota Rustaveli Theatre and Film Ge
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manana lekboraSvilimontaJi da redaq
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CONTENTSTHEATRE STUDIESGVANTSA GULI
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NINO TSITLANADZEGeorgian Theatre As
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Teatrmcodneoba11
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Teatrzec. revoluciuri kataklizmebis
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Tanamedrove qarTuli Teatris problem
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a) speqtaklis, performansis ganxorc
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ugulebelyofs da dros sivrciT urTier
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moCarCoebul sivrcesa Tu sibrtyeSi g
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cenografiuli kompoziciis sakiTxisaT
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aqtualuria, oRond dro ara marto aCq
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natalia diRmelaSvili,saqarTvelos So
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Tanamedrove midgomebis danergva cek
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stilisturi forma ki araa, sxva form
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mdgomareobs, rom is saSualebas mogv
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Mmsaxiobis ostatobis sxvadasxvameTo
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Tamar firosmanaSvili,saqarTvelos So
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qoreografia dramatul speqtaklSi da
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qoreografia dramatul speqtaklSi da
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da mimdinareobas ver mivakuTvnebT.
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avgust strindbergisìntimuri Teatri
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koleqtiuri kiTxva da personaJebis a
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avgust strindbergisìntimuri Teatri
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(idealur SemTxvevaSi _ guli plus go
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pirovnebis mniSvneloba samsaxiobo x
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kinomcodneoba75
Page 78 and 79: Tamar barTaiaamis gamo uars nu ityv
Page 80 and 81: Tamar barTaiasadac orjer ori aucile
Page 82 and 83: Tamar barTaiargoli unda iyos. maSin
Page 84 and 85: Tamar barTaiagaumarTlebeli iqneba a
Page 86 and 87: maka doliZefaSizmi~ 1 warmoadgens a
Page 88 and 89: maka doliZeeniWeboda. 1939 wlidan g
Page 90 and 91: maka doliZefilmebic, magaliTad, reJ
Page 92 and 93: maka doliZevaJis cudi zegavlenisaga
Page 94 and 95: maka doliZeda misi adgili SeevsoT f
Page 96 and 97: 96nikoloz kereseliZe,saqarTvelos So
Page 98 and 99: nikoloz kereseliZesaCvenebeli da Su
Page 100 and 101: nikoloz kereseliZerogorc `Teatris p
Page 102 and 103: nikoloz kereseliZeteleviziaSic, Toj
Page 104 and 105: nikoloz kereseliZesanaxaobiTi xelov
Page 106 and 107: nikoloz kereseliZevaldebulebebs am
Page 108 and 109: manana lekboraSvili,saqarTvelos SoT
Page 110 and 111: manana lekboraSviligadabma xdeboda
Page 112 and 113: manana lekboraSviliklasikuri montaJ
Page 114 and 115: manana lekboraSviliikiTxeboda. amgv
Page 116 and 117: manana lekboraSvilimusikalur klipeb
Page 118 and 119: manana lekboraSvilifilmebSi adrinde
Page 120 and 121: 120mzia manjaviZe,saqarTvelos SoTa
Page 122 and 123: mzia manjaviZesubstancia Seaqvs fil
Page 124 and 125: mzia manjaviZefaseulobaze. filmSi a
Page 126 and 127: mzia manjaviZebedis ZebnaSi, xolo m
Page 130 and 131: naTia mefariSviliisini axdendnen am
Page 132 and 133: naTia mefariSvilipenis filmi amerik
Page 134 and 135: naTia mefariSvilistandartebi, roca
Page 136 and 137: naTia mefariSvilisistemas, miznobri
Page 138 and 139: naTia mefariSviligamoyenebuli liter
Page 140 and 141: giorgi uRreliZ(1910) pirvelad gamoi
Page 142 and 143: giorgi uRreliZekranze xedavda ambav
Page 144 and 145: giorgi uRreliZmontaJi SeiZleba real
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Page 150 and 151: nino dondolaZemas analogi ar moeZeb
Page 152 and 153: nino dondolaZesanaxaobisamebr, saqa
Page 154 and 155: nino dondolaZeam dros gaaSiSvlebdne
Page 156 and 157: nino dondolaZemama avTandil giorgob
Page 158 and 159: nino dondolaZetardeboda, rasac XIX
Page 160 and 161: nino dondolaZe`bekikeebi~ #6`gvergv
Page 162 and 163: Tamar sarCimeliZeriTmi xelovnebaSir
Page 164 and 165: Tamar sarCimeliZeSinaarsobrivi dina
Page 166 and 167: Tamar sarCimeliZeriTmulobidan gamom
Page 168 and 169: Tamar sarCimeliZeganvixiloT ufro de
Page 170 and 171: Tamar sarCimeliZegaremo da formac w
Page 172 and 173: Tamar sarCimeliZesur. 7 lakazisur.
Page 174 and 175: 174qeTevan oCxikiZe,saqarTvelos SoT
Page 176 and 177: qeTevan oCxikiZeZiriTadad, `jojoxeT
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qeTevan oCxikiZedavadginoT maT Sori
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qeTevan oCxikiZexarisxis gamo, amis
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qeTevan oCxikiZeTiToeuli maTgani ga
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qeTevan oCxikiZeredaqciiT aris moce
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qeTevan oCxikiZegamoyenebuli litera
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Sorena fxakaZe2009-dan dRemde - ton
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Sorena fxakaZeaxal Strixad iqca mxa
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Sorena fxakaZexelovnebis axal etapz
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avTandil CaCava,saqarTvelos SoTa ru
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avTandil CaCavaimereTSi niRabs `kva
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avTandil CaCavaxaris rqebs imagrebd
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avTandil CaCavapatarZals ganasaxier
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avTandil CaCavaerTmaneTs maTi mzera
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204
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vladimer (lado) tatiSvilime rwyu li
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vladimer (lado) tatiSviliwyo bi le
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vladimer (lado) tatiSviliwons, mo i
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vladimer (lado) tatiSvilireklamas S
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mzia zautaSvilistiliT Semoifargleba
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mzia zautaSviliratom TiToeuli saleq
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mzia zautaSvilimeSveobiT daganaxebT
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mzia zautaSviliteleJurnalistika, mx
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222
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malxaz Rvinjiliaar iTxovs, radgan a
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malxaz Rvinjiliaavadmyofobis gamo,v
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malxaz RvinjiliadazRvevis saerTaSor
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magda cocxalaSvili,saqarTvelos SoTa
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magda cocxalaSvilidakavSirebuli Rir
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magda cocxalaSvilikulturuli fena, u
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magda cocxalaSvili`literaturuli saq
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magda cocxalaSviliuzrunvelyofa da o
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nino wiTlanaZe,saqarTvelos SoTa rus
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nino wiTlanaZedaTvlasa da Sejamebas
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nino wiTlanaZeefeqturi amuSaveba);_
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nino wiTlanaZeiseTi Tanamedrove teq
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Nino Gunia-Kuznetsova,Shota Rustave
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the plastic characteristics of the
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the victory or labor. So, in antiqu
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is the title and not only the profe
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he shows us that fascism is an eter
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participates in scenic creativity,
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Together with music special sound e
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uilding. When we put the bricks cor
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In village, Putieti, the weekly rit
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integrity is the rhythm.Rhythm (Gre
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The academy has two centres. The fi
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MEDIA STUDIESMzia Zautashvili,Shota
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called musical therapy - . In the
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Magda Tsotskhalashvili,Shota Rustav
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of target audience.The theme also i
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saxelovnebo mecnierebaTa Ziebani #4 (53), 2012 ART SCIENCE ...

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