saxelovnebo mecnierebaTa Ziebani #4 (53), 2012 ART SCIENCE ...

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manana lekboraSvili,saqarTvelos SoTa rusTavelis Teatrisa da kinossaxelmwifo universitetikinomcodne, xelovnebaTmcodneobis doqtorimontaJi da redaqtireba -warsulidan dRevandelobamdemontaJi, rogorc SemoqmedebiTi azrovnebis meTodi,ra Tqma unda, ar aris kinematografis aRmoCena.xelovneba warmoudgenelia masalis organizebis gareSe.arqiteqtura Tavidan bolomde nawilebis erTiani,harmoniuli mTlianobis awyobis xelovnebaa. mxatvrebimeti gamomsaxvelobis misaRwevad, xSirad erTmaneTsukavSirebdnen realobaSi sxvadasxva drois monakveTSida sxvadasxva sivrcis wertilSi arsebul moZraobasTu sagans. aseve warmoudgenelia literatura calkeulifrazebidan, scenebidan, epizodebidan erTi mTlianiskonstruirebis gareSe.aqedan bunebrivad gamomdinareobs daskvna, rommontaJi ar aris romelime konkretuli xelovnebisdargis Tviseba, aramed Cveni saazrovno procesebisganxorcielebis meTodia, romelic organuli aRmoCndakinematografis bunebisTvis da romliTac is sargeblobs,rogorc gamomsaxvelobiTi saSualebiT, Tavisi mxatvrulimiznebis gansaxorcieleblad.magram dRes aRarc imaze davoben, rom sworedkinematografma, Tavisi warmoebis wesidan gamomdinare,daamkvidra montaJi, rogorc mxatvruli Semoqmedebisgaazrebuli meTodi. da amasTan, swored montaJigaiazreboda kinematografiuli azrovnebis im specifikurxerxad,romelic kinos atraqcionidan xelovnebad aqcevda,aseve _ sruluflebian wevrad xelovnebis sxva dargebismxardamxar.108
Tumca, manamde iyo e. w. wina samontaJo periodi,roca kinoaparatSi CatvirTuli firi, mxolod erTorwuTianiscenis gadasaRebad iyo sakmarisi. es periodididxans ar gagrZelebula. sul mcire xanSi aseTi mkacriSezRudva kinematografisTvis miuRebeli aRmoCnda damisgan Tavis daRwevis gzis Ziebac daiwyo. ramdenimescenis erTmaneTTan dakavSireba, kinotriukebi, romlebsacxSirad kameris Sida montaJsac uwodeben, axlo xedebi,rogorc atraqcioni _ es yvelaferi montaJis pirveliCanasaxebi iyo.sawyis etapze montaJi gamoiyeneboda upiratesadrogorc meqanikuri gadabma,romelic masalas awesrigebdada advilad gasagebs xdida Txrobas,Tumca axals arafersmatebda mas. meqanikuri gagebiT montaJi aSorebs zedmetdros da sivrces. kritikosma teri ramseim (Ramsaye)amitomac uwoda mas kinos `sintaqsi~. 1amgvar montaJs uwyvetsac uwodeben, radganac misigamoyenebiT miiRweva ambis uwyveti, logikuri Txroba,Tumca sityva-sityviT es ar niSnavs istoriis yovelimomentis aRweras. es meTodi droTa ganmavlobaSiixveweboda da kinematografi TandaTan swavlobdadroisa da sivrcis gasagebad da amave dros kompaqturadwarmodgenas.uwyveti montaJi dResac filmis agebis sabazisomeTods warmoadgens,magram montaJi,rogorc SemoqmedebiTiprocesi iwyeba maSin, roca misi gamoyeneba badebs axalazrs, emocias da aseTi, Tanamedrove gagebiT montaJisfuZemdeblad devid uork grifiTi iTvleba.1908 wlisTvis, roca grifiTi kinoSi movida,kinematografistebs ukve aTvisebuli hqondaT uwyvetimontaJis ZiriTadi principebi (edvin porteris filmebi,smitisa da zogadad inglisuri kinos gamocdileba,meliesis `mTvareze mogzauroba~ da sxva). scenebis1Садуль Ж.. Всеобщая история кино. т.1.М., «Искусство», 1958, с.523109
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saqarTvelos SoTa rusTavelis Teatris
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Shota Rustaveli Theatre and Film Ge
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manana lekboraSvilimontaJi da redaq
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CONTENTSTHEATRE STUDIESGVANTSA GULI
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NINO TSITLANADZEGeorgian Theatre As
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Teatrmcodneoba11
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Teatrzec. revoluciuri kataklizmebis
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Tanamedrove qarTuli Teatris problem
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a) speqtaklis, performansis ganxorc
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ugulebelyofs da dros sivrciT urTier
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moCarCoebul sivrcesa Tu sibrtyeSi g
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cenografiuli kompoziciis sakiTxisaT
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aqtualuria, oRond dro ara marto aCq
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natalia diRmelaSvili,saqarTvelos So
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Tanamedrove midgomebis danergva cek
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stilisturi forma ki araa, sxva form
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mdgomareobs, rom is saSualebas mogv
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Mmsaxiobis ostatobis sxvadasxvameTo
Page 57 and 58: Tamar firosmanaSvili,saqarTvelos So
Page 59 and 60: qoreografia dramatul speqtaklSi da
Page 61 and 62: qoreografia dramatul speqtaklSi da
Page 63 and 64: da mimdinareobas ver mivakuTvnebT.
Page 65 and 66: avgust strindbergis`intimuri Teatri
Page 67 and 68: koleqtiuri kiTxva da personaJebis a
Page 69 and 70: avgust strindbergis`intimuri Teatri
Page 71 and 72: (idealur SemTxvevaSi _ guli plus go
Page 73 and 74: pirovnebis mniSvneloba samsaxiobo x
Page 75: kinomcodneoba75
Page 78 and 79: Tamar barTaiaamis gamo uars nu ityv
Page 80 and 81: Tamar barTaiasadac orjer ori aucile
Page 82 and 83: Tamar barTaiargoli unda iyos. maSin
Page 84 and 85: Tamar barTaiagaumarTlebeli iqneba a
Page 86 and 87: maka doliZefaSizmi~ 1 warmoadgens a
Page 88 and 89: maka doliZeeniWeboda. 1939 wlidan g
Page 90 and 91: maka doliZefilmebic, magaliTad, reJ
Page 92 and 93: maka doliZevaJis cudi zegavlenisaga
Page 94 and 95: maka doliZeda misi adgili SeevsoT f
Page 96 and 97: 96nikoloz kereseliZe,saqarTvelos So
Page 98 and 99: nikoloz kereseliZesaCvenebeli da Su
Page 100 and 101: nikoloz kereseliZerogorc `Teatris p
Page 102 and 103: nikoloz kereseliZeteleviziaSic, Toj
Page 104 and 105: nikoloz kereseliZesanaxaobiTi xelov
Page 106 and 107: nikoloz kereseliZevaldebulebebs am
Page 110 and 111: manana lekboraSviligadabma xdeboda
Page 112 and 113: manana lekboraSviliklasikuri montaJ
Page 114 and 115: manana lekboraSviliikiTxeboda. amgv
Page 116 and 117: manana lekboraSvilimusikalur klipeb
Page 118 and 119: manana lekboraSvilifilmebSi adrinde
Page 120 and 121: 120mzia manjaviZe,saqarTvelos SoTa
Page 122 and 123: mzia manjaviZesubstancia Seaqvs fil
Page 124 and 125: mzia manjaviZefaseulobaze. filmSi a
Page 126 and 127: mzia manjaviZebedis ZebnaSi, xolo m
Page 128 and 129: naTia mefariSvili,saqarTvelos SoTa
Page 130 and 131: naTia mefariSviliisini axdendnen am
Page 132 and 133: naTia mefariSvilipenis filmi amerik
Page 134 and 135: naTia mefariSvilistandartebi, roca
Page 136 and 137: naTia mefariSvilisistemas, miznobri
Page 138 and 139: naTia mefariSviligamoyenebuli liter
Page 140 and 141: giorgi uRreliZ(1910) pirvelad gamoi
Page 142 and 143: giorgi uRreliZekranze xedavda ambav
Page 144 and 145: giorgi uRreliZmontaJi SeiZleba real
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Page 150 and 151: nino dondolaZemas analogi ar moeZeb
Page 152 and 153: nino dondolaZesanaxaobisamebr, saqa
Page 154 and 155: nino dondolaZeam dros gaaSiSvlebdne
Page 156 and 157: nino dondolaZemama avTandil giorgob
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nino dondolaZetardeboda, rasac XIX
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nino dondolaZe`bekikeebi~ #6`gvergv
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Tamar sarCimeliZeriTmi xelovnebaSir
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Tamar sarCimeliZeSinaarsobrivi dina
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Tamar sarCimeliZeriTmulobidan gamom
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Tamar sarCimeliZeganvixiloT ufro de
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Tamar sarCimeliZegaremo da formac w
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Tamar sarCimeliZesur. 7 lakazisur.
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174qeTevan oCxikiZe,saqarTvelos SoT
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qeTevan oCxikiZeZiriTadad, `jojoxeT
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qeTevan oCxikiZedavadginoT maT Sori
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qeTevan oCxikiZexarisxis gamo, amis
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qeTevan oCxikiZeTiToeuli maTgani ga
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qeTevan oCxikiZeredaqciiT aris moce
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qeTevan oCxikiZegamoyenebuli litera
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Sorena fxakaZe2009-dan dRemde - ton
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Sorena fxakaZeaxal Strixad iqca mxa
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Sorena fxakaZexelovnebis axal etapz
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avTandil CaCava,saqarTvelos SoTa ru
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avTandil CaCavaimereTSi niRabs `kva
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avTandil CaCavaxaris rqebs imagrebd
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avTandil CaCavapatarZals ganasaxier
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avTandil CaCavaerTmaneTs maTi mzera
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vladimer (lado) tatiSvilime rwyu li
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vladimer (lado) tatiSviliwyo bi le
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vladimer (lado) tatiSviliwons, mo i
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vladimer (lado) tatiSvilireklamas S
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mzia zautaSvilistiliT Semoifargleba
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mzia zautaSviliratom TiToeuli saleq
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mzia zautaSvilimeSveobiT daganaxebT
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mzia zautaSviliteleJurnalistika, mx
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222
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malxaz Rvinjiliaar iTxovs, radgan a
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malxaz Rvinjiliaavadmyofobis gamo,v
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malxaz RvinjiliadazRvevis saerTaSor
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magda cocxalaSvili,saqarTvelos SoTa
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magda cocxalaSvilidakavSirebuli Rir
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magda cocxalaSvilikulturuli fena, u
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magda cocxalaSvili`literaturuli saq
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magda cocxalaSviliuzrunvelyofa da o
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nino wiTlanaZe,saqarTvelos SoTa rus
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nino wiTlanaZedaTvlasa da Sejamebas
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nino wiTlanaZeefeqturi amuSaveba);_
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nino wiTlanaZeiseTi Tanamedrove teq
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Nino Gunia-Kuznetsova,Shota Rustave
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the plastic characteristics of the
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the victory or labor. So, in antiqu
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is the title and not only the profe
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he shows us that fascism is an eter
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participates in scenic creativity,
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Together with music special sound e
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uilding. When we put the bricks cor
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In village, Putieti, the weekly rit
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integrity is the rhythm.Rhythm (Gre
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The academy has two centres. The fi
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MEDIA STUDIESMzia Zautashvili,Shota
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called musical therapy - . In the
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Magda Tsotskhalashvili,Shota Rustav
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of target audience.The theme also i
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