saxelovnebo mecnierebaTa Ziebani #4 (53), 2012 ART SCIENCE ...

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krebulSi ibeWdeba saqarTvelos SoTarusTavelis Teatrisa da kinos saxelmwifouniversitetis <strong>2012</strong> wlis samecniero konferenciisTavisufali seqciis masalebiThe materials of scientific conference of the freesection <strong>2012</strong> of Shota Rustaveli Theatre and FilmState University are published in the collection10
Teatrmcodneoba11
Page 1 and 2: saqarTvelos SoTa rusTavelis Teatris
Page 3 and 4: Shota Rustaveli Theatre and Film Ge
Page 5 and 6: manana lekboraSvilimontaJi da redaq
Page 7 and 8: CONTENTSTHEATRE STUDIESGVANTSA GULI
Page 9: NINO TSITLANADZEGeorgian Theatre As
Page 13 and 14: Teatrzec. revoluciuri kataklizmebis
Page 15 and 16: Tanamedrove qarTuli Teatris problem
Page 23 and 24: a) speqtaklis, performansis ganxorc
Page 25 and 26: ugulebelyofs da dros sivrciT urTier
Page 27 and 28: moCarCoebul sivrcesa Tu sibrtyeSi g
Page 29 and 30: cenografiuli kompoziciis sakiTxisaT
Page 33 and 34: aqtualuria, oRond dro ara marto aCq
Page 39 and 40: natalia diRmelaSvili,saqarTvelos So
Page 41 and 42: Tanamedrove midgomebis danergva cek
Page 51 and 52: stilisturi forma ki araa, sxva form
Page 53 and 54: mdgomareobs, rom is saSualebas mogv
Page 55 and 56: Mmsaxiobis ostatobis sxvadasxvameTo
Page 57 and 58: Tamar firosmanaSvili,saqarTvelos So
Page 59 and 60: qoreografia dramatul speqtaklSi da
Page 61 and 62:
qoreografia dramatul speqtaklSi da
Page 63 and 64:
da mimdinareobas ver mivakuTvnebT.
Page 65 and 66:
avgust strindbergis`intimuri Teatri
Page 67 and 68:
koleqtiuri kiTxva da personaJebis a
Page 69 and 70:
avgust strindbergis`intimuri Teatri
Page 71 and 72:
(idealur SemTxvevaSi _ guli plus go
Page 73 and 74:
pirovnebis mniSvneloba samsaxiobo x
Page 75:
kinomcodneoba75
Page 78 and 79:
Tamar barTaiaamis gamo uars nu ityv
Page 80 and 81:
Tamar barTaiasadac orjer ori aucile
Page 82 and 83:
Tamar barTaiargoli unda iyos. maSin
Page 84 and 85:
Tamar barTaiagaumarTlebeli iqneba a
Page 86 and 87:
maka doliZefaSizmi~ 1 warmoadgens a
Page 88 and 89:
maka doliZeeniWeboda. 1939 wlidan g
Page 90 and 91:
maka doliZefilmebic, magaliTad, reJ
Page 92 and 93:
maka doliZevaJis cudi zegavlenisaga
Page 94 and 95:
maka doliZeda misi adgili SeevsoT f
Page 96 and 97:
96nikoloz kereseliZe,saqarTvelos So
Page 98 and 99:
nikoloz kereseliZesaCvenebeli da Su
Page 100 and 101:
nikoloz kereseliZerogorc `Teatris p
Page 102 and 103:
nikoloz kereseliZeteleviziaSic, Toj
Page 104 and 105:
nikoloz kereseliZesanaxaobiTi xelov
Page 106 and 107:
nikoloz kereseliZevaldebulebebs am
Page 108 and 109:
manana lekboraSvili,saqarTvelos SoT
Page 110 and 111:
manana lekboraSviligadabma xdeboda
Page 112 and 113:
manana lekboraSviliklasikuri montaJ
Page 114 and 115:
manana lekboraSviliikiTxeboda. amgv
Page 116 and 117:
manana lekboraSvilimusikalur klipeb
Page 118 and 119:
manana lekboraSvilifilmebSi adrinde
Page 120 and 121:
120mzia manjaviZe,saqarTvelos SoTa
Page 122 and 123:
mzia manjaviZesubstancia Seaqvs fil
Page 124 and 125:
mzia manjaviZefaseulobaze. filmSi a
Page 126 and 127:
mzia manjaviZebedis ZebnaSi, xolo m
Page 128 and 129:
naTia mefariSvili,saqarTvelos SoTa
Page 130 and 131:
naTia mefariSviliisini axdendnen am
Page 132 and 133:
naTia mefariSvilipenis filmi amerik
Page 134 and 135:
naTia mefariSvilistandartebi, roca
Page 136 and 137:
naTia mefariSvilisistemas, miznobri
Page 138 and 139:
naTia mefariSviligamoyenebuli liter
Page 140 and 141:
giorgi uRreliZ(1910) pirvelad gamoi
Page 142 and 143:
giorgi uRreliZekranze xedavda ambav
Page 144 and 145:
giorgi uRreliZmontaJi SeiZleba real
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146
Page 148 and 149:
148
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nino dondolaZemas analogi ar moeZeb
Page 152 and 153:
nino dondolaZesanaxaobisamebr, saqa
Page 154 and 155:
nino dondolaZeam dros gaaSiSvlebdne
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nino dondolaZemama avTandil giorgob
Page 158 and 159:
nino dondolaZetardeboda, rasac XIX
Page 160 and 161:
nino dondolaZe`bekikeebi~ #6`gvergv
Page 162 and 163:
Tamar sarCimeliZeriTmi xelovnebaSir
Page 164 and 165:
Tamar sarCimeliZeSinaarsobrivi dina
Page 166 and 167:
Tamar sarCimeliZeriTmulobidan gamom
Page 168 and 169:
Tamar sarCimeliZeganvixiloT ufro de
Page 170 and 171:
Tamar sarCimeliZegaremo da formac w
Page 172 and 173:
Tamar sarCimeliZesur. 7 lakazisur.
Page 174 and 175:
174qeTevan oCxikiZe,saqarTvelos SoT
Page 176 and 177:
qeTevan oCxikiZeZiriTadad, `jojoxeT
Page 178 and 179:
qeTevan oCxikiZedavadginoT maT Sori
Page 180 and 181:
qeTevan oCxikiZexarisxis gamo, amis
Page 182 and 183:
qeTevan oCxikiZeTiToeuli maTgani ga
Page 184 and 185:
qeTevan oCxikiZeredaqciiT aris moce
Page 186 and 187:
qeTevan oCxikiZegamoyenebuli litera
Page 188 and 189:
Sorena fxakaZe2009-dan dRemde - ton
Page 190 and 191:
Sorena fxakaZeaxal Strixad iqca mxa
Page 192 and 193:
Sorena fxakaZexelovnebis axal etapz
Page 194 and 195:
avTandil CaCava,saqarTvelos SoTa ru
Page 196 and 197:
avTandil CaCavaimereTSi niRabs `kva
Page 198 and 199:
avTandil CaCavaxaris rqebs imagrebd
Page 200 and 201:
avTandil CaCavapatarZals ganasaxier
Page 202 and 203:
avTandil CaCavaerTmaneTs maTi mzera
Page 204 and 205:
204
Page 206 and 207:
vladimer (lado) tatiSvilime rwyu li
Page 208 and 209:
vladimer (lado) tatiSviliwyo bi le
Page 210 and 211:
vladimer (lado) tatiSviliwons, mo i
Page 212 and 213:
vladimer (lado) tatiSvilireklamas S
Page 214 and 215:
mzia zautaSvilistiliT Semoifargleba
Page 216 and 217:
mzia zautaSviliratom TiToeuli saleq
Page 218 and 219:
mzia zautaSvilimeSveobiT daganaxebT
Page 220 and 221:
mzia zautaSviliteleJurnalistika, mx
Page 222 and 223:
222
Page 224 and 225:
malxaz Rvinjiliaar iTxovs, radgan a
Page 226 and 227:
malxaz Rvinjiliaavadmyofobis gamo,v
Page 228 and 229:
malxaz RvinjiliadazRvevis saerTaSor
Page 230 and 231:
magda cocxalaSvili,saqarTvelos SoTa
Page 232 and 233:
magda cocxalaSvilidakavSirebuli Rir
Page 234 and 235:
magda cocxalaSvilikulturuli fena, u
Page 236 and 237:
magda cocxalaSvili`literaturuli saq
Page 238 and 239:
magda cocxalaSviliuzrunvelyofa da o
Page 240 and 241:
nino wiTlanaZe,saqarTvelos SoTa rus
Page 242 and 243:
nino wiTlanaZedaTvlasa da Sejamebas
Page 244 and 245:
nino wiTlanaZeefeqturi amuSaveba);_
Page 246 and 247:
nino wiTlanaZeiseTi Tanamedrove teq
Page 248 and 249:
Nino Gunia-Kuznetsova,Shota Rustave
Page 250 and 251:
the plastic characteristics of the
Page 252 and 253:
the victory or labor. So, in antiqu
Page 254 and 255:
is the title and not only the profe
Page 256 and 257:
he shows us that fascism is an eter
Page 258 and 259:
participates in scenic creativity,
Page 260 and 261:
Together with music special sound e
Page 262 and 263:
uilding. When we put the bricks cor
Page 264 and 265:
In village, Putieti, the weekly rit
Page 266 and 267:
integrity is the rhythm.Rhythm (Gre
Page 268 and 269:
The academy has two centres. The fi
Page 270 and 271:
MEDIA STUDIESMzia Zautashvili,Shota
Page 272 and 273:
called musical therapy - . In the
Page 274 and 275:
Magda Tsotskhalashvili,Shota Rustav
Page 276 and 277:
of target audience.The theme also i
Page 278 and 279:
278
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280
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saxelovnebo mecnierebaTa Ziebani #4 (53), 2012 ART SCIENCE ...

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