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Luciano Berio - Universal Edition

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52<br />

Surabaya Johnny 1972<br />

from ‘Happy End’ by Kurt Weill (1929)<br />

arranged for mezzo-soprano and ensemble (1 st version) — 5’<br />

text: Bertolt Brecht; Dorothy Lane, language: German<br />

fl, cl, tpt, perc, guit, vln, vla, vc, cb<br />

première: 1967, Venice. Cathy Berberian<br />

score and parts on hire<br />

Surabaya Johnny 1972/1993<br />

from ‘Happy End’ by Kurt Weill (1929)<br />

arranged for alto and ensemble (transposed) — 5’<br />

text: Bertolt Brecht; Dorothy Lane, language: German<br />

fl, cl, tpt, perc, guit, vln, vla, vc, cb<br />

score and parts on hire<br />

Tempi concertati 1958-1959<br />

for flute, violin, 2 pianos and other instruments — 16’<br />

1 2 3 1 - 1 1 1 0 - perc(4), hp(2), pno(2), vln(1), vla(2), vc(2), cb(1)<br />

première: 04/03/1960, Hamburg. Alfons und Aloys Kontarsky, Severino Gazzelloni,<br />

Hansheinz Schneeberger, NDR-Orchester, Ernest Bour<br />

score and parts on hire<br />

for sale: UE13205 • score<br />

Terre chaleureuse 1985<br />

(Fragment) for wind quintet — 3’<br />

fl, ob, cl, bsn, hn<br />

for sale:<br />

UE18280 • score (special order)<br />

UE18281 • set of parts (special order)<br />

The Modification and Instrumentation of a Famous Hornpipe as a Merry<br />

and Altogether Sincere Homage to Uncle Alfred<br />

see Modification and Instrumentation of …<br />

Thema (Omaggio a Joyce) 1958<br />

electro-acoustic elaboration of Cathy Berberian’s voice on tape — 7’<br />

première: 1958, Napoli<br />

Edizioni Suvini Zerboni<br />

There is no tune 1994<br />

for choir a cappella — 2’<br />

text: Talia Pecker <strong>Berio</strong><br />

catalogue of works

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