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and “Dino Crisis” before becoming a full-fledged producer in 1999. As a producer, he has managed various<br />
series inclu<strong>di</strong>ng “Dev<strong>il</strong> May Cry,” “Dino Crisis,” “<strong>Resident</strong> Ev<strong>il</strong>” and “Sengoku BASARA.” He also<br />
participated in the <strong>Resident</strong> Ev<strong>il</strong> f<strong>il</strong>m adaptations and the animated f<strong>il</strong>m “Dev<strong>il</strong> May Cry” for television.<br />
MARTIN MOSZKOWICZ (Executive Producer) is a Constantin F<strong>il</strong>m board member responsible<br />
for f<strong>il</strong>m and television. Moszkowicz stu<strong>di</strong>ed at Ludwig Maxim<strong>il</strong>ians Univers<strong>it</strong>y in Munich unt<strong>il</strong> 1980. He<br />
then worked as production manager, line producer and producer for numerous productions worldwide.<br />
Beginning in 1985, he was a producer and managing <strong>di</strong>rector at M & P F<strong>il</strong>m GmbH, Munich. He joined<br />
Constantin F<strong>il</strong>m Produktion GmbH first as a producer in 1991 and served as a managing <strong>di</strong>rector from 1996<br />
unt<strong>il</strong> the company's IPO in 1999.<br />
Moszkowicz has been a member of the executive board of Constantin F<strong>il</strong>m since 1999. His<br />
responsib<strong>il</strong><strong>it</strong>ies include worldwide theatrical and television production and <strong>di</strong>stribution/marketing,<br />
international sales and <strong>di</strong>stribution. He has been involved as a producer in over 80 movies and numerous<br />
television productions.<br />
As producer, executive producer, co-producer or managing <strong>di</strong>rector of the production company,<br />
Moszkowicz has over 100 feature f<strong>il</strong>m cre<strong>di</strong>ts to his name. They include Uli Edel’s The Baader Meinhof<br />
Complex, Caroline Link’s A Year Ago in Winter, The Wave, Why Men Don't Listen, Women Can't Read<br />
Maps, Herr Bello, Schwere Jungs, Perfume: The Story of a Murderer, Hui Buh-Das Schlossgespenst, Harte<br />
Jungs, Nowhere in Africa, Der Gross Bagarozy, Wrongfully Accused, Opernball, Sm<strong>il</strong>la’s Sense of Snow,<br />
The House of the Spir<strong>it</strong>s and Salt on Our Skin.<br />
VICTOR HADIDA (Executive Producer) manages Metropol<strong>it</strong>an F<strong>il</strong>mExport in Paris w<strong>it</strong>h his<br />
brother Samuel. Ha<strong>di</strong>da has worked at Metropol<strong>it</strong>an for 30 years since completing his master’s degree in<br />
business and international affairs. Ha<strong>di</strong>da is now President of Metropol<strong>it</strong>an, which the European Au<strong>di</strong>ovisual<br />
Observatory identified in 2007 as the most prominent independent European f<strong>il</strong>m company.<br />
Since 2007, Ha<strong>di</strong>da has served as President of the International Federation of F<strong>il</strong>m Distributors,<br />
which represents 275 active companies in 12 countries. He has also been President of the National<br />
Federation of F<strong>il</strong>m Distributors, representing more than 70 French companies, since 2006. Ha<strong>di</strong>da was also<br />
President of the Liaison Office of Cinematographical Industries (BLIC) in France for 2009. Through these<br />
activ<strong>it</strong>ies, he has become a lea<strong>di</strong>ng spokesman for f<strong>il</strong>m <strong>di</strong>stribution in France and the European Union, and<br />
for the worldwide f<strong>il</strong>m industry.<br />
Ha<strong>di</strong>da is very active in <strong>di</strong>scovering new talent and the restoration and <strong>di</strong>stribution of early f<strong>il</strong>ms by<br />
many leaders of Asian cinema. His career reflects the prestigious and audacious t<strong>it</strong>les that have contributed<br />
to Metropol<strong>it</strong>an’s international renown, as well as a w<strong>il</strong>lingness to support a wide spectrum of <strong>di</strong>recting<br />
talent in world cinema. Examples include f<strong>il</strong>ms from Asian <strong>di</strong>rectors such as John Woo and Park Chan<br />
Wook, works from first-time <strong>di</strong>rectors such as Vincenzo Natali’s Cube, American independents like Patty<br />
Jenkins’ Monster, <strong>di</strong>stinguished f<strong>il</strong>ms such as Paul Haggis’ Crash and David Cronenberg’s A History of<br />
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