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HOWARD MAYER BROWN MICROFILM COLLECTION GUIDE<br />

Page individual reels from general <strong>collection</strong>s using the call number:<br />

Howard Mayer Brown <strong>microfilm</strong> # ___<br />

Scope and Content<br />

Howard Mayer Brown (1930 1993), leading medieval and renaissance musicologist,<br />

most recently ofthe University ofChicago, directed considerable resources to the<br />

<strong>microfilm</strong>ing ofearly music sources. This <strong>collection</strong> ofmanuscripts and printed works in<br />

1700 <strong>microfilm</strong>s covers the thirteenth through nineteenth centuries, with the bulk treating<br />

the Medieval, Renaissance, and early Baroque period (before 1700). It includes medieval<br />

chants, renaissance lute tablature, Venetian madrigals, medieval French chansons, French<br />

Renaissance songs, sixteenth to seventeenth century Italian madrigals, eighteenth century<br />

opera libretti, copies ofopera manuscripts, fifteenth century missals, books ofhours,<br />

graduals, and selected theatrical works.<br />

I<br />

Organization<br />

The <strong>collection</strong> is organized according to the <strong>microfilm</strong> listing Brown compiled, and is not<br />

formally cataloged. Entries vary in detail; some include RISM numbers which can be<br />

used to find a complete description ofthe work, other works are identified only by the<br />

library and shelf mark, and still others will require going to the <strong>microfilm</strong> reel for proper<br />

identification. There are a few <strong>microfilm</strong> reel numbers which are not included in this<br />

listing.<br />

Brown's <strong>microfilm</strong> <strong>collection</strong> <strong>guide</strong> can be divided roughly into the following categories<br />

CONTENT<br />

MICROFILM #<br />

GUIDE<br />

Works by RISM number<br />

Reels 1- 281 pp. 1 - 38<br />

Copies ofmanuscripts arranged<br />

alphabetically by institution <br />

Reels 282-455<br />

pp. 39 - 49 <br />

I Copies of manuscript <strong>collection</strong>s and Reels 456 - 1103 pp. 49 - 84<br />

. miscellaneous compositions<br />

I Operas alphabetical by composer Reels 11 03 - 1126 pp. 85 - 154<br />

I<br />

IAnonymous Operas<br />

I<br />

i Reels 1126a - 1126b<br />

pp.155-158<br />

I


I Libretti by institution<br />

I<br />

More Italian libretti and masses, copies<br />

of 15 th C. missals, chant manuscripts,<br />

books of hours, graduals, and misc.<br />

works<br />

Reels 1127 - 1259 pp. 159 -168<br />

Reels 1260 - 1700 pp. 168 - 201<br />

This is the extensive checklist which Howard Mayer Brown kept for his extensive<br />

<strong>collection</strong> of<strong>microfilm</strong>. The <strong>Newberry</strong> <strong>Library</strong> has kept his numbering system and<br />

maintains the <strong>collection</strong> iunong its other microfiJms. Although at first somewhat<br />

daunting, we think that specialists will find this list easy.to use and we put it among our<br />

reference works here so that there can be access to the films themselves until some future<br />

time when they may be otherwise cataloged.<br />

,<br />

Mary Wyly . ,<br />

Associate Librarian<br />

June 1995


• i::~,<br />

•<br />

• <br />

1. RISlf 1537-10,<br />

2. RISM 1535-8,<br />

3. RISM 1521-3.<br />

4. RISM 1584-14.<br />

S. RISM 1.569-29.<br />

6. RISM 1539-1,<br />

7• RISM 15.39-14,<br />

8• RIS!1 1538-12, ,<br />

RISM 1538-13.<br />

RISl1: 1539-17.<br />

9. RISH 1,541-2,<br />

RISM 1,542-8.<br />

1b. RISM 1585-)4..<br />

ll. RIS!..t 1.567-14,<br />

n secondo libra de dr.iga.l1 d1 Verdelotto 1ns:1eme <br />

.cona1mmi a1 . ssim1 madriga.l:1 d1 Adriano, <br />

et d1 Cons 0 Festa••••Venezia. O. Scotto, 1537 <br />

n primo libra de~canscm1. .t1'&bZese•••per A.zidrea <br />

Antigo inta~•••Veneda. o. Scotto, 1535 <br />

Hotetti libra ~vene~. ~. ~c~, 152l.<br />

'DLbulatura nova aont2nems . atLsa:bas quasque<br />

cantiones ut aunt<br />

.' mtatae, paci"lJllae<br />

et v.Uanellae, te .sic aptata., ut qu1l1bet<br />

singulas dup1:1ai Iudere at ecmcdDt:re possit 4alIl<br />

recens edita Gregor.Um 1'.I."eDg8l•••~ "<br />

Frsnk.tort, a •• Q!8ra "A Blchom, l~<br />

,.~~;0 ": ~",' '-1':l'" .", •<br />

m. Don Fmncesco . zam. a'brliZ._,· 11 pr.1.mo <br />

libra delle ca' Cm1. ana. rapo1.1ta:aa,a tre . <br />

wei. con<br />

a qua:ttra.;'.VemHda.:G. Scotto. <br />

1569 .>. ··7j~l,'~..~i:':;~r~ITJ~!~;;{;\~ ,I,';


•<br />

12.<br />

fI'<br />

•<br />

RISM 1585-28:<br />

Gli. encomti musica.li del'Moro a quattre et a cinque<br />

voc1, •••Venezia 1 G. Vincenzi e R. Amadino<br />

13. RISM1572-9. Di Hippol:ito Baccus:!. da Mantova mestre della<br />

musica dell'illustrissimi signori di spi,., mhergo,<br />

.II secondo' l:.i.bra dei mad.r:1gali a c1:Dque voce. Con<br />

una ca.nzone nella gmn v:l.ttor.ia contra. 1 TUrchi••<br />

Venezia.G. Scotto<br />

14. RISI1 1551-1;, Di Br.ldissera Ibnato 11 primo l1bro di canzon .<br />

villanesche alla napal:l:t:a!l& a. quatro voal 1nsiema<br />

con alCUDi madrigalj. ncBiI.msnte l"!tstampate.<br />

Agg1ontovi cuchora aJ.cnme v.lllote- di Perissone a .<br />

quatre . . con-la canzon della Ga.111na.. VeneziaI G.Scotto<br />

. ~ . ,<br />

15. RISM 1551-17. Gen:im.e undav.1g1:nt!. Qial'Wll Hore.t1:1 mal octiAa, quatour<br />

vac1bus .probS ador.nataa·, CWIl selectisadad. carminum,<br />

pattim. sacrorum, pa.rtt,.m. proplwlOl'Wll, cancentibual<br />

additis c1rca fin.. a]"s item aarrt1cm1bwr, _tutines,<br />

meridiarr1s, at sal"Oti:a1s. .paedagogiis rec~<br />

institutis, "ac schoJis q1l1bisl.1bet pro axercanda<br />

1uventute litararia accoiDadatissimia.· Frankfort.<br />

G. EgenolpJ:&. ,. .<br />

: ." ~ ;<br />

16. RISM 1551-181 Het ierste mnsyclc ~n ~t Viar;~~n<br />

daer 1 inne Begrepen zya,.:x:rii1. Dieuue amorause<br />

l1edekens in anser nedar:' cf:qtscher ta1an, Gecomponeert<br />

by' diverscha compcmistan, seer<br />

1ust1.ch om singeb en speieD op ana IllllSicale .<br />

Instrumenten....Antwarpen•.. !. SUsato ... ­<br />

(See let 153 for soprano part ~.) ."<br />

~~~...... ::,~:...' ~'4~..;,~:::~.. .... ~ .:.:i .~:"'''':'<br />

RISl1 1551-191 Het tvueetste musick boe:x:lam ad..tvier party&n<br />

daer inne Begrepen zya...x:x:v:ti Dieue alllOreuse•••••<br />

(same as above) '. . .<br />

17, RISI-11;44-211 News deudsche geistlicba Geseng& exll II. ·H!.t<br />

vier unci funf'£ Stimmen, :fUr die gemeinen ScWen,<br />

mit sonder l:.i.chem Vl.eis &US vielen erlesen,<br />

der zuvor keins 1m llr'ick ausgangen. Wittenberg:<br />

. G. Rhaw •<br />

. .<br />

18. RISM 1;44-20. Hundert und £u.nf£zehen guter newer LiedleiJ). mit<br />

vier, fun:££, sachs S~ III!IfQ'I vor Die 1m Tra.ck<br />

auzgangen, deutsch, £rantzosisch, welsch u:nd<br />

lateir.dsch, lnstig zu singan, und aut:£ die Instrument<br />

dienstlich von den behrumtesten diser Kunst .<br />

gemacht•••!l!1rnberg: J: ott<br />


• 19.<br />

RIS111577-8,<br />

Aeri raco1ti insieme con a1tri bellissimi<br />

aggionti eli divern dove s1 cantano sonetti<br />

!Stanza et terze :rime", "nuovamente ristampate<br />

(3-4). Napoli, G. Cacchio dell' Aquila<br />

20. RIS1-! 1574-4. n quatro libro delle. muse a cinque voci COMpOsto<br />

diversi eccellentissimi musiai. insieme dui mad•.<br />

~.. sei, nova mente stamps. t1 et dat1 in 1uce, intitalat1<br />

benigni spirti. Venezia I figl•. di A. Gardano<br />

21. ·RISM 1566-27: Musica libro primo- a tre voci,· IlL Adrian Wigll.ar,<br />

Cipriano de Rare, Arcbade1t. lban Gero a "et a1tri<br />

madrigal1 a tre voc1. de diversi auttore, coretti,<br />

& eli novo stamps. ti. Veneziaa G. Scotto<br />

22. RISM 1550-21. •••qua chorus musicus bene precatur optimo<br />

sponso ornamentis ingenij et virto:t1.s claro<br />

Christophoro Hagio c1arissimi v:1ri. Consilio, • ~ ~<br />

D. Christopheri Hagij f'1110, et castissimaeeius<br />

sponsae. Barl::arae Goeblin wirtzburgensi. numeris<br />

•, 23. RrSH 1.54-6-23.<br />

barmonicisreddita•••Ntlrnberg, J. von Berg &<br />

U.Neuber .<br />

Intabulatura eli lautto libro sesto di diversi<br />

motetti aquattro voce, intabt:tlati et accomodati<br />

per sonara sopra 11· laut:to da1 reverendo Messer pre<br />

l·1'erchiore de Bareerijs da Padavasonatore .<br />

eccellentissimo di lautto da lui proprio nuovamente<br />

a utilita di virtuosi posta in 1uce.<br />

Agiontovi 11 nuovo modo di accordare 11 lautto<br />

posta in f'ine. Venezia<br />

24. RIS111570-24c Di Madalena Casulana 11 secondo libro de<br />

madrigal1 a quattro voci, nova mente posti in·<br />

1uce. Venezia. G. Scotto<br />

25. RISM 1572-8 a i Di .Hipolito· Baccusi da l-Jantova maestro della .mu.s1!:a ..<br />

de111 111ustri· signori di Spilimbergo. Il:<br />

. secondo libro de madrigalia sei.voc1•. Con<br />

una conazone nella gran vittoria contra i Turchi.<br />

Nuavamente post11n 1uce. (Basso only)<br />

Venezia. G. Scotto<br />

See RISM 1572-8 (KCL .56)<br />

•<br />

26.<br />

RISH 1567-17: n terza libra delle villotte alla napo1etana<br />

de diversi con due Moresche novamente<br />

stampate. A tre voc1. Venezia: A Gardano


t <br />

•<br />

27.<br />

28.<br />

RISM 1551-3:<br />

RISM 1560-20.<br />

4. <br />

Motetta trium vocum a b pluribus authoribus <br />

composita quorum nomina· sunt. Jachetus galicus• <br />

Morales hispanus. Constantius Festa. Adrianus <br />

Wilgliardus. Venezia. A. Gardane <br />

nl Francesco Portinaro. I1 quarto libro de <br />

madrigali a. cin:::tue voe! con dui madrigali a. <br />

sei dui dialogh1 a sette et dui a otto nova mente <br />

da lui composti et dati in luce. Libro quarto. <br />

Venezia.A. Gardane <br />

29.<br />

RISM 1589-16.<br />

Di Hippolito Sabino 11 settimo llbro de <br />

madrigali a cinque, ·&a sei voci al L'1ll.ustr.:it­<br />

sima et eccellentissimo'Principe- di MUretta. <br />

NoVamente composte, & date in 1uce ~ <br />

Venezia. G. Vincenti <br />

30.<br />

RISM 1569-31<br />

Motecta trlum vocum ab pluribus authoribus <br />

composita Quorum nomina sunt lachetus gallicus <br />

Morales hispanus Constantius Festa Adrianus <br />

Wigliardus• . Venezia. A. Gardano . . <br />

31.<br />

•<br />

32.<br />

33.<br />

34.<br />

RISM 1538-71<br />

RISM 1,520-1.<br />

RISM 1520-2:<br />

RISM 1571-51<br />

RISl-f 1571-6:<br />

RISM 1571-71<br />

RISM 1541-1.<br />

J.1odulationes aliquot quato~ voaum se1ectissi.ma.e,<br />

quas vulgo modetas vocant, apraestantiss•<br />

. musicis campositae, 18m prium typis .excusae...<br />

Nurnberg. J. Petreius<br />

Motetti novi libro 'secondo (4 v.) VeneziaI<br />

A. An:t.ico<br />

Motetti novi libro tertia (4-5 v. Venezia. <br />

A.. Antico<br />

. <br />

Il primo libro delle villotte alla napo1etana:<br />

. de diversi eccellentiss. Autori, novamente<br />

ristampato. A tre voc1. Venezia. figliuoli<br />

di A. Gardano<br />

Il secondo libro•••• (above)<br />

Il quarto libro. it ••• (above)<br />

Opus decem missarum qua tour vocum'in gratiam <br />

scholarum a tque adeo omnium musices studiosorum, <br />

collectum a Georgio Rhavvo musico & typographo <br />

vuitembergensi.. Wittenberg: G. Rhaw <br />


5 • <br />

••<br />

35.<br />

RISM 1585-30:<br />

Il primo libro de madrigali a cirque voci<br />

di Gio. Ihttista 1\:1ce', et Giovan donato<br />

Vopa,. discepoli di Stefano Felis da -Bg.ri.<br />

nova mente composti. & dati in luce.<br />

Venezia. A. Gardano<br />

36.<br />

RISM 1538-201<br />

Di Verdelot _le dotte et eccellente<br />

compositioni de i madrigali a cirque vocir<br />

insieme con altri nadrigali di Varij autori<br />

nova mente ristampati, & ricorretti.<br />

Venezia. A. Gard.{lne<br />

37.<br />

RISM c.l.515-3. <br />

(36 ~der) . Mlinz. P. Schotfer<br />

•<br />

40.<br />

38.<br />

RISM 15.51-21. <br />

RISN 1540-6"<br />

.. <br />

RISM 1559-16, <br />

Intabolatura nova di varie sorte de balli<br />

da somare per arpicho.rdi, claviciembali,<br />

spinette,. et .mana.chordi,-raccolti da diversi'<br />

eccelJ.entissimi autori, novamente data in<br />

luce, et. per Antonio Gardane con ogni<br />

diligent1a stampa'ta. Libra primo.<br />

Venezia. A. Gardane<br />

Selectissimarurn mutetarurn partim quinque <br />

partim .quatour vocum tomus primus. D • <br />

qEtorgio Forstero selectore. Nurnberg: .. <br />

J. Petreius<br />

Il secondo libro de le l111se a cirque voei<br />

composto da diversi eccellentissimi musici<br />

con uno madregale a sei di Giovan Nasco, et<br />

con dui dialoghi a otto, novamente stampato·<br />

& dato in1uce.. Venezia. Garda.no, A.<br />

41.<br />

RISM 1570-22.<br />

Di Archadelt 11 primo libro de madrigali a<br />

quattro voci. Di nuovo ristampato, et con<br />

ogni diligentia corretto. Venezia: G. Scotto<br />

42.<br />

RISM 15.51-2.<br />

Nicolai Gomberti musici imperatorii motectorum<br />

nuperr:tme maxima diligentia in lucem aeditorurn.<br />

Liber primus quatour vocum. Vepezia. A.<br />

Gardano<br />

• <br />

43.<br />

RISM 1588-311<br />

Canzon di diversi per sonar con ogni sorte<br />

di stromenti a quatro cirque, et sei voci.<br />

Novamente stampate. Libro primo. Venezia.<br />

G. Vincenzi


•<br />

44.<br />

<br />

RISM 1561-111 <br />

6. <br />

M!l.dregali a tre voe! de diver51 eccellentissimi<br />

autori novamente con agni diligentia ristampati<br />

& corretti•..Venezia, A. Gardan~<br />

RISM 1594-19, <br />

norilegium omnis fere generis cantionem suavissimarum<br />

ad testw:iin:is tabulaturam accomodatarum,<br />

10nge jucundissimllm. In quo praeter fantasias<br />

lepidissimas·, continentur diversorum authorum<br />

cantiones•••redacta per Adrianum Denss.<br />

Koln. G. Greuenbruch<br />

46.<br />

RISM 15.54-28, ...<br />

De diversi"autori II quax-tO libro de DlLdriga~ <br />

a quatro voe! a. note bianche novamente dato <br />

in luce. Venezia. A. Gardano <br />

RISM 1585-311<br />

II settimo libro de DlLdriga1:i. a ciD:lue voe! del<br />

S. dio. Leonardo Priinavera. NOVamente compos to <br />

.et dato .in luce. Venezia. herede di G. Scotto <br />

• 49.<br />

48.<br />

50.<br />

RISM 1555-251<br />

RISMc.1513-31 <br />

RISM 1,546-151 <br />

II primo libro de Ie Muse a Cinque voei composto <br />

cia diversi eccellentissimi musiei nova mente per <br />

Antonio Gardano stampati & corretti con 14 <br />

gionta d'una canzon & uno madregale·a otto <br />

vo~. Venezia. A. Gardano <br />

(68 Lieder). (S.l.n.d.) (E. Oglin1)<br />

II primo 11bro d'i·madriga11 de diver51 autori <br />

a misura di breve novamente ristampato. <br />

Aggiontovi ancora alcuni DlLdriga11 novi et posta <br />

11 suoi nom veri di autori ne11i madrigali <br />

dove \-lerano s~ti posti altri nomi per errore <br />

a quatro veei. Venezia. A.Gardano <br />

.51.<br />

RISM 1576-5:<br />

Musica eli XIII. autori i11ustri a cinque veci,<br />

novamente per Angelo Gardano reccolta et data<br />

in luce. Nella quale 51 contengono i pu belli<br />

madrigali; che hoggidi. so cantino•••<br />

Venezia.· A. Gardano<br />

52.<br />

RISM 1521-4.<br />

(Motetti libro secondo) (4 v.) (Venzia. A. Antico)<br />

RISM 1521-7.<br />

(Motetti et canrdna gallica) (Roma:<br />

A. Antico)<br />

RISMc1530-1:<br />

Libro primo de la. fortuna A: (Venezia: Giunta1)<br />

(s.d.)<br />


•a<br />

••••<br />

•<br />

53 • RISM 1584-11,<br />

RISr-1 1585-23:<br />

55. RIS1.f 1538-3,<br />

56. RISM 1572-8:<br />

.<br />

RISM. 1542-6,<br />

58. RIS}1 1550-2:<br />

59. RISM 1538-6,<br />

60. RISM·1566-2,<br />

61. RISH 1585-29:<br />

Di Pietro Vinci siciliano della citta di<br />

Nicosia il sesto libro de madrigali a cinque<br />

voci. Novamente posti in luce. Venezia, di<br />

G. Scotto "<br />

Dl. Stefano' Felis di :sa.r.:l. mestro di Cappe11a<br />

ne1 Duomo di Ba.ri. n quarto libro de madrlgali<br />

a cirxtue voci, con a1cuni a sei, & uno Echo a<br />

otto ne1 fine,. nova mente composti &dati in<br />

1uce. Venezia, G. Vincenzi, & R. Amadino<br />

. ..<br />

Secundus tomus novi operis musici, sex,<br />

quinque et quatour vocum, nune reeens iii. 1ueem<br />

editus~. ~ . NUrnbarg: H. Grapheus<br />

. . . . '<br />

. Dl. Hipolito Ba.ccusi da Mlntova maestro della.<br />

musics. delli iliustri signori di Spi1imbergo.<br />

n secondo libro de' madrigali a· sei voci.<br />

Con una canzone nella gran vittoria contra ~<br />

. Turchi.' Nuovamente posti in 1uee•<br />

. Venezia. G. Scotto<br />

(See RISM 1572-8a)<br />

Tomus tertius psalmoruc se1ectorum.quatour.et" <br />

quinque, -at quidam plurium. yocum• <br />

Nurnberg, J. Petreius <br />

Car:mil1a vere divina, a praestantissimis <br />

artificibus ad singula aMi festa quinque <br />

vocibus sic composita. ut plane appareat <br />

impetum ilium musicum sedibus aethereis <br />

venere excellentibull ingenijs•••• Nurnberg, <br />

J. Montanus & U~ Neuber<br />

Tomus primus psalmorum se1ectorum a praestan­<br />

tissimis .musicis in : harlllOnias quatour aut <br />

quinque yocum redactorum. Numberg: J. <br />

Petreius <br />

Primo libro de di-versi ecce11ent. mi auttori<br />

a quattro voci, intitulato i1 Desiderio.<br />

Novamente posti in 1uce, per Giulio Bonagionta•••<br />

Venezia, G. Scotto<br />

Di Gio. Battista r'!oscaglia, 11 secondo libro<br />

de madrigali a quattro voci: con a1cuni di<br />

diversi eccellenti musici di Roma. Novamente<br />

composti, et dati in 1uee. Venezia: G.<br />

Vineenzi et R. AtlPdino


•<br />

62.<br />

8 • <br />

RISM 1522J Missarum decem a clarissimis muS1C~S<br />

compositarum nee dum antea exeptis tribus<br />

aeditarum. Liber primus (4.v.) Hemal G.<br />

Giunta<br />

63. RISM 1569-4, Selectissimarum sacrarum cantionum (quas<br />

vulgo Moteta vocant) nores. trium vocuml<br />

ex optimis ac praestantissimis quibusque<br />

divinas Masices a uthoribus excerptarum.<br />

Jam primum summa cura ac. diligentia collecti<br />

et impressi. Liber primus. LOUvainl,<br />

P. Phalese<br />

RISM 1569-' 5.<br />

• •• (above)~ •• Liber secundus••••<br />

RISM 1569-6.<br />

• •• (abov~) ••• Liber tertjlus••••• _<br />

64. RISM 1583-15. Masioa divina eli XIX. autori illustri, a<br />

.III!. V.VI. et vn. voci, nuovamente<br />

raccolta daPietro Phalesio, et data in<br />

luce. Nella quale s1 contengono i piu<br />

excellenti madrigali che hoggidi si cantino.<br />

Ahtwerpena ·P. Phalses et J. Ballere .<br />

e·· RISM 1570-33.<br />

(See KCL 148 for canto only)<br />

Il Turino. n primo libro delle napolltane<br />

ariose' da cantara' et sonare nel leuto,<br />

composte da diversi eccellentissimimusici<br />

& novamente per U Rever. P.E. Cornellio<br />

Antonelli CIa Rimino detto U Turturino,<br />

accomodate sul leuto. Venezia, G. Scotto<br />

RISM 1570-19.<br />

RISr1 1570-14.<br />

Il primo libro della raccolta eli napolitane a<br />

tre voci eli diversi eccellentissimi musici<br />

nuovamente composto et dB.tto in luce.<br />

Venezia. G. Scotto<br />

Il secondo libro delle fia~, madrigali a<br />

cinque et sei voei de eliversi eccellentissimi<br />

mtrsici. Nuovamente ristampa. to. Venezia: G.<br />

Scotto<br />

68. RISM 1570-181 Corona delle napolitane a tre et a quattro<br />

voci. di dibersi eccallentissimi musici.<br />

Nuovamenta poste in luce. Venezia: G. scotto<br />


• <br />

70.<br />

71.<br />

RISH 1543-19: <br />

RISM 1544-19. <br />

II primo libro a due voci de diversi autori<br />

novamente stamps.to et con agni diligentia<br />

corretto. Venezia, A Gardane<br />

Guter, se1tzamer, und kunstreicher teutscher<br />

Gesang, sonderlich ettliche lcunstliche Quodlibet,<br />

SchlacJlt, und der gleichen mit vier<br />

oder funff Stimmen, biss her im Truck nicht<br />

. gesehen... Nurnberg: J. Pe-treius<br />

•<br />

72.<br />

73.<br />

RISM 1546-3,<br />

RISl'1 1546-4,<br />

Liber primus missarum quinque vOCUnt, a <br />

diversis mllsicis compositarum•••• <br />

Antwerpena T. Susato <br />

Liber tertius missarum quatour vocUnt, a <br />

diverBis'musicis compositarum••••. <br />

Antwerpen: T. Susato <br />

74.<br />

RISH 1547-221<br />

Intabolatura de lauto di Simon Gintz1e:r muBico<br />

del reverendissimo cardinale di Trento, de<br />

recercari motetti madrigali et eanzon franeese<br />

novamente posta in 1uee. Libro primo.<br />

Venezia 1 A. Gardane<br />

75.<br />

RISM 1546-9.<br />

.Horalis hispani et multorum eximiae artis<br />

virorum musica eum vocibus quatour vulgo<br />

moteeta eognominata. - Venezial A. Gardane<br />

76.<br />

RISH 1,546-8:<br />

Se1eetissimae symphoniae eompositae ab<br />

excellentibus musicis, antehae non aeditae.<br />

Nurnberg: J. von Berg & U. Neuber<br />

• <br />

77.<br />

RISH 1539-7,<br />

Moteti de 1a simia (Liber primus voeum<br />

quinque). Ferrara, J. de Buglhat, H. de<br />

Campis, A. Hueher


•<br />

78.<br />

RISM 1.547-3:<br />

RISM 1.547-4.<br />

10 .. <br />

Sex msse dulcissime moduJ.a.tionis auras omnium<br />

mulcentes vocibus quinque. Quarum prima :t-1antue<br />

capelle magistri Jacheti est, tres sequentes<br />

Gomberti aunt, due taman Jaeheti' Berehem, suis<br />

cum nominibus tit in indica continetur, expurgate<br />

plurimis erroribus denuo prodeunt in 1ucem.<br />

Venezia, A. Gardane<br />

Quinque missarum harmonia diapente id est <br />

quinque voces ref'erens••• Venezia. A. ,Gardane <br />

Ca.," ,,;. a .<br />

•<br />

81.<br />


j<br />

j<br />

•<br />

82.<br />

RISM 1569-10I<br />

ll•<br />

Recueil des f1eurs priduictes de 14 divine<br />

musique a trois parties, par Clemens non papa.<br />

Thomas Cricquillon; et aultres excellens<br />

musiciens. Second livre. Louvain, P.<br />

Pha1ese<br />

RISM 1569-ll, <br />

•••(above) ••• -Tiers livre•••••<br />

8.3.<br />

RISM 1.545-4. <br />

.Flos florum primus liber cum quatuar vocibus.<br />

Motteti del fior. Venezia, A.. Gardana .<br />

84.<br />

RrSM 1540-5,<br />

Vesperarum precum officia psalmi feriarum et<br />

cominical1wn dierum tooiusanni, cum.<br />

antiphonis, hymnis, et responsoriis (ut<br />

vocant) quatuor vocibus ab optimis & ce1eberrimis<br />

musicis compositi, •••<br />

Wittenberg, G. Rhau<br />

•<br />

86.<br />

ruSM 1.546-6,<br />

Liber primus sacrarum cantionum. quinque <br />

vocum, vulgo moteta vacant J ex optimis <br />

quibusque huius aetatis musicis se1ectarum. <br />

Antwerpena T. Susa to <br />

• <br />

87.<br />

RISM 1.546-7,<br />

RISM 1.547-5.<br />

RIS14 1.547-6,<br />

RISM 1.545-5:<br />

.Liber secundus•• ; ••(above) ••••••••••••••.<br />

Liber tertius••••••(above) ••••••.••••••••<br />

Liber quartus ••••••(above) •••••••• ~ •••••<br />

Officiorum (ut vocant) de Nativitate<br />

Circuncisione, Epiphania Domini, & Purificatione<br />

&c. Tomus primus.<br />

Wittenberg: G. Rhaw


•<br />

88.<br />

• RISM<br />

RISM 1.549-11<br />

89•. RI5M 1.543-51<br />

90. RISM 1.548-21<br />

1.549-11:<br />

91. RISH 1.542-171<br />

92. RISM 1.540-8:<br />

12. <br />

Laments.tiones Hieremiae Prophets.e, ma:x:ime <br />

1ugubribus et querulis concentibus musicis, <br />

. decoro undiquaque eruditissime observatol<br />

composits..e a clarissimis nostri seculi musicis:<br />

Thoma Crequi10ne Caesarei chori magistro.<br />

J ohanne Gardano. Petro de. la fu,e, fiandro·.<br />

Antonio Fevino. Claudio de Sermisy, •••<br />

at alio quodam incerto authore.<br />

Nurnberg, J. "von Berg & U. Neuber<br />

Moralis bispani, et linlltorum e:x:imiae artis'<br />

v.irorUm "musica cum vocibus quatuor, wlgo<br />

.ll1Otecta.. cognomina ts. i cuius magna .pars· paribus<br />

vocibus cants.nda est: reliqua vera plena voce<br />

apta est decants.ri, hadtenus non typijs<br />

excussa, nunc autem in 1ucem prodit.<br />

Veneziac G. Scotto<br />

Cantiones as1ectissinae. Quatuor vocum.<br />

Ab .eximii.s et praests.ntibus caesareae<br />

Mliests.tis Cappellae musicis. M. Cornelio<br />

Cane. Thoma Crequi1one. Nicolae .Payen<br />

& J ohanne Lests.innier organists., composits.e et<br />

in comtiis augusts.nis· studio et impensis'<br />

Sigismundi Salmingeri in J..ucem aedits.e.<br />

Liber primus.... Augsberg: P•. Ul.ba.rd<br />

Cantionesse1ectissimae. Quatuor vocum • <br />

•••••••(above) •••••Liber sacundus •••••••• <br />

Augsbergl P. t.n.hard <br />

I1 primo libro d'i madrigali de diversi<br />

acce11entissimi autori a misura. di breve<br />

novamente con grande artifficio composti et<br />

con ogni diligentio sts.mpati et posti in 1uce<br />

quatuor Yocum. Venezia, A. Gardane<br />

Concentus novi, trium VOCUM, . cee1esiarum<br />

usui in Prussia praecipue accomodati.<br />

Joanne Kugel.manno, tubicinae symphonisarum<br />

authore. News Gesanng, mit dreyen Stimmen,<br />

den Kirchen und Schulen zu nutz,.newlich in<br />

Preussen durch Joannem Kugelman gesetzt. Item<br />

etliche stuck, mit acht, sechs, funf und<br />

vier Stymmen binzu gethan.<br />

Augsbarga 11. Kraisstein<br />


13. <br />

•<br />

93. RIS!


•<br />

14.<br />

iam non minus iucundas. Autore Frederico<br />

Viaera friBio. Louvaina P. Phalese<br />

101•. RISM 1564-2la, Longe elegantissima excellentissimi musici<br />

Joannis Pacolini Chelista Patavini, tribus<br />

testudinibus lucenda Carmina. .Et Primo<br />

quidem ordine Passomezi Paduane saltarelli.<br />

Deinceps Galiarde faciliores. Postztemo<br />

adiecta sunt & alia non· minus elegantia<br />

.alterius Mlsici & Chelistae•.••<br />

Louvainl Pierre Phalese<br />

102. RISM 1;;44-41 Postremum Vespertini Officii opus, cuius<br />

prio.res partes, iam antea typis nostris aedi.tae<br />

sunt. Hagnifica.t octo modorum seu tonorum<br />

" ") ~ numero x:x:v. Quae commendationem habebunt,<br />

f)/ fI,)' ! ~.f-y cum ex authoribus, tum ipsa harmonia.<br />

18~ ~ , ~ ~/~I oJ-I,· A,,' \o~ifl.~tenbergi G. Maw·<br />

104.<br />

'Vf1v'~:~V<br />

RISM 1.583-2: Harmoniae miscellae cantionum sacrarum, ab<br />

exquisitissimis aetatis nostrae musicis cum<br />

·quinque & sex vocibus concinnatae, pleraeque<br />

omnes novae, necsum in Germania typis scriptaeo:<br />

e. nunc a utem editae studio Leonardi·Lechneri<br />

athensini. Nurnberg: Gerlach<br />

105. RISM 1542-16: . D. autori il primo libro d'i madregali de<br />

diversi eccellentissimi autori a cinque voci<br />

novamente. stampate et posta in luce.<br />

Venezia, A. Gardane<br />

106. RISM k,540-20, Di Verdelotto tutti li madrigali del primo,<br />

et secondo libro a quatro voci. Con la<br />

gionta de i madrigali del medesmo auttore,<br />

non piu stampati. Aggiontovi anchora altri<br />

madrigali novamente composti da Messer Adriano,<br />

.& da altri eccellantissimi musici •••<br />

Venezia: G. Scotto<br />

107. RISI1 1,549-9: Musica quatour vocum, que mat'erna lingua<br />

moteta vocantur ab optimis et varijs<br />

authoribus elaborata, paribus vocibus decantanda<br />

nonc primum soliciti cura in lucem producta.<br />

Venezia, A. Gardane<br />

e


•<br />

108.<br />

15• <br />

RISM 1540-2~: Der ander Theil, kurtzweiliger guter<br />

!rischer teutscher Liedlein, zu singen<br />

vast 1ustig. Nurnberg: J. Petreius<br />

109. RISM 1539-27: Ein Ausszug guter alter und'newer teutscher<br />

Liedlein, einer rechten teutschen Art,<br />

auf! aller1ey Instrumenten zubrauchen,<br />

ausser1esen... Nurnberg. J. Petreius<br />

llO. RISM 1541-15. 11 primo libro de imadriga.li, di Maistre<br />

Jhan, maestro di Capella dello eccellent1ssimo<br />

signor' Herco1e duea di. Ferrara, &<br />

de a1tri eceellentissimi. auttori.. Novamente<br />

posta in 1uce. Venezia: A. aardane<br />

lll. RISM 1.540-19: Madrigali a quattro voci di Messer Claudio<br />

Veggio, con la gionta di. sei a1tri di<br />

Arcade1th della misura a breve. Nuovamente<br />

con ogni diligentia stampati. Venezia.<br />

G. Scotto<br />

•<br />

112. RISM 1559-18: l'Jadregali ariosi a quatro voei eomposti<br />

da diversi eceellentissimi autori. Et per<br />

Antonio Gardano nova mente con somma diligentia<br />

stampatti. Libro primo..delle JvIuse a, quatro<br />

voci... Venezia. A. Gardano<br />

ll3. RISM 1544-6: Ciprianimusici ecce1entissimi cum quibusdam<br />

aliis doctis authoribus motectorum nunc primum<br />

maxima diligentia in 1ucem exeuntium Liber<br />

primus quinque Vocum. Venezia, A. Gardane<br />

114. RISM 1.548-6. De diversi autori i1 primo libro de madrigali<br />

a notte negre con la sua gionta novamente<br />

ristampato et correto. A qua tro voci.<br />

Venezia: A. Gardane<br />

115. RISM 1539-6: Secundus liber cum quinque vocibus. Fior<br />

de mottetti tratti. dalli 110ttetti del tiore.<br />

Venezia. A. Gardane<br />

RISl-11539-12, Primus liber cum quatuor vocibus. Fior de<br />

mottetti tratti dalli mottetti del tiore.<br />

Primus liber cum quatuor vocibus. Venezia:<br />

A. Gnrdane<br />

•<br />

lUSH 1546-19:<br />

H9.driga1i di Verde10t et de a1tri autori<br />

a sei voei novamente con a1cuni madriga.li<br />

novi ristampati & eorretti. Venezia: A •<br />

Gardane.


16• <br />

•<br />

RISM<br />

1.548-10: Husica eli Cipriano Rore sopra 1e stanze<br />

del Petrarcha in laude della I'1adonna, e<br />

cinque madrigali di due parte l'mio non<br />

piu veduti, ne stampati, con a1cuni madrigali<br />

di M. Adriano. Libroterzo. Venezia:<br />

A. G.H.rdane<br />

ll6.<br />

,It cu.. c<br />

j<br />

.< J::c::....­<br />

•<br />

llB.<br />

ll7. RISM 1539-211<br />

RISM 1539-251<br />

ll9.<br />

Canzoni francese a due voci di Ant.<br />

Gardane, et di a1tri autori,bJ,lone da<br />

cantare et sonare ,stampate nuovamente.<br />

Venezia: A. Gardane<br />

Musiche fatte ne11e nozze della illus- . <br />

. trissimo Duco di Firenze i1 signor Cosimo <br />

de Medici et della illustissima consorte <br />

sua mad. Leonarda. da Tolleto.<br />

Venezia: A. Gardane<br />

•<br />

120. RISM 1569-7:<br />

RISM 1569-8:<br />

Liber primus sacrarum cantionum quatuor<br />

vocum, (vulgo motetas vocant) cantui,<br />

omnisque generis instrumentis accomoda tarum<br />

summa diligentia aeditus. Auctoribus<br />

Or1andus de Lassus & Cyprianus de Rore.<br />

Louvaina P. Pha1ese<br />

Liber secundus sacrarum cantionum•••••<br />

(above)


~<br />

17.<br />

• 121. <br />

RlSvl 1[38 I <br />

122 •<br />

•<br />

12.3.<br />

124.<br />

(:/.......... ........;~~;;a"<br />

~ :..r9'J ..<br />

•<br />

12.5 •<br />

(~, .<br />

~ "<br />

1Jc1 ~/Lu,t.,' "'~.<br />

L'1d1~ eX' C4.t:


..<br />

•<br />

18•<br />

126.<br />

RISM 1.543-18:<br />

Il secondo libro de li madrigall de diversi<br />

eccelentissimi autori a misura di breve<br />

novamente stampato a quatro voci.<br />

Venezia I A. Garrlane<br />

127.<br />

128.<br />

RISM 1555-2:<br />

RISM 1555-3: <br />

RISM 1553-11: <br />

Liber primus cantionum sacrarum, (vuJ.go <br />

moteta vocant) quinque vocum ex optimis <br />

quibusque musicis selectarum. <br />

Louvaini P. Phalese <br />

Liber secundus•••• (above)<br />

Liber quartus cantionum sacrarum (vuJ.go <br />

moteta vocant) quinque et sex vocum. ex <br />

optimis quibu~ue musicis selectarum. <br />

Louvain: P. Phalese <br />

(tenor only) <br />

•<br />

RISM 1553-24:<br />

RISM 1553-25:<br />

Premier livre des chansons a cinq et six <br />

parties nouvellement composez & mises en <br />

musique, convenables tant a ux instrumentz <br />

comme a la voix• <br />

Louvaina P. Phalese <br />

(tenor only) <br />

Second livre••• (above) <br />

(tenor only) (See KCL 129.) <br />

129.<br />

130.<br />

RISM 1553-25:<br />

RISI'1 1570-8,<br />

Second livre••• (above) <br />

(see KCL 128 for tenor part only) <br />

Septiesme livre des chansons a quatre <br />

parties, de nouveau revue, corrige et <br />

de plusieurs autres nouvelles chansons <br />

(lesquelles jamais n'ont este imprimees,) <br />

augmente. Toutes convenables tant aux <br />

instruments qu'a la voix. <br />

Louvainr P. Pjalese <br />


19 • <br />

•...<br />

•<br />

136.<br />

131 • RISM 15.58-10:<br />

RISH 1559-7:<br />

132. RISM 1554-24:<br />

133. RISM 1555-20:<br />

134. RISM 1555-21:<br />

135. RISM 1571-14,<br />

RISM 1583-21,<br />

137•<br />

Premier livre des chansons a quatre<br />

parties nouvellement composez et mises<br />

en musique, convenables tant aux inst~entz<br />

comme a la voix. Louvain: P. Phalese<br />

( = RISM 1554-22 )<br />

Second livre des chansons •••• (above)<br />

( = RISN 1554-23 ) <br />

Tiers livre des chansons ••••• (above)<br />

Quatriesme.livre des chansons••• (above)<br />

Cinquiesme livre des chansons ••• (above)<br />

. .<br />

Liber primus leviorum carminu-'1l, omnis <br />

fere generis tripudia complectens, padoanas <br />

nimirwn, passomezo alemandas, gaiilardas, <br />

branles et similia•••collecta • Fremer <br />

livre de danseries, contenant plusieurs <br />

pavanes, passomezo, almandes, gailardes, <br />

branles &c. Le tout convenable sur tous <br />

instrwnens musicalz, nouvellement amasse <br />

hors de plusieurs livres. <br />

Louvain: P. Phalese <br />

Chorearwn molliorum collectanea, omnis<br />

fere generis tripudia complectens: utpote .<br />

padoa.nas, pass' emezos ,alemandas, galliardas,<br />

branlesl atque id genus .quaecun,que alia.<br />

tam vivae voci, quam 1.-/l


• a<br />

20 • <br />

139. RISM 1.546-21: Des chansons reduictz en tablature de 1uc<br />

trois etquatre parties. Livre. deuxieme.<br />

Louvain: P. PhalBe·<br />

RISM .1.546-28:<br />

RISM 1.547-20,<br />

Carminum pro testudine liber nn, in quo<br />

continentur exce11entissima carmina, dixta.<br />

paduana & galiarda, composita per<br />

Franciscum medio1anensem, Petrum Faulum<br />

mediolanensem, ac alios artifices in hac<br />

arte praestantissimos. Louvain: P. Pha1eee<br />

Des chansons reduictz en tablature de 1ut·<br />

a deux, trois, et quatre parties. Avec<br />

une briefve & familiare introduction pour<br />

entendre & apprendre par soy mesmes a<br />

iouer dudict 1ut. Livre premier.<br />

~ouvain, P. Pha1eee<br />

•<br />

RISM 1.547-23:<br />

Des chansons et motetz en tablature de 1uc,<br />

a quatre, cinque, et six parties, 11vre<br />

troixiesme. Composees par l'excellent maistll!<br />

Pierre di Teghi paduano<br />

Louvainl P. Pha1ese<br />

140. RISM 1.549...]8: Ca.rmina. Car.minum quae che1y vel 1;.estudine<br />

canuntur, libar priIrms. Cum brevi<br />

introductione in usum testudinis.<br />

Louvain, P. Pha1ese .<br />

141.<br />

142.<br />

15"3(, Pl\~ Vf, 0


21. <br />

•~<br />

143. RISM 1517-3: Frotto1e intabulate da sonare organi.<br />

Libro primo. Rima: A. Antico.<br />

144. RrSM 1568-24: Nova longeque elegantissima cithara<br />

ludenda. carmina t c~ gallica tum. etiam<br />

germanica: fantasiae item, passomezi, gailllarde,<br />

branles, almandes, etc. Nunc<br />

primu!1l ex musics in usum citharae traducta<br />

per Sebastianum Vreedman mechliniensem•••<br />

Louvain. P. Phalese<br />

145. RISM 1568-231 Luculentum theatrum musicum, in quo<br />

(demptis vetustate tritiscantionibus) •••<br />

quae fantasiae dicuntur, secundo cantiJ.enae<br />

quatuor et quinque vocum. Postea carm:ina "<br />

diffieiliora quae muteta appellantur, eaque<br />

quatuor, quinque et sex vocum. t •••••••<br />

generis carmina•••ut sunt passomez"o,<br />

gaillardes, branles,etc••<br />

Louvain. P. Phalese<br />

146. RISM 1563-25a Theatrum musicum in quo selectissirna<br />

optimorum quorumlibet qutorum ac excellentissimorum<br />

artificum cum. veterum tum<br />

etiam novorum Ca.rmina summa. diligentia<br />

ac industria expressa oculis proponuntur••••<br />

que Fantasiae dicuntur, Secundo Canti1enae<br />

quatuor et quinque vocum. Postea Carmina<br />

diffi"ciliora quae Huteta apftellantur,<br />

eaque quatuor quinque et sex vocum•••• ~<br />

Paaaemezo, Gaillarde, Branles, etc.<br />

Louvain: P. Phalese<br />

RI5W.5J8-9:<br />

Trium vocum csrmina a diversa mus~c~s<br />

composita. Nurnberg: H. Formschneider<br />

148. RISM 1583-15: ¥'rusica divi!'1a di :ax. autori illustri,<br />

a InI. V. VI. et VII voci•••••Nella<br />

quale si contengono i piu excellenti<br />

madrigall che hoggidi si cantino.<br />

Antwerpen: P. Phalese. et J. Bellere<br />

Seel KCL 148 for Canto only<br />

------See: KCL 64 for all parts<br />

149; RISH 1556-1: Liber septimus cantionum sacrarum vulgo<br />

moteta vocant, quinque et sex vocum ex<br />

optimis quibusque musicis se1ectarum.<br />

Louvain: P. Phalese


• 1.50.<br />

22 • <br />

RIS11 1.5.56-2: Liber Octavus cantionum sacrarum vulgo motea vocant,<br />

quinque & sex vocum ex optimis quibusque musicis<br />

se1ectarum. Louvain: P. Pha1ese..<br />

1.51. RISM 1.54-.3-1.5, Vingt et six chansons musicales & nouvelles convenab1es<br />

tant a la voix comme aussi propices a jouer de divers<br />

instruments nouvellement imprimees•••<br />

Antwerpen, T. Susato<br />

. 1.52. RISI1 15.50,14, Le treziesme livre contenant vingt et deUll chansons<br />

nauvelles a six et a huyt parties. Propices a tous·<br />

instrumentz musicaulx. Compasees par divers autheurs.<br />

Nouvellement imprime.<br />

Antwerpena T. Susato<br />

15.3. RISM 1551-18: Het ierste musyck boexken mit v:i.er partyen• •••••••••<br />

SOPRANO PART ONLY---~<br />

See KCL 16 for complete entry and all parts.<br />

•<br />

1.54-. RISM 15Sl-19 a • Het derde musyck boexken begrepen int ghet a1 van onser<br />

neder duytscherspraken, daer innebegrepen s.yn a1derhande<br />

danserye, te vuetens Basse dansen, Ronden,<br />

Ailemaingien, Pavanen ende meer andere, mits oeck<br />

Vyfthien. nieuwe· gaillarden ~ .zeer 1ustich ende bequaem<br />

om heeren.... Antwerpen sT. Susato<br />

. 155. RISN 1.5.52':7. La Fleur de chansons et'pnmier livre ~ quatre parties<br />

contenant XXXI nouvelles chansons, propices a tous<br />

instrumentz musicaulx, compasees -la plus part- par<br />

maistre Thomas Crequillon & aultres bons maistres<br />

musiciens, • ••• Antwerpen: T. Susato<br />

BASS OEY<br />

RISt1 1552-8,<br />

RISl1 1552-9,<br />

RISY. 1.5.52-10:<br />

La Fleur de chansons et second livre••••contenant<br />

XXVIII nouvelles chansons •.•..composees par p1usieurs<br />

bons maistres musiciens, ••• Antwerpena T. Susato<br />

BASS ONLY<br />

La. Fleur de. chansons et quatriesme livre••••••<br />

contenant XXVII nouvelles chansons ••••••• ~ ••••(See above)<br />

BASS OHLY<br />

La Fleur de chansons et cinquiesme livre a trois parties,<br />

contenant XXVI nouvelles chansons••••••••(see above)<br />

BASS ONLY<br />


•<br />

156.<br />

• 160.<br />

BlSH 1574-12:<br />

157. RISM 1558-18,<br />

1.58. RISM 1570-341<br />

159. RISM 1570-34:<br />

RISI1 1.582-16:<br />

161. RISM 1560-7:<br />

RISH 1571-15:<br />

23 • <br />

Thesaurus musicis continens se1ectissima Alberti Ripae,<br />

Valentini Bacfari et a.1iorum paestantissimorum ca.rminaad .<br />

usum Chelys, vel testudinis accomodata. Quibus adjectae<br />

sunt ingeniosae quaedam fantasiae, . pa ssomezi, a1emandes,<br />

galliardae, branles, a tque idgenus caetera, recens in<br />

1ucem edita. Louvain: P. Pha1ese et J. BeUers<br />

Second livre tabulature de 1eut, contenant plusieurs <br />

chansons, fantasies, motetz, pavanes et gaillardes. <br />

Composees par maistre GuillaUme Morlaye, jouer de leut, <br />

et autrss bons autheurs, Farisa M. Fezandat <br />

Hortulus cytharae, in duos distinctus libros, quorum.<br />

prior cantiones musica.s 10nge pulcherrimas, passomezo,<br />

paduanas, gailiardes, alemndes, branles, ad usum vulsaris<br />

cytharael posterior similiter cantiones musica.s passomezo,<br />

ale alemandes aliaque nonnulla in tabulaturam cytharae,<br />

i talica.e vulgo dictae, convenientem redacta, continet.<br />

Louvaim P. Pha1eseJ Antwerpem J. Beilers<br />

Hortulus cytharae, in duos distinctus libros, quorum <br />

prior cantiones musicas 10nge pulcherrimas, passomezo, <br />

paduanas, galliardes, a1emandes, branles, ad usum vulgaris <br />

.cytharae......... (see above)<br />

Louvaim P. PhaleseJ Antwerpen: J. Beilere<br />

Hortulrus citharae vulgaris continens optims fantasias •••<br />

• • • •• (see above) ••••••• in tahulaturam citharae<br />

convenienter redacta, nunc primum in 1ucem elegantiore<br />

modo ac ordine edita. Acessit praeterea brevis et di1ucida<br />

in citharum introductio qua suo marte quilibet artem .<br />

pulsandae citharae•••••• Antwerpena P. Pha1ese & J. Beilere<br />

Premier livre du recuei1 des neurs produictes de la<br />

divine jusicque a trois parties de par Clemens non Fapa,<br />

Thomas Cricqui110n & autres exceUens musichiens.<br />

Louvain: P. Phalese<br />

Uber musicus, duarum vocum cantiones, tum latinas tum<br />

gallica.s a tque teutonicas lnnge suavissimas c omplec tens,<br />

instrllmentis musicis admodum convenientes. lam recens<br />

s~~ diligentia coUectas. Livre de musicque, contenant<br />

plusieurs exceUentes chansons et motetz a deux parties,<br />

convenables a tous in~rumens<br />

hors de divers livres.<br />

LoUvainl P. Phalese; Antwerpen: J. BeUere<br />

musica1z, nouvellement amassees<br />


•<br />

~<br />

162. RISM 1598-5: Le Rossignol musical des chansons de<br />

diverses et excellens autheurs de nostre<br />

temps a quatre, cinq et six parties~<br />

Nouvellement recueille et mises en<br />

lumiere. Antwerpen: P. Phalese<br />

24. <br />

163. RISM 1536-131<br />

De~ ander Theil des Lautenbuchs. Darin<br />

sind begriffen viI ausserlesner kunstreycher<br />

Stuck-von Fantaseyen, Preambeln, Psalmen, <br />

und Muteten die von den hochberumbten und <br />

" besten Organisten alseinen Schatz gehalten <br />

die sein mit sonderm Fleyss auff die<br />

organistisch Art gemacht und coloriert<br />

fur die geubten und erfarnen diser Kunst<br />

auff die Lauten dargeben. Dergleichen<br />

vormals nie :Un Truck aber yetzo durch mfuch<br />

Hansen Newsidler Lutinisten und Burger<br />

zu Nurnberg: J. Petreius<br />

Second copy: KCL 164.<br />

•<br />

164. RISI1 1536-13:<br />

165. RISr1 1547-26:"<br />

166.<br />

167.<br />

RISM 1551-241<br />

RI5M IG14 - IS:<br />

Second copy of above.<br />

Das erst Buch. Ein newes Lautenbuchlein<br />

mit viI feiner lieblichen llederri, fur die<br />

jungen SchUler••••auoh etlich feine Tentz<br />

welisch und frantzosische Stuck, die fein<br />

artlich und lieblich colliert••••verfast<br />

und zusamen gebracht durch mich Hansen<br />

Neusidler Lutenisten••• offentlich ausgangen.<br />

. •• Nurnbergl C. Gutknecht<br />

Premier livre de tabulature de luth,<br />

contenant plusieurs motetz, chansons,<br />

fantasies, pavanes, gaiilardes, alamandes,<br />

branles, tant simples qu'autres: Ie tout<br />

compose par Adrian Ie Roy. Paris: A. Ie<br />

Roy "et R. Ballard<br />

See eY\~r'-'\ Jar 1


•<br />

168.<br />

RISH 1564-23: <br />

25 • <br />

Second livre de cistre, contenant les<br />

commandemens de Dieu: Six Pseaumes de<br />

David, & autres oeuvres i'aciles, avec<br />

I t intelligence de la tabulature, & accords,<br />

dudict instrument par Adrian Le Roy.<br />

Paris: A. Ie Roy, & R. Ballard<br />

RISM 1565-23:<br />

Breve et i'acile instruction pour apprendre<br />

latablature, a bien accorder, conduire,<br />

et dispo~er la main sur Ie cistre.<br />

Paris: A. Ie Roy, & R. Ballard<br />

RISM 1557-14:<br />

S~ptiesme livre de chansons nouvellement<br />

composees en.musique a quatre parties par<br />

bon & excellens musiciens, imprime en quatre<br />

volumes. Paris: A. Ie Roy & R. Ballard<br />

RISM 1557-15: <br />

Huitiesme livre de chansons.... see above<br />

•<br />

171.<br />

170.<br />

RISM1576-2a: <br />

RIS1-! 1565-5:<br />

Livre septieme des chanssons a quatre<br />

parties nouvellement recorrige, et augmente<br />

de plusieurs chanssons non imprimees<br />

auparavant, accomodees tant awe instruments,<br />

comme a la voix: toutes mises en<br />

ordre convenable selon leurs tons •.<br />

Louvain: . p. Phalese; Anversi J. Bellere<br />

Setieme livre de chansons a quatre parties<br />

par plusieurs autheurs. Imprime en quatre<br />

volumes. Paris1 A. Ie Roy ~ R. Ballard<br />

Tenor only.<br />

172.<br />

RISH 1556-131 <br />

Sixiesme livre de ch nsons..... see above<br />

(complete)<br />

173.<br />

RISH 1569-13: <br />

Sisieme livre de chansons a quatre & cinq<br />

parties, de I. Arcadelt, & autres• Imprime<br />

en quatre volumes. ParisI A. Ie Roy et<br />

R. Ballard<br />

Superius and Bassus only<br />

• <br />

RISM 1570-91 <br />

Disieme livre de chans~ons a quatre parties<br />

d'Orlande de Lassus, & autres. Imprime<br />

en quatre volumes. Paris: A. Ie Roy &<br />

R. Ballard<br />

Bassus only.<br />

raSM 1570-10:<br />

Tresieme·livrede chansons ••••see above<br />

Bassus only.


• 174<br />

• RISM 1571-17: Orgel oder Instrument Tabulatur. Ein<br />

nutzlichs Buchlein in we1chem notwendige<br />

Erklerung der Orgel oder Instrument<br />

Tabulatur, sampt der Application, auch<br />

frolichedeutsche Stucklein unnd Muteten,<br />

•• ~ •••in Druck vorfertiget durch Eliam<br />

Ni colau.'n sonst Arn.merblch genandt Organisten<br />

zu Leipzig in S. Thomas •••••<br />

Leipzig, J. Berwa1ds Erben<br />

175. RISN 1.583-22s Orgel oder Instrument Tabulaturruch in<br />

sich begreiffende eine notwendige unnd<br />

kurtze Anlaitung,die Tabulatur unnd<br />

Application zuverstehen, •••••••<br />

Darnach fo1gen auffs aller1eichtest gute<br />

deutsche lateninische we1sche und frantzosische<br />

Stucklein neben etlichen passomezen,<br />

Galliarden Repressen unnd deutschen<br />

Dentzen dessgleichen zuvorin offnem Druck<br />

nie aussgangen•••Zusammengebracht l!I1ld in<br />

Druck verfertigt, durch Eliam Nicolam Ammerblch,<br />

• • • • • • Nurnberg: Gerlach<br />

176. RISM 1575-17: Ein kunstlich Tabulaturbuch. darin sehr<br />

•<br />

gute Moteten und liebliche deutsche Tenores<br />

~<br />

jetziger Zeit vornehmer Componisten auff die<br />

Orgel unnd instrument abgesetzt, beydes den<br />

Organisten unnd der Jugendt dienstlich••••<br />

in Druck vorfertiget durch Eliam Nicolaum<br />

Ammorbach••••<br />

Leipzig: J. Beyer (Nurnberg: D. Gerlach)<br />

177. RISH 1575-17s Second copy of above.<br />

178. RISM 1574-13: Teut"sch Lautenbuch, darinnenn kunstliche<br />

Huteten, Liebliche italianische, frantzosische.<br />

teutsche Stuck, froliche teutsche Tanz,<br />

Passo e mezo, sa1tarelle, und drei Fantaseien•••<br />

aussgesetzt•••durch Melchior Newsidler.... )<br />

Strasbourgs B. Jobin (~#1&J .:/or 2ndC'1J<br />

179. RIS11 1566-29. II primo libro intabo1atura di liuto di<br />

l-le1chior Neysdler a1emano.. sonatore di liuto<br />

in Augusta, ove sono ma.drigali, canzon francesi,<br />

pass'mezi. saltarelli & alcuni suoi<br />

ricercari, nova mente de ltd post! in 1uce.<br />

Venezia, A. Garciano<br />

26 •<br />

• <br />

RISM 1566-30,<br />

III secondo libro•••••••••see above


i<br />

I<br />

•...<br />

180.<br />

181.<br />

182.<br />

183.<br />

RISM 1574-13,<br />

------1552<br />

RISt1 1554-26,<br />

RrSM 1554-27'<br />

RISM 15.53-23:<br />

Teutsche Lautenbuch, ••••same as # 178.<br />

27 • <br />

Certon.M.P • Premier livre de chansons,. <br />

a.' 4. In 4 vols. Paris, 1552 <br />

Second livre de chansons, nouvellement mises<br />

en IlIUsique aquatre parties par bons et scavans<br />

musiciens, -imprimees en qt/tre volumes.<br />

Paris: A. le Roy et R. Ballard<br />

(Superius, Tenor, Bassus)<br />

Tiers livre de chansons....... see above <br />

(Superius• Tenor, Bassus)<br />

Quart livre de chansons, composees a quatre . <br />

parties par bons et excellens musiciens. <br />

imprimees en quatre volumes. <br />

PariSI A. le Roy et R. Ballard <br />

(Superius, Tenor and Bassus)<br />

• <br />

RIS14 15.56-14.<br />

Cinquiesme livre de chansons,.... see above<br />

(;'Superius, Tenor and Bassus)<br />

184 •.<br />

RISl1 1.573-7:<br />

Cinquieme (: ) livre de chansons a quatre <br />

parties, de Ia. Arcadet & autres. <br />

ParissA. le Roy et R. Ballard <br />

(Contratenor only)<br />

185.<br />

RISM 1.567-6:<br />

Cinqueme livre de chansons nouvellement<br />

composees a quatre parties, par 1'!. Arcadelt &<br />

autres autheurs. Imprime en quatre volumes•<br />

.Paris: A. le Roy et R. Ballard<br />

( Tenor only)<br />

186.<br />

RISN 1572-2:<br />

11ellange de chansons tant des vieuX autheurs .<br />

que des modernes, a cinq, sfx, sept, et huit<br />

parties. PariSI A. le Roy et R. Ballard<br />

SEE KCL 188 for SUperius only<br />

• <br />

187.<br />

188.<br />

RISM 15.54-25:<br />

RISH 1572-2:<br />

Premier recueil de chansons, composees a<br />

quatre parties par bons et excellens musiciens<br />

imprimees en quatre volumes •<br />

Paris: A. le Roy et R. Eallard<br />

SEE KCL 186 for entry<br />

(This film, Superius only)


a<br />

28.<br />

•<br />

189. RISl"1 1574";15: A briefe and plaine Instruction to set all<br />

190. m:S~l 1566-10,<br />

Nusicke of eight divers tunes in Tableture .<br />

for the Lute. With a briefe Instruction how to<br />

play on the Lute by Tableture, to conduct<br />

and dispose thy hand unto the lute, with<br />

certaine sasie lessons for that purpose.<br />

And also a -third Booke containing divers new<br />

excellent tunes. All first written in French<br />

by Adrian Le Roy, and now translated by I.<br />

Ki Gentl.eman.<br />

London, James Rowbothome<br />

(also KCL 167)<br />

Canzon napolitane a tre voci, libra secondo <br />

di l'arpa, Cesaro Todino, loan Dominico da <br />

Nola. Et di altre musici in questa profession <br />

di napolitane eccellentissimi non piu stamJS.te. <br />

Venezia, G. Scotto <br />

•<br />

~<br />

192.<br />

191- RISM 1566-9:<br />

RISH 1556-32:<br />

193. RISM 1534-17:<br />

194. RISI"1 1536-91<br />

Canzon napolitane a tre voci, di : 'arpa, <br />

Cesare Todino, Joan Dominico da Nola. Et di <br />

altri musici in questa profession di napolitane <br />

eccellentissimi non piu stampate• <br />

VeneZia: G. Scotto .. <br />

Tabulatura continens insignes et selectissimas<br />

quasdam fantasias: cantiones germanicas,<br />

italicas, ac gallicas: passemezo, choreas:<br />

& mutetas, iam primum in lucem aeditas. Per<br />

Benedictum de Drusina elbingensem•••<br />

Frankfurt, J. Eichorn<br />

Der erst Teil. Hundert und einundzweintzig<br />

newe Lieder, von berumbtenn dieser Kunst gesetzt,<br />

lustig .zu singen+ und auf! allerly Instrument<br />

dienstlich, vormals dergleichen im Truck nye<br />

aussgangen•••<br />

Nurnberg: H. Formschneider<br />

Schone· auszerlesne·Lieder;· des' hoch berumpten<br />

Heinrici Finckens, sampt andern newen Liedern<br />

von den furnemsten diser Kunst gesetzt, lustig<br />

zu singen, und die Instrument dienstlich vor<br />

nie im Druck aussgangen•••<br />

Numberg: H. Formschneider<br />


•<br />

195.<br />

RISM 1536-6: Tiers livre contenant XXI chansons musicales a quatre<br />

parties composez par Jennequin et Passereau esleues de<br />

plusieurs livres par cydevant imprimez et nagueres<br />

imprimees •••<br />

Paris: I Attaingnant<br />

196. RISM 1536-17:<br />

RISM 1556-29:<br />

Der funffte Theil schoner frolicher frischer alter und<br />

newer teutscher Liedlein mit funff Stimmen nicht allein<br />

zu singen, sonder auch auff allen Instrumenten zu brauchen<br />

bequem unnd ausserlesen.<br />

Nurnberg: J. von Berg & U. Neuber<br />

197. RISM (c)1550-22: (61 Deutsche, franzosische, lateinische mehrstimmige<br />

Vokalsatze) •<br />

Nurnberg: J. von Berg & U. Neuber<br />

•<br />

198.<br />

<br />

GE:RVAISE, Claude (1550) <br />

199. RISM 1530-7: (n. st.) Dixhuit basses dances garnies de recoupes et<br />

tordions avec dixneuf branles quatre que sauterelles<br />

que haulberroys quinze gaillardes & neuf pavennes de<br />

la plus grant part desquelles le subject est en musique.<br />

Le tout reduyt en la tabulature du lutz nouvellement<br />

imprime. Paris: P. A ttaingnant<br />

200. RISM 1529-5: Tres breve et familiere introduction pour entendre &<br />

apprendre par soy mesmes a jouer toutes chansons reduictes<br />

en la tabulature du Lutz, avec la maniere daccorder le<br />

dict Lutz. Ensemble .xxxix• chansons d~nt la plus part<br />

dicelles sont en deux sortes, cest'as~avoir a deux parties<br />

& la mus ique • Et a troys sans mus ique •••<br />

Paris: P. Attaingnant<br />


•<br />

201. RISM 1528-3: (n. st.) Chansons nouvelles en musique, a quatre<br />

parties ••. Cantiones musicales cum quatuor vocibus a<br />

doctissimis in musica magistris nuper edite•<br />

Paris: P. Attaingnant<br />

(plus - Heartz 4)<br />

:: C1!t~.,..... k ~. c&~~<br />

202.<br />

I~ {" T<br />

203. RISM 1535-7: (Chansons musicales a quatre parties, esleues de plusieurs<br />

livres par cidevant imprimes •••reimprimees••• )<br />

(Paris: P. Attaingnant), (s.d.)<br />

•<br />

204.<br />

RISM (c.)1528-4: Trente chansons musicales a quatre parties nouvellement<br />

et tres correctement imprimees •••<br />

Paris: P. Attaingnant<br />

KCL 204: Tenor<br />

250: Superius<br />

251: Tenor<br />

252: Contratenor<br />

253: Bassus<br />

RISM (c.)1528-6: Trente et quatre chansons musicales a quatre parties•••<br />

Paris: P. Attaingnant<br />

Tenor only<br />

RISM 1530-5: (n. st.) Trente et huyt chansons musicales a quatre parties<br />

nouvellement imprimees •••<br />

Paris: P. Attaingnant<br />

KCL 204: Tenor<br />

250: Superius<br />

251: Tenor<br />

252: Contratenor<br />

253: Bassus<br />

205 •<br />


•<br />

206.<br />

RISM 1543-16: Premier livre des chansons a quatre parties auquel sont<br />

contenues trente et une nouvelles chansons, convenables<br />

tant a la voix comme aux instrumentz•••<br />

Antwerpen: T. Susato<br />

KCL 206:<br />

KCL 207:<br />

Tenor and Contratenor <br />

Superius and Bassus <br />

RISM 1544: 10<br />

Le second livre des chansons a quatre parties auque1 sont <br />

contenues trente et une chansons convenab1es tant a la <br />

voix comme aux instrumentz••• <br />

Antwerpen: T. Susato <br />

KCL 206:<br />

KCL 207:<br />

Tenor and Contratenor <br />

Superius and Bassus <br />

•<br />

RISM 1544-11:<br />

RISM 1544-12: .<br />

RISM 1544-13:<br />

Le tiers livre de chansons a quatre parties (composees par <br />

Maistre Thomas Cricqui110n maistre de la Chappelle de <br />

Pempereur) contenant XXXVII, chansons musicales et <br />

convenables tant a la voix comme aux instrumentz••• <br />

Antwerpen: T. Susato <br />

KCL 206:<br />

KCL 207:<br />

Tenor and Contra tenor <br />

Superius and Bassus <br />

Le quatriesme livre des chansons a quatre chansons nouvelles <br />

convenables tant a la voix comme aux instrumentz•••• <br />

Antwerpen: T. Susa to <br />

KCL 206:<br />

KCL 207:<br />

Tenor and Contratenor <br />

Superius and Bassus <br />

Le cincquiesme livre contenant trente et deux chansons<br />

a cinq et a six parties composees par maistre Nicolas<br />

Gombert et aultres excellens autheurs convenab1es et<br />

propices a joue de tous instrumentz•••<br />

Antwerpen: T.<br />

susato<br />

KCL 206:<br />

KCL 207:<br />

Tenor and Contra tenor<br />

Superius, Bassus, Fifth and Sixth voice parts<br />

RISM 1545-14:·<br />

Le siXiesme liVre contenant trente et une chansons<br />

nouvelles a cincq et a six parties ~onvenables et<br />

propices a jouer de tous instrumentz nouvellement imprimees •••<br />

Antwerpen: T, Susato<br />

KCL 206:<br />

KCL 207:<br />

Tenor and Contratenor<br />

Superius, Bassus, Fifth and Sixth Parts<br />

•<br />

RISM 1545-15:<br />

Le septiesme livre contenant vingt et quatre chansons<br />

a cincq et a six parties, composees par feu de bonne<br />

memoire et tres sxcel1ent en lIIl;1Sicque Josquin des Pres,<br />

avecq troix epitaphes dudict Josquin, composez par<br />

divers aucteurs •••<br />

Antwerpen: T. Susato<br />

continued ­


•<br />

RISM 1545-16:<br />

RISM 1545-17:<br />

KCL 206:<br />

KCL 207:<br />

Tenor andContratenor<br />

Superius, Bassus, Fifth and Sixth Parts<br />

Ie huitiesme livre des chansons a quatre parties auque1<br />

sont contenues trente et deux chansons convenab1es tant<br />

a la voix comme aux instrumentz ••• <br />

Antwerpen: T. Susato <br />

KCL 206: Tenor and Contratenor <br />

KCL 207: Superi~ and Bassus <br />

Ie dixiesme livre contenant la Bataille a quatre de <br />

Clement Jannequin, avecq la cinquiesme partie de Phi1i. <br />

Verde10t s1 placet, et deux Chasses de L1evre a quatre <br />

parties, et 1e Chant des oysequx a troix, nouvellement <br />

imprim.e ••• <br />

Antwerpen: T. Susato <br />

KCL 206:<br />

KCL 207:<br />

Tenor and Contratenor <br />

Superius and Bassus <br />

•<br />

RISM 1549-29:<br />

L'unz1esme livre contenant vingt et neuf chansons <br />

amoureuses a quatre parties, propices a tous instrumentz <br />

musicaulx, avec deux prieres ou oraisons qui se peuvent <br />

chanter devant e:t apres 1e repas. Nouvellement <br />

composees (la plus part) par maistre Tho,tmas Crecquillon <br />

et ma1stre ·la. Clemens non papa. et par aultres bons <br />

musiciens. Nouvellement imprime ••• <br />

Antwerpen: T. Susato <br />

KCL 206:<br />

KCL 207:<br />

Tenor and Contratenor <br />

Superius amd Bassus <br />

RlSM 1550-13:<br />

Ie douzieisme livre contenant trente chansons amoureuses<br />

a cincq parties. Propices a tous instrumentz musicaulx<br />

nouvellement composees par divers autheurs •••<br />

Antwerpen: T. Susato<br />

KCL 206:<br />

KCL 207:<br />

Tenor and Contratenor<br />

Superius , Bassus , Fifth and Sixth Parts<br />

RISM 1555-19:<br />

Ie quatorirsiesme livre a quatre Parties contenant dixhuyct<br />

chansons ita1iennes, six chansons' francoises, & siX motetz<br />

faictz (a 1a nouvelle composition draucuns d f lta1ie) par<br />

Rolando di LassHS nouvellement imprime •••<br />

Antwerpen: T. Susato<br />

• <br />

KCL 206:<br />

KCL 207:<br />

Tenor and Contratenor<br />

Superius and Bassus


•<br />

207.<br />

33 • <br />

RISI1 154.3-16, Premier livre des chansons a quatre parties<br />

auque1 sont contenues trente et une nouvelles<br />

chansons, convenables tant a la. voix COllll!lS aux<br />

instrumentz•••<br />

Antwerpen, T. Susato<br />

KCL 206:<br />

KCL 207.<br />

Tenor and Contratenor<br />

Superius and Bassus<br />

RISlvl 1544-10.<br />

Le second livre des chansons a quatre parties<br />

auque1 sont contenues trente et une chansons<br />

convenables tant· a la.: voix comme aux instrumantz•••<br />

Antwer:pen. T. Susato<br />

KCL 206.<br />

KCL 207,<br />

Tenor and Contratenor<br />

Superius and Bassus<br />

•<br />

RISM 1544-11,<br />

RIS!1 1544-12:<br />

Le tiers livre de chansons a quatre parties<br />

(compasees par Maistre Thomas Cricquillon maistre<br />

de la. Chapelle de Pempereur) contenant XXXVII,<br />

chansons musicales et convenab1es tant a la.<br />

voix commeaux instru.'l18ntz •••<br />

Antwerpenr T. Susato<br />

KCL 206:<br />

KCL 207,<br />

Tenor and Contratenor<br />

Superius and Bassus<br />

Le quatriesme livre des chansons a quatre ••••<br />

(see entry for RIS1':!: 1544-10.)<br />

KCL 206,<br />

KCL 207.<br />

Tenor and Contratenor<br />

Superius and Bassus<br />

RISM 1544-13,<br />

Le cincquiesme livre contenant trente et deux<br />

chansons a cincq et a six parties compasees par<br />

maistre Nicolas Gombert et aultres excellens<br />

autheurs convenables et propices a jouer de<br />

taus instrumentz'•••<br />

,Antwerpe~, T. Susato<br />

KCL 206,<br />

KCL 207.<br />

Tenor and Contratenor<br />

Superius, Bassus, fifth and Sixth Parts<br />

•<br />

RISM 1545-14:<br />

Le sixiesme livre contenant trente et une<br />

chansons nouvelles a cincq et a six parties<br />

convenab1es et propices a jouer de tous instrumentz<br />

nouvellement imprimes•••<br />

Antwerpen, T. Susato<br />

KCL 206,<br />

KC1 207:<br />

Tenor and Contratenor<br />

Superius, Bassus, Fifth and Sixth Farts


• RIS1-1<br />

1545-15: Le septiesme livre contenant vingt et quatre<br />

chansons a aincq et a six parties, composees<br />

par feu de bonne memoire et tres excellent en<br />

musique Josquin des Pres, avecq troix epitaphes<br />

dudict Joaquin, composez par divers aucteurs •••<br />

Antwerpena T. Susato<br />

KCL 206,<br />

KCL 207.<br />

Tenor and Contratenor<br />

Superius, Bsssus, Fifth and Sixth Parts<br />

RISH 1545-16,<br />

Le huitiesme livre des chansons a quatre parties<br />

auquel sont contenues trente et deux chansons<br />

convenables tant a la voix comme aux instrumentz•••<br />

Antwerpena T. Susato<br />

KCL 206:<br />

KCL 207,<br />

Tenor and Contratenor<br />

Superius and Bassus<br />

•<br />

•<br />

RISH 1545-11,<br />

RISl v i 1549-29.<br />

RISl1 1550-13:<br />

Le dixiesme livre contenant 1a Bataille a<br />

quatre de Clement Jannequin, avecq 1a cinquiesme<br />

partie de Phi11. Verde10t si placet, et deux<br />

Chasses de Lievre a quatre parties, et Ie<br />

C~nt des oyseaux a troix, nouvellement imprime•••<br />

Antwerpena T. Susato ...<br />

KCL 206,<br />

KCL 207:<br />

Tenor and Contratenor<br />

Superius and Bassus<br />

L' unziesme livre contenant vingt et neuf<br />

chansons amoureuses a quatre parties, propices<br />

a tous instru.'11entz musicaulx, avec deux<br />

prieres ou oraisons qui se peuvent chanter<br />

devant et apres Ie repas. Nouvellement<br />

composees CIa plus part) par maistre Thomas<br />

Crecqu1l.1on et maistre Ia. Clemens non papa.<br />

et par aultres bons musiciens. Nouvellement<br />

imprime •••<br />

Antwerpen: T. Susato<br />

KCL 206. Tenor and Contratenor<br />

KCL 207: Superius and Bassus .<br />

Le douzieisme livre contenant trente chansons·<br />

amoureuses a cincq parties. Propices a tous<br />

instrumentz musicaulx nouvellement composees<br />

par divers autheurs•••<br />

Antwerpena T. Susato<br />

KCL 206:<br />

KCL 207,<br />

Tenor and Contratenor<br />

Superius, Bassus , Fifth and Sixth Parts


208 F C:~+() VLr<br />

1<br />

209 (.;, 15M I fbi/! 2-<br />

1 /'<br />

210 aJ S',/v1 I ~fL( t.--S..,<br />

! :><br />

211 KJ~(V1 l(l+'t v<br />

212 KI~M 1\)49 L{ I<br />

213 ~1'\,1-1 1:)3'i/I>y IS7fO/"'-'3{; 1~'2tlls l.i1I-Zf3-1'"t) IJ~31,q..tI:'<br />

214 )..,1;" 1S't~f1j ~ I N~I'I <br />

215j<br />

)<br />

<br />

35. <br />

~\~.M<br />

I '02.,i '> <br />

22L~ ((ltlvl IS"'W<br />

225 PN.LIM'c." L:OM'''' ~<br />

226 (~I S,M Is52s \ <br />

t<br />

227 GERLE. Nusica Teusch. 1537 {{ ( \'M Ir:st 1'2... <br />

228 ~.o:A ,~ l<br />

229 If (~JS-<br />

230 1'\ t ~ M I::,11- b 3 I<br />

31 "-vt,,,<br />

r ·n.d- ~me;:; I 9<br />

232 rzl~M ('J-€j'S'" '1<br />

2 (.0I2.J~<br />

2 G I ~'3.,)-1 L.--­<br />


, I<br />

jr­<br />

'-- I.l/ I<br />

•<br />

1')53/20<br />

<br />

.... ./ ,)/ ,,/,.. 0 10,J..., ~L '1......<br />

1t:;5(-/7<br />

:552/5<br />

Fi54/2 1<br />

1551/9<br />

238 15ic 9/ 25,26,27<br />

1550/9-12<br />

1 Cj54/2l<br />

1551/9<br />

1552/5<br />

•<br />

259<br />

1551/9<br />

::,40 Pife.ro, Harcantonio, 1546<br />

1560/1-2<br />

242 1549/36<br />

2h3 1552/34 and 1558/19<br />

2L4<br />

1554, I'lorlaye<br />

11:)33/34<br />

l~51/22<br />

246 1538/ 15<br />

153S!/18-19<br />

1540/15-17<br />

1 c:;4'L/7-8<br />

• 248<br />

1~h3/1h<br />

1538/16-17<br />

249 1~)8/15<br />

1538/16-17, 1539/18- 19, 1"'59/20


•<br />

c 1528/9,<br />

9 B&.3ses dances, R-:C. 1530<br />

15")1/2<br />

C 1528/4-7<br />

1530/3-5<br />

153'3, J aneau:'n<br />

1532/12<br />

1533/1<br />

1534/12.14<br />

1535/6<br />

r $"'3q '1<br />

1573/24<br />

•<br />

257<br />

256 1549/17-18, t ')50/6, 1537/")<br />

tS"~l '3~1f; 1)":;8'0-11<br />

258 1552/29, 1553/33, 1571/16<br />

259 Ge:r-v"Hise dances, 1555 ann. 1557<br />

Du Tertre dances, 1)57<br />

1547/28, 1550/26-27<br />

260 t$'.%, 1-" <br />

261 1548/7 <br />

262 1548/8 <br />

263 1538/15-18 <br />

15~9/18<br />

264 <br />

265 156:!/6 <br />

," {j Ii .~;<br />

f<br />

•<br />

266 1523/1 <br />

267 1520/1 <br />

268 1540/18 <br />

269 1565/17


5'6 <br />

07 0<br />


•<br />

283.<br />

282. Agostini. nuovo echo (1583)<br />

Annaberg Ms. 1126<br />

284. Annaberg Ms. 1248 ~ }--ut,U"", -:r;(} /SOr­<br />

285. Augsb"rg. Schletterer Catalogue<br />

286. Augsb~rg Ms. 142a<br />

287. Basel Mss. F.X. 5-9 _~~"~ F· Y. /- :.-,<br />

288. Basel Ms. F. IX. 43<br />

; .<br />

289, Basel Ms. F. IX. 58<br />

290. Basel Mss.F. IX. 59-62<br />

291. 'B~ ';us. B 41,2 '5"'8 - (;tt;it¢o .lr~c..6....kc.s<br />

292. 'Bar-li"'-. ~u.." ki~ ~I blc.eh.<br />

•<br />

295.<br />

293. 13..e.'lJ j V1. • (Soa.c ~;~.st /,. ~ tl..tj hld(. s;H...... e4.. +-LIOJ Lc..L<br />

f.).u.liYl. B2'3>-:}-1-;tis. 18e;;"f<br />

" 294.<br />

B2JL,1 j I'\. • M.s. ntu.s. -rh..uV'. 111 ~ <br />

296,,, Berlin Ms. 40028 <br />

297. Berlin Ms. Mus. 40021 (olim Z21)<br />

298. ~I 't'\. M. 5, J./..ooCJ J<br />

299. Berlin 40098 (Glogauer Liederbuch)<br />

300 . 1~.fo1.J i "'- . M. (.(, s . }J. s.. f 0 {,3 2.<br />

301. Bologna Q16<br />

302. Bologna Q17<br />

303. Bologna Q18<br />

304. Bologna Q19<br />

305. ~."II.L-{~. IeO)t.ot.5V" Lf h ;, ..I'IleLu.f.<br />

306. Bologna Q20<br />

•<br />

308.<br />

307. Bologna Q21<br />

Bologna Q26<br />

309. Bologna Ms. R. 142<br />

310. Bologna (BU) 2216


qc <br />

•<br />

295.<br />

296. BERLIN: staatsbibliothek, ms. 40028<br />

1599 ff. A. Gumpelzhaimer. 130 works, mostly motets;<br />

all but 14 and 1 fragment listed alphabetically at<br />

beginning of ms.<br />

,. <br />

298.<br />

297. BERLIN: Staatsbibliothek, ms. mUSt 40021 (olim muse ma. Z21)<br />

Mostl.y' sacred music by Netherlands and Ger.ma.n<br />

composers; 1420-1520.<br />

<br />

299. BERLIN: Staatsbibliothek, ms. 40098 <br />

Glogauer Liederbuch <br />

300 •<br />

'• <br />

.


•<br />

~.<br />

301.<br />

BOLOGNA: Civico Huseo Bibliografico 11usicale, Codex<br />

Q 16 (olim 109)<br />

Contains 1 mass, rules for "canto figurato," and<br />

chansons a 3. Index made in 1487 by owner () Dominicus<br />

1"Jarsilius.<br />

302.<br />

BOLOGNA: Civico I'hlseo Bibliografico Husicale, Codex<br />

Q 17 (olim 148) <br />

HosUy French chansons and some motets. Early <br />

16th-century hand. Repertoire of Odhecaton. <br />

303.<br />

BOLOGNA. Civico 11useo Bibliografico l1usicale, Codex<br />

Q 18 (olim 143) ..<br />

1520-1530. 110tets, chansons and Italian secular<br />

pieces.<br />

304.<br />

•<br />

t<br />

BOLOGNAs Cinco Museo Bibliografico Nusicale, Codex<br />

Q 19 (Rusconi ms.)<br />

Dated 1518. Includes works of Lupus (1), Josquin,<br />

1-10uton, Carpentras, Agricola, da. Silva, Fevin,<br />

Longheval, Brwnel, Richafort, Divitis.<br />

306.


. I<br />

'--.<br />

--<br />

--<br />

. - ­<br />

- --<br />

.-~-<br />


. I<br />

•<br />

311.<br />

312 .<br />

bJo~~Q,.. : (!.;bL U",;\I. 1')4cS. ).23}<br />

B€>f~h.A..:<br />

8:j,/. Uhl'..,. ms' 2s13<br />

313. Brusse.I.s ,.,.....s.5. - pi(.. ~V' d.!>So. DI"\ AI t4V'!J C4! fi J.e'.5 4..1 b tt. m,s<br />

" S,. .' L ' t11- J rA-f­<br />

314. 'i3udt:t.Fs i: - ....... !Sa 3 41 ( ~/~- Ct,:.,,·..:: ... : ~!' "-: f IS , t<br />

I\.. '-!". (".<br />

315. (!ttmbr~. h1 So. 18 D 93(':"0/: ;:<br />

317. Cambrai. Bibliotheque de la ville Ms. 124 - 128. Reel 1<br />

II II II If II II II<br />

318. Reel 2<br />

319. C~mbridge. Magdalene College~ Ms. Pepys 1760<br />

•<br />

323.<br />

•<br />

320. Cambridge. University <strong>Library</strong> Ms. Add. 5943<br />

321. C~Ht.L50' UVI;'" L.b. Al~~. 23.2.<br />

322. Copenhagen. Det Kongelige Bibliothek, Ny. kgl. S. 20. 1848<br />

Copenhagen..... Ms. 1872<br />

324-30. Copenhagen......Ms. Gl. Kgl. S. 1872 - 40: I - VII<br />

331-35. Copenhagen......Ms. Gl. Kgl. S. 1873 - 40: 5 reels<br />

(altus~ reel #2. missing)<br />

336. cortona Chansonnier - Nettles' dissertation<br />

337. Cracow. Neue Jagiellonische Bibl. #1716<br />

338. Dijon. Bibl. de la ville, ms. 517 (olim 295)<br />

339. Kultzen dissertation on Escorial Ms. IV. a 24<br />

340. Hanen dissertation <br />

34I. Escorial Ms. IVa. 24 <br />

342. Florence. Morrill Mss.<br />

343. Zippel G. I Suonatori della Signoria di Firenze<br />

344. Florence. Biblioteca Nazionale Centrale Mss. Catalogue<br />

345. Florence. BNC MagI. XIX 58 (II. I. 232)<br />

346. Florence BNC Magl. XIX 59 (BR 229) <br />

347. Florence BNC MagI. XIX. 59 (BR 229) - Edition<br />

348. Florence BNC Magl. XIX, 164-7.


• 314. ~-c: /11> 3-11­<br />

() U ~~C~_~<br />

7<br />

~~ tJ. f7~ ; \.""~£./v~~<br />

,,~d-


•<br />

349<br />

•<br />

360.<br />

•<br />

. Florence BNC ;XIX 176<br />

350. F 1()'('.elll c.e. ~ U c... AA~\. XI )( I 198<br />

35l. Florence Bibl. Cons. Basevi~ 2439<br />

352. Florence Bibl. Cons. Basevi 2440<br />

253. Freiburg Catalogue<br />

354. G8ttingen Catalogue<br />

355. Hague. Koninklijke Bibliothek~ Ms. 74. H. 7<br />

(olim Univ. of Utrecht~ Aevum recens~ scripto varii org. no<br />

202) . . .<br />

356. Innsbruck C talogue<br />

357. Kassel Landsbibliothek 38<br />

358. Le;r"'i~. -rlt6Vi"1"~ kif('k.e.... Ms., 5J (tIL I1R 2.2.- 23.)<br />

359. Liegnitz Catalogue<br />

Lohdon BM add. 33295<br />

361:- London. BM P.S. 36810 Sch. 10851, Egerton 3051<br />

362. London. BM add. Ms. 35087<br />

363. LoYIdon. r::.,M. r-la.,../~ Ms.G:,03<br />

364. L Or\ eto", f5 M r\M~ }J.!:.. 5:J,..f;J..,<br />

365. London BM Royal appendix 20 A. XVI<br />

366. London BM Royal appendix 23-25<br />

~<br />

367. London Westminster C talogue - Squire<br />

,<br />

368. Bartolotti. La Musica in Mantova<br />

369. Milan., Ambrosiana Catalogue<br />

I/J I ·<br />

I :,i',olAe. -If 8 ;.A:::t;::;e ~ 3Obe- 226 .7<br />

370. ;cWJ.l..Ii.<br />

371. Modena. Archivio del duomo Ms. IV<br />

372. Modena. Bibl. Estense codex a. F. 9. 9<br />

373 . )/I D~. B ~b I. es£e~. AJ.. 5. a.. . M . 1 - /}


•<br />

375.<br />

376.<br />

377.<br />

378.<br />

379.<br />

Modena. Bibl. Estense Ms. a. M. 1. 13 <br />

Modena. Bibl. Estense Ms. C. 311 <br />

Montecassino 871N <br />

Montbetrard fragments <br />

Munich. Bayerische Staatsbibliothek Ms. 260 <br />

380.<br />

381.<br />

382.<br />

383.<br />

384.<br />

385.<br />

386.<br />

Munich.<br />

Munich.<br />

Munich.<br />

Munich.<br />

Munich.<br />

Munich.<br />

Munich.<br />

Bayerische Staatsbibliothek ¥s. 266 <br />

Bayerische Staatsbibliothek Ms. 267 <br />

Bayerische Staatsbibliothek Mss. 268/269 <br />

Bayerische Staatsbibliothek Mss. 322-325 <br />

Bayerische Staatsbibliothek Ms. 1512 <br />

Bayerische Staatsbibliothek Ms. 2987 <br />

Bayerische Staatsbibliothek Cod. Germ. 810 <br />

•<br />

387.<br />

388.<br />

389.<br />

390.<br />

391.<br />

3q2.<br />

Munich. Universitgtsbibliothek 20 Codex Ms. 153 / <br />

Mss. 168. 169 170 <br />

Munich.<br />

Universitgtsbibliothek Ms. 718 <br />

Oxford. Christ Church <strong>Library</strong>. James Talbot Ms. Music Ms. 118~ <br />

New Haven. Yale.<br />

Padua.<br />

Mellon Chansonnier <br />

Biblioteca Capitolare Ms. A 17 <br />

Paris. Bibliotheque Nationale~ Collection Rothschild: Ms. 297~ <br />

Cordiforme Chansonnier <br />

393.<br />

3 0' ...,4. __ .<br />

Paris.<br />

Paris.<br />

Bibliotheque Nationale Ms. fonds fro 12.615 <br />

Bibliotheque Nationale Ms. fonds fro 24.315 <br />

395.<br />

Paris. Bibliotheque Nationale Ms. fonds fro 1597 <br />

(Shipp dissertation) <br />

390.<br />

Paris.<br />

Bibliotheque Nationale Ms. fonds fro 1597 <br />

•<br />

398.<br />

397.<br />

399.<br />

Paris". Bibliotheque Nationale Ms. fonds fro 1719 <br />

Paris. Bibl~otheque Nationale Ms. fonds fro 2245 <br />

Paris. Bibliotheq~e Nationale Ms. fonds fro 9152


•<br />

400.<br />

Paris. Bibliotheque Nationale Ms.<br />

Pixerecourt chansonnier<br />

401. Paris. Bibliptheque Nationale Ms.<br />

402. Paris.<br />

Bibliotheque Nationale Ms.<br />

fonds fro 15123<br />

fonds It. 568<br />

n.a.fr. 10.660<br />

403. Paris.<br />

404. . Paris.<br />

405. Paris.<br />

406. Paris.<br />

Bibliotheque Nationale Ms.<br />

Bibliotheque Nationale Ms.<br />

Bibliotheque Nationale Ms.<br />

Bibliotheque Nationale Res.<br />

n.a.fr. 4379<br />

n.a.fr. 4917<br />

Vm 7504<br />

Vm7 Ms. 676<br />

407. Paris.<br />

Bibliotheque G. Thibault.<br />

(chansonnier)<br />

Nivelle de la Chaussee<br />

408. Perugia. Biblioteca/¢¢~~i~tt¢ Comunale Augusta Ms. M. 36<br />

409. Perugia. Biblioteca Comunale Augusta Ms. Mus. 431 (G. 20)<br />

•<br />

411.<br />

410. Regensburg. Proskesche Musikbibliothek. Codex C. 120<br />

(Codex pernner) (olim ms. D XII)<br />

Rochester. Sibley <strong>Library</strong>. Eastman School of Music/ of<br />

the University of Rochester Mus. Ms. 338177<br />

412. Rochester. Eastman School of Music ..... Ms. M. 350.F216<br />

413. Rochester. Eastman School of Music .... ML 96.L814f<br />

414. Rostock UniversitHtsbibliothek Ms. 49 (reel 1)<br />

415. Rostock UniversitHtsbibliothek Ms. 49 (reel 2)<br />

416. st. Gall. Stifsbibliothek Cod. 462 <br />

Seville. Biblioteca Colombina Ms. 1-43 <br />

418. St. GQll. Monastery <strong>Library</strong> Ms. 530<br />

419. Stuttgart: Catalogue<br />

420. SEville. Biblioteca Colombina Ms. 5-1-43 (Lanes dissertation)<br />

421. Stuttgart. Wlirttembergische Landesbibliothek Ms. 39<br />

•<br />

423.<br />

422. Stuttgart .....Ms. 44<br />

Stuttgart . Ms. 45<br />

424. Stuttgart. Ms. 46


•<br />

•<br />

425. Tournai. Ms. (1)<br />

426. Turin. Ris. mus. I. 27<br />

427. Ulm. Band III (1695) Superius<br />

428. Ulm. Band III (1595) Altus<br />

429. Ulm. (1655) Tenor<br />

430. Ulm. Band IV (1675) Bassus<br />

431. Vatican. Ms. 35<br />

432. Uppsa1a. Ms. 87<br />

433. Vatican• Ms. 51<br />

;Ve1 If..;; CI'IVI7tJ .dr<br />

434. Vatican. Ms. 63<br />

435. Vatican Mss. Pal. Lat. 1976-82<br />

436. Vatican. Ms. 11953<br />

437. Vatican. Haberl Catalogue<br />

438. Verona. Cod. DCCLV<br />

439. Verona. Cod. DCCLVI<br />

tl 440. V£trm()w. eotJ. DtCI-Vll {151}<br />

441. Verona. Cod. DCCLVII Bib1. Cap. 438<br />

442. Verona. Cod. DCCLVIII<br />

443. Verona. Cod. DCCLX<br />

444. Vienna. ONB Ms. 18810<br />

( .i..<br />

•<br />

445 • Warsaw. Ms. 2016 - Feldmann dissertation, 2 vo1s.<br />

446. Vienna. ONB Mss. 19.832<br />

447. Warsaw. Ms. 2016


•(<br />

448 •<br />

o 449.<br />

450.<br />

Washington.<br />

Ms. M.2l.M6 <br />

451.<br />

Q 452.<br />

453.<br />

454.<br />

Wolfenbilttel. Catalogue of MSs. by Emil Vogel <br />

tJoljeflb;.bJ;e(. *e.r:z.oj -~. Bi ~/. M. So • ;)'81 <br />

Zwickau. Ms. LXXVIII, 2 (12) <br />

Zwickau. MS. LXXVIII, 3 (13) <br />

455.<br />

Zwickau.<br />

Catalogue <br />

•<br />

v460<br />

"/456.<br />

"/457.<br />

v 458•<br />

-459.<br />

•<br />

./461.<br />

o 462.<br />

v'463.<br />

Aarbog fUr Musik <br />

Abondante I (1546) <br />

Abondante II (1548) <br />

Adriansen. Pratum musicum (1584) <br />

Abondante V (1587) <br />

Adriansen. Pratum musicum (1592/1600) <br />

Agricola (1530) <br />

..A64.<br />

Aichinger.<br />

Motets II (1595) <br />

v465.<br />

..466.<br />

,/ 467 •<br />

Allison. Psalms (1599) <br />

Amat (1639) <br />

Arcadelt. Madrigals II, a 4 (1539)<br />

.1468.<br />

Arcadelt. Madrigals I<br />

a 4 (n.d.)<br />

•<br />

(/473.<br />

./469.<br />

1/470.<br />

,/471.<br />

./472.<br />

Arcadelt. Madrigals I, a 4 (1559)<br />

Arcadelt. Madrigals I, a 4 (1558)<br />

Arcadelt. Madrigals, a 4<br />

Arbeau (1597) <br />

Arbeau (1588)


50 . <br />

•<br />

~74.<br />

Arnt von Aich. Liederbuch<br />

t/475. Angeli. Storia del Teatro a Firenze<br />

/476. Agricola. Duo 1ibri musices (1561)<br />

v477.<br />

/478.<br />

Agricola. (1545)<br />

Arcade1t. Madrigals III, a 4 (1539)<br />

/479.<br />

Arcade1t.<br />

Madrigals II-III, a 4 (1560&1536)<br />

/480.<br />

/481.<br />

Arcade1t. Madrigals IV, a 4 (1539)<br />

Arcade1t. Madrigals V, a 4 (1550)<br />

/482.<br />

Arcade1t.<br />

Madrigals I/IV (1539) Altus only<br />

~83.<br />

Aron.<br />

Toscane11a in Musica<br />

•<br />

/486.<br />

....


Bariolla. Capricci (1594)<br />

Barley. Tablature (1596)<br />

(./'499.<br />

~OO.<br />

-501.<br />

A02.<br />

vS03.<br />

/504.<br />

vS05.<br />

v5 06 .<br />

v507.<br />

008.<br />

.v509.<br />

v:)1 0 .<br />

~11.<br />

-5'12. ,<br />

.r:513.<br />

V514.<br />

--:>15.<br />

v516.<br />

fI 517.<br />

(1518.<br />

(/519·<br />

• <br />

Barley. New Book of Tablature (1596)<br />

Bassano. Fantasie a 3 (1585)<br />

Bassano. Fiori (1588)<br />

Bassano. Ricercat~ Passaggi ...<br />

Bassano. Motetti, Madrigali & Canzoni francesi (1591 )<br />

Bassano.<br />

Bathe, Wm.<br />

Beaujoueulx.<br />

Becchi.<br />

Belin.<br />

Bellanda.<br />

Bellanda.<br />

Be11asio.<br />

Bendusi.<br />

Bertoldo.<br />

Bianchini.<br />

Bianchini.<br />

Ricercate (1598) <br />

A Briefe Introduction (1587) <br />

Balet comique (1582) <br />

Tablature (1568) <br />

Lute Book (1556) <br />

Musiche (1599) <br />

Musiche (1607) <br />

Canzonette (1592) <br />

Opera nova de bal1i (1553) <br />

Tocate & Ricercare <br />

Intab. lauto 1°(1546) <br />

Intab. lauto (1563) <br />

B1Htter der Sackpfeife <br />

I.Y<br />

Agnoletti <br />

Brown.<br />

Instrumental Bibl.


0/521. Brown. Instrumental Bibl. / typescript, roll 2 <br />

• .,022.<br />

Brown.<br />

Instrumentation<br />

v'523. Brown. Josquin Intabulations <br />

/524. Brunetti. L' Euterpe (1606) : ~-! <br />

o 525.<br />

V'526.<br />

Buglhat, etc. (1538) Motets ~ 4 (=Eitner 1538e) <br />

Scotto/Gombert, Bk. 1 (1539) motets a 4 <br />

527. Buona. Canzonette a 3, II (1592)<br />

528. Buonamente. 11 50 Lib. de Varie Sonate... 2 vlns. & bass (1629)<br />

529. Buus. Chansons a 5 (1543)<br />

530. Buus. Chansons a 5, I (1550)<br />

531. CO£cini. Euridice<br />

532. Caccini. Le nuove musiche<br />

533. Campra. Cantatas, Books 1 & 2<br />

•534. - Caroso. 11 Ballarino (1581)<br />

535· Carpentras. Liber 10. Missarum (partial)<br />

536. Cavaccio. Musica a 4 (1597)<br />

537. Cavalli.<br />

538. C valli. L'Artemisia. (Venice Bibl. Mar. Ms. It. IV, 352)<br />

R<br />

539·<br />

Cavalli.<br />

La Calisto<br />

540. Cavalli. "11 Ciro <br />

54l. Cavalli. La Didone <br />

542. C valli. La Doriclea<br />

543. Cavalli. L'Eliogabale<br />

544. Cavalli. L'Egisto (1643) (Venice, Bibl. Mar. Mus. It. IV, 365)<br />

545 . Cavall~. Ercole amante<br />

• <br />

j


53. <br />

•<br />

547<br />

546. Cavalli. L'Eritrea<br />

. Cavalli. Le nozze di Teti e di Peleo<br />

548. Cavendish. Ayres (1598)<br />

549. Cesti. Erismena<br />

550. Chardavoine. Monophonic chansons (1576)<br />

551. Cimello. Libro de C:nti a 4 (1548)<br />

552. Clemens.non Papa. Masse~<br />

553. Clerambault. Cantatas, Books 1-3<br />

554. Conforti. ~tiifitfi/t/U Passaggi sopra tutti<br />

555. Conforti. Ricercare a 4 (1558)<br />

556. Corteccia. Madrigals I (1547)<br />

557. D ,'Accone Thesis <br />

557a. Dalla Casa, G. 11 vero modo Books I & II (1584) <br />

:: Dalla Casa,G. Il vero modo II (1584) <br />

559. Diruta. 11 Transilvana Dialogo (1593)<br />

•558.<br />

560. Diruta. 11 Transilvana Dialogo (1625)<br />

561. Discours non plus melancoli ques ... & la maniere<br />

562. Dorico. Madrigali novi (1533)<br />

563. Dowland. Prints<br />

564. Du Chemin. ler Recuil chansons<br />

565. Du Chemin. ~~~S<br />

566. Durante. Arie Devote (1608)<br />

567. J D. tree. Dances, Books 1-4/du Chemin (1559-64) (bassus)<br />

568. D. Estree. Dances, Books 1-3/du Chemin (superius)<br />


•<br />

569.<br />

570.<br />

571.<br />

572.<br />

573.<br />

574.<br />

575·<br />

576.<br />

577.<br />

578.<br />

579.<br />

580.<br />

•581.<br />

582.<br />

583.<br />

584..<br />

585.<br />

586.<br />

587.<br />

5880<br />

589.<br />

590.<br />

591.<br />

Facoli. II secundi libro... di balli (1588)<br />

Facoli.<br />

Ms. (check)<br />

Fallamero. Book I, Lute intab. (1584)<br />

Farmer. Diverse and sundry ayres (1590)<br />

Ferrari, B. II sansone - 2f Modena<br />

Ferretti. Canzone a 6, vol: 2 (1575)<br />

Canzone :a5, vol. 3 (1575)<br />

CanzoI!is (1585)<br />

Festa.<br />

Festa.<br />

Fezandat.<br />

Fiorino.<br />

Fiorino.<br />

Fonghetti.<br />

Is t<br />

Libro madrigali a 3/Fot. 92 (1541 )<br />

II primo Libro mads. a 3 (1559) <br />

Chansons 1/11 (1556) Bassus only <br />

La nobilita di Roma (1571 ) <br />

La nobilita di Roma (1573) <br />

Capricci et madrigali a 2 (1598 ) <br />

I<br />

I:'<br />

L_ /<br />

,3<br />

::; lrr'<br />

Formschneyder. Trium vocum Carmina (1538) - Jena copy <br />

Holtzmann dissertation on it<br />

Francesco and Perino. Lute Book I (1566)<br />

Da Milano, Francesco. Intab. da Lauto. Brown n.d. (1544)<br />

Da Milano, F. Brown 1547 2<br />

~<br />

Da M.lano, , F. Books 1 & 2 (1546)<br />

D MIlano, F. Book III (1563)<br />

Da MIlano, F. Book I. Marcollini (1536)<br />

Da MIlano, F.<br />

Paris n.d.<br />

Gabrieli, A. Madrigals and Ricercari ( 1590') - Bass<br />

Gabrieli, G. Symphoniae sacrae (1615)<br />

Gabrieli, G.<br />

Symphoniae sacrae (1615) organ parts<br />


592. Gabrieli and Padovano. Books 6-12 (1592)<br />

593. Gabrieli and Padovano. Dialoghi (1592)<br />

• <br />

59{; . Gabriells () concerti~ (1587) <br />

595. Gallus. Totlus Libri primi = Brown 1598 4<br />

596. Ganassi. Regola Rubertina<br />

-"~;<br />

597. Ganassi. Regola Rubertina<br />

598. G nassi. Regola Rubertina<br />

599. Gastoldi. BaIletti a 3 (1594)<br />

600. Gistoldi. B~lletti a 3 (1598) - bass only<br />

601. Gabrieli, A. Mads. & Ricercaria (1590)<br />

Ricercari II (15951<br />

Ricercari III (1596)<br />

602. Gastritz. Harmonicae cantiones (1569)<br />

603. Geminiani. Sonatas, OPe 4<br />

•<br />


•<br />

604.<br />

Giovanelli. Sduccioli : I (1587) a 4<br />

(1596) a4<br />

605. Gorzanis. Napolitane II (1571)<br />

IV (1579) pos. & neg.<br />

606. Guami. Ricercari a 2 (1588)<br />

607.<br />

608. Granjon. Ricercari a 2 (1588)<br />

609. Haar. Thesis<br />

610. Handel. Lucrezia<br />

61l. Hasse. A~cide al Birio <br />

Attilio Regolo <br />

612. Hasse. Antigono; Ciro riconosciuto; Solimano<br />

613. Hasse. Antigone; II ciro riconosciuto; part of Attilio regolo<br />

•<br />

615.<br />

614. Hasse. Ezio<br />

;' Hasse. L'Impermestra <br />

616. Hasse. L'Olimpiade <br />

617. Hasse. Siroe (1733); Vienna ONB Ms 17256 <br />

618. Hasse. Siroe (1763); Vienna ONB Ms 19058 <br />

619. Hausmann (1599) <br />

620. Hausmann. Basso for miscellaneous Collection (1599) <br />

62l. Herbst. musica practica (1624) <br />

622 & 623 Heckel. Discant Lautenbum (1562) <br />

624. Caix d'Hervelois. Pardeseus de Viole, 6 0 livre<br />

625. Hessen Brosl Dance Collection (1555)<br />

34<br />

626. Hessen Bros. Dance Collection, vol. II (RISM 1555 )<br />

627. Hessen Bros. Incipits<br />


~ (I <br />

•<br />

628.<br />

Holborne. B702<br />

629. Hersh. Thesis on Verdelot<br />

630. Holborne. Pavans, Gailliardes (1599)<br />

1. Hollander.<br />

632. Hollander. Teutsch Lieder (1575)<br />

633. -Holzmann. Thesis on Formscnneider: Trium vocum carmina (1538)<br />

634. Hotteterre. Book I, Op. 2. Flute & b.c.<br />

635. Hotteterre. Book II, Op. 5. Flute & b.c.<br />

636. Infantus. (1579)<br />

637. Ingegnieri. Madrigals II (1579)<br />

638. Ingegnieri. Madrigals I (1584)<br />

•<br />

641.<br />

639. Jachet. Motets (1539) - (Scotto)<br />

640. Jambe de fer (1556) = Brown 15567<br />

Jannequin. _Book II (1560) - (Gardano)<br />

642. JudenkBnig. Utilis & compendiaria<br />

643. Kapsberger. Libro ~o. Arie passeggiate (1612)<br />

644. Kapsberger. Libro 20. Arie ... (1623)<br />

645. Kargel. Novae Elegantissimae (1574)<br />

646. Kargel. Renovata cythara & toppel cythara (1578)<br />

647. Kargel. Renovata (1580)<br />

648. Kargel. Toppel cythara (1575)<br />

649. Kargel. (1586)<br />

650. Kaufmann. Fiori del giardino (1597)<br />

651. Kerle. Sex Missae<br />


•<br />

653.<br />

652. Lalande. Unconnu (1720)<br />

Land. Ret Luitboek van Thysius<br />

654. Lassus. Das Klagen des Riobs<br />

655. Lassus. Duos (1577)<br />

656. Lassus. Duos (1585)<br />

657. Le Maistre. Geistliche u. Beltliche Deuchsse Gesang<br />

658. Le Roux (1705)<br />

659. Le Roy. Livre d'airs de cour luth (1571)<br />

660. Le Roy & Ballard. Chanson books LRB 169, 185, 217,<br />

219 and 219 bis<br />

I;--/U-i;r. IL(~ "",'. ,; . ,-',<br />

I (!... ,,\..C. A; c


•<br />

662.<br />

66l. Le Roy and Ballard. II 1 0 libro di vilanelli (1565)<br />

663.<br />

664.<br />

Licino. Duos (1545-1546) <br />

Lieto, Bartholomeo. Dialogho (1559) <br />

Lindner. Bicinia sacra vox inferior (1561) <br />

665.<br />

Levy.<br />

on Le Jeune chansons <br />

666.<br />

Locatelli.<br />

X Sonate, op. 8 <br />

667.<br />

668.<br />

669.<br />

670.<br />

67l.<br />

Lucas. Le MOigne. Noels (1860ed. ) <br />

/r,)i:ip!i'p{:t~¢ Lupacchino & Tasso. Duos. (1590)<br />

Lupacchino. 1 0 libro a note nere a 2 (1565)<br />

Lupacchino. 10 libra a 2 (1559)<br />

Lupacchino.<br />

1 0<br />

libra<br />

a 2 (1560)<br />

672.<br />

Luscinius.<br />

Musurgi5.<br />

(1542 )<br />

•<br />

674.<br />

673.<br />

675,'­<br />

676.<br />

Liitkemann<br />

LuzzaEchi.<br />

Mainerio.<br />

Le Maistre<br />

(1597)<br />

Madriga:s IV & V<br />

Balli a ~ (1~78)<br />

(1577)<br />

677.<br />

Malingre.<br />

sdnn 1533;<br />

spbb 1533<br />

678.<br />

Malvezzi.<br />

Intermec~i et concerti (1591)<br />

679.<br />

680.<br />

Mancinus.<br />

Lieder (~588)<br />

681.<br />

Mancinus.<br />

(1597)<br />

682.<br />

683.<br />

Marais. Pieces de ~~ales en Trio. Reel 1<br />

Marais. Pieces de 7ioles .. reel 2<br />

684.<br />

Marini.<br />

II 1 0 Lib~ de madrigali spirituali (1597) Tenor<br />

685.<br />

Marini, B. Per og~~ sonte d'stromento in diversi generi<br />

di sonate a 2, 3 ~ 4. Libro 3, op. XXII<br />


•<br />

688.<br />

686. Maschera. Canzoni (1584)<br />

687. Maschera. Canzoni (1588) <br />

Maschera. Canzoni I (1593) <br />

689. Mazzi. (1596) <br />

690.<br />

McKee.<br />

Dissertation on Maschera <br />

691.<br />

Meiland...cantiones latinae et germanicae (1590) <br />

692.<br />

693.<br />

694.<br />

Meiland.<br />

Meiland.<br />

Neuer...1esene Teuts che Liedlein (1569):, <br />

Motets and Lieder (1575) <br />

695&696<br />

Melli. Le terze musiche (1609) pos. & neg.<br />

697.<br />

698.<br />

699.<br />

• 61¢J<br />

700.<br />

701.<br />

702.<br />

703 .<br />

704.<br />

Merul0. Ricercari I (1574) Bass only<br />

Moderne. s.d. Basse dance Book<br />

• ,"':.i;<br />

Moderne.<br />

Le difficile II<br />

":. 1",<br />

Moderne. s.d. Paladin. F. Bianchino <br />

Molinaro.<br />

Montesardo.<br />

(1599) <br />

I Lieti giorni (1612) <br />

~~ ~fvl,~,+ le.,~-


•<br />

712.<br />

•<br />

724.<br />

711. <br />

713. Pallavicino. Madrigali V-VI, 2f, quinto<br />

714. Peetrino. madrigals I (1583)<br />

715. Pellegrini. Libro primo (1599)<br />

716. Pellegrini. Canzoni (1599) <br />

717 & 71BJ Peri. Euridice (1600) neg. & pos. <br />

719.<br />

720.<br />

\ IV C -r /..'.. (I' t . /,' d It vI.­<br />

721. Petrucci. Motetti de la corona II, III, IV (1519)<br />

BM Mus. Ren. K.i.d. 14 .<br />

722.<br />

723.<br />

P .r ,<br />

f t@vv.. I<br />

Precetti. Venezia, Marciana It. IV, 739 (10269)<br />

Quagliatti (1608) <br />

725., Simon de Quercu (1509) <br />

726. Rameau. Le Berger Fidele<br />

727. Raval. II 1 0 Libro de canzonetti a 4 (1593)<br />

728. Reymann. Noctes musicae (1598) <br />

729· Reymann. noctes musicae (1598) <br />

730. Reymann. noctes musicae<br />

731. Rhaw. Bicinia, vols. 1 & 2 (1545)<br />

732. Rippe. Bk. 3 (1554); Bk. 1 (1553); Bk. 1 (1552)<br />

733. Rippe. Bk. 5 (1555)<br />

734. Rippel~Bk. 6 1 (1558)<br />

735. Rogniono.<br />


•<br />

739.<br />

736. Romano, Francesco V. II Leuto Antonizatto<br />

740.<br />

741. Rosetto u/151. musica nova a 5 (1566)<br />

742. Rossi, Salomone. 4th Book of varii sonate, incl. dances<br />

2 vlns. and b.c. (1642)<br />

743. Rotta. Book I (1546).<br />

744. Rotta. (1546) Book I<br />

745. Rotta (1546) Intabolatura... Book I (Gardane)<br />

746. RUhling (1583)<br />

747. Sabbatini. Intermedii (1628)<br />

•<br />

749<br />

748. Salbinger (Kriesstein 1540) Selectissimae<br />

. Sancta Maria (1565); Scaletta (1590); Severi (1615)<br />

750. Scandello. Bettliche Deudsche Liedlein (1570)<br />

751. Scandello. Neue teutsche Liedlein (1568)<br />

752. Scandello. Neue sch8ne ausserlesene geistliche<br />

deutsche Lieder (1575)<br />

753. Scarlatti. Cantatas<br />

754. Scarlatti. L'Odoacre<br />

755. Schlick. Tabulaturen (1512)<br />

756. Schlick. Tabulaturen<br />

757. Schmidt. Zwey BUcher orgel, etc. (1577)<br />

758. Schuler, M. Thesis on J. Paix orgel Tabulaturbuch<br />


-­<br />

759·<br />

•<br />

760.<br />

761.<br />

762.<br />

763.<br />

764.<br />

765.<br />

766.<br />

767.<br />

768.<br />

769.<br />

770.<br />

Simpson. Opuisculum neuer Pavanen<br />

Simpson. Taffel consort erster theil (1621)<br />

Sponga. Ricercari (1595)<br />

Stivori. Ricercari (1599)<br />

Stradella. A quel candido foglio. Camb fitz. 32E33<br />

Striggio. Bk. i. Madrigals a 5 1~64 & 1569<br />

Striggio. Madrigals, Lib. II a 5<br />

Striggio. Libs. III, IV, V, madrigals (1596-97)<br />

Striggio. Madrigals, lib. IV, a 5 (1596)<br />

Striggio. Madrigals, Lib. IV a 5 (1596)<br />

Striggio. Madrigals I, a 6; II, a 6<br />

•<br />

772.<br />

771.<br />

774.<br />

775.<br />

776.<br />

777.<br />

778. 1<br />

779.<br />

780.<br />

781.<br />

782.<br />

783.<br />

Terzi. (1593) (1599)<br />

Tiburtino & Willaert. Ricercari a 3 (1549), (1593)<br />

Turberville~<br />

Venerye<br />

Turtle Thesis<br />

Valderrabano. (1547)<br />

Valente. Versi spirituali (1580)<br />

Vecchio Canzonette a 3 0.597) <br />

Vecchio (1597) <br />

Vecchio Selva di varia (1590 ) <br />

Vecchio Selva di varia <br />

Vendaler. Fr81iche Teutsche Lieder (1574) <br />

vento. Sch8ne annerlesene neue Teutsche Lieder (1572) <br />

784.<br />

• <br />

Vento.<br />

Neue teutsche Liedlein (1569)


785. vento. Quinque Motetae, etc. (1575)<br />

( 786. Verde10t. Ita1ia mia<br />

•<br />

787. Verde10t. Madriga1i a 4 I, II (1556) <br />

7BB. Verde10t. Madriga1i a 4, III (1537) <br />

7B9. Verde10t. Motets (1549) <br />

790. Verovio. Canzonette (1591)<br />

•<br />

Boo<br />

791. Veronensis, J.P. B/idi-. Institutions ad difersas ... (1572<br />

792. Verovio.<br />

793. Verovio.<br />

794. Verovio.<br />

795. Verovio.<br />

796. Viadana.<br />

797. Vincenti.<br />

79B. Vincenti.<br />

799. Vincenti<br />

Di1etto spiritua1i (1592) (no. intab.) <br />

Di1etto spiritua1e (1592) <br />

Ghir1anda di fioretti musica1i (15B9) <br />

Lodi della musica (1595) <br />

Canzonette a 4, 10 lib. (1590) <br />

Intav. d'organo (159B) <br />

Canzonette (1597) <br />

. Vinci. II 1ibro 10... a2 u/B5B<br />

B01. Vinci & Verso. Bk. 2. Motetti & ricercari a 3 (1591)<br />

canto<br />

""<br />

B02. Vinci & Verso. Bk. 2. M tetti & ricercari a 3 (1591) Tenore<br />

n<br />

B03. Vinde11a. Bk. 1 (1546)-,";'-{"v /UO"..,I •.s'S ,(..,Z:r«eive.d 8-.:l>-fflCf<br />

B04. Alfonso della Viola <br />

B05. Virchi. T bu1atura: cittara I (1574) <br />

B06. Virgi1iano, A. II Do1ceme10. Ms. of ca. 1600 <br />

B07. Vreedman. Carminum qual cythara (1569) <br />

BoB. Wae1rant.& Laet. Jardin Musical Bks. 1-3 (1556) <br />

B09. Waisse1ius. Tabu1atur (1591) <br />

B10. Waisse1ius. T .n buoatur (159212)<br />

!'I<br />


l<br />

•'­<br />

•<br />

824.<br />

81l.<br />

814.<br />

815.<br />

816.<br />

817.<br />

818.<br />

819.<br />

820.<br />

82l.<br />

822.<br />

823.<br />

825.<br />

826.<br />

827.<br />

828.<br />

Waldbauer.<br />

Thesis on Cittern l-1usic<br />

/<br />

de Wert. Madriga1i a 5 IX (1588}/ .'<br />

Hhythorne. S9fylit/~/Z'lJ'5/f.J$1tl Duos (1590)<br />

/<br />

Whythorne. f.t51t%/~/lJ/~/~/I/$iyl9fI/¢yl%t Songs a 3,4,5 (1571)<br />

(1571) a 4 & 5/tenor only<br />

/<br />

Canzone vi11a~~sche Lib. 1 (1545)<br />

Motetti, lib! 2 (1529)<br />

Book III \~62) - ( Scotto)<br />

rdelot. /~1536)<br />

Willaert/Ver e10tI (1540)<br />

Wilson, John. heerful ftili Ayres (1659)<br />

Wynkende WErde ,xx Songs (1530)<br />

Wyssenbach. (}550) .<br />

Jtlnstelfl Coli. Ro~<br />

. I<br />

-,<br />

Efn.stein 9011. ~ 2<br />

/<br />

EiQs.t..ein C611 __ :Roll:-3<br />

IWlil 1+<br />

Roll 5<br />

(vols.<br />

S\\7-~e)<br />

\<br />

829.<br />

830.<br />

83l.<br />

832.<br />

833.<br />

834.<br />

Vol. il.3<br />

-50<br />

63<br />

64-65B<br />

10<br />


•<br />

•<br />

835. ~in Gol~ vols. 66-70<br />

E~nsteja e~l 7, vols. 71-~ <br />

837.<br />

836.<br />

838. Eilis Leln ColI. , vo'l.. 82<br />

839. ~1.<br />

840. MrJstein ~01 8~._ 85 Jon<br />

841. Chanson texts, s.d. SPBC 3 (c. 1534)<br />

J.J.<br />

842. C~anson texts. SPBC (1535)<br />

843. Chanson texts. CNA (Marst) (1538)<br />

844. Chanson texts. SPN (1538)<br />

845. Chanson texts. SPBC (1543)<br />

846. Chanson texts. (1553) Chansons nouvelles ... Lyon<br />

847. Chanson texts. Chansons spirituali (156~)<br />

848.<br />

Chanson texts. Mangeaut (1615) <br />

849. Misc. Musical Material: <br />

ScherrerC <br />

BruA<br />

BruD<br />

PiechA<br />

AttainS<br />

LenzentT<br />

OpieD<br />

L{ltkeF<br />

HalbK<br />

850. Modern editions of 16th & 17th-c'.:!Iltt.:!"j' :::u;;L:<br />

BruA & BruD<br />

L{ltkeF<br />

CabezonF<br />

LenzentT, 4 vols.<br />

AntoniK<br />

Pedrell Salberio<br />

SchwarK<br />

851.<br />

Lowinsky. Antwerpener tvlo te t tt~nbuc~<br />

Buhle. Mus. instr. 1n dem m.1nla.t.~!"t~n, •<br />

Br{lcher. Blasinstr. 1n dem al~ .• ::" -;~;<br />

Dick....Schlaginstr. 1n den 31_ :!". ---.


• <br />

RISM 15265 <br />

RISM 1529 4 <br />

_ /1./ C 1 /'"<br />

•<br />


• RISM<br />

MICROFIIM YASTER LIST <br />

1536-1:<br />

La Courone et fleur des chansons a troys - Venezia,<br />

A. Antico (A dell'Abbate), 1536. 3 vols.<br />

855· ~JS/v1<br />

11"856. RISM 1562-5:<br />

Ll '('<br />

0,.-1 I': (. { I L' ;;,'0 '"J<br />

L'v<br />

RISM 1562-6: <br />

I dolci et harmoniosi concenti fatti da diversi<br />

eccellentissimi musici sopra varii soggetti. A<br />

cinque voci. Libro primo. Novamente insieme<br />

raccolti et posti in luce - Venezia, G. Scotto,<br />

1562, 5 vols.<br />

Libro secondo (above)<br />

•<br />

/857.<br />

<br />

RISM 1563-21: <br />

La intabolatura de lauto de diversi autori. Di Francesco<br />

da Milano. Di Alberto da Mantoa. Di Marco da Laquila•<br />

Di 10. lacomo Albutio da Milano. Di Pietro Pauol0 Borono<br />

da ,Milano. Con alcune paduane. Et saltarelli novi.<br />

Novamente ristampata. Con ogni diligentia revista. -<br />

Venezia, G. Scotto, 1563. 1 vol.<br />

J858. RISM 1569-20:<br />

La eletta di tutta la musica intitolata Corona di diversi<br />

novamente stampata libro primo. - Venezia, (Zori), 1569.<br />

4 vols.<br />

V' 859. RISM 1590-11:<br />

Dialoghi musicali de diversi eccellentissimi autori, a<br />

sette, otto, nove, dieci, undieci, et dodeci voci,<br />

novamente posti in luce. Con due battaglie a otto<br />

voci, per sonar de istrumenti da fiato, di Annibale<br />

Pddoano et de Andrea Gabrieli, gia organisti della<br />

Serenissima signoria di Venetia in S. ,Marco. -<br />

Venezia, A. Gardano, 1590. 12 vol.<br />

I


860. /RISM 1542-15: Unzieme livre contenant XXVIII chansons nouvelles a<br />

• <br />

quatre parties, en ung volume et en deux ...• - Paris, <br />

P. Attaingnant et H. JulIet, 1542. 2 vols .<br />

IRISM 1543-8: Douziesme livre contenant XXX chansons nouvelles<br />

(see above), 1543, 2 vols.<br />

vRISM 1543-9:<br />

v1'lISM 1543-11:<br />

J-RIS¥ 1544-7:<br />

o/RISM 1545-8:<br />

vRISM 1545-10:<br />

Tresiesme livre contenant XIX chansons ...•. (see above)<br />

1543, 2 vols. [See also: KCL 213 & 214]<br />

Quatorsiesme 1ivr£ contenant XXIX chansons •••. (see above)<br />

1543, 2 vols. [See also: KCL 213 &214]<br />

Quinziesme livre contenant XXX chansons.•...• (see above)<br />

1544, 2 vols. (Paris, P. Attaingnant) [See also: KCL 213 &<br />

214]<br />

Seysiesme livre contenant XXIX chansons...• (see above)<br />

1545, 2 vo1s. [See also: KCL 215 & 216]<br />

Dixseptiesme livre contenant XIX chansons 1egeres tres<br />

musicales.... (see above) 1545, 2 vols. [See also: KCL 215 &<br />

216]<br />

.1861. RISM 1607-28: Ausser1esener Paduanen und Galliarden erster Theil•<br />

•<br />

Darinn 24. liebliche Paduanen und auch so viel Ga1liarden<br />

zu fUnff Stimmen auff Allerley Instrumenten, und in Sonderheir<br />

auff Fiolen zu gebrauchen, verfasset. Hiebevor<br />

nie in Truck aussgegangen, jetzt aber allen der edlen<br />

Music Liebhabern (so den Text nicht brauchen) zu Nutz<br />

und Frommen colligirt, und mit V,erllegung an Tag gegeben,<br />

durch Zachariam FUllsack, und Christian Hildebrand, .••<br />

Hamburg, P. von Ohr, 1607. 5 vols.<br />

Jachimecki. Tabulatura Organo...• (Cracow, 1913)<br />

Maunsell. Catalogue of English Books (1595)<br />

.)864. Rokseth, Yvonne. Danses clericals du XIIles.<br />

RISM 1579-7: Bicinia nova; subjectis distichis gnomologic is M.<br />

Procopii Lupacii a Hlavaczova ; et rhythrois czechicis;<br />

authore Andrea Chrysop:::mo gevicense - Praha, Typis<br />

nigrinianis, 1579, 2 vols.<br />

j 0''­<br />

000. Bien advise, mal advise (play)<br />

I ~/'<br />

V b07. Ceccherelli. Descrizione delle reste (Florence, 1567) (play)


IV • <br />

•<br />

vB69.<br />

~68. Homme justifie par foi (Play)<br />

Honneur des dames (morality play)<br />

..,1870. vToodwind Tutors. 17th century (L.C.)<br />

\/87l. Hoodwind Tutors (17th c.)<br />

vt372.<br />

i{oodvlind Tutors (17th c.)<br />

1)873. Hoodwind Tutors (17th c.) CBr. L;br~v;j)<br />

•<br />

...-874. Trade Catalogues - 16th and 17th centuries<br />

~,<br />

./875. Pub. API'M (reel 2)<br />

/876. Pub. API'M (reel 1)<br />

V877. Italian plays:<br />

angara. L'Alceo (1582; 1614 ed.)<br />

Cecchi. 11 Servigiale (1561) (Florence Carnival 1555)<br />

Spezzani. Rappresentatione di S. Cecilia (1581)<br />

Poggi. La Inventione della Croce (1561) £P¢pJ/~¢p¢fjpttpp/pl/t~t¢f¢~~jjJ<br />

Cecchi. L'Esaltazione della Croce (1589) (sep. 'description of intermedii)<br />

Poggi. La Cangenia (1561)<br />

Epicuro. Cocaria (1535)<br />

t<br />

Plays: <br />

Homme, Ciel, Esprit <br />

Vouloir divin <br />

Noliveau I,1onde <br />

f.1a12die de Chretient~


888.<br />

~<br />

•<br />

(/880.<br />

i,,879. Play: Eustachio Romano. Tragedia<br />

Sermons: St. Belin; and Poul & Pusse (plays)<br />

V881. Le petit, Ie grand (morality play) - Paris, BN MS fro 2s.467<br />

/<br />

~ 882. Plays: Passion de nostre Seigneur and L'homme pecheur<br />

li 883. Morality play: Mars et Justice<br />

~84. Lays papon. Pastorale (1589) (play, with music)<br />

I<br />

885. Le Roy. Catalogue 8, Bk. 4 (c) -: 1:( S':':, /<br />

'><br />

886. Le Roy. Catalogue 11 I. Recueil (c)<br />

~ I ')1..,::'"<br />

•<br />

,"-,1 ~<br />

:; _:) i .<br />

Le Roy. Catalogue 136, Bk. 12 (t) <br />

,<br />

-:;- \S-"1 f)<br />

889. Le Roy. Catalogue 143, Bk. 13 (ct)<br />

. ) ./"<br />

!' 0<br />

890. Le Roy. Catalogue 145, Bk. 17 (c)<br />

89l. Le Rny. Catalogue 155, Bk. 14 (ct)<br />

"-, \ t:..,y- ".)


IL, <br />

v898. A New Interlude .••.of the four Elements (s.l.n.d.)<br />

~ ~99. Bassus in epitaphiis. Gasparis Ottimari. (s.l.n.d.) (See Kassel cat.)<br />

12<br />

900. RISM 15824 ( ~ 1585 15 , 1590 ) Dolci affetti madrigali a<br />

/ cinque voci de diversi eccellenti musici di Roma.<br />

Venezia, G. Scotto, 158~. 5 vols.<br />

'7~r<br />

f;4eseA<br />

(c~ar~<br />

---------------~<br />

• <br />


MICROFILMS<br />

/) - "<br />

•<br />

901<br />

RISM 1577-11. }rusica de diversi autori la Bataglia francese et Canzon<br />

delli ucelli insiemi alcune canzoni francese, partite in caselle per sonar<br />

d'instromento perfetto. Venezia, A. Gardano, 1577<br />

902 BASEL, Universitatsbibliothek, 1


a<br />

•<br />

916<br />

MICHOFIL!1S <br />

914 VATICAN, MS Cappella Sistina 51. 15th-century ~1asses by Caron, Busnois,<br />

Basiron, Vincinet, Weerbecke, etc•<br />

915 VATICAN, MS Cappella Sistina 16. Masses.aotets and hymns by Brumel,<br />

Pipeiilare, Josquin, Pevin, Willaert, etc.<br />

VATICAN, MS Chigi C. vrII.234. Late 15th-centur,r Masses and motets<br />

by Ockeghem, Agricola, Barbireau, Brumel, Busnois, Compere, etc.<br />

917 VATICAN, MS Cappella Sistina 23. 11asses by Agricola, Brumel, F~vin,<br />

Fresneau, Josquin, Prioris, La Rue _<br />

918 VERONA, Biblioteca Capitolare, Cod DCCLIX. Sixteenth-centur,y anthology<br />

of motets a 3 and a 4.<br />

919 CARPENTRAS, Missae I (Avignon, Jean de Channey, 1532)<br />

920 Johannes GALLUS (Handl). Totius Libri 1 0 Sacri Operis Musici (1598)<br />

921 GREIFSWALD, Universitiitsbibliothek, MS Eb 133. Two part books only,<br />

with motets, and German songs by Carpentras, Obrecht, Benedictus, etc.<br />

922 Paul KAST. Studien zu den Messen des Jean Mouton. Ph. :B. dissertation,<br />

Frankfurt, 1955.<br />

74. <br />

923 Orlando LASSO. Patrocinum musices, Books 1-4. Louvain: Phalese, 1574-78.<br />

~ Superius<br />

• 924 Ditto. Tenor<br />

925 Ditto. Contratenor<br />

926 Di tto. Bassus<br />

927 RISM 1589-8. Friedrich Lindner. Liber secundus Gemmae musicalis.<br />

Nuremberg: C. Gerlach, 1589. 6 vols e<br />

ql~<br />

Yttl>t <br />

- 1S-


'-;J <br />

t-rrCROFILi1S MASTER LIST<br />

•<br />

931<br />

932<br />

933<br />

934<br />

935<br />

936<br />

937<br />

London, British <strong>Library</strong>, Add. MS 30797. Letters of Elizabeth<br />

Q.ueen of Bohemia<br />

London, British <strong>Library</strong>, Add. MS 30789Q Letters to Sir H. Elliott<br />

Giovanni :B


NICROFILMS <br />

•<br />

947<br />

Mercadante. IL BRAVO (1839).<br />

MSS Addo 30790-91<br />

London, British <strong>Library</strong>,<br />

948<br />

Nicolo Piccinni. CATONE IN UTICA (1770).<br />

<strong>Library</strong>, MSS Add. 30792-94<br />

Zingarelli. GIU'LEETTA E ROMEO (1796).<br />

<strong>Library</strong>, MSS Add. 30795-96<br />

London, British<br />

London, British<br />

950 Luigi Rossi. II palazzo incantato. On a librette by<br />

Giulio Rospigliosmo<br />

Vatican, Bibl. Ap. Vat., MS Chigi<br />

Q.V.51<br />

951 Luigi Rossi. II palazzo incantato. On a libretto by<br />

Giulio Rospigliosi.<br />

London, Royal College of Music,<br />

•<br />

952<br />

MS 546 I - II (olm Sacred Harmonic Society MS 1867)<br />

Jacopo Melani. Ercole in Thebe. Paris, BN, R~so Vm 4 .1<br />

953 Jacopo Melani. Ercole in Thebe. Vatican, Bibl. Vat. Ap.,<br />

954 Giovanni Antonio Boretti. Ercole in Tebe. Venice, Biblioteca<br />

Marciana, MS It. IV, 416<br />

955 Giovanni Antonio Boretti o Ercole in Tebe. London, British<br />

<strong>Library</strong>, Add. MS 14238<br />

956 Antonio Cesti. LIARGIA. Venice, Bibl. l'1arciana, MS It. IV, 391<br />

r-., ft f- C L Jrfo .r/'( /1-- '-'<br />

957 Antonio Cesti. LA DORI. Venice, Bibl. tvIarciana, MS It. IV, 410<br />

958 Antonio Cestio II TITO. Venice, Bibl. I{arci'ana, MS Itj IV, 459<br />

959 Francesco Provenzale. 10 SCHIAVO DI SUA MOGLIE. Rome, Santa<br />

Cecilia, MS 21025<br />

•<br />

960 Francesco Provenzale. Difendere lroffensore, overo La Stellidaura<br />

vendicata. Rome, Santa Cecilia, MS 21026


( (~<br />

•<br />

MICROFILMS<br />

961<br />

962<br />

964<br />

Antonio Sartorio. L'ADELAIDE. Venice, Bibl. Y~ciana,<br />

MS It., IV, 380<br />

Antonio Sartorlo. ORFID. Venice, Bibl. l1a.rciana, MS If. IV, 443<br />

Giovanni Legrenzi.. GIUSTINOo Venice, Bibl. Harciana, 118 Ij;.<br />

IV, 426<br />

Giovanni Legrenzio TOTlLA.. Venice, Bibl. Marciana, MS It. IV,<br />

460<br />

Alessandro Stradella. IL TRESPOLO TUTOREo Modena, Bibl. Estense,<br />

MS Mus F 1128<br />

•<br />

966<br />

967<br />

Alessandro Stradella. CORI9~~.<br />

MS Mus F 1131<br />

Modena, Bibl. Estense,<br />

C F Pallavicinoo L'~1AZ01m CORSARA, aVERa L'ALVILDA REGINA DE GOTI ..<br />

Munich, Bayerische Staatsbibliothek, Mus MS 145<br />

,<br />

968 /v07 ." Pietro Andrea Zianat. L'INNOCENZA RISORTA, aVERa ErIO. Modena,<br />

pc.(!' ;,C t:.- 1 tL Bibl. Estense, 'MS Mus F 1554<br />

Antonio Lottio ALESSANDRO SEVERO. Arias onlyo Berlin, Staatsbibliot<br />

bibliothek, Preussischer Kulturbesitz, Mus 118 13200<br />

970 Antonio Lotti. ALESSANDRO SEVERO.. Dresden, Sachsische Landesbibliothek,<br />

!'15 Mus 2159 .. F2<br />

971 Johann Joseph Fux. ORFEO ED EURIDICE (1715). Vienna, Oesterreichische<br />

Nationalbibliothek, MS 17.231<br />

972 Carlo Francescm Pollarolo. GL'INGANNI FELleI. London,<br />

British <strong>Library</strong>, MS Add. 16109<br />

973 Tomaso Albinoni. ZENOBIA, REGINA DI PALMIRENI and arias from<br />

GL 'ECCESSI DELLA GELaSIA. \iashington, <strong>Library</strong> of Congress,<br />

•<br />

974<br />

M 1500oA72Z4<br />

Tomaso Albinonio LA. STATlRA (1726). Vienna, Oesterreichische<br />

Nationalbibliothek, MS 18693


I U I<br />

•<br />

975<br />

!1ICROFILr1S<br />

976<br />

977<br />

Tomaso Albinoni and Francesco Gasparini. ENGELBERTA (1708). Vienna,<br />

Oesterreichische Nationalbibliothek, }lli17 713<br />

Alessandro Scarlatti. TELEV~CO. Vienna, Oesterreichische Nationalbibliott<br />

}lli 16.487<br />

Alessandro Scarlatti. TELEMACO. ~Unster, Bibliothek des Bischofl.<br />

Priesterseminars<br />

978<br />

Alessandro Scarlatti. TE~~CO.<br />

MS D 11902<br />

Paris, Bibliotheque nationale,<br />

979<br />

Giovanni Bononcini. ETEARCO (1707). Vienna, Oesterreichische<br />

Nationalbibliothek, MS 18267<br />

980<br />

Domingo Terradellas. SESOSTRI HE D'EGITTO. Rome, S Cecilia, PS A 3734<br />

•<br />

982<br />

Antonio Caldara.. OLIMPIADE.. Vienna, Oesterreichische Nationalbibliotgek,<br />

MS 17 164<br />

981 ,'v e1<br />

1'1 Grlj,~<br />

,~~<br />

v<br />

81­<br />

Domingo Terradellas..<br />

Bischofl. Priesterseminars<br />

SESOSTRI HE D'EGITTO.<br />

M&ster, Bibliothek des<br />

983<br />

Antonio Caldara (NB. Wrong attribution! ). DEr10FOONTEo<br />

Estense, 11S Mus F 1313<br />

Hodena, Bibl..<br />

Antonio Caldarao DEHO:F1JONTE .. Vienna, Oesterreichische Nationalbibliothek,<br />

985<br />

Giuseppe Porsile. SPARTACO (1726).<br />

Nationalbibliothek, MS 18010<br />

Vienna, Oesterreichische<br />

986<br />

Nicola Porpora. SEMIRAMIDA RICONOSCIUTA (1729)0 Florence, Bibl.<br />

del Conservatorio, MS B 1423<br />

987<br />

Nicola Porpora. SEMIRAMIDA RICONOSCIUTA. Dresden, Sachsische<br />

•<br />

Landesbibliothek,


I l ~<br />

MICROFILMS <br />

•<br />

c , '/ 6' 1 ,! i-.<br />

,,(I l ; '.' , ~<br />

988 . Davide Perez. SOLIMANOo London, British <strong>Library</strong>, MSS Add. 16093-94<br />

989<br />

Francesco Feo. ANDROMACAo London, British <strong>Library</strong>, ¥~S Add. 24303<br />

99~ Nicola Logroscinoo GIUNIO BRUTO (1748). 11Unster, Bibl. des Bischofl.<br />

Priesterseminars<br />

991 fr: f Nicola Logroscino.<br />

,(i - J iJ-;' :.1­<br />

IL GOVERNADORE 91747). MUnster, Bibl. des Bischofl.<br />

Priesterseminars<br />

992 Tommasso Traetta. IFIGENIA IN TAURIDE. Florence, Bibl. del<br />

Conservatorio, MS B 306<br />

993 Tommasso Traetta. IFIGENIA IN TAURIDE. Modena, Biblo Estense,<br />

MS Mus 1188<br />

994 Tommasso Traetta. SOFONISBA and 1£ SERVE RIVALI. Washington,<br />

<strong>Library</strong> of Congress<br />

•<br />

995 Niccolo Jommelli.. DEMOFOONTE. 1st version (1743). ~lilan, Biblioteca<br />

del Conservatorio<br />

M 11"~<br />

996-97 Niccolo Jommelli. DEMOFPJNTE, t:::s:t. version (~). Paris, Bibliotheque<br />

nationale, 2 reels<br />

998 Niccolo Jommelli. DEMOFIONTE, 2nd version (1764). Stuttgart,<br />

Wlirttembergisches Landesbibliothek<br />

999 Leonardo Leo. OLIMPIADE (1737)0 Milan, Biblioteca del Conservatorio<br />

1000 Leonardo Leo o FARNACE (1736)0 Vienna, Oesterreichische Nationalbibliothek<br />

1001 Leonardo Leo o DEMETRIO (1741/2).. Nilan, Biblioteca del Conservatorio<br />

1002 J. Ao Hasse. SIROE. Washington, <strong>Library</strong> of Co:~gress<br />

1003 J. A. Hasse. SIROE. Vienna, Oesterreichische Nationalbibliothek<br />

1004 Carl Heinrich Grauno ARTASERSE. Darmstadt, Hessische Landes- und<br />

•<br />

1005<br />

Hochschulbibliothek, NS }!us. 372<br />

Carl Heinrich Graun. ~qTASERSE. WolfenbUttel, Herzog-August Bibliothek,<br />

Cod. Guelf 81


HICROFILHS <br />

•<br />

1006<br />

Leonardo Vinci. nlDONE ABBANDONATA (revision by G F Handel). London,<br />

British <strong>Library</strong>, MS Add 31607<br />

1007 Bald£!.ssare Galuppi. L'ARCADIA IN BRENTA. Hodena, Bibl. Estense,<br />

MS Mus. F 439 (no recitatives)<br />

1006 Baldassare Galuppi. LA DIAVOLESSA (1755). Vienna, Oesterreichische<br />

-<br />

Nationalbibliothek, Cod. 16070<br />

1009 ,[ ( David Di Chiera. The Operas of G. F. de Maio. Ph. D. dissertation,<br />

I"! U 't', P ;if<br />

v J- UCLA, 1962<br />

1010 G B Pergolesi. LO FRATE'NNAMORATO. London, British <strong>Library</strong>,<br />

~B Add 1610}-16105<br />

1011 Rinaldo di Capuao GLI nIPOSTORI. Hodena, Bibl. Estense, Mus. r·1S F 136<br />

1012 Byron Cantrell. Tommaso Traetta and his Opera Sofonisba. Ph. Do<br />

•<br />

dissertation, UCLA, 1957<br />

1013 L E Rowell. Four operas of Vivaldi'. Ph. D. dissertation, Eastman<br />

School of Yrusic, 1959<br />

tOlL _",.11 '+ •<br />

~on~o !~aples Conservrl.to::'j" HS<br />

1015 ;;.l1tonio CESTI. II Tito. Ii"aples Conser':atOI'"J lIS<br />

101Ga/b Baldassare GALUP~)L Il mondo della 11.1."18. (1750) aris, 3:~ T,w<br />

1017 3aldaGsare GALUPPI. mondo alIa '~oversa (1750) raris 3IT FS<br />

10~8 Johann j,dolph H.'J:);'{;!::. Jidone abbancionr.ta" =~ajJles Conserv::::.tory :IS<br />

1':)19 !;iccolo Jmrr·ELLI. neLlofoonte. :Taples Conservatory liS<br />

1020 Giovanni LECEr:::L Giustino. Naples Conservatory TTS<br />

1021 Leonardo LSO. :;)emoloonteo London<br />

-""'~ 1'!I''''''''<br />

1022 C. D. di E.':.ICo j')c:mofoonteo aris .:.),,', l'~::><br />

•<br />

1024<br />

~<br />

1023<br />

::linaldo di. Capua. THO scenes fl"on volcgeso and Lri[;. di S. :Jon C[~rlo Reno<br />

1025. Leonardo VIITCI., ",_rtaserse (1730). Paris B:r-T KKK 1:3


•<br />

3L,<br />

LC2G<br />

1026<br />

1029<br />

1030 <br />

1031 L:.W. Dernofoonte. I!aples IS <br />

1032 • ~:n.ples r:8<br />

. ... .. ~<br />

1,'\<br />

.i.V l~ J4..rla •<br />

1C3!c<br />

ana.<br />

10<br />

c: - -'<br />

•<br />

1038<br />

1036 <br />

Ie]7 <br />

1039 <br />

10!.;.O <br />

1 ~<br />

o<br />

1042 Uppsala, Universitetsbiblioteket, Vokalmusik i HE..ndskrift Collectiones<br />

[.·'L<br />

76b-c (16th-century llasses, iJotets a.l1d chansons, along idth<br />

some tablature), and HS 89 (16th-century German keyboard<br />

tablature)<br />


•<br />

1043<br />

MICROFILMS <br />

GALUPPI. La Diavolessa. Modena, Biblioteca Estense<br />

101+4 GALUPPI. I Tre Cicisbei. Modena, Biblioteca Estense<br />

1045<br />

GALUPPI. II Mondo alIa Rovescia. MOdena, Biblioteca Estense<br />

1046<br />

GALUPPI. L'Olimpiade. 11ilan, Conservatory<br />

-- -<br />

1041-- GASPARINI (Francesco).n Bajazet. Vienna, Oesterreichische<br />

Nationalbibliothek<br />

1048 GaetanoLATILLA.. __ Ezio__(1158).. Harvard College <strong>Library</strong> _<br />

,_ ,I<br />

1049r!t


MICROFIU£<br />

1063 LIBRI!.""'TTOS IDR:<br />

•<br />

~<br />

MA Bononcini. Griselda. 1718 /'<br />

Galuppi. Olimpiade. 1747<br />

Hasse. Siroe. 1733<br />

G F di !-laio. Adriano in Siria. 1769<br />

Pergolesi. Olimpiade. 1735<br />

Vinci. 1i zite1n galera. 1722<br />

from Bologna, Conservatorio<br />

1064 Graun. ARTASERSE. Rostock<br />

1065 Florence, BNC, MS MagI. XIX, 164-167. Florence, ca. 1520. Frottole,<br />

madrigals, q:p,ansons, motets, and so on<br />

1066 Florenoe, Biblioteca del Conservatorio, MS Ba:se1fi2442. Edition<br />

. .. J~.f chansol'lIrl,er(ca. 1527) py BMB<br />

1067 G B Bononcini. ASTARTO t~i-@••@-~y-g@R@tPaft.&.i~ (1720). Copy in<br />

London,. _Roy~l College of Music, MS 83<br />

1068 LIBRETTO for-Cavalli. SClFIONE AFRICANO (1664)0 Copy in Biblioteca<br />

Apostolica Vaticana<br />

1069 Cavalli. SCIPIONE AFRICANO. Vatican, MS Chigi Q V 60<br />

1070 David Perez. SOLIMANO. London, Boyal College of Music, MS 480<br />

1071 Piccinni. L10rigille (1760). Naples, Biblioteca del Conservatorio<br />

•<br />

.-.<br />

1072 Nicola Porpora. Semiramide. Naples, Conservatorio di Musica<br />

1073, [1 LIBRETTO for Rinaldo da Capua. VOLOGESO (1729). Copy in Bologna,<br />

/' ',,'c: l u·j'P Civico Museo Bibliografico Musicale<br />

d'r ,It­<br />

1074 Rinaldo da Capua. VOLOGESO (1739). Yale University<br />

1075 D. Sarri. Didone abbandonata. Naples, Conservatorio<br />

,1076 Giuseppe Scarlatti. Merope. '. Naples, Conservatorio<br />

1077 Traetf;a. Ifigenia in Tauride. Naples, Conservatorio<br />

I<br />

1078 Trae~. Ifigenia in Tauride. London, Royal Colle~_ of Music, MS 618<br />

1079 Vinci. Artaserse. Naples, Conservatorio.<br />

1080<br />

1081 Vinci. Artaserse (1730/31). London, Royal College of Music, MS 630<br />


D l ~<br />

MICROFILMS<br />

e_ _ 1082 J;~;i-I-i:- DIDONE. Stutt~rl~ 'WUrtt;mb~rgisch;La.n-desbibiiothek<br />

____ ~08_3-~~_~~~O:ellio=-;~o•._.S~;tga.rt, --\~ttem~~;gisc~e~ ~deSb;;li;~~e~du:~i}-~()<br />

~l~r 1/ 1-Ci<br />

1084- - Jommelli-;--' Olimp1ade.; ... Stuttgart, WUrttembergische' Landesbibliothek­<br />

1085a-b Jommellio Vologesoo Stuttgart, WUrttembergische La.ndesbibliothek<br />

J<br />

1086_.<br />

Pasquini.... .1l.....L:isimacCl._Vlies:antneid. Gra!. von Schonborn I sche Haputverwaltun.'.<br />

----_..._._- --------.-- ---<br />

-- -- .. -_..<br />

-I~L. ___<br />

--~--<br />

L'Bf..EnO_ -r._M1()Si11- Ve.sf"'-{,'~' W,~ ..BL. 1v1$jGA.1~!_.3lq<br />

1088-- --- ARIOSTI.- Vesp-asiano·;--London BL <br />

1089 ARIOSTI. Coriolanus. London EM <br />

__Gaetano__LATILLA. _ Angelica ed _Orlando.<br />

London, BL, J·IS _Add 14205_ <br />

•<br />

1093._.<br />

L.ATILLA.- La.-- fintacameriera-.-Brussels, Conservatory <br />

------- ---.------- ._-- -. ---------_..._---­<br />

1092 LEO. Demofoonte. London BL y..s Add 16g43-44<br />

_. _~ ___Barbara_t1ARCHISIO. _ Cadenze e variante composte e. <br />

eseguite dalle sorelle }\1archisio, 2 vols. NY Horgan <strong>Library</strong>, <br />

-Cary Collection no' 142--:,;r"P'1 r-!,~c:/.;jj/,/~,.e Y EVe-" -. ­<br />

----~- - ._---_. --~------.--.-----------------_.<br />

1094. STEFFANI. Le rivali concordi.. London BL, MS R H 23oK.. 2-4<br />

STEFFANI. IJa: liberta.--contenta-(incomplete);- ---Schwerin,--T-Iecklenburgische----­<br />

Landesbibliothek, Nus 118_ 5262<br />

1097 STEFF'&'''1L- Itrionfi del1'ato--; London B1 HS R H 23.i.3..;5·<br />

1098 VIVALDI.<br />

,-­<br />

Tito Hanlio..<br />

-----­ ~-.<br />

Turin.EN Foa 37<br />

1099 _ VIVALDI. Tito)'Ianlio __ Turin EN_ GiordB.:no 39-­<br />

1100 VIVALDI. "Il- Teuzzone.. TurinBN Foa 37<br />

1101<br />

1102 _VIVALDI. U.Bajazet. _Turin _BILGiordano 36<br />

1103 VIVAJ.JDI. 0limpiade" -Turin EN' Foa 39 ­<br />


• 58 <br />

• 75 <br />

~ <br />

MICROFILM 1103A<br />

SCHATZ LIBREl'TOS<br />

55 J. A. Adam. Zoroastro. 1752 <br />

56 <br />

57 A Adolfatio Didone abbandonata. 1747 <br />

59 <br />

60 <br />

61 M T Agnesi. Ciro in Armenia. 1753 <br />

62 C C Agthe. Martin Velten, n. d.<br />

63 <br />

64 <br />

65 P A Agostini. II ratto delle Sabine. 1680 <br />

66 J F Agricola. Achille in Sciro. 1765 <br />

67 Agricolao Cleofide. 1754 <br />

68 Agricola. I Greci in Tauride. 1772 <br />

69 0 Ahlstrom. Frigga. 1787 <br />

70 <br />

71 <br />

72 <br />

73 <br />

74 <br />

76 <br />

77 Conte P Capacelli, Albergati. Gli amici. 1699 <br />

78 <br />

79 <br />

80 <br />

81 <br />

82 <br />

83 <br />

84 <br />

85 <br />

86 G Albertinio Virginia. 1786 <br />

87 T Albinoni. Arlameneo 1740 <br />

88 Albinoni. L'arte in ~ con l'arte. 1702 <br />

89 Albinom. Didone abbando~o 1775 <br />

90 Albinoni. Dido o 1726 <br />

91 Albinoni. L 'Ermengarda. 1723


•<br />

829<br />

•<br />

MICROFILM 1103B <br />

MBernardini. Achille in Sciro. 1194<br />

830 II bassa generoso. 1182<br />

831 II conte di bell'umore. 1183<br />

832<br />

La donna bizarra. 1191<br />

833 18 quattro nazioni. 1193<br />

834 Furberia e puntiglio. 1198<br />

835 La statua per puntiglio. 1191<br />

836 L'ultima che si perde e la speranza. 1192<br />

831<br />

838 Amore per incanto. 1191<br />

839 L'allegria della campagna. 1191<br />

840 GI'incontri stravaganti. 1190<br />

841 LBult1ma che si perde a la speranza. 1190<br />

842 La donna di spirito. 1191<br />

843 II conte di bell'umore. 1191<br />

e44 II conte di bell'umore. 1183<br />

845 II barone a forzo 0 sia II trionfo di Bacco. 1188<br />

e46 La finta sposa olandese. 1116<br />

841 18 tre orfanelle 0 sia La scuola di musica. 1198<br />

848 Li tre Orfei. 1181<br />

849 Li cinque pretendenti. 1194 <br />

850 II pazzo glorioso. 1190 <br />

851 II muto per astuzia. 1199 <br />

852 La spoaa polacca. 1199 <br />

853 <br />

854 A Bernasconi. Adriano in Siria. 1155 <br />

855 <br />

856 La clemenza di Tito. 1168 <br />

851 Demetrio. 1112 <br />

858 La Didone abbandonata. 1160 <br />

859 L'Olympiadeo 1164 <br />

860 Semiramide. 1165 <br />

861 Temistocle. 1144 <br />


~~<br />

- ,.<br />

•<br />

1209<br />

EICROFILl1<br />

II 0 't<br />

Bontempi. 1l,_Paride (1662 L _<br />

1210<br />

1211<br />

1212.<br />

_~ 12 ~..L...~.<br />

1214 <br />

1215 Borettio L'Alessandro .amante (1667}_ <br />

1216 Bor.ettio_ .. C1audi9_ . .cesare L1672 >­<br />

1217 . Borett:i,. •. Darig ~in Babilonia (1671) <br />

121ELBoret.:tj,.L Domtiano (16.7.3)<br />

1219. ~reJti c Eliogabalo (1668}.._ <br />

_ .___ . <br />

1220.13oretti. l'1arcel.lo in.. S;i.racusa .(1670). __ <br />

1221 Borettio La.Zenobia (1666) <br />

1222 Boretti..ErQo1e in..Tebe (1671) <br />

..-.--.-..... _-­<br />

•<br />

1229<br />

•<br />

1242<br />

1224<br />

1226.Bprghi.J\lel:san!iro in Armenia (1768)<br />

__ 1,22I.J2rghi!!..lir:tQ.ssU;·_sEL017a~__._. _._ .~ ..~...__.._..~.~..._.<br />

1228 Borghi, Cr.esQ rELdi Lidia (1]17J_.<br />

12.~9_. _ Borghi•.1a_don;nB._instabi1ei.1776)<br />

. 1230.J3prgmo .G1Ltr.~ }JretendentL(1777)<br />

1231 Borghi. Eei1ina (1793) ..<br />

232 . )30.rehJ 0_ 11_ fi10sofO. amante (1776)<br />

1233 Borghi. Eumen.e (1.778)_<br />

1234 Borgtli•. Lamor.te d,i. Semiramide (1791)<br />

1235 .. _ Borghi. LI0 limpiac)..e en 85 L.. ­<br />

.J236.<br />

Borghi. Ricimero.(1778}<br />

1237 Borghio_SJrQEiL(1771J ..___<br />

1238. Borghi•. J;,e-y;i.llane11einnamorate (1778) __ .<br />

1239 .Borghi•. iI.rbaQ.e_ (U.E~2J<br />

1240 Borghi •. La.!!lor.te di SelDir.amide (1799)<br />

1241 ....J3orgognini•.La_.HicopoU._C 1,]00).<br />

1243<br />

1244 Boroni•. J, 'p.rnor~ in musics, (1763)<br />

1245. _Boronio.L!amoreinmusica (1770)<br />

1246 Boroni.!>.. La nott~ .critic.a i 1.766)


DO ..<br />

•<br />

•<br />


•<br />

1688<br />

•<br />

1704<br />

t<br />

:::::::..anI..:: : 105 <br />

1686 <br />

1687 <br />

1689 Castrovillari. La Pasifeo (1661)<br />

_.<br />

1690 Castrovillari. Gl'avvenimenti 'Orinda (1659)<br />

1691 Castrovillari. La Cleopatra (1662)<br />

1692<br />

1693<br />

1694<br />

- .<br />

1695<br />

-<br />

1696 <br />

1697 <br />

1698 <br />

1699 <br />

1700 <br />

1701 <br />

1702 <br />

1703 <br />

1705<br />

1706<br />

1707<br />

1708<br />

1709<br />

1710<br />

1711<br />

1712 Cattani 0 II conte di Cutro<br />

1713 Cattani. ~uinto Lucrezio proscritto (1681)<br />

1714<br />

1715 Cavalli. il.lessandro vincitor di se stesso (161)<br />

- -- - -, ,­<br />

1716 Cavalli. Gli aJllori d'Apollo e di Dafne (1656) <br />

1717 Cavalli. .Antioco (1658) <br />

1718 Cavalli. La Didone. 1656 <br />

1719 Cavalli. L'~gisto (1943) <br />

1719a Cavallio L'Egisto (1646 ) <br />

1720 Cavalli. L'Ersimena (1655) <br />

1721 Cavalli. L'Eri trea (1652)<br />

CONT


•<br />

1723<br />

1722 Cavalli. I1 Giasone n. do<br />

CavIlL l'Orimonte (1650) <br />

Cavalli. L10risteo travestito (1656) <br />

Cavalli. L'Ormihdo (1644)---­<br />

'-I<br />

1726 Cavalli. 1.k'_C prosperita infelice di Giulici Cesare elittatore (1656)<br />

1727 Cavalli. II Romolo e t r Remo (1645)<br />

172S----Cava1.1.i.-m--StatTra(1655) ­<br />

1729 Cavalli. La virtU detstrali atanore (1642) <br />

1730- . Cavalli. Artemisia (1656) <br />

1731 Cavalli. La Bradamante (1650) <br />

1732- Cavalli. Pomepo magno (1666)­<br />

1733 - CavallL IIa Torilda (1648) <br />

•<br />


~-<br />

____ 0<br />

• __<br />

• __ • ___ • _. __ • • _____ w<br />

•<br />

1736<br />

•<br />

1752<br />

•<br />

1769<br />

1734 Cavalli. ilmore innamorato (1642)<br />

1735 Cavalli. L'Helena rapita da Theseo (1653)<br />

Cavnlli. II Ciro (1654)<br />

17t;7 Cavalli. La Doriclea (1645)<br />

-- . - ­-~<br />

ID8 Cavalli. L'~po (1649)<br />

1739 Cavalli. Hutio Scevola (1665)<br />

---­ ---­- . ­ _.-<br />

1740 Cavalli 0 L'Orione (1653)<br />

-­ -_ ..­ _..__ .-- -.­- -.<br />

~<br />

1741 Cavalli. Scipione Africano (1664)<br />

1742 Cavalli. Veremonda l'Amazzone di Aragona (1652)<br />

1743 Cavalli. Xerse (1654) <br />

1744 Cavalli. La Calisto (1651) <br />

1745 Cavalli 0 La Deidamia (1644) <br />

1746 Cavalli. Elena 1659) <br />

1747 Cavalli. Narciso et Ecco immortalati (1642) <br />

- -<br />

1748 Cavalli. Le nozze di Teti e di Peleo (1639) <br />

- - -<br />

17'-+9 Cavalli. II Titone (1645) <br />

1750 Cavalli. II novello Giasone (167 1) <br />

--- .--- -- ---_... ~<br />

1751 Cavalli. Giasone (1649)<br />

._-- ~~- _..'- - --<br />

Cavalli. L'Oristeo 1651) <br />

1753 Cavalli. ci;~ (1665) (wi-th- Hattioli) <br />

- .- ._-<br />

1754 Cavalli. ScipioUe .~ricano (1678) (with Bonaventura Viviani)<br />

1755<br />

1756<br />

-.­<br />

1757 Cavi. La prepotenza delusa (1777)<br />

1758<br />

1759<br />

1760<br />

1761<br />

1762<br />

1763<br />

1764<br />

1765<br />

1766<br />

1767<br />

1768<br />

---" -"~-"--<br />

1770<br />

i771<br />

_.<br />

1772<br />

Celoniato Ecuba (1769) <br />

Celoniat. II caff~ di campagna (1762) CaNT <br />

I I •


IL­ I<br />

•<br />

1113<br />

1114 _Cercia. L.!eq.uivoco curiosa (1790L .<br />

17.75 . Cercia.. Le_false magie per anore .(1791)<br />

- 177~-. <br />

1777 Cesti•. L'Argia (16551 <br />

• <br />


•<br />

2035<br />

•<br />

MICROFItM 1106A C )<br />

G Cocchi. Li matti per smoreo 1754<br />

2036 Li matti per smore. 1764<br />

2037 II pazzo glorioso. 1758<br />

2038 L'Elisa. 1744 <br />

2039 La Gismonda. 1750 <br />

2040 La serva bacchettona. 1149 <br />

2041 Siroe. 1750 <br />

2042 Demofonte. 1154 <br />

204 3 Le donne vindicate 0 1151<br />

2044 La Rosmira fedele. 1753<br />

2045 Semiramide riconosciuta. 1153<br />

2046 Sesostri re d'Egitto. 1152<br />

2047 Zoe. 1156<br />

2048 La scuola moderna 0 sia La maestra di huon gusto. 1748<br />

2049 Merope. 1748<br />

2050 Nitocri. 1751<br />

2051 Andromeda. 1155<br />

2052 Adelaide. 1743<br />

2053 II pazzo glorioso. 1753<br />

2054 Tamerlano. 1154 (+ Pescetti) <br />

2055 <br />

2056 <br />

2057 <br />

2058 <br />

2059 <br />

2060 <br />

2061 <br />

2062 <br />

2063 <br />

2064 <br />

2065 <br />

2066 <br />

2067 <br />

2068 <br />

• 2069<br />

2070<br />

2071<br />

2072<br />

2013


MICROFILM 110gA<br />

(t)<br />

•<br />

2075<br />

2074 <br />

<br />

2076 <br />

2077 <br />

2078 <br />

2079 <br />

3080 <br />

2081 <br />

2082 <br />

2083 <br />

2084 <br />

2085 <br />

•<br />


'V .... .J .<br />

•<br />


--.~.<br />

-Dar<br />

MIGHOl


MI«ROFILM 1106B - 2 <br />

2543 ~ Cardinal Destouches. Amadio de Grece. 1703<br />

•<br />

2543A Amadis de Grece. 1742<br />

2544 Callirho6. 1714<br />

2~5 :&e carnival et la folie. 1706<br />

-<br />

2546 Isse. 1703<br />

2547 Iss6. 1710<br />

2547A lTss'. 1749<br />

2548. lfa Marthesie premiere reine des Amazones. 1703<br />

2549 Omphale. 1703<br />

2549A Omphale. 1752<br />

2550 Semiramis. 1734<br />

2551 Le·s stra~mes de l'amour. 1734<br />

2552 Telemaque. 1720<br />

2553<br />

2554<br />

2555<br />

2556 Francois Devienne. Liebe wagt alles. 1798<br />

•<br />

2557<br />

2558<br />

2559<br />

- 2560<br />

Itt<br />


--<br />

-~....-~-- ......- ....--. ...- .....~.--.~~<br />

3061 Feo. Arianna (1728) (= Leo)<br />

3062 Feo. Andromaca (1730) <br />

, 3063 -Fe~adini. Demofl5onte 1-759)--­<br />

j064----G_:_F~rrandirrl. Ciro (1733r--- --­<br />

.~:-"~ _~_=}065--F;-~~ri.L-t~i~(i639)---------------~'-==__~~-=-=~-_-_==_~-==-=--~-<br />

Ferrari. La lfinfa avara 1644)<br />

_._--- . ----~.-.<br />

306,--- -Fe~ri.Ii-pastor ;;gio-(1640) -----,----.--­<br />

---------..--- -----.. -------~-- -----------­<br />

3068 Ferrario II prencipe giardiniero (1644)<br />

-------_.._--_._- -----_._._--- -.---- -- -- .-~ -.--~-.- ..<br />

3069-- -F;~~. Proserpina rapita (1644)<br />

3070 Ferrari. La gara degli elementi (1660)<br />

------------ ------. --.- -~- --------.--.-- ­<br />

3071<br />

3072 <br />

-- -- ---------------<br />

3073 <br />

3075 <br />

3076 F-:furrarl-:- L'am~;;so lib~rti (1647) <br />

-~--- -~~~-<br />

3077 <br />

3078 <br />

- ---_._--_.<br />

3079 <br />

3080 <br />

-------- -_.,-_ ..<br />

._---­<br />

_ __~081-- -G~~~ro. La disfa:~a ..~ Dario (1.179 ) <br />

• 3082<br />

-' -----._-_._---------­<br />

3083<br />

--'3084­<br />

3085 <br />

3086 <br />

-'-­<br />

3087 <br />

3088 <br />

3089 <br />

3090 <br />

3091 <br />

3092 <br />

-<br />

3093<br />

----3-0~<br />

---- - ---------- .-- -.----------------- ..--------_._._-------­<br />

.------ --_.­<br />

---- --.--­ 3095<br />

----_._- .--.-­<br />

3096<br />

.- --~-<br />

3097<br />

._~:~'. 3098<br />

-CONT


_.. _------- _. - -- - - --'--'­<br />

:,~CROFILE 1107 - CONT<br />

-I '-I t<br />

3099 <br />

3100 <br />

•.. _= ~··-j_~~.-,=--_~-~~-~;~i-.~~d-e-l-a·i-de-Adelheid<br />

.-<br />

.s..~~44~}~~~~_thS_~~~~~ri~_an_~~~hers)<br />

3102<br />

-~"-.--.- -----­<br />

3103 <br />

3104 Finio Li spmnsali d'Enea (1731) <br />

.- --------~------- ...---- --- ._----_._------_._--_._-­<br />

3105 Fini. Li Birbi (1732)<br />

._. ---~ ---~ -----"_. - ­<br />

3106 Fini. I trionfi di Goffredo in Gerusalleme (1739)<br />

3107 <br />

3108<br />

_.<br />

<br />

~---<br />

3109<br />

.. - -- ----- _._.--- ----.. - ..----­<br />

3110 <br />

3111 _ .. ----. - --_.. - ._----_._,,-- . _._---------_.. - -<br />

3112 Fioravanti. L'amor per interesse (1197) <br />

- --.. -. -.- -.­<br />

--- - - -.---..--.~--<br />

~ ----<br />

3113<br />

'--' --- .._--_..----­<br />

.- -~--<br />

~ ----.- --~----. -- _._--- + ~.-<br />

3114 Fioravanti. L'amore immaginario (1794) .._­<br />

- - ... --"------,---- ._-----_. -_ .. _ ­<br />

-----------~~--~<br />

3115<br />

_.. -_.- .--.-.----.-.-.---­<br />

3116<br />

3111 Fioravanti. L'audicia fortunata (1193)<br />

3118<br />

3119 ,<br />

. -. ,---- -.~ --.~-- .---­--'-­<br />

3120<br />

3121<br />

-_._.__._----<br />

-_._---_._----­<br />

3122 Fioravanti. 19 cantatrici villane (1798) <br />

3123<br />

-.-------- ------ .. _­<br />

---- ----_._---- ._._--_.._-_.<br />

_ ..... _------_.. ----- _. -'<br />

--------- - -- ._. -----­<br />


IUV. <br />

•<br />

3162<br />

•<br />

3178<br />

•<br />

3196<br />

MICROFILM 1107A<br />

3161 Valentino Fioravanti. II furbo malaccorto. 1797<br />

3163<br />

3164<br />

3165 <br />

3166 <br />

3167 <br />

3168 <br />

3169 <br />

3170 <br />

3171 <br />

3172 <br />

3173 <br />

3174 <br />

3175 <br />

3176 <br />

3177 <br />

3179<br />

3180<br />

3181<br />

3182<br />

3183<br />

3184<br />

3186<br />

3186<br />

3187<br />

3188<br />

3189<br />

3190<br />

3191 Stefano Andrea Fior~. L'Argippo. 1722<br />

3192 Sesostri, r~ dlEgitto. 1717<br />

3193 SliIroe, r~di Fersia. 1730<br />

3194 II pentimento generoso. 1719<br />

3195 La Svanvita. 1708<br />

3197


•<br />

-­<br />

3199<br />

3200<br />

l,aCROFILM 1107A - 2<br />

3198 Ignazio Fiorillo. Alessandro nell'Indie. 1752<br />

Li birbi. 1749<br />

Didone abbandonata. 1751<br />

3201 Ipermestra. 1759<br />

32Da L'Olimpiade. 1749<br />

3203 Mandane. 1736<br />

3204 11 vincitor di se stesso. 1741<br />

3205 L'Olimpiade. 1745<br />

3206 Giovanni Andrea Fioroni. La Didone abbandonata. 1755<br />

IU 1, <br />

•<br />

~


~~- -.<br />

.-<br />

__ ••__ __. •• ___ w ___ _____•<br />

•<br />

3423<br />

!~ICI~OFIL!'l 1108<br />

3421 <br />

3422 <br />

---<br />

3424<br />

3425<br />

-<br />

3426 <br />

3427 <br />

3428 <br />

3429 <br />

- ..-. ---- - ---­<br />

3430 Galuppi. Alessandro nell'Indie (1755)<br />

- .------- ----~ ~._.- -_..<br />

3431 Alessandro nell'Indie - Alexander in Indien (1755)<br />

.­<br />

3432 L'amante di tutte (1761)<br />

- -.<br />

3433 L'arnante di tutte - Der liebhaber von allen (1770)<br />

- - ~- -- - ---~-' -. ~---.- --.<br />

3434 Den flauevurne kone (La moglie bizzarra)<br />

---..... -- ­<br />

-- - -_ .. -. - ----.--.,--.~--.--..<br />

3435 Der liebhaber von allen (1770) <br />

-- ----<br />

3436 Amor lunatico (1770)<br />

~-~ ..­ --<br />

3437 Antigone (1754) <br />

~-- -,---------_._.- ---- -- ~- --~-~ --. <br />

3438 Antigona (1752)<br />

-_..'-- .--.----­ -~-.--<br />

3439 Antigono (1762)<br />

.. - -,- ...._--_.- - -- ---.---- ­<br />

3440 LtArcadia in Brenta (1750) <br />

• - """"'- I<br />

.­<br />

• 3441 -- - -J~ianna e Teseo (1769)<br />

----.-.. _._-----,---_._--- -.------ --- .. --~..-.­<br />

3442 Arcifanfano, re dei matti (1750)<br />

•<br />

3456<br />

-.- ----, ---- ~---. - _. - --~--..­<br />

3443 L'arrivo d'Enea nel Lazio (1765)<br />

--- ~~----,.---<br />

-<br />

3444 L'Artaserse (1749)<br />

--- ~--.---- --_.- - ~-<br />

3445 Ciro riconosciuto (1759)<br />

--_._. - -. .. ~ --- .. ~- ­<br />

3446 11 conte Caramella (1759)<br />

3447 11 conte Caramella - Der graf Caranella (1755)<br />

- -- .. ~ .- - - ._- --­<br />

,448 Le contese domestiche (1769)<br />

3449 La diavolessa (1755) <br />

- ~.<br />

.<br />

3450 Die artigen zufaelle zwischen liebe und Eifersucht (transl. of <br />

Li vaghi accidenti fra &~ore e gelosia) (1756)<br />

. ~ .-­<br />

3451 La donna di governo (1764)<br />

- -<br />

3452 11 filosofo di campagna (1754)<br />

3453 11 :ilosofo - ~er landmann ein philosoph (1755)<br />

3454 La finM cameriera - Das verstellte ka.mrr.erma(,dgen (1751)<br />

. -. -_. . -- ~- ---- - _. -­~<br />

L'inimic 0 delle donne (1771)<br />

3456 Il nemico delle donne (1775) conT


liVO - V\...',;.'4":"<br />

----------------<br />

-


•<br />

3501<br />

MICROFILM 1108A <br />

3468 Baldassare Galuppi. II re pastore. 1769 <br />

3469 La Semiramide riconosciuta. 1749 <br />

3470 Sofoniiba. 1764 <br />

3471 Li tee amanti ridicoli. 1765 <br />

3472 II villano geloso. 1769 <br />

3473 Adriano in Siria. 1760 <br />

3474 Gustavo Primo, re di Svezia. 1740 <br />

3475 II r~ alIa caccia. 1763<br />

3476 La. calamita de' CllOr!. 1753<br />

3477 L'ambizione depressa. 1733<br />

3478 La. forza d'amore. 1745<br />

3479 AIcimena principessa dell'Isole Fortunate, 0 sia L'amore fortunato<br />

ne'suoi disprezzi. 1750··<br />

3480 L'AIvilda.1737<br />

3481 Argenide. 1733<br />

3482 LfArminiO. 1747<br />

3483 Berenice~ 1741<br />

3484" II Demofoonte. 1758<br />

3485 Elisa regina di Tiro. 1736<br />

3486 Ergilda. 1736<br />

3487 La mascherata. 1751<br />

3488 La ninfa Apollo. 1734 .<br />

3489 Le nozze di Paride. 1756<br />

3490 L1odio placato. 1730<br />

3491<br />

3492 II paeee della CUccagna. 1750<br />

3493 SCipione nelle Spagne. 1746<br />

3494 Sesostri. 1757<br />

3495 Tamiri. 1734<br />

3496 L·Olimpiade. 1763<br />

3497 Arcifano, ~ dei matti. 1759<br />

3498 La clemenza di Tito. 1760<br />

3499 Issipile. 1738<br />

3500 La vittoria d'Imeneo. 1750<br />

II caffe di campagna. 1761<br />

3502<br />

3503<br />

Cajo Mario. 1764<br />

Didone abbandonata. 1764


•<br />

•<br />

3504<br />

MICROFIDM 1108A - 2<br />

Galuppi. Gl'intrighi amorosi. 1112 <br />

3505 La lavandara astuta. 1111 <br />

3506 II matrimonio per inganno. 1111 <br />

3501 II puntiglio amoroso. 1163 <br />

3508 La serva per amore. 1113 <br />

3509 L'uomo femmina. 1162 <br />

3510 II vecchio geloso. 1161 <br />

3511 <br />

3512 <br />

3513 <br />

3514 <br />

3515 <br />

3516 <br />

3511 <br />

3518 <br />

3519 <br />

3520 <br />

Viriate. 1162 <br />

Le virtuose didicole. 1152 <br />

La serva astuta, 0 sia II filosofo in campagna. 1161 <br />

Issipile. 1156 <br />

La lavandara. 1110 <br />

Clotilde. 1148 <br />

eiro riconosciuto. 1131 <br />

LfArcadia in B:renta. 1159 <br />

I bagni dfAbano. 1153 <br />

II protettore alIa moda. 1149 <br />

\O~ ,<br />

-­ •<br />

,


-_.<br />

••<br />

•<br />

3539<br />

•<br />

3556<br />

HIC::GFIUI 1109 <br />

3521 Galuppi. Gl'odi delusi dal s~~gue (1728)<br />

3522 Ernelinda (1750) (pasticcio)<br />

3523<br />

3524<br />

3525<br />

3526 <br />

3527 <br />

3528 <br />

3529 <br />

3530 <br />

3531 <br />

3532 <br />

3533 <br />

3534 <br />

3535 <br />

3536 Gardi. Amor l'astuzia insegna (1797) <br />

..- - - - ,~-..-- ­<br />

3537 Gardio La bella Lauretta (1795) <br />

3538 <br />

3540 Gardi. II nuovo convitato di pietra (1787)<br />

-- - . - - .-~,- - ­<br />

3541 Gardi. La semplice, ovvero La virtu premiata (1798)<br />

---_.- ----~-~ -'~"~-- ----~ -~~ ... -­<br />

3542 Gardi. Tancredi (1795) <br />

3543 <br />

3544 <br />

3545 <br />

3546 <br />

, --­<br />

3547 Gardi. II contraveleno (1799)<br />

- . .<br />

3548 Gardi. La fata capricciosa (1789) <br />

3549 Gardi. II finto Stregone (1798) <br />

3550 <br />

3551 <br />

3552 <br />

3553 <br />

3554 <br />

_.. - - - - -----"- ~<br />

3555 Garcia (Spagnoletto). Die pfleg-tochter (transl. of La pupilla, 1755)<br />

.-- ., -- - ~<br />

-- - ­<br />

Gasparini 0 Ambleto (1705)<br />

..- . -­<br />

3557 Gasparini. L'amor generoso (1707)<br />

- . .<br />

3558 L'emor tirannico (1710)<br />

_.. -- _.­<br />

3559 Anfitrione (1707) CONT


-<br />

-~- -~--- ~~.-<br />

--------<br />

1109 - CON'T \ "'" I ( <br />

•<br />

3561<br />

3560 Gasparinio Amphytrion (1725 (with Joh. v. \'iich)<br />

Antioco (1705) <br />

--- -- - --<br />

3562 II Bapazet (1719)<br />

.. -- -_.. -~.~ ­<br />

3563 Democrito (1718)<br />

... _.<br />

3564 Engelberta (1708)<br />

_.<br />

3565 Gl'equivoci d'amore e d'innocenza (1723)<br />

.<br />

3566 La fede tradita e vendicata<br />

- .<br />

(1704)<br />

3567 La fede tradita e vendicata (1707, ivith Vignola)<br />

-- .. - --~- ----~."-<br />

3568 Flavio Anicio Olibrio (1723)<br />

.. -- - - - - --.. -~ --­<br />

3569 La. Fredegonda (1705)<br />

3570 Gli Imenei stabiliti dal caso (1703)<br />

•<br />


MICROFInl 1109A<br />

4116 Carl Heinrich Graun. Silla. 1753 <br />

•<br />

4117 <br />

Rode linCia , regina de'Longobardi. 1741 <br />

~<br />

4118 Christoph Graupner. Bellerophon. 1708 <br />

4119 Berenice e Lucilla. 1710 <br />

4120 L'amore ammalto. 1708 <br />

4121 <br />

La costanza vince l"nganno. 1719 <br />

4122 Dido, koenigin von Carthage. 1707 <br />

4123 II fido amico. 1708 <br />

• -, <br />

412~<br />

4125 <br />

4126 <br />

4127 <br />

9128 <br />

4129 <br />

4130 <br />

4131 <br />

4132 <br />

4133 <br />

4134 <br />

4135 <br />

4136 <br />

4137 <br />

41 38 <br />

4139 <br />

4140 <br />

4141 <br />

4142 <br />

4143 <br />

4144 <br />

4145 <br />

4146 <br />

4147 <br />

Antoine Fr~d~r:ic<br />

Gresnich. Les faux monnoyers. 1797 <br />

A E M Gr~tr,y. L'ami de la maison. 1772 <br />

Der Hausfreund. 1774 <br />

L'amiti~ A It~preuve. 1771 <br />

Die freudnschaft auf der probe. 1772 <br />

Ditto. 1780 <br />

Anacreon chez Polycrate. 1797 <br />

Andromaque. 1780 <br />

Aucassin et Nicolette. 1784 <br />

Ferdinand und Nicolette. 1787 <br />

La caravane du Caire. 1783 <br />

Graf Albert. 1798 <br />

Les deux avares. 1771 <br />

Das grab des Mufti. 1778 <br />

Die beiden geizigen. 1772 <br />

La double ~preuve, ou Colinette Ala cour. 1784 <br />


• ­ 4532 <br />

• <br />

HICROFIUI 1109B<br />

4515 HASSE.<br />

HASSE. Asteria. 1737 <br />

Atta10 re di Britania. 1739 <br />

4518 Atti1io Rego10. 1750 <br />

4519 Atti1io Rego10 1750 <br />

4520 I1 bevitore. 1747 <br />

4521 <br />

4522 <br />

4523 <br />

4524 <br />

4525 <br />

4526 <br />

4527 <br />

4528 <br />

4529 <br />

4530 <br />

4531 <br />

4533 <br />

4534 <br />

4535 <br />

4536 <br />

4537 <br />

4538 <br />

4539 <br />

Cajo Fabriciot 1735 and 1737 -<br />

Cajus Fabritius. 1734 <br />

Cajo Fabricio. 1766 <br />

I1 Ciro riconosciuto. 1752 <br />

La c1emenza di Tito. 1738 <br />

La c1emenza. 1744 <br />

La c1emenza. 1748 <br />

Don Tabarrano. 1737 <br />

Don Tabarrano. 1747 <br />

I1 Tabarano. 1749 <br />

I1 Demetrio. 1732 <br />

ditto. 1740 <br />

Demofoonte. 1748· <br />

La Didone abbandonata. 1742 <br />

Didone ~bbandonata.<br />

Egeria. 1764 <br />

Lteroe cinese. 1773 <br />

Ezio. 1755 <br />

176~ <br />


~ ~<br />

}IICROFIIJ.l 1109C<br />

4540 HASSE. La finaa tedesca. 1749<br />

4541 Galatea ed Acide. 1748<br />

•<br />

4542 LIIper.mestra. 1744<br />

4543 Ipermestra. 1751<br />

4544 Irene. 1738<br />

4545 Leucippo. 1747<br />

4546 Lucio Papirio. 1784 <br />

4547 La Uitteti. 1758 <br />

4548 Numa. 1743 <br />

--,-". -.<br />

4549 01impiade. 1756<br />

-----.<br />

4550 L'Olimpiade. 1765<br />

- . -- --.... -.~-- -- . - . ".~-... ­<br />

4551 Parlenope. 1757<br />

••ow •__~_._._____ .,,*"_.__. __ ..<br />

---<br />

4552 Partenope. 1775<br />

._------ ._._.. . --~,-. -- ~.- . - -~ --- - ._---_._...<br />

4553 Pbara:mwu]us. 1746 <br />

---<br />

4554 <br />

4555 Piramo e Tisbe. 1771 <br />

...-- .". - .. - ._- ..<br />

4556 I1 re pastore. 1755<br />

• >- ._._-_.. ­<br />

4557 I1 re pastore. 1770<br />

4558 I1 Ruggiero overo Meroies. gratitudine. 1771<br />

4559 Semiramide riconosciuta. 1745<br />

. . .<br />

4560 ditto. 1747 <br />

4561 Senocrita. 1737 <br />

,.. _-------.._---- ..- ­<br />

4562 Siree. 1763 <br />

4563 Solimano. 1753 <br />

4564 Solimano. 1754 <br />

II<br />

1\ u ,<br />

----_._----.--.. ---­<br />

•<br />

-~- ._--<br />

..__ .__ .•._..- .__ . ------­<br />

..•..<br />

. .-.._---- - ----_._----_ .•. __.- ----.... -.--.... ..-- -_•.._.. ...--_.--..-.._-­


HICROFILN 1109D <br />

!t~SSE. La spartans generosa avera Archidamia.<br />

4565 <br />

1747<br />

1+566 II trionfo di Clelia. 1762<br />

•<br />

4567 ditto. 1762<br />

4568 <br />

l;.569 II tutore. 1738<br />

l~570<br />

II tutore e la pupilla. 1747<br />

4571 <br />

Semiramide riconosicuta. 1760<br />

1~572<br />

4573 Cleofide. 1777<br />

4574 II Demofoonte. 1765<br />

4575 Arminio. 1730<br />

4576 Artaserse. 1730<br />

4577 Dalisa. 1730<br />

4578 Cleonice. 1740<br />

- 4579 Eurimedonte e Timocleone. 1746<br />

4580 Euristeo. 1732 <br />

4581 Viriate. 1739 <br />

4582 Benoffonte. 1749 <br />

•<br />

L~58:; Pandolfo.<br />

-...<br />

1739<br />

4584 Tigrane. 1745 <br />

4585 Demetrio. 1748 <br />

4586 Catone in Utica. 1732 <br />

4587 Siroe. 1736 <br />

4588 II capitan Galmppo. 1741 <br />

4589 Romolo ed Ersilea. 1765 <br />

4590 Artaserse. 1765 <br />

4591 Leucippo. 1749 <br />

4592 Siroe. 176:; <br />

4593 Alesaandro nell'indie. 1743 <br />

•<br />

4594 <br />

4595 <br />

4596 <br />

4597 <br />

4598 <br />

4599 <br />

4600 <br />

4601 <br />

4602 <br />

4603 <br />

4604 <br />

i I ....... <br />

I <br />

/<br />

"./


HICi:10FILH 1110<br />

4815 <br />

4816 -­<br />

4817· <br />

e- 4818­<br />

4819- -­<br />

e<br />

.­<br />

l}851<br />

4820 <br />

4822 <br />

4823 -<br />

4824- ----- -­<br />

4825-­<br />

4826--­<br />

G827<br />

4828<br />

4829<br />

4830- .<br />

4831--------­<br />

­<br />

--.-- --.<br />

482t­<br />

4832­<br />

4834 _. Insaliguinef; Merop-e--(1773;-­<br />

4835 - Insanguine~Montezuma (1780)<br />

-#836--msahguine;--r1edonte (1779) .._--- ----------------- ------­<br />

4S3r-Insanguine.La-finia semplice (1773)<br />

1+83S--- Insanguine; Eumene (1778) - ­<br />

4839--·- Ins-anguine. Calipso (1782)<br />

4840 Insanguine~La vedova capricciosa (1765r<br />

4841- . Jommell1: o --Alessandro nell'tndie-Ale-cander in Indien (1760) .<br />

4842 --Armida abbandonata (1780)<br />

4843 - ArtaserseArtaxerxes (1756)<br />

4844 -- -Attilio Regolo (1753)<br />

4845­<br />

4846- - Jommelli. Cajus Fabricius (1760) (\vi th Colla)<br />

4847-- -Catone in Utica-Der Cato-in Utica (1754)<br />

4848----- . Cesare in Egitto (1751)<br />

4849"- Clemenza di Tito-Die mildigkeit des Titus (1753)­<br />

4850-­ II Demetrio (1753)--- ----­<br />

Demetrius (1753) <br />

ll-852<br />

--- Demofoonte (17 6l~ ) <br />

4853<br />

Demofoonte-' (1775)<br />

4854-- -La Didone- abbandonata- (1751)<br />

4855 -- - La: Di-domr -abbandonata (176lj)


4857-.<br />

•<br />

•<br />

l'7I;:;!tOIU: 1111 <br />

4856 Jommelli. L'Endimione (1759) <br />

Ezio (1741J_ <br />

4858 . Ezio (1758). <br />

4859 .. Fetonte .(1769J..-.­<br />

. 4860_. ________FatantEL-( 1768 ).. __.<br />

4861.._ . Ifigenia in..Aulide(1753) 9with Traetta) __ ....<br />

. 4862.. _____-L!.Ifigenia_(176.6l- _._ ____ ... _____.<br />

486) L.!isola disabitata.(1761)<br />

4864 __.. _ . __....ILmatrimonio per .concorso (1768)<br />

4865 j·Iexop.e (17 '±2 }<br />

_ 4866 ...<br />

.l1erope (1749) _. <br />

4861 L'Olimpiada. ( 1761) . <br />

4868_ . ____ La pastorella illustre (1763)_ <br />

4869Pelope (1755)-- _ _ __ <br />

4870 Se,;;j ramj de. (1762) <br />

. 4871. . __.. Sofonisba .( 17.46) _. <br />

4a72__ Il. trionfo....d '.amor_(1.16 3) ____ _ <br />

4873- L'ucaellatrice .(1750)... _. <br />

.4874_ _. ILmatto. ])on Narciao _(1762) . <br />

4875 . L 'amore in_maachera (1748) <br />

4876_- ____-<br />

..cerera.-Placata ...(1.1.12.)._. __.._. <br />

4877 - .. .- II Vologeso... (11.6g.). __<br />

4878 .. ____.... :Bajazet_(1754)_ .. _.. <br />

4879 Ciro ..ridonosciuto .. (1.141/-). <br />

4880 . Semiramide (1743) <br />

. 4881 _ ... Tito Nanlio .(11l~3). _ . <br />

4882 II ~on Trastullo{1762) <br />

4883 Iltrionfo dL.Clelia. (177/t-). <br />

J~884_.<br />

La. clemenza di ...Tito (1771) . <br />

.4885 L'Olimpiade (1174.).. ... __<br />

1..886. La. pastorella...illustre .(1773~<br />

4887._ .<br />

4888<br />

..L'accademia. dimusica_e. La .. conversazione.(11-75)<br />

.l~889 . Jo;nmellioXli 18 .aVYentu.:re_.di.Cleomede _(1772) ..... .<br />

4890 .. Ifigenia..in.l'auride. (1776).____ ..__.___.<br />

•<br />

4891<br />

La I'lltteti (1770)<br />

.CONT _


4894<br />

•<br />

t:ICRO.FIUI 1111-COHT <br />

4892 Jomoelli. Semiramide (1771) <br />

4893 Enea ncl Lazio (1767) <br />

Ezio ('1772)<br />

- _. _. _. --­<br />

4895 L'Endimione (1780)<br />

4896 Cajo Hario (1761)<br />

4897 II cacciatore deluso (1771)<br />

-.. - -- --- -- - _._.<br />

4898 La schiava liberata (1770)<br />

4~99 Alessandro nell'Indie (1776)<br />

- - . - --- ..<br />

4900 Tito Manlio (1746) (with Zanetti)<br />

• <br />


\ \~. <br />

• <br />

• <br />


-.--~-.<br />

5396 <br />

5397 <br />

5398 <br />

.~_ - 5399<br />

5l~00<br />

5401 <br />

5402 <br />

5403 <br />

5404 <br />

----- --- -----------.-- ._----- "-- -----------------­<br />

•<br />

5414<br />

•<br />

5431<br />

5407 <br />

5408 <br />

5409 <br />

5410 <br />

5411 <br />

5412 <br />

"--- - -- ---~--.--- - ----- .- ----~-.---- -------- - ------------. "_.---- - --­<br />

5l~13<br />

._-- - .- --- - - --_.- --- - -- -- - - -- -. ---- +------- _. -- -- ---- -- - -­<br />

5415 Lange. List und ungefaehr (1793)<br />

5416<br />

5417 <br />

5418 <br />

.... -­<br />

5l~19<br />

5420 <br />

5421 <br />

5422 <br />

5423 <br />

5424 <br />

5425 <br />

--<br />

5426 <br />

5427<br />

5428<br />

5429<br />

5430<br />

Lapiso La generosit~ di Tiberio (1729) with Cordans<br />

5432<br />

5433 CONT<br />

- -" - _.-_ .. _-­


I:::CJO:ILN 1112 - com'<br />

t / t<br />

I<br />

•<br />

51;-36<br />

La Ruette. L'yvrogne corrige (1759)<br />

La Ruette. Cendrillon- (1159)­<br />

5437 -. ---- La. -fausse'Clventuriere (1757)'<br />

- 5438 --- ,----- -Le--medecin- de-j:'amour(1758)<br />

5439 -Le-Guy de Chesne (1763)-- - ­<br />

5441 <br />

5442 -- Latilla.. L'arnoreartigiano (1761)-' <br />

5443---- _·----·-Danimr--transl-.-of above (1762)' <br />

5444 ----Amore'in tarantola (1750Y­<br />

5445 La finta-cameriera. (1743)' <br />

5446 GI 'inpostorl-(1751 )-­<br />

sLf.47 Uadama- Ciana (1744-)- -­<br />

5448 Ciana-(1749}<br />

•<br />

5449 . L'01i~piade-(1752)<br />

-I;'opera1n prova alIa moda- La repetition ordihn.ire de I 'opera.­<br />

"followed by' Urganostoctor (1753 )-­<br />


:·;I0r~:ILI: 1112,A<br />

Siroe. 1755 <br />

L'Ott


1112.A - 2<br />

5498<br />

9r~9<br />

• <br />

i<br />

.1


_______ • _ w _. __~ ••<br />

-<br />

_.<br />

.-<br />

•<br />

5567<br />

--<br />

5531 <br />

5532 Legrenzi. L'Acb~lle in Sciro \1663) <br />

-.-~ --- . ----<br />

5533 Antioco il Grande (1681) <br />

. - - -'--'-" --­<br />

5534 La divitmone del mondo (1G75)<br />

-- - _.. .-" ._-- .-. - ,._­<br />

5535 Eteocle e Polinice (1675)<br />

-- -~ -.----.- --- --_.... ~ ~- ,<br />

5536 Germnnico suI Reno (1676)<br />

~"' .---~<br />

5537 Ottaviano Cee. Augusto (1682)<br />

5538 Pub.<br />

Elio Pertinace (1684)<br />

.~-.-" --. - ~<br />

--~ ..<br />

5539 Tiridate (1668)<br />

- - .__._-- .--.-~----.--<br />

..~ .- --~<br />

5540 Adone in Cipro (1676)<br />

5541 L'anarchia dell'imperio (1684)<br />

5542 II Creso (1681)<br />

5543 I due Cesari (1683)<br />

5544 Giustino (1683)<br />

-- -~- ---­<br />

5545 Lisimaco riamato da Alessandro (1682)<br />

. -- - -- - - -_... -. <br />

5546 Il Pausania (1682) <br />

5547<br />

---,-­<br />

Totila (1677)<br />

~<br />

5548 ­<br />

5549<br />

5550<br />

- - -<br />

5551 Lenzi. Li tre Eugeni (1778)<br />

-- ----------- ~- - -_._----- --­<br />

5552 Leo. Argeno (1728)<br />

-~. - ---.-~ --.-.­<br />

5553 La clemenza di Tito (1735)<br />

__ _ _. __ _4. ~___<br />

'.-<br />

_ ..<br />

..<br />

5554 Die listige witwe (La vedova ingegnosa) (1747)<br />

- ---- - -_ ..- .- -- --~-- ­<br />

5555 Sofonisba (1718)<br />

- - . ­<br />

5556 LIAndromaca (1742)<br />

-- . ... - ­<br />

5557 Catone in Utica (1729)<br />

5558 L1impresario dell'isole Canarie (1747)<br />

5559 Germ transl of above (1748)<br />

.---- - - .­<br />

5560 Timocrate<br />

_.<br />

(1723)<br />

...- - -.<br />

5561 Il giramondo (1749)<br />

-<br />

5562 Vologeso re de'Parti (1744)<br />

5563 <br />

5564­<br />

-­<br />

5565<br />

::568<br />

5569<br />

5570<br />

5571 <br />

5572


•<br />

5632<br />

5633<br />

5634­<br />

-5635 - ­<br />

5636 ­<br />

5637---- --- - --- ---- ------ -- ----­<br />

-5638<br />

5631<br />

5640­<br />

5641­<br />

5642<br />

5643<br />

5611-4<br />

•<br />

5649<br />

•<br />

5666<br />

56l~5<br />

56 l t6 <br />

56lq--- ---- ------­<br />

"5648-­<br />

5650 <br />

5651------------­<br />

5652- - ­<br />

5653 <br />

5654 <br />

5655 <br />

5656­<br />

5657 <br />

5658 ­<br />

5659 <br />

5660 <br />

5661 <br />

5662-­<br />

5663--­<br />

5664 ---­<br />

5665 ­<br />

5667<br />

5668<br />

5669 <br />

CONT


,~ --<br />

e.<br />

5670<br />

5671<br />

5672<br />

...<br />

5673<br />

5674<br />

5675<br />

5676<br />

5677<br />

5678<br />

+~ ---"-~--"<br />

5679<br />

5680<br />

5681<br />

5tI<br />

Logroscinoo La gelosia (1765)<br />

. Don P~duano (1745)<br />

-_.- - _.


.­<br />

::i: :"':ROFILM 1115<br />

5682 Lonati. L'Ajace (1697) with Hagni<br />

5683 Longarini. La donna ne sa piu del diavolo (1797)<br />

5684 Lorazi. Der kapellmeister (1781)<br />

5685<br />

5686<br />

5687 <br />

5688 <br />

- -_.._---­<br />

5689 <br />

5690 <br />

5691 <br />

5692<br />

5693<br />

.-<br />

5717<br />

... - -.-. - .~.<br />

5695<br />

....<br />

5696 <br />

5697 <br />

5698 <br />

5699 <br />

5700 <br />

5701 <br />

---"'"<br />

5702 <br />

--------.--- ------~~.------ .--- - -~. ~~ .__ . _ ..<br />

5703 <br />

5704 <br />

5705<br />

5706<br />

5707 Lotti. Gl'odi delusi dal sangue (1718)<br />

- ..__ ...<br />

5708 Policioro (1714)<br />

5709 Teuzzone (1707)<br />

5710 II tradimento traditor di se stesso (1711)<br />

--.. - -" - - .- . .<br />

5711 Porsenna (17 13)<br />

5712 Artaserse (1713)<br />

- -- --_._...-- .-.-.- -. .... -_... .­<br />

5713 Ac~iIle placato (1707)<br />

5714 Alessandro Severo (1717)<br />

• _N___ '_'~<br />

_ ••_.______ __ " -.__ "'_" - __••_._ .'_<br />

5715 AIDa piu chi men si crede (1709)<br />

5716 II comando non inteso, et ubbidito (1709)<br />

5718<br />

Foca Superbo (1716)<br />

- - -. - - - .--.. -. ­<br />

La forza del sangue (1711)<br />

CONT


•<br />

5883<br />

:·:ICROFII1·1 1115A <br />

NiI.nelli. La maga fulminant,::. 1644­<br />

51389 1...'1. ]ilo ovvero Giunone repacificata. 1060<br />

5690 L'Alcato. 16l~2<br />

5891 I sei GiGli. 1660<br />

5892 Vincenzo Nanfredini•. Artaserse. 1772<br />

5893 ArL~c~. 1771<br />

5894<br />

5895<br />

5896<br />

5897<br />

5898<br />

5899<br />

5900<br />

5~01 Gennaro Hanna. Didone ab:1andona to.. 1751<br />

5902 Siroe. 1743<br />

5903 Demo.foonte. 175 1 +<br />

5904<br />

5905<br />

5906<br />

5907<br />

5908<br />

5909<br />

5910<br />

5911<br />

5912<br />

5913<br />

59111­<br />

5915<br />

5916 Luigi Hanza. Ale::;sandro in Susa. 1708<br />

5917 Paride in Ida. 1706<br />

5918<br />

5919 Hp...rin lIarais. Al:::ione. 1710<br />

5920 j~iadne et Bacchus. 1703<br />

59~1 S&mfile. 1710<br />

• 5922<br />

593 I:arco j·hrazzoli. Gli amori di Giasone .e rllIsifile. 1642<br />

5924


•<br />

5721<br />

5719 Lotti. Giove in Argo (1717) <br />

5720 Irene augusta (1713)<br />

<br />

5723 <br />

5724 <br />

5725- ­<br />

5727-­<br />

5722­<br />

5726­<br />

Isaciu-ti-ranno(17101­<br />

----- -Sidunio- (1706) <br />

------Teof'ane--(1719)-­<br />

------ ----li:- -trlonf'o--dell-a-innocenza;-(1692) -­<br />

----- - -Id: quattro- elementi -(1719 )<br />

- --- -Ir-v±ncttor gene-rOBO -{1708-;------ -------- -- ..----­<br />

-- - L'inganno -vinto dalle ragione (1708)<br />

\ L-'J. <br />

• <br />


'2..&.<br />

•<br />

5925<br />

5926<br />

5927<br />

5928<br />

5929<br />

5930<br />

5931<br />

5932<br />

5933<br />

5934<br />

5935<br />

5936 Giovanni Ha.ria Uarchi. La generositAo politica. !7~6<br />

5937 . La clemenza di Tito·. 1738<br />

5938<br />

5940<br />

• ~


"'r"!1"1<br />

0..;0 ...<br />

6062<br />

G063<br />

GiOV8...'1ui . • La di~Jfatt::.. di Daria. 177!~ <br />

Vincenza Ec.sini. Ces::"!"G ::..1 Rt1.bicai.C. 1725 <br />

•<br />

6no:;<br />

6065<br />

6061;)<br />

6067<br />

6068<br />

6069<br />

6070<br />

6071.<br />

6072<br />

6073<br />

6074<br />

6075<br />

6076<br />

6077<br />

6078·<br />

6079<br />

6080<br />

6031<br />

6082<br />

GOG3<br />

6004<br />

G085<br />

6086<br />

6087<br />

GOBS<br />

6069<br />

r;o~.y)9<br />

G091<br />

6092<br />

6093<br />

609 1 7<br />

~./-'<br />

GO]6<br />

Giovan~1i :2attista l-In.stini. L'amo!" fr8. gl'irrpassibili. 1727


.,<br />

~<br />

5099<br />

.6097 <br />

6098 <br />

<br />

610e <br />

6101 <br />

6102 <br />

C10) <br />

6104 <br />

6105 <br />

6106 <br />

6107 <br />

610S <br />

6109 <br />

Je.::m :Sapti:~teI:atho. Arion. 1720<br />

Joha.."L'1 Eatthe,son. Die geheinen begebe}"lJl.eiten Henrico IV. 1711 <br />

Die betrogene daats-liebe, oJ.er, die ur..glueckselige Cleopatra. 1704 <br />

l.ndrea. !·Iattioli. Dic.one. 1656 <br />

Perseo. 1665 <br />

. .<br />

La palma d1arnore. 1650 <br />

La filIi di TTacia. 1664 <br />

L1esiglio d1amore. 1651 <br />

""•<br />

&<br />


••<br />

•<br />

372j<br />

1'~ICrtOFILH I~ l6<br />

7705 <br />

7106 <br />

. 7707 __<br />

7708_<br />

__ 7709__<br />

_7710_ .<br />

77.11.__ Palellao JLchimicCL(.17.!i-2)_ ._____ . ___.__._.______.___. <br />

7712._ _ L!incanti. per aIlore.-. 1741 _....._ __ __.__ <br />

7713_ _ _Origile•. 1744. wi th .others .. -_ - - ___~..__.__. <br />

77J4_ ... Pallavicini_(Vinc£nzo)...Lo_spe.ziale. 1755•. with Fischictti <br />

__ 7115__ ._______ L.cLs..,peziale-Der apotheker•.1755 ..<br />

.___-1716_ CarlCL Pallavicino.L '~'Una.zOllfL.corsara, overo 1 'Alvilda.. -1686--__..<br />

._77H. __ L.e.. Amazon:L nell.!isole...fortunate. 1679.·- --. __. _.<br />

.1718_.___<br />

Amore inamorato. 1686__<br />

.. 7719 L!Aureliano.16.6~ . <br />

7720 Bassiano, .overo.I~ maggior impossibile. 1682 <br />

772L __ Dio.cletiano .._1685. _. .. ' __ " <br />

.7722 ____ Elmi.ro..,..re.di Corinto.. 1686 . <br />

___ __ mea_in. Italia.. 167-5 _. __. . -­<br />

7724- Galieno.•.1676 ... <br />

_17~_.__... __.La.-..Gie.rusalernme ] j aerata. 1681-.­<br />

.... 7726.....___. . Licinio. imperatore.... 1684 <br />

.77.2.1._.. _~.._._'_ !1assimO-Puppieno. •. 1685 <br />

_.___ 7128 __ ..____<br />

Hessalina•. 1680 <br />

7729 _ .... Il Nerone.. 167;1... <br />

773Q_.___Yenelo.p.e la casta•. 1.685. <br />

7731. . __ Ricimero re di Vandalia 1684 <br />

7732 II Vaspasiano. 1678 <br />

7733 'iarlo..re_d '.Italia.1682.. <br />

7134.. Il..re .infante ... 168} . <br />

._.7735.. .__ II Demetrio,,- 1666_<br />

_ 773.9_..__._<br />

. La Didone .. delirant.e.... 1686 _____<br />

..77.37. . Il ...tinmno humiliato d' amore, avera II l:Ieraspe •. 1667· .<br />

.. 7738<br />

_7.733.. __.. _.. ___<br />

7740<br />

• 77l~~ _ PalI:1El o La .finta matta. 1789.


!:I~::OIll: 1116 - cc:r2:'<br />

7742<br />

.­<br />

7743<br />

7744.-­<br />

7745<br />

7746' -_. Palma..···Gli-ronantt-ridicoli.;··'1797·_··-­<br />

7747- - --.-.. Gli-'a.ma:nti- della dote. 1794-·<br />

7740 -- ·---~--chi-ma.T"r"{l-lM:r-'aS1Jetti, -·ovvero-Lo'··scoc-ca;toresms:schera to;-1792"­<br />

77 4 9.. - -- ..._. - ... <br />

. -'7750·-~- ­<br />

- 7751--- .. Palomino 0 II ritorno·di Ast·rea·-in terra. 1785 <br />

7752 Pampani';- Demof4:ionte-;·-1764­<br />

7753 -Pampino-; Art"aserse- Longir.1BJlo. 1737-··­<br />

•<br />


---..--~.. ­<br />

~<br />

•<br />

7861<br />

•<br />

7878<br />

•<br />

7894<br />

:'::~..OIl.J:': 1117<br />

7859 ~;ellegrini. A;r!lor tiranno. 1649 (:Jonenico iellebirli)<br />

'7860 Pietro Pellegrini. Cireneo 17~2<br />

7862<br />

7863<br />

7864 Pepusch. The beggar's opera. 1777<br />

7865 Polly. 1777<br />

7866<br />

7867<br />

-<br />

7868 <br />

7669 <br />

7870 <br />

7871 <br />

7872 <br />

" - -.-- - - ~ "-- - ­<br />

7873 Perez. Lucio Vero. 1754<br />

7874 l'Ierope. 1750<br />

7875 La Semiramide riconosciuta. 1765<br />

7876 Demetrio. 1751<br />

. --- -_.- ------ -.-. - -"-­<br />

7877 Solimano. 1768<br />

~. 17510 Furnace<br />

7879 La Berenice. 1762<br />

.__._-----­<br />

7880 Creusa in Delfo. 1774<br />

7881 L1eroe coronato. 1775<br />

7882 Alessandro nell'Indie. 1755<br />

7883<br />

7884<br />

7885<br />

7886<br />

7887<br />

7688<br />

7889<br />

7890<br />

7891 -~~~ I.,{ .f~G-P~)·~


I·:!CIiOFILI~<br />

1117 - CON'l.'<br />

j


•<br />

8030<br />

--<br />

8029 Philidor. Tom Jones (1718)<br />

dto<br />

8031 dto<br />

8032 dto<br />

- ,-"-..,---... -~- ------------ - - ­<br />

8033<br />

Helide ou Le navigateur. 1714<br />

- -­<br />

8034 Helide oder Der schiffer. 1118<br />

8035 dto<br />

8036 L'Huitre et les plaisirs ou Le tribunal de la chicane. 1161<br />

8031<br />

8038<br />

8039<br />

•<br />

~<br />

-- - - -- ...--- --­<br />

8041 <br />

8042 <br />

8043 <br />

8044 <br />

8045 <br />

-..-,,--.. ~ <br />

80lt6<br />

.- ----------------- -- ..- --- ---- - ­<br />

8041 <br />

8048 <br />

8049 <br />

8050 <br />

8051 <br />

8052 <br />

8053 <br />

8054 <br />

8055 <br />

8056 <br />

8051 <br />

8058 <br />

8059<br />

8060<br />

- -<br />

8061<br />

8062 Luigi Piccinni. L'amante statua. 1194<br />

8063<br />

-~ --. - ---- - ­<br />

~riccolo Piccinni. L'runa.'1te ridicolo deluso. 1163<br />

8064 L'AmericanO g 1119<br />

- .<br />

8065<br />

Der Amerikaner. 1191<br />

-<br />

8066<br />

L'astratto ovvero II giocator fortunato. 1172<br />

8066a dto. 1773 CONT


\ 71..1­<br />

- \ I<br />

8067 IT Piccinr.i. Atys. 1780 <br />

• 806s <br />

11 barone di Torreforte o 1766 <br />

8069 <br />

La bella veritil <br />

8070 <br />

8071 <br />

8072 <br />

- . <br />

8073 <br />

dto 1771 <br />

8074 <br />

--<br />

dto<br />

----<br />

1781<br />

- ---- -- . <br />

8075 <br />

dto 1783 <br />

8076 <br />

dto 1791 <br />

8077 <br />

La capricciosa 1776 <br />

8078 <br />

Catone in Utica. 1770 <br />

La buona figliuola. 1768 <br />

- --. '- ---- . <br />

dto 1770 <br />

.. _- .. -.­<br />

dto. !J69 __ .__ <br />

•<br />


•<br />

8271~<br />

I:rCROFILH 1119<br />

8~69 C F Pollaroli. L'Allna:nsore i:1 Alinena. 1703<br />

8~70 Am~~, ~egina de'Sarmati. 1694<br />

___~~<br />

_f..mor_e _d.over. _169} <br />

8272 _____ . ______ .Ario_dante_e 1716. _ _~ <br />

8273_ ______L'ArminiOL.172Z_____ _<br />

6274_ __ Ascanioe 1.702. __<br />

_ 82}5__. ___ ~___Gli aV!Lenimenti__d'Erminia e dL_Clorinda._:3cpra il_Tas.so L. 169.3__<br />

8276_ __ _ .Catone Uticense. 1701.._<br />

8277~ .. ILcolore ..fit la regina. 1700<br />

8278_ _ .. _.Il __Co.stantino.a_1710<br />

8279_. _.. _______ILDafni ___.1JQ5_<br />

8280 ___ ... ____ __Il_deliri.Q_ comune, perla incostanza de'genii. 1701._.__.____ .. _<br />

8281___ __ Il_.demon~_amante, overo Giugurtaa 168.6<br />

_ 8282_. ___..<br />

L'enigma. disciolto. 1708 <br />

8283 ... GEo.mici riYali •. 1714_ _ <br />

6284 Ercole _in ciel0. 1696_ <br />

_ .8285____<br />

____ ._ Il_falso.---Tiberino .. __ 1708. _ <br />

8286 _______ Faramondo. __1699___ _ <br />

8267 _____________Farnace. _1118_ _ _ <br />

• _ _ 8288 ___ La fede.ne tradinentio 1705<br />

•<br />

8304<br />

_____8Z.8L______F'i..lipp~della_ Greciae __ 1706 ___<br />

___ 8290_ ____ Flano_ Eer_taridCLre de Longobardio 1706<br />

8291._ ____ _____ La_f_or...t:una.Rer_dotee 1704. <br />

1"­<br />

_ 823~ _________ La foiza dtamore. 1697<br />

. .8293 . La,. forzs, __ della _virtu. _.1693 <br />

8294 .. II. Qermanico. 17..16___ <br />

8295 II giornQ.di notte. 1704 <br />

8296 L~Ibr~im_sultanoQ_ 1692 <br />

8297 _____._ Gl' inga.rull_ felici __ 1696_ <br />

_8298 .. . L'Jnnocenza. __ riconosciutae_1717__ . <br />

8299____ _<br />

_Irene.•.1695_ <br />

830.0 ___ .. __II Lir,urgo~-overoIl cieco d'acuta vista. 1686<br />

8301_ ..< TJucio.Yero. 1700<br />

.8302 ._ l1arsia _.deluso .. 171~_ <br />

8303 ____ I1arzio_CQriolano... 1698_ <br />

L'odio e I t amor. 1703<br />

emIT


•<br />

8306<br />

•<br />

-<br />

~:ICRC:rIL!l 1119 - CO:;T I.-'::'JG I<br />

5305 ~. <br />

C F PolIaroli4 Onorio in.Roma. 1692 <br />

L'Oreste in Sparta. 1697 <br />

8307 - Ottone" 1694 <br />

8308 La pace fra Tolomeo e SeIeuco. 1691 <br />

8309 II Seleuco. 1693 <br />

8310 II pastore d'Anfriso. 169~ ___ <br />

8311 1e pazzie.degl'amanti. 1712 <br />

8312 Peribea in Salamina. 17.12 <br />

8313 Publio Cornelio Scipione. 1712 <br />

8314 I regii eq~voci. 1697 <br />

8315 II ripudio d'Ottavia. 1699 <br />

8316 Rosimonda. 1696 <br />

8317· La schiavitu fortunata•. 1694 <br />

8318 Semiramide. 1714­<br />

8319 ~~.~7_~5<br />

8320 _ Spurio Postmmioo 1712 <br />

8321 Y£iifrl~J~ Tito Uanlio. 1696 __ <br />

---08322-· --_ Venc.eslao...--UO...... 3___ <br />

...----..----------_._---_.__... __ ..<br />


•<br />

8325<br />

•<br />

•<br />

8358<br />

~:I;;ROFILH<br />

U20<br />

8;393 C F Polln.roli. Iole, regina G.i Kapoli. 1692<br />

8324 Circe abbandonata da UliJseo 1697<br />

FaraJ!londo. 1699<br />

8326 L'imfedelta punitao 1712. with Lotti<br />

8327<br />

8328<br />

8329<br />

-.- -_.­<br />

8330 <br />

8531 <br />

8332 <br />

8333 <br />

.­<br />

8334 <br />

8335 <br />

8336 <br />

8337 <br />

8338 <br />

8339 <br />

8340 <br />

83 1 1-1 <br />

8342 <br />

8345 <br />

8346 <br />

8347 <br />

8348 <br />

8349<br />

8350 <br />

8351 <br />

8352 <br />

8353 <br />

8354 Ponzo. Demetrio. 1762<br />

8355 j\.rtaserse. 1761<br />

8356 Porfiri. Zenocrate ambasciatore n'Hacedonia. 1687<br />

8357 Porpora. Fmlandro. 1747<br />

8359<br />

Ge~~ico in Gernania. 1732<br />

ILleneo in Atene. 1726<br />

CONT


--_.-<br />

__ ~7<br />

--<br />

•<br />

8362<br />

•<br />

s360 or:;)oro.. iiosbale. 1737<br />

8361 Semiramide riconosciuta. 1729<br />

Siface. 1726<br />

8363 Syphruco 1727<br />

8364 Statira. 1742<br />

8365 Ger tr of Didone abbandonata. 1731. rec by Tele~nnn<br />

- -<br />

8366 Eumene. 1721<br />

8367<br />

8368 orporao Annibale. 1731<br />

8369 AriAnna e Teseo. 1727<br />

8370 Ezio. 1728<br />

83~1 Lucio Papirioo 1737<br />

8372 I1eride e Selinunte. 1726<br />

8373 Uitridate. 1730<br />

8374 Le nozze d'El'cole e d'Ebeo 1744<br />

8375 Tamerlano. 1730 <br />

8376 Adelaide. 1723 <br />

_. ~ - . -. - ._- ~-. .._-- _.- -..~---~<br />

8377 Porsile. Spartaco. 1726 <br />

8378 Porta. Dorici~a ripudiata da Creso. 1729 <br />

8379<br />

-~~ -~.- ---­<br />

Farnace. 1740 ­<br />

8380 Ifigenia in Aulide. 1738 <br />

-------<br />

8381 Ger transl of N~itore. 1724<br />

8332 II trionio di Flavio mlibrioo 1726<br />

8383 Aldiso. 1726<br />

-<br />

8384 Nel perdono 1


•<br />

9359<br />

9557 <br />

9358 <br />

9360<br />

9361<br />

~ - -. - --.------.-.~ .<br />

•<br />

9376<br />

•<br />

"939f<br />

9363 <br />

"9364­<br />

·9365 ­<br />

9366 <br />

9367<br />

-9369<br />

9370<br />

- -~ -_ .. - .-----.-~ ~<br />

9371 Sander. Don Sylvia von Rasalva. 1795<br />

9372 Di"eregata: zu Venedig. 1795<br />

9373<br />

9374"<br />

-- ~~-. ,­<br />

9375<br />

9377<br />

9378<br />

9379<br />

9380<br />

9381<br />

9382<br />

9383<br />

9384- _ .. "<br />

9385 <br />

9386 <br />

9387 <br />

9388 <br />

9389 <br />

9390 <br />

9391 <br />

9392 <br />

.-. -- . ._­<br />

Santi. II marito indolento. 1778<br />

- " -<br />

9394 La sposa bizzarra. 1781 CONT


•<br />

'3397<br />

•<br />

~95 Santos, 3rcole suI Tago. 1785<br />

9596 Gli orti Esperidi. 1764<br />

II palladio conservato. 1771<br />

9398 Ati e Gangaride. 1779<br />

9399 Palmira di Tebe<br />

9400 <br />

9401 <br />

9402 <br />

9 L 03<br />

99G5<br />

9 h 06<br />

9~·07<br />

9it.08<br />

9409<br />

94 10<br />

9411 Sarro. Lti~presario. 1737<br />

9412 Alessandro Severo. 1719<br />

Armida al c~po. 1718<br />

Arsace. 1718<br />

La fede ne'tradi~enti. 1718<br />

9416<br />

_. . ­<br />

9't17 Sarro. Candaule re di Lidia. 1706<br />

9418<br />

9419 Sarro. La Rosaura. -. 1736<br />

9420<br />

..<br />

Siroe, re di Persia. 1727<br />

9421 Barillotto. 1712<br />

9422 Didone abbandonata. 1730<br />

9423 G Sarti. Aglae eller Stphten. 1774<br />


•<br />

..<br />

)~'5)<br />

9/:-24 CiusC;lpe ~a~~~ti. illes;;and.rQ e Tir::o teo • 1782 <br />

<br />

5 <br />

9!~26<br />

)!,27<br />

9L~2e<br />

9 f !- 30<br />

9431 <br />

9432 <br />

9'+33 <br />

9434 <br />

9435 <br />

9 / +36<br />

9437 <br />

9438 <br />

9439 <br />

9440 <br />

94l!-1<br />

9442 <br />

9443 <br />

9441+ <br />

·9445 <br />

9446 <br />

9447 <br />

9!t48 <br />

9h49<br />

9 i "58<br />

9451 <br />

9452 <br />

9453 <br />

9454 <br />

9!.;-55 <br />

9456 <br />

9457 <br />

9[1-53 <br />

9 L f61<br />

9 l .;.G5<br />

Astreu pl~cata.<br />

Cesare in <br />

Cleomene. 1789 <br />

1760 <br />

I contrattenpi. 17 iT1 <br />

I contratGl'7lpi. 1781 <br />

Gli equivoci svelati. 1786 <br />

Didone aot~ndonata. 1762 <br />

.<br />

I fin-~i eredi. 1785 <br />

ditto. 1787 <br />

Le gelosie vi11ane. 1784 <br />

ditto. 1778 <br />

ditto. 1791 <br />

Giulio Sabino. 1781 <br />

elitto. 1785 <br />

ditto. 1781 <br />

ditto. 1788 <br />

ditto. 1785 <br />

L'Ida.lide. 1788 <br />

I1 gran Tanerlano. 1764 <br />

Kierlighe(ls-brevene. 1774 <br />

r:edonte. 1783 <br />

II militare bizzal~. 1778 <br />

I~tridnte a Sinope. 1779 <br />

II Iiarciso. 1763 <br />

II naufragio di Cipro. 1764 <br />

La !Iitteti. 1761 <br />

I p~'etendenti (1e1'.181. 1782 <br />

Pra i cue liticnnti il terzo gode. 1795 <br />

1p. nczze di Jorina. 1796 <br />

I due liticanti. 1792 <br />

ra i due litiganti••• 1784 <br />

Jer fischer in trJeben. 1785 <br />

.in trueben••• 1785 <br />

In trueben ••• 1786 <br />

eli-t to. 17 87 9462. d~tto. 1795 <br />

Se3ir~mide.<br />

1762


•<br />

_9465<br />

9 LL 64 G Sarti. Siroe o 1780<br />

V:ologesoo --.1765__ <br />

jLr66 __ _Jl__ r~pSlsto_re.J751_ <br />

946_7_ I _finti_gr~9ci. 1794 <br />

9468<br />

. __ Fra _i.Jiue_litiganti -.il._terzo go_d.e. 1793 __.<br />

~99 uLgiardinicra .brilla-nte. 1773_<br />

3~~O.__ . ________ :Im'JC'il&:'1ftjIDDCil1f'fi~#x:wrl'iawi1[ril\{~"'iew__ Adriano<br />

94rp1<br />

91,.72. Attalo _re di Bitinia. 1783. <br />

9473 ___ . - Farnac.e. J776._ <br />

9414_.________ Soipione.•. lTlJ3. <br />

9475 . __. ___.La_lIi t_t~ti. 1765 <br />

94.76. S~rni:rar:.rlde_•.._l16e_.____ _<br />

9471.___ __ .Ldei_d~l.rna.re._<br />

1776.. <br />

II..trionfo _della pace. 1781_._ <br />

Julius Sabinus. 1791 <br />

9h8Q_ .ASart_oriJl _Gl~ar.Jo);'L lnfr1lttosi _di Eirro Q<br />

9':1-81. _______ . _<br />

1_ d1JQ_ tiranni.. a.l~oglip._ 167SL <br />

1661 <br />

9482 L' EJ;rnengarda regina .de ' LonGObard:' 0 1670 <br />

._ 9!+83_ . .' L'Orieo. 1673... .__ .<br />

. ______ 5L4ti~_______Onh.eus.!-_t69_0_._______<br />

9485 _ _ ___ Orf_eo•• 0 _ 1691. __ _ _<br />

___ .__ La__ill'OSipe);'i tu. __..dLEli_QSeiano•. _1667_<br />

_9':1-87 .____._.Sele'q_9 0 c 1668 _ <br />

1719-_<br />

9Le88<br />

L'Adelaide. 1672 ".'j' <br />

9489 Giulip C~sar~in Egi tto. 1677 <br />

9490. lillacreontetirannoo_1678 <br />

;491 .Antonino.. e. Pompeiano. 1677.. <br />

9492 La caduta di BUo Seiano. 1667. <br />

9 L 93 . ErcoleslJ'.l Teroodonte•. 1678 <br />

9494 _ Hr,"ss~nzioo._1673 ._ <br />

9 L 1-95 __ _La nora._ 1681 •. wi thJIJ,\Ziani_ <br />

9~96 __ 0 Snrtorio. l'Ergindf'co 1652. <br />

9L~99 __<br />

• .9500<br />

9501<br />

CONT


.t l~~2 - COIrr<br />

•<br />

9503<br />

9502<br />

9504- ..<br />

9505- ­<br />

::506- -­<br />

9507<br />

950a-~·<br />

9509<br />

9510<br />

951t-~ ..<br />

9512 -Sbacci~ Zenobi~. 1740 ..<br />

9513<br />

9514-~ Scalabrini;;lljfi'it,ildao 1772<br />

9515 Artaserse~ 1752.· '.d. th others<br />

•<br />

. -~----.• _.-._._- - ..-~<br />


7517 <br />

• <br />

~ 18 <br />

9519 <br />

95~0<br />

:7521<br />

. Venceslao. 17 1 t4. J:i-:r~ others.<br />

. 9533 <br />

• <br />

9550 <br />

• <br />

La caduta de'Jecemviri. 1697 <br />

9524 <br />

9525 <br />

.9526 <br />

9527 <br />

9528. <br />

II Eitridate Eupatore. 1707 <br />

II. trionfo della liberta. 1707 <br />

Cawbise. 17J9.. <br />

__ Gl'equiyoci nel.sembiD11.te. 1679 <br />

II l':uzio Seeyola. 1698 <br />

9529. Ilprigioniero fortun~to. 1698 <br />

9530 <br />

9531 <br />

IlfigliQ delle selve. 1699 <br />

La Dorisbe avera L'ar.lor volubile e tira.'1llo.• 1711 <br />

_ .9532... __ .. ~_. ___ TGlema.eo. l1HL_____ ..<br />

__ BassianQ overo 11. IDr.ggior ir.lpossibile•. 169 l c . <br />

9534 <br />

Despina .e ruso. 1724 <br />

9535 <br />

Gli equivoei in runore oyero La R03aura. 1690 <br />

9536__ _La_SJ;;Cl,.ti.=JJ..._ J690~_._ <br />

9537 <br />

Scipione.Lff:::-ieanoo . 1671 <br />

9538 <br />

L!hurr:.anita._nelle fere. 1708. ',lith Vignola <br />

9539 D Scarlatti. 1'lrene. 170l~. with G B Pullaroli<br />

95l~0 G Sec.rlattL L.' AdripJ:lo in Siriao 1752 <br />

3541 <br />

Artaxerses. 1763 <br />

9542 <br />

La cle!!',Snza di Tito. 1760 <br />

De BUG tibus non est dis putanc.um. 175'+ <br />

95'+4<br />

Demetrio•.1752 <br />

9545 <br />

Ezio. 1754 <br />

.9546 <br />

...L'i30la. disabi tata.. 1757 <br />

9547 <br />

.1 I i80le. disabitatao 1767 <br />

LIIssipile._1760 <br />

0::;).1.0<br />

.J./ ./<br />

ltrpsipile. 1760 <br />

II Elercato_ di.J·I.l;:untile. 1758 <br />

1 <br />

.Pelopida. 1763 .. <br />

)552<br />

POElpeo in .d.rnenia. 1747 <br />

9553 <br />

I po:::-tentosi effetti della r.ladre HatLtra. 1758 <br />

9554 dto. 1752 ~ONT


k-' /<br />

•<br />

9556<br />

9555 G jcurl~tti. La se~ja scaltra. 17h 9<br />

Partenape.1749<br />

9557 ---Biroe-;; 1750<br />

• <br />


1(;'2u5<br />

(0266 <br />

1:)267 <br />

10268 <br />

10269 <br />

10270 <br />

10271 <br />

10272 <br />

10273 <br />

10274 <br />

10275 <br />

lG276· <br />

10277 <br />

1G278 <br />

10279 <br />

10280 <br />

10281 <br />

• <br />

10282 <br />

10283 <br />

102sL~<br />

10285' <br />

10286 <br />

IJ2J7 <br />

10288 <br />

10239 <br />

10290 <br />

10291 <br />

10292 <br />

10293 <br />

10294 <br />

10295 <br />

Sa.'1ci 0 • 1727 <br />

Dar verkehrte '.reIt. 1728 <br />

Der weiseste in Sidon. 1733 <br />

Die c:ms der eins2!!1kei t in die \·relt zurueckge}:ehrte opera. 1729 <br />

Il capita.no. 1726 <br />

Die geliebte eigensi~'1iGe und der leicht-Glaeubige liebp~ber. 1725 <br />

Das neu-beglueckteSachsen. 1730 <br />

Die ungleiche heyrai;h zi.n.schen Vespetta und Pimpinone. 1725 <br />

Terradellas. Artaserse. 1744 <br />

I~eneo<br />

Didonc. 1750 <br />

Pietro Te~·ziani.<br />

in Atene. 1750 <br />

Creso. 1788 <br />

Fra.'1Z Teyber. Die ritorfdeputierten. 1792 <br />

1J2)B<br />


---"~~-~--<br />

•<br />

10386<br />

1038~ To~zio 2enobia. 1775<br />

10385 La morte di Dimone 0 Gia L I iYL.'1ocenza venc:ica tao 1763<br />

Rinaldo. 1775<br />

10387 TigraneQ 1762<br />

1O:~88 Traetta. Buovo d'Antona. 1759<br />

10389 II cav:cliere errante. 1780<br />

10390 Il cavilliero errante. 1780<br />

--.~-----~-~---- -.-..----...-<br />

-----<br />

- --~-<br />

10391 Enea nel La3io. 1760<br />

10392<br />

.<br />

Le feste d'Imeneo o 1760<br />

10393 Ifigenia in Tau~iQe. 1763<br />

10393 dto<br />

__ w ____________ , • _" ____<br />

- -_., --­<br />

10394 L'isola disabitata. 1768<br />

10395 dto 1772<br />

-.<br />

10396 Olimpiade. 1767<br />

--~~------- - ~ ~-<br />

10397 Le serve rivali. 1767<br />

10398 Zenobia. 1762<br />

10399 Ellea e Lavinia 1768<br />

10400 I Tintllridi. 1768<br />

•<br />

.-<br />

._-..- .. -.. --_._--_._-- - -'-'--~<br />

--<br />

1 01~01 II tributo cunpestre. 1768<br />

­<br />

10402 Didone abbanclonata .. 1757<br />

--- _...<br />

10403 La Nitteti. 1757<br />

-------..<br />

10L~04 Olimpiade. 1758<br />

10405 ADore in trappolao 1768<br />

10406 Antigono. 1764<br />

-- - ---.~--.<br />

10407 J.nnida. 1767<br />

lOlf08 Demofoonte. 1770<br />

10 l l-09 La disfatta di Dario. 1778<br />

10 l l-1O .8zio. 1765<br />

lOl~11 La :rancese a l:alghera. 1764<br />

___ M_.. _<br />

-<br />

101~12 La M*0li~ii{ l-~erope.. 1776<br />

.-...-~ -~-<br />

10 l l-13 Semiranis. 1765 <br />

lOL;.14 <br />

.--.-----.--.---.~--.- .­<br />

101.15<br />

10416<br />

ill.<br />

-<br />

10418 ~rento. Bianco de'rtossi. 1797<br />

1Oh19<br />

101[-20<br />

CONT


1 l '-' .<br />

•<br />

10422<br />

101.;.21 <br />

10423<br />

10421.;.<br />

. 101+25<br />

10'f26<br />

-·-101j21-­<br />

... ----- ..- ._-_. - --.---­<br />

10428 <br />

10i;.29<br />

Trento. La serva padrona. 1795 <br />

lOL~30<br />

• <br />


10711.~<br />

10715 La cororl3,tione d r Apollo per D:::.f'n(j conyers,,- ir. lauro. 1623 <br />

·~<br />

•<br />

10716 <br />

!C717<br />

1 IS II eiro riconosciuto. 17h6 <br />

10719 Denofoonte. 17L;.2 <br />

10720 <br />

107:::1 <br />

10722 <br />

10723 <br />

10724 Giuseppe Vignati. I rivali generosi. '1726<br />

10725 <br />

10726 <br />

10727 <br />

10728 <br />

10729 <br />

10730 <br />

10731 <br />

10732 <br />

10733 <br />

1073/+ <br />

10735 <br />

10736 <br />

10737 <br />

10758 .~i~e Jacques Villeneuve. h~ princesse Q!Elide. 1734 <br />

10739 <br />

10740 <br />

Benedetto Vin:,.cese. Gli nnanti Geneoosi. 1703 <br />

L'innocenza giustificata. 1699 <br />

10741 <br />

10742 <br />

10743 <br />

Vi::1ci. Alessandro nell'Indie. 1730 <br />

Art.:J.serse. 1730 <br />

Artaserse. 17 L ;.6 <br />

DeDofoonte. 171.;.1 <br />

10746 <br />

107 l e7<br />

10748 <br />

Catene i::1 Utica. 1728 <br />

GiSDO:ldo 1':2 tii Polonia. 1727 <br />

;·:edo. 1728 <br />

107 1 ;9 Siroa, r~<br />

di Persia. 1731 <br />

10750 Ifiger.ia in ~auride. 1725 <br />

107 1. La ltosmira fedc:le. 1725


10753<br />

l~C,<br />

•<br />

10732 vr;c;I. Se;.irar~.ide riconosdub. 1729 <br />

Eedea :::,iconosciuta. 1735 <br />

107::/.:­ Catone in Utica. 1747 <br />

10755 La nogliere fede1e. 1731 <br />

10756 <br />

10757 <br />

10758 .:L.'1.ge10 Vitali. Tomiri. 1680 <br />

10759 Viya1di. Arrtida 21.1 campo dlEgil:;to. 1718 <br />

10760 Arsilda, regina di Ponto. 1716 <br />

••<br />


10761 Vivaldi. 1


10799<br />

•<br />

= 1125 - C02.:'<br />

1(1)797 Vogler. Der kaufmrum von ;:iJ:'ryrna. 1771 <br />

10798 L1.'\.tlpedo. 1779 <br />

<br />

10800 Vogler. Castore e Polluce. 1788 <br />

10801 J C Vogler. Ulysses. 1721 <br />

- -<br />

10802 <br />

10803 <br />

10804 <br />

10805 <br />

10806 <br />

10807 <br />

10808 <br />

10809 <br />

10610 <br />

'--''- .<br />

• <br />


11193<br />

•<br />

•<br />

11209<br />

•<br />

11226<br />

11191 I I A Zia."1.i. Odoardo. 1698<br />

11192 La pace generosa. ~700<br />

. ll_Romalo.. 17D2 __ <br />

1119L ll-Teodosio.__L699_· <br />

11195- __rcJ.llo Ostilio...1685_<br />

11196 La ..Falsirena.--1690<br />

1119-7- . <br />

11198 1!amante.. eroe__ 1691 <br />

11199 GI' amon tra gl'odii, a sia II RaDiro in Norvegia" 1699-. <br />

11200._~ .<br />

1120L__<br />

_.Damiraplacata. 168~ <br />

._- -Eumene.._..1697­<br />

11202... _____ . IUleleag:ro.._ 1710_.__ __ <br />

.11203 .~ La _moglie.. nemica.. 1694 <br />

11204 . _ .Chl.lonida.1710 <br />

11205 _L'inga.nno regnante overo L' A tanagilcia. 1688 <br />

11206 11.cl. .:3iani.I .rivali-generosi.- 1697 . <br />

11207____~_ J..cLvirtlL.trionfan.te dell'amore e dell'odio. 1681<br />

11208 ____<br />

H A Ziani.... La_virtu sublimata dal gr~de ovvero II J·1a.cedone continente. 1683-­<br />

11210 La Rosalinda.. 1693<br />

1121L P A Zia.n.i..a-.L~.Alciada...J.6.67+-____<br />

11212_ . ____ L'.ilntigona delusa d.a1W.ceste. 1662.<br />

11213_ .__ Attila.. 1672...____ . ____ <br />

1121!~ .1'Eupatra. 1655-­<br />

11215 Le fortune di_Rodope e ~amira. 1658 <br />

11216 La guerrieraSpartana. 1654 <br />

11217 L'Heraclio.. 1671 <br />

11218 Gli scherzi.di.fortuna. 1662 <br />

11219 Candaule.. 1680__ . <br />

.11220 l'amo.r guerriero..1663 <br />

11221 . 1e_ fatiche_d.!..Ercol..e- per j)eicmrira. 1662 <br />

11222 .L'inconstanza_trionfante overo II Theseo. 1658 <br />

11223 La .. Semiramide.• ..167.1~--<br />

11224 .. _ -L'innocenza riso:rta, ov.."ero Etio. 1683 <br />

11225 _ L'.Anciba.le in. Capua... 1G61 <br />

11227<br />

CONT


11229<br />

::el:OFlil\~ 1126 - conT <br />

•<br />

11228 <br />

<br />

11230 <br />

11231 <br />

112 <br />

11233 <br />

11234 Zimmermann. Andromeda und Perseus. 1780 <br />

112 35 <br />

• <br />


EICROFILH 11261'1.<br />

11<br />

• <br />

,v... C".., ~ .~.:-)<br />

!:; , 1 ~27 {r.',"A, ~ ~ r= !"tv"i.'! ' '-.( ,:~,: .-I/'( I (. ,-C"<br />

11328 '.<br />

L ~< c..t ~I,,~t-~<br />

11329 ;hl../lll. h'1/l.·." (t.' I :;"r+ / / Ii")'<br />

11330<br />

11331<br />

11332<br />

11333 Jlyw.. r-h..... ,Lt.... · i(, gf (t'd.


, ' ./ ~.\ '<br />

•<br />

I1j08<br />

11<br />

11567 <br />

11<br />

11')70<br />

,!-h\.I'''"l. 1'1'1).l,'. I<br />

11_;71<br />

+f: '/- (La-;.".;. ..... )<br />

1f.-0" If 1-., .;" ...../>r. .d : /!-v"'7 f.~. Ie. (,/'t..Jk.,(p, d ~.t'"'-.i:"" :.:C (.:, /-..~&.. I j-ll 4".; '/:){I ( (2l!..


j·J:CROli'ILE 1126..3 - 2<br />

l1Lt05<br />

, 11406 <br />

4Ii' 11 h 07<br />

1 <br />

4Ii' <br />

111~10<br />

114;i11 <br />

11412 <br />

11413 <br />

11414 . <br />

11415 <br />

11416 <br />

111+17 <br />

11418 <br />

11419 <br />

11420 <br />

11421 <br />

11422 <br />

11423 <br />

11424 <br />

ll1r25<br />

11426 <br />

11427 <br />

11428 <br />

11429 <br />

11430 <br />

11431 <br />

l1ll-32<br />

11433 <br />

11434 <br />

11435 <br />

'11436 <br />

11437 <br />

11l,38<br />

11439<br />

ie 11 LJ +O


N C S· /1700 - 117 5 0<br />

•<br />

•<br />


LONDON BL<br />

SERIES OF LIBHEl'TI<br />

.~ - -<br />

---~<br />

639.d.17<br />

.1\1-{ ~daspes a.ri Opera j-L'Idaspe fedele 1712­<br />

,11<br />

Amadis/Amadig:L di _Gaula_1715 _<br />

Radamistus/II Radamisto 1720<br />

Asta.rtus/Astarto­--­<br />

_____ Arsace_172i<br />

_<br />

L'Odio e l'amore 1721 (a Cyrus)<br />

Muzio Scevola - 1721----­<br />

639.d.18 ____ _<br />

Ottone 1723<br />

- L'Erminia Favola Boschereccia: -~723- -­<br />

Farnace_ 1723__<br />

Flavio Re de' Longoba.rdi 1723<br />

Calfurnia 1724--<br />

Aquilius (Aquilio Consolo) 1724_<br />

Darius/II Dario 1725<br />

l v~- 639.d.19------­<br />

\ Siro_e 1728 __ _<br />

Poro 1731<br />

Admeto --t731­<br />

__ Rinaldo_ 1731<br />

Cajo Marzio Coriolano 1732<br />

Catone --1732 - -<br />

Ezio _1732 _<br />

•<br />

639.d.20<br />

\\~C\<br />

L if ;1./ it'L/ • I<br />

. {.<br />

Lotharius/Lotar1o- 1729 --- - ~- -­<br />

____Tolome9 J1.e_ di Egitto/Ptolemy King of Egypt_ 1728<br />

Lucius Verius/Lucio Verio 1727 (Ariosti)<br />

Astianatte 1727 (As~) ­<br />

Scipione/Scipio __1726 ___<br />

Alessandro/Alexander 1726<br />

L'Elpidia overo 11 Rivali- Generosi-1725 (Vinci and Gioseppe Orlandini)- ~- ---­<br />

639.do21_<br />

r \ Lucio Papirio Dittatore 1732 <br />

II Floridante -- 1733 -­<br />

Semiramis Riconosciuta 1733 __ <br />

Ariadne in Creta 1733 <br />

II Pastor Fido 1734­<br />

Ariadn€!in Naxus _1734 (Rolli/Porpora) <br />

Polypheme/Polifemo 1734 (Porpora)<br />

639.d.22--- - --- ---------<br />

Alcina 1735__ _<br />

Artaserse/Artaxerxes 1735 <br />

Honorius!Onorio 1734 .. <br />

Atalanta 1736 <br />

La Conquista del Vello d'Orc, The Conquest of the Golden Fleece 1738 (G B Pescetti) <br />

Anibale in Capua<br />

1746 (Pasticcio)-<br />

Fetonte 17lfJ (ParadiesL---- __ <br />

• <br />

OVER


.,IV J --_. ... -----­<br />

\ V \<br />

\\ (<br />

!'\' Mandane 1742 (Brino)<br />

,~<br />

Temis~~ale 1742 (Porpora)<br />

1,..,'<br />

•<br />

Enrico 1742' (Ga~uppi)<br />

Meraspe, overo l'Olimpiade 1742­<br />

Scipione 1742<br />

. Sirbace -1743 -- .<br />

Rossane 1743- -<br />

Rossalinda 1744 (Veracini)<br />

Aloeste 1744 (LaJnpugnani-'<br />

Alfonso 1744 .(Lampugnan i ).<br />

Aristodemo 1744 (Pescetti)<br />

. I<br />

•<br />

------ _.__._- ---­<br />


i~.<br />

1'lICROFIIJ1S<br />

•<br />

• •<br />

LIBRETrOS FOR<br />

Caldera. Olimpiade. 1733<br />

Handel. Tamerlano. 1724<br />

Melani. Ercole in Tebe. 1661<br />

Sarri. Didone. 1724 /<br />

Terradellas. Sesostri. 1751<br />

Vinci. Didone. 1726<br />

all from WashtOgton LC<br />

/<br />

LIBRETTO for Porpora. Si~e. 1727. Washington LC<br />

/<br />

Handel. Ariodante. Hamburg score no. 250<br />

I<br />

I<br />

1130 MS Berlin Deutsche Staatsbibliothek (DDR) MS Mus 30.182<br />

Arias by Gasparini'and :B


•<br />

-CONTI. - Don ChiGchiottc ir" ::iicrri:, Ji:o:-::-enc (1719).<br />

!IS 17207<br />

~" ./ .<br />

I'~; ( (<br />

iJienna mm<br />

1150 CO:TTI. Don Chisciotte in Sierra Eorena (1719). Be:~.'lin IIS l'r076<br />

1151--- ---iLntonio DRAGF.J:. 1eoni':.c in 'J:1egea (1610). Vienna ON3 1;:5 15599 (,l,i;NCJ:t., )<br />

\ /L/(.,"~r /~-r· Zi.~--L' -,,':~.---:. -


l \c I<br />

- I<br />

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I '., .... J" \<br />

l,rJ8).<br />

11.70 Ve ron:::. t 1:3ibliotec;::l. tolare, Co,l. I~s D:CLIX (759).<br />

'\\ !,salr:1S, h~~ns CLYld nUl~3!li..fic3.t;s<br />

0':::<br />

1171 {:::ra~1a, 3i'oliobca Capi tolare t <br />

cynd seq1,;.en~es. <br />

tl7 't<br />

'rei-ana, Bibliateca C'-l.pi talare, Cael. :iu::.;c 1~3S33<br />

,/,~ ,/, \, L;' ., L.,<br />

LI3::D:."TTO: i ...'"lon. :1 alamo preservata dalla :reidt:l ;:ti D,lclossa. 21e ,::;,:;ia ,<br />

, _ ,:f'. Ved:ro~ti, 1683. 1Iaiena, Eiblioteca :::;stense, 85.G.21.3<br />

/ ...." C, :.. />" \ /J '1- • r, I t:.:.,<br />

~\~ I ~',~' 0 Je( A) (Q.~J.M.Jl ) /vi ~ M. I.f ~1f, ~ ~ MiA 2-1:: 1f2 - I L<br />

Lu. /{]t.., .\1- ~ n, r...~l. I/".Nf.I (tiJ:Ul ~ MS ~ 1(1~ In~, I f32-), $Ow I­<br />

'be~ w~ (/1_ ;-~,,,: fl.;'O ...r;;:.. k.~t4 ,Jo-\ ~ ":LC . ave>{ "- k~<br />

\ ~ro I f J ,---- (<br />

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,4,.\./-iec (CiN.kJ~ ~'~we (=-I


1184 Vatican, Biblioteca Ap. Vaticana, ~~ 26 (Rome, Santa Maria<br />

•<br />

}~ggiore, MS JJ.I11.4). Mostly Masses, ca. 1520-30. Compiled<br />

in Rome by Frenoh scribes.<br />

1185 Wittenberg, Lutherhalle, MS S. 404/1048. Tenor part book<br />

containing sacred and secular music with German and Latin<br />

texts or incipits, written as a MS appendix to Johann Walther,<br />

Geystliche gesangk Bucbleyn (Wittenberg, 1524).<br />

See Musikgeschichtlicl<br />

Archiv Kassel, Katalog der Filmsammlung, Vol. 3, no. 2, no.<br />

3/941<br />

1186 Berlin, Staatsbibliothek Preussischer Kulturbesitz, !1us. ms. 400260<br />

Anthology o£ German keyboard tablature compiled by Leonhard<br />

Kleber between about 1521 and 15240<br />

•<br />

1188<br />

•<br />

1181 Vergier d'onneur•••£aictes et composees par••• Octovien de Saint<br />

Gelais•••et par Maistre Andry de la Vigne. Paris, n. d. (ca. 1500).<br />

!D Orlord, Bodleian <strong>Library</strong>, Douce 0 168.<br />

La chasse et Ie depart d'amours••• composee par•••Octovien de Sainct<br />

Gelaiz•••et par•••Blaise d'Auriol. Paris: widow o£ J. Trepperel<br />

and J. Jehannot, n. d. Paris~ BN, Res. Yeo 390.<br />

and also<br />

Rondeaux en nombre 350. Paris: J. Sainct Denys, n. d.<br />

Yeo 1401<br />

Paris, EN, Res.<br />

1189 Vatican, Biblioteca Ap. Vaticana, l"Ius MS 51. Vineteenth-centUry<br />

sacred music!!! (YUCk!)~<br />

1190 Vatican, Biblioteca Ap. Vaticana, Cappella Sistina 154 and ~55<br />

~~sse8<br />

by Josquin, Pierre de la Rue, Johannis de Billhon,<br />

Morales, Arcadelt, Sermisy, Jacquet o£ Mantuao<br />

1191 Vatican, Biblioteca Ap. Vaticana, Cappella Sistina 160. Masses by<br />

Obrecht, Josquin,Isaac, etc.<br />

1192 Vienna, Oesterrichische Nationalbibliothek, Cod. 11883. Alamire<br />

choirbook with 11asses, Mass movements and antiphons.<br />

1193 Brussels, Bibliotheque royale de Belgique, 115 II. 2101 An anthology<br />

of religious poems, refrains and sayings, Latin hymns and musical<br />

settings of religious songs in Dutch and Latin,<br />

Brussels, BR, ME IV 900<br />

PLUS<br />

Superius part book of a chansonnier compiled<br />

in Bruges cao 15110 Tournai = Tenor part book.


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• (3::,7, f3" ,,


•<br />

Dear Dr Bonavera<br />

THE UNIVERSITY OF CHICAGO <br />

1"""\<br />

THE DEPARTMENT OF MUSIC <br />

5835 SOUTH UN.IVERSITY AVENUE<br />

CHI C AGO • ILL I N 0 I S 60637<br />

25 February 1980<br />

Thank you for comple~ my last request for <strong>microfilm</strong> so promptly. I enclose<br />

a check for $50. Would it-also be possible to have made <strong>microfilm</strong>s of copies<br />

in the Civico 11u.seo Bibliografico Husicale di Bologna of the following<br />

volumes:<br />

liS, <br />

!1agnificat I10ralis Ispani Cum quatuor voci bus.·v~nezia: Antonio Gardane, 1545. 13~<br />

}Ia.gnificat Omnito num cU!'llquatuor vocibus Christoph N:orioralis Hispani<br />

Aliorumque excelkentium virorum • • • Venezia: Antonio Gardahe, 1562.<br />

I have not written to the library for permission. Perhaps I should <br />

In any case, as always I am very grateful to you for sending me the films <br />

so promptly. <br />

\ 33 '<br />

•<br />

With best wishes,<br />

~n~<br />

Drl Howard H. Brown<br />

Professor of lfu.sic<br />


1221 ~ >' i\'1ASJ(~ (6-a.~iaw: / I,'jltI) de{A '-v> if. 'f 1"((..,..1 1 )'1lC',<br />

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• <br />

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•<br />

I ,<br />

25 October 1980<br />

Director ' .<br />

.'<br />

8taatliches Archiv~ager <br />

G6ttingen .'<br />

t <br />

GeI'lEany (BRn) <br />

•<br />

<br />

The<br />

\ ' .' ,<br />

Dear 3ir~, , \<br />

I ,<br />

,<br />

Would it be possible to. have made a <strong>microfilm</strong>, either<br />

positive or regative, of the fol:o....ingmanuscript now in<br />

your <strong>collection</strong>:<br />

Staatliches' Arch1vlager IvlS 7 (fo~erly K6nigsberg<br />

. D


\


THE UNIVERSITY OF CHICAGO <br />

•<br />

Dr Antonio Bonavera. <br />

Casella postale 125 <br />

40100 Bologna <br />

Dear Dr Bonavera<br />

THE DEPARTMENT OF MUSIC <br />

5845 SOUTH ELLIS AVENUE<br />

CHI C AGO • ILL IN 0 I S 60631<br />

16 Nay 1981<br />

Would it be possible to have <strong>microfilm</strong>s (either positive or negative)<br />

made of the following volUIIIes in the Civico museobibliografico musicale:<br />

~RISM 1531 1 :Delli madrigali a tre voci. Venezia, O. Scotto, 1531. :Bassus<br />

only<br />

~RISM 154211:Hymnorum musica secuhdum ordinem romanae ecclesaae. Venezia,<br />

G. Scotto, 1542<br />

~SM 1544 1 : Sex misse. Liber primus trlssarum. Venezia, A Gardane, 1544<br />

~SH 1544 2 : Liber primus missarum quinque, cum quatuor vocibus.<br />

G. Scotto, 1544<br />

Venezia,<br />

•<br />

JRISN. 1544 3 : tiber quartus Ir.issarum quinque cum quatuor vocibus.<br />

A Gardane, 1544<br />

IRISH 1545 18 : Quarto libro di madrigali a quatro voci d tArchadelt.<br />

vi· Venezia, A. Gardane, 1545<br />

Venezia,<br />

~RISM 1546 11 : II primo libro di madrigali d'Archadelt a quatro voci.<br />

Venesia, A Gardene, 1546<br />

RISM 15411: D. Joannis Jacobi Lucarii concentuum qui vulgo motetta<br />

, nuncupantur. Liber primus quatuor Yocum. Venezia, A. Gardane, 1541<br />

~RISM 154113: II primo libro di nadrigali di diversi eccellentissimi autori<br />

Venezia, A Gardane, 1541<br />

JRISI1 154116: Madrigali a cinque voci il primo libro ••• Missier<br />

Jacomo Fbgliano. S. 1., 1541<br />

RIS}! 1548 5 : Secondo libro di canzon francese a quatro voci' • • • Janequin,.<br />

Venezia, A Gardane, 1548<br />

",/ RISH 1549 31 : 11 vero terzo libra di I:ladrigali de diversi autori.<br />

Venezi~, A Gardane, 1549<br />

•<br />

IRISH<br />

1549 33 : Verdelot tutti li nrHirigali del primo et secondo lihro a quatro<br />

V voci. Venezia, G Scotto, 15 l f.9<br />

• I<br />

J .:II::iH 1555.i':Verdelot tutti li mai:-igali del rrino et secondo libro<br />

, 1


183 .. <br />

I<br />

I'<br />

.", .<br />

10 July 1980<br />

Professor Juliaa G. Flante<br />

Curator, I J :onaatic, 1Ia.nusoript<br />

;:icrofilm <strong>Library</strong> <br />

St. Johnls University' <br />

Collegeville, }Iinnesota 56321 <br />

,;)ear :'I'ofessor l'lantes<br />

First of all, mP~ I say how pleased I ac at the success of the<br />

Ecnastic Eanusoript l·:icrofilm <strong>Library</strong>, and whut a great benefit it is<br />

to all of us working in this field. \v'ould it be ~Jossible, I ....onder, to<br />

have copies made of tbaeforl~Reng <strong>microfilm</strong>s in'the liill Monastic<br />

<strong>Library</strong>' r:;:'he ones I 'r:ould like to have are the follawing:<br />

I'roject no~<br />

I.<br />

\~ ....2680 Sankt Florian, Auguatiner-Chorheren Stift"<br />

i:S XI, 470<br />

&/5602' . Kloaterneuburg, Stiftsbibliothek, HS 617<br />

\'}~\ 30,082A~ !(ontaerrat, Bibloteea del 1


- /1<br />

---­..­ .. -~- ...-­<br />

---_ ..­<br />

.._­<br />

.--­ ---_.­


.....~.____...______._..___,...... ~_::L..::.-___________________ . ___. _____.<br />

7 I<br />

{$"",,---_... _-_._--_._-­<br />

1<br />

---.'-~~~~'~-~~~~~.~--------------------.--<br />

Jlf01__((r~L ~-,,-~~2-------___.._______.._____<br />

.._--- I~~___- _______ ._~~-------_-----.----~---..-------..<br />

- --- --- ------ ~---~- - --


---~~------ - - -- ­ --


·-.... ILJ5~-~k~~~iL~~L.T~~~c.;ul~ _.<br />

({2-1<br />

---~------<br />

---<br />

------~-.---___.._/~•.I. _I_~_______.. _____ -.--____<br />

-­ - ---~--.- - -----------­<br />

_____ ~~'_(_/-'-'-t(____________..___...._______<br />

.----- (~.JL~~--<br />

.__~---LtIT:l-/2&._.....__ _._ _~-_~_--=~~----<br />

__It£!- -p~-i;J:TJt:~~=------=== -----~--~~~=--~-- ----~===--=~~<br />

-- --.------- --I>~/z--·----~ .<br />

~3q.1/l.-·····-·- --------------.---. ----~--<br />

-=-=\g§o _-=-~} '}fJ/3---'--Th~ M~~----~~------------<br />

l fb-L--- ______ r~l/,oo.--"_---------------------.----~<br />

I Lt (, z,- ~-. IS1f/j; -~ ..----~---~ --~.--. --- -.<br />

..-------. l% 3- .. - {)3C1 (L--------------------.-----. ..----.-­<br />

--J s_5"_'2, -~~__ . ~~__ -~_=-<br />

__~:~__ ~-==~_~_~~~=~____~-_--____<br />

l~·3-- .~ ­<br />

lS-~g- W\c- &k-.S---.---. --.--- ------------- ----- - -.- .-­<br />

._---_....._-,--- ----..-.-.-~-.<br />

I~~___ ~-.--<br />

• -- )t+CoLf (08-)----------­<br />

.----~ 15'j ~---.-...-----.----------...---...----...---------.....---­<br />

---.----......~--------., \2f~----.------ --- ---- ~--,;..;;::---------------­<br />

- -. ~·--r>3q~~ ~ f-. &..J. ylW~~-


~_ ~. !~(,.r- ___ IS-LtLfJ,,8' ___ ~_____ ..__._____.. __.__.___ <br />

.~ \lf~t~~J2+'t~--------~--------.~-~---------________.<br />

__<br />

j~ I<br />

--------------.-­<br />

f:--'------=-~ Do L., _~_ .<br />

..<br />

---_.---_....__ .<br />

.- ..•------.. ----.------------ .--....-­<br />

_______.!.JwI_........--I


------------------- ---=-~-----------------------------<br />

________br~~______________________<br />

If<br />

..._____ __<br />

~ ______'_ ..... ~_.o...L______~<br />

_L'6gclS;g. I%; ~_2..,,---c,---,---,~==--c:l.A-r:...:...="""'-,--=----G-=I_:-_1\Il_h--tL..)__________<br />

._~_ -L'Mq-


!tt crofilms-1<br />

\ l U,<br />

•<br />

1501.<br />

•<br />

1522.<br />

•<br />

1500. Variae preces<br />

Liber responsorialis<br />

1502. London BL ~~ Add. 15277: Historiated Bible (Italian. 14th c.)<br />

1503. Chantilly. r1usee Conde. MS 1426: Canzone delle Scienze e di Virtu<br />

1504. London BL MS Sloane 3097: Tacuinum sanitatis<br />

1505. London BL MS Add. 38689: Tacuinum sanitatis<br />

1506. London BL HS Add. 12228: Mel iadus<br />

1507. Barcelona. HS 681<br />

1508. Barcelona. Orfeo catala 5<br />

1509. Coimbra 2<br />

1510. Saragossa 17<br />

1511. Saragossa 34<br />

1512. Tarazona 2. 3<br />

1513. Tarazona 8<br />

1514. Valladolid 15. 16<br />

1515. Valladolid 17<br />

1516. NY Pierpont Horgan <strong>Library</strong> HS M 14: Hours (Florence and Milan. late<br />

15th c.)<br />

1518. NY Pierpont Morgan <strong>Library</strong> ~~ H 187 (Ferrarese Hours. late 15c)<br />

1519. UY Pierpont Morgan <strong>Library</strong> MS M361 (Florentine Hours. late 15c)<br />

1520. NY Pierpont Morgan <strong>Library</strong> ~~ H454 (Mantua/Ferrara Hours. made for<br />

Cecilia Gonzaga)<br />

1521. Milan Ambrosiana<br />

Ambrosian Missal c. 1459 (A.257. inf. )<br />

Printed breviary. 1550 (So Q. II.22)<br />

Ambrosian missal. 1548 (S. Q. IX. 31)<br />

Milan Ambrosiana<br />

Breviary 1539 (S~n G.II.4)<br />

Ambrosian missal 1494 (Incun 1462)<br />

Ambrosian missal 1475 (SP II.22)<br />

1523. Bologns MS A71<br />

RISM 1555/17<br />

1524. Bologna MS Q25<br />

Bologna ~~ Q27<br />

1525. Vienna ONB ~~ SH 15496 = ser. nov. 2661<br />

1526. Berlin MS 40194<br />

Berlin r-~ 40196<br />

1527. Vatican MS C. s. 76<br />

MS C. s. 77<br />

l1S San Pietro B 80<br />

1528. Edinburgh Univ ~~ 64 (Dunkeld Antiphonary)<br />

1529. Hunich. Univers1 taetsbibliothek, MS 20 art. 239<br />

1530. Verona. HS 218<br />

1531. Basel. Universit!tsb1bliothek. t~ F.IX.25<br />

1532. Seville. MS 1<br />

1533. York Minster. Hedi us Decani part books<br />

1534. Holkam ~~. Missale romanum (1I1534)<br />

1535. RISH 1560/6<br />

1536. Stuttgart, Cod. Mus. I, 36<br />

Stuttgart. Cod. Mus. I. 25<br />

1537. Stuttgart. Cod. Nus. I. 47<br />

<br />

Stuttgart. Cod. Mus. I. 38 <br />

1538. Luebeck. 113 A. 203 <br />

Lueneburg. r1S KN 150


Hicrofilms-2<br />

1°d..<br />

•<br />

1542. Casale ~10nferrato HSS <br />

•<br />

1559. Rome Vallicelliana ~~S SI 35-40 <br />

• <br />

1539. l1ilan, Ambrosiana, HS E.46 inf<br />

Hilan, Ambrosiana MS Trotti 519 <br />

1540. Casale Honferrato BSS <br />

1541. Casale Honferrato HSS <br />

1543. Heilbronn, Gymnasialbibliothek, HSS rJ-V/2 (1;1543) <br />

1543. Heilbronn, Gymnasialbibliothek, ~~S XCIII-XCVI/3 (#1543) <br />

1544. Budapest Bartfa MS 31 <br />

1545. Brussels 228 and 11239 <br />

1546. stockholm Mus. Academy: MS TYska Kyrkans Samling 45,34 <br />

1547. Perugia MS 3314 (incl. pro books) <br />

1548. Florence BNC ~~ Mag!. XIX, 125bis <br />

Florence Cons. MS Basevi 2441 <br />

1549. Munich ~~ 5 <br />

MS 46 <br />

1550. Munich HS 53 <br />

MS 59 <br />

NS 65 <br />

1551. Halle, Universitaetsbibliothek, MS Ed. 1147 (#1551)<br />

includes RISM 1550/1 <br />

1552. Frankfurt MS Mus. fol. 2 <br />

1553. RISM 1556/13 (Phalese) <br />

1554. vlroclaw U HS 40 <br />

MS 52 <br />

MS 428 <br />

1555. Berlin MS 40013 (now in Cracow) <br />

1556. Berlin MS 40031 <br />

1557 • Berlin .HS .l.j0043 <br />

1558. Berlin MS 40634 A.J t /' / " <br />

1560. GB:Lbl Bass parts to <br />

Willaert Motets Bk. 1 a 5 <br />

RISM 1540/6 <br />

1543/2 <br />

1541/16 <br />

1544/28 <br />

Buus Canzoni francesi a 6, Bk. 1 (1543) <br />

Manchicourt Motets. Att. 1545 I <br />

II <br />

III <br />

RISM 1543/4 (no title page) <br />

1544/2 <br />

Certon Bk. 1 of psalms a 4 (Att. 1545) <br />

1561. RISM 1549/36 and 37 <br />

1562. Paris BN HS Res. Vm 851 (Bourdeney l·~) <br />

1563. RISM 1559/14 <br />

1559/15<br />

1557/11 <br />

1557/12 <br />

1560/3a <br />

1560/3b <br />

Paris BN I·LS 41 (Carpentras f.1i ssae and HS addi tions) <br />

1564. Paris BN US fonds fro 9346 <br />

Paris BN as fonds fro 12744


Hicrofilms-3<br />

)92.<br />

1565. Dresden I/D/505) \.(l\l ~tLS.f\";> A,<br />

•<br />

'hM~ C{ ftLM.\rJ(,<br />

1566. Dresden I/D/506 <br />

1567. Dresden Grimma 7 <br />

1568. Dresden Grimma 51 <br />

1569. Dresden Grimma 52 <br />

1570. Dresden Grimma 55 <br />

1571. Dresden Grimma 57: reel 1 <br />

1572. Dresden Grimma 57: reel 2 <br />

1573. Dresden Grimma 53 <br />

1574. Dresden Grimma 58 <br />

1575. Dresden Grimma 59a <br />

1576. Dresden L~bau 50: reel 1 <br />

1577. Dresden L~bau 50: reel 2 <br />

1578. Dresden Pirna VIII <br />

1579. Dresden Pirna IV <br />

1580. Hof/Saale, MS Paed. 3713 Sbd (11580) <br />

1581. Munich BSS, MS 13 <br />

Munich BSS, MS 25 <br />

1582. RISM 1538/21 <br />

RISM 1550/17 <br />

1583. RISM 1562/9 <br />

RISM 151712 <br />

RISM 1518/1 <br />

RISM 1518/2 <br />

1584. RISM 1555/22<br />

1585. RISM 1549/13 <br />

•<br />

RISM 1549/14 <br />

RISM 1549/42 <br />

1586. Hiller. Italian arias ornamented (1778) <br />

1587. Piacenza MSS <br />

1588. Piacenza HSS <br />

1589. Berlin MS Theol. lat. 4' 113: Ordinary (Magdeburg, 15th c.) <br />

1590. London BL MS Add. 35315: Book of Hours (French, 16th c., use of Rome)<br />

1591. London BL MS Ass. 10826: Italian Book of Hours (15th c.),L,CT /-'d'r'~t:V d'r .(_t-<br />

London BL MS Add. 15265: Italian Book of Hours (late 14th c.) <br />

London BL MS Add. 18751: French Book of Hours (15th c.) <br />

London BL MS Add. 25695: French Book of Hours, 15th c. (use of Paris) <br />

London BL ~~ Add. 31835: French Book of Hours, 15th c. <br />

1592. LondonBL l1S Add. 18850: Bedford Hours (French, ca. 1427) <br />

1593. Londonm BL. MS Add. 17280: Flemish Book of Hours (late 15th c.) <br />

1594. London BL ~~ Add. 18192: French Book of Hours, 15th c. <br />

1595. London BL MS Add. 17026: Flemish Book of Hours, late 15th c. <br />

1596. London BL MS Add. 16.997: French Book of Hours, 15th c. <br />

1597. London BL MS Yates Thompson 30: Italian Book of Hours, ca. 1502 <br />

1598. London BL MS Add. 22590: Book of Hours <br />

1599. London BL MS Add. 27697: Book of Hours <br />

1600. London BL MS Add. 35319: Book of Hours <br />

1601 . London BL HS Add. 35314: Flemish Book of Hours, 15th c. <br />

1602. London BL MS Add. 8824: French Book of Hours, 1530 <br />

1603. London BL: Missal (Freising, 1492) <br />

H1ssal (Magdeburg. 1497)<br />

• <br />

l1issal (Magdeburg, 1503) <br />

1604. Copenhagen: Breviary, 1491 <br />

1605. Copenhagen: Missal (Magdeburg, 1480)


1607.<br />

llicrofilms-4 <br />

•<br />

•<br />

•<br />

1606. Stockholm: tUssal (Brandenburg, 1494) <br />

Paris Breviary 1497 (Pl'. Pasq. Bonhomme) <br />

1608. Agenda Hagdeburg 1497 (in Paris BN) <br />

1609. 'Vlittenberg UB liS Fol. 101: fUssal (Brandenburg, 1516) <br />

1610. WittenbergUB liS Fo!. 115: Breviary (Hagdeburg, n. d.) <br />

\Uttenberg UB HS 8' 361: Breviary (Magdeburg, 1514)<br />

1611. RISM 1569/19 (GB :Lbl - AB only)<br />

1612. Florentine intermedii - 1585<br />

1613. RISM 1555/25<br />

RISM 1557/17 (STB) <br />

RISM 1557/22 <br />

RISM 1558/13 <br />

1614. Gerona, La Coleg1ata San Felix, Cod. (136) 24 (Hf.JNL 31.054: Spanish<br />

Book of Hours<br />

1615. Gerona, Seminario diocesano, Cod. 238 (HMHL 31100): Spanish Book of<br />

Hours<br />

1616. Madrid, Academia de la Historia, Cod. 91 (HHML 34,497): Spanish Book<br />

of Hours<br />

1617. Montserrat, Bibl. del Monasterio, Cod. 53 (HMHL 29,996): Spanish Book<br />

of Hours<br />

1618. Montserrat Bibl. del Monasterio, Cod. 66 (HMHL 30,000): Spanish Book<br />

of Hours<br />

1619. Vich, Museo episcopal Cod. 87 (HMHL 31249): Spanish Book of Hours<br />

1620. Vich, Museo episcopal Cod. 89 (HMHL 31253): Spanish Book of Hours<br />

1621. Vich, Museo episcopal Cod. 91 (mtlL 31250): Spanish Book of Hours<br />

1622. Zaragoza, Bibl. de la Real Seminario de San Carlos, Cod. 7 (HMHL<br />

31887): Spanish Book of Hours<br />

1623. Vich, Museo episcopal, Cod. 205 (HMP-L 31252): Spanish Book of Hours<br />

1624. Harvard roll 33<br />

French Hissal () 1538<br />

HS Typ125: Ordo vestimentorLlll (early 15th c.)<br />

MS Typ 520.95.241: Bry drawings<br />

liS Typ 127: Somnium Viridarii (ca. 1430)<br />

MS Typ 132: Breviary in Dutch (after 1423)<br />

MS Typ 133: Antiphonary (French, early 15th c.)<br />

MS Typ 136: Ponitifical (northern Italy, early 16th c.)<br />

MS Tyup 137: Quintus Curtius: Historia Alexandri Magni (Italy,<br />

ca. 1480)<br />

1625. Harvard roll 51<br />

HS Typ 425: Terence Comedies (1463)<br />

MS Typ 429: St. John Chrysostom: De patientia (ca. 1480)<br />

MS Typ : Bernardino Leo; Bellicum Turcicum (1572)<br />

MS Typ : German hunting MS<br />

HS Typ: anon. Latin HS<br />

HSS Typ 443 and 443.1: So-called Hours of Juana la. Loca (Ghent or<br />

Brugges, ca. 1485-90)<br />

1626. Harvard roll 67<br />

MS Richardson 41: Boccacio, De alaris mulieribus (15th c.)<br />

MS Richardson 42: De Buz Hours, Paris Use (ca. 1415)<br />

MS Richardson 43: Petrarch Canzoniere (1440)<br />

MS Richardson 44: Life of S. Catherine<br />

t·iS Richardson 45: Book of Hours (Paris, ca. 1405)<br />

MS Richardson 46: Bastiano Foresi: Triumphus virtutum<br />

HS Richardson: Incipit datari sive martiloquium


tlicrofilms-5<br />

JlL-f.<br />

HS Richardson: Papal document dated 1423<br />

•<br />

1627-29. RISM 1558/4, 1559/1, 1559/2: Novum et insigne opus musicum<br />

(Nuremberg, Berg and Neuber)<br />

1630. Juan Bermudo, Declaracion in English translation<br />

1631. RISM 1569/19 (GB :Lbl: AB)<br />

1632. RISM 1555/26<br />

1557117 <br />

1557122 <br />

1563/9 <br />

1633. RISM 1562/7 (GB:Lbl: STB) <br />

1634. RISM 1557/17 (STB) <br />

1558/13 (STB) both from I:VEnm <br />

1635. RISM 1555/25 <br />

1558/13 (B) both from GB;Lbl <br />

1636. RISM 1561/8 (Oxford) <br />

1637. RISM 1557/20 (Leipzig) <br />

1638. CambF.62 (Hours of Isabel of Burgundy) <br />

1639. CambF.63 (French Hours, 15c) <br />

1640. CambF.154 (Italian Hours, 15c) <br />

1641. CambF,143 (Dutch Hours, 15c) <br />

1642. CambF.118 (Fr Hours, 15/16 c. use of Paris) <br />

1643. CambF.127 (French Book of Hours) <br />

1644. CambF.89 (Fr Bk of Hours) <br />

1645. CambF.135 (Fr Bk of Hours) <br />

1646. Paris BN MS lat. 16823. Gradual 14c <br />

1647. Paris Mazarine, MS lat 14819. Gradual 14c <br />

1648. Paris Mazarine, MS lat. 906. Gradual 15c <br />

1649. Paris Mazarine, MS lat 411. Missal 14c <br />

1650. Paris BN MS lat 14452. Gradual 13c <br />

1651. Paris BN MS lat 830. Missal 14c <br />

1652. Limoges, BM. MS 2 (17). Gradual 14c <br />

1653. Brussels BR MS IV.264 (Hours, Amiens. 1425-35) <br />

1654. Brussels BR MS IV.281 (Hours, Paris, ca, 1530)<br />

1655. Brussels BR MS 5070 (Hours. Tournai. ca. 1470)<br />

Brussels BR ~~ 2895 (Hours, Tournai. ca. 1450)<br />

1656. Brussels BR MS 15077 (Hours, Rouen. ca. 1480)<br />

Brussels BR MS 8840 (Hours. Tournai. ca. 1520-30)<br />

1657. Brussels BR MS 15079 (Hours. Paris, ca. 1470-80)<br />

1658. Brussels BR t1S 2890 (Hours. Eastern France. ca. 1460)<br />

Brussels BR MS 2893 (Hours. Rouen, ca. 1460)<br />

1659. London BL loiS Add. 18852 (Hours of Joanna of castile)<br />

1660. London BL MS Add. 38126 (Huth Hours)<br />

1661. London BL MS Add. 34294 (Hours of Bona Sforza)<br />

1662. London BL ..~ Add. 18851 (Breviary of Isabella of Spain)<br />

1663. London BL MS Add. 28962 (Hours of Alfonso V of Aragon) .<br />

1664. RISM 1555/26. Barre (Chantilly copy)<br />

1665. Lasso, Antwerp Motet Book (Munich copy)<br />

1666. RISM 1555/27. Barre, Primo libro delle muse a 4 (Valladolid copy)<br />

1667. RISM 1560/10. Barre. Madregali ariosi ••• libro secondo (Munich<br />

copy)<br />

1668. From Harsaw, National <strong>Library</strong>: SA only<br />

•<br />

Rore, Madrigals a 5. Bk. III (1557): NV 2409<br />

Teodoro Riccio, Primo libro delle canzone all a napolitana (1577): NV<br />

2342


Hi. crofilms-6<br />

Bartolomeo Sorte. Secondo libro de madrigali a cinque voci (1579): NV<br />

•<br />

2625<br />

Luzzasco Luzzaschi, Secondo libro de tfadrigali a cinq ue voci (1576): NV<br />

1526<br />

Pedro Valenzola, Madrigali (1578): NV 2790<br />

Filippo Nicoletti, Primo libro de madrigali a cinque voci (1578): NV<br />

2039<br />

Antonio Scandello, El primo libro de le canzoni napoletane a IIII. voci<br />

(1566): NY 2578<br />

Scandello, n secondo libro <br />

1672. Mouton. Motets (Paris, Le Roy and Ballard, 1555) (Ga: Lbl)<br />

1673-1674. Zwickau MS LXXIII (73)<br />

Zwickau LXXXIII, 1 (83,1)<br />

Zwickau LXXXI, .2 (81,2)<br />

1675. Gastoldi, Concenti musicali (1610) NY 1110 (Ghent copy; incomplete)<br />

1676. Gastoldi. Madrigals a 6. Bk. 1 (1592) NY 1115 (copy from Verona)<br />

1677. Barre. Madrigals a 4. Bk. 1 (1552) NY 250 (copy from I:Vnm)<br />

1678. Paris BN, MS lat. 17310 (14th c. Gradual 1)<br />

1679. from GB:Lbm:<br />

Gastoldi. canzoni a cinque (1581) NY 1107<br />

Gastold1. l-Bdrigals a 5. Ek. III (1598) (T only)<br />

1680. Gastoldi. Madrigals a 5. Bk. IV (1602) NY 1114 (I:VEaf)<br />

1681. from I:Vnm:<br />

Da Ponte (Du Pont), 50 stanze del Bembo (1558): STB: NY 885<br />

Dorati Book I a 6 (1579) NY 862<br />

Dorati. Le stanze della Sra. Vittoria Colonna (1570-71) NY 863<br />

Scaletta, Primo libro a 5 (1585): ATE: NV 2574<br />

1682. from I :Bologna:<br />

Chamatero. Madrigals a 5, Bk. I (1560): A only ON 554)<br />

Tuttovale Menon. Madrigali d I amore a 4 (Ferrara, 1548) NY 1804<br />

Merulo. Hadrigals a 5, Bk. 2 (1604) NY 1836<br />

Herulo. Madrigals a 4, Bk. 1 (1579) NV 1833<br />

Merulo. l-Bdrigals a 3, Bk. 1 (1580) NY 1831<br />

•<br />

Ruggiero Giovanelli. Madrigals a 5. Bk. 1 (1600) NY 1216<br />

~farenzio. Madrigals a 5, Bk. 9 (1599) NY 1639<br />

1683. Lodz (Poland). Biblioteka Uniwersytecka (olim Berlin, Staatsbibliothek<br />

1·1S 5102)


Hicrofilms-7<br />

I t LC<br />

•<br />

16 aq. f rom I:VEar :<br />

Rosseto, Stefano. Madrigals a 4, Bk. 1 (1560). NV 2436<br />

Macque. Madrigaletti a napolitane a 6, Bk. 1 (1581). NV 1545<br />

i~" '.;<br />

Bk. 2 (1582). NV 1546<br />

Dorati, Nicolo. Madrigals a 5, Bk. 3 (1561). NV 560 (RISM 1561/14)<br />

1685. from GB :Lbl<br />

~~dregali ariosi (1565)<br />

Madregali ariosi (1560): T only<br />

1686. from Modena<br />

Montella, Giovan Domenico. Madrigals a 5, Bk. 1 (Naples, 1595). NV 1881<br />

Montella, Bk. 2 (1596). NV 1882<br />

1687. from Krakow, Biblioteka Jagiellonska<br />

Barre, Primo libro delle muse a quattro (RISM 1555/27)<br />

1688. Munich BSB, MS 5023. Gradual/Antiphoner with polyphonic music (German,<br />

15th century) ,l t:'/ /c/


YOUENS-MICROFILM COLLECTION<br />

11<br />

manuscripts <br />

Augsburg, Schl. 6 (olim 23) <br />

li6'rtfa 22 <br />

Mrtfa 20 <br />

Bl3artfa 24. <br />

Berlin 4.0024 <br />

Dreslau I.F. 386, 391, 4.5Y <br />

Breslau I. Qu. 4.38& <br />

Copenhagen 1872 <br />

Copenhagen 1873 <br />

Dresden 1;D /3 <br />

Dresden 1 /D/6 <br />

Dresden 1;D/501 <br />

Dresden l/E/24 <br />

Eisenach Stadtarchiv.s.". <br />

f~langen<br />

CHashtitte V <br />

Gotha A 98 <br />

(,rel fSW8ld Eb 133 <br />

51 <br />

Gri.lll!.llA 56 <br />

Grimma 57 <br />

iirimma 59 <br />

\;rimrD8 59a <br />

ti:assel 38 <br />

Kassel 43 <br />

Kassel 53/2 <br />

Kassel 143/1-2 <br />

Kassel 118 <br />

Klosterneuburg 69 <br />

Klosterneuburg 70 <br />

Leipzig 49/50 <br />

Leipzig 51 <br />

'j5bau 12 <br />

i-funich, UB 328-331 <br />

4.73/1---4. (Heilbroon) <br />

Munich 1503b <br />

Munich 1536 <br />

Modena, d .M.I.ll <br />

Modena,0l.M.1.12 <br />

Modena,e( .M.l.13 <br />

NUremberg 83795-/1 <br />

Pima Chorbuch VI <br />

Padua A 17 <br />

Regensburg B 211-215 <br />

Regensburg B 216-219 <br />

Regensburg, Thurn u. Tu:is 76 <br />

Regensburg 722 (C 99) <br />

Regensburg C 120 (Peroner) <br />

Regensburg A.R. 838-843 <br />

Regensburg A.R. 863-870 <br />

Regensburg A.R. 883-886 <br />

fRegensburi A.R. 940-941 <br />

Rostoek 40 <br />

Rostoek 49 <br />

Speeialnik (Bradee Kr'lov~)<br />

Stuttgart 39 <br />

Stuttgart 40 <br />

Stuttgart 42 <br />

rom 237 a --d <br />

Vienna 15495 <br />

Vienna 15500 <br />

Vienna 18825 <br />

Weimar B <br />

Zvickau 78,3 (Vollhardt 12) <br />

Zvickau 81,2 (Vollhardt 16) <br />

Zvickau 33,34 (Vollhardt 19) <br />

Zviekau 73 (Vollhardt 4) <br />

Zvickau, Vollhardt 6 <br />

Zvickau, Vollhardt 7 <br />

<br />

mich 6 <br />

't!mich '27 <br />

"unich 32 <br />

'~uni ch lto


non-RISH 16tb-century prints (non-5ammlungen) \9<br />

L Klug, Geistliche Lieder zu Wittenberg, 1544<br />

2. Ein Schlesich Singbuchlein<br />

. Lossius, Psalmodia hoc est cantica sacra <br />

1(, Ambrosius Wilphlingseder, Erotemata musices (Niirnberg, HeuBler 1563) <br />

,j. Berg and Neuber, Liber canticorum quae vulgo responsoria <br />

d, Vienna, 1519 Johannis Winterpurger: Graduale and Antiphonarius <br />

7. Berg and Neuber, Homer Herpol, Novom et insigne opus musicum<br />

pooks, catalogues, and dissertations<br />

1. Haier, Munich catalogue <br />

~ Regensburg catalogue <br />

3. Lange, Kassel catalogue<br />

4. Irtenkauf, Stuttgart choirbooks <br />

~. Steude, Dresden catalogue diss. <br />

6. German Books Before 1601 <br />

--:. Blackburn, Lupus Problem <br />

8. Stein, Franco-Flemish Masses<br />

..' ;;. Kindermann, Hasses of Adam Rener<br />

,eo. Vollhardt, Geschichte der Cantoren u. Organisten<br />

11. Hoser, Die Kantorei der Spntgotik<br />

12. Putzig, Liturgische Grundlagen•••Choralis Constantinus<br />

~hronological list of RISM Sammlungen prints<br />

1<br />

1503 Petrucci, Hotetti de Passione<br />

Petrucci, Hissarum diversorum auctorum <br />

15OI- Antico, Hotetti novi libro 2-3 <br />

:1520 4 Grimm & wyrsung, Liber selectarum cantionum <br />

l53211 Moderne, Liber secundus Motteti del fiore <br />

If)<br />

1536 ~ Newsidler, Ein newgeordnet kUnstlich Lautenbuch <br />

1<br />

1537 Formschneider, Novum et insigne opus musicum <br />

1<br />

1538 Rhau, Selectae harmoniae<br />

153H 6 PetreiuB, Tomus primus psalmorum <br />

8<br />

538 Rhaa, Symphoniae jucundae <br />

f>3~14 Rhau, Officia Paschalia <br />

0 5<br />

1 t::f<br />

1"


WECHSLERISCHES MUSIKGESCHICHTLICHES ARCHIV <br />

Manuscrlpts<br />

• Bologna Q 18 <br />

• s'Hertogenbosch 726 <br />

• <br />

Aosta <br />

Augsburg 142a <br />

Bologna Q 16 <br />

Bologna Q 17 <br />

Bologna Q 19 <br />

Bologna. Q 22 <br />

Bologna R. 142 <br />

Basel F.X. 1-4 <br />

Basel F.X. 21 <br />

Berlln 78 C 28 <br />

Berlln 40021 <br />

Berl1n 40098 (Glogauer) <br />

Brussels 228 <br />

Brussels 5557 <br />

Brussels 11239 <br />

Brussels IV.90 <br />

Cambral 18 <br />

Cambr1dge Pepys 1236 <br />

Cambr1dge Pepys 1760 <br />

Casale Monferrato M <br />

Copenhagen 291 8 <br />

Copenhagen 1848 <br />

Cortons 95 <br />

Cortona 96· <br />

EI Escor1al IV.a.24 <br />

Grelfswald Eb 133 <br />

He1lbronn x.2 <br />

s'He-togenbosch 72A <br />

s'Hertogenbosch 72C <br />

Jena 7 <br />

Jena 20 <br />

Florence BNC 107b1s <br />

Florence BNC 112b1s <br />

Florence BNC 117 <br />

Florence BNC 121 <br />

Florence BNC 164-7 <br />

Florence BNC 176 <br />

Florence,BNC 178 <br />

Florence BNC BR 229 <br />

Florence BNC Penc1at1chl 27 <br />

Florence Cons Basev1 2439 <br />

Florence Cons Basev1 2440 <br />

Florence Cons Besevl 2441 <br />

Florence Cons Basev1 2442 <br />

Florence Ricc 2356 <br />

Florence Ricc 2794 <br />

Leipzig 1494 <br />

London Addtl 19583 <br />

London Addtl 31922 <br />

London Addtl 35087 <br />

London Egerton )051 <br />

Madrld 6486 (Stoquerus) <br />

Montecasslno 871 <br />

Modena F. 2. 2 <br />

Modena Lat. 457 (a~.M.1.2) <br />

Munlch 1516 <br />

Munlch Schedel <br />

Munich 3232a <br />

New Haven Mellon <br />

Oxford Can. Mlsc. 213 <br />

Parls Cordlforme <br />

Parls f. fr. 1596 <br />

Paris f. fro 1597 <br />

Parls f. fro 1719 <br />

Parls f. fro 1722 <br />

Parls f. fr. 2245 <br />

Parls f. fr. 9346 (Bayeux) <br />

Parls f. fr. 12744 <br />

Paris f. fr. 15123 (Pixerecourt) <br />

Parls I tal. 568 <br />

Parls n. a. f. 1817 <br />

Paris n. a. f. 4379 <br />

Parls n. a. f. 6771 (Relna) <br />

Parls R~s. Vm7 676 <br />

Paris Nlvelle <br />

Pavla Aldlnl )62 <br />

Perugia 431 <br />

Rome Cappo Giulia XIII.27 <br />

Rome Cappo Slst. 15 <br />

Rome Cappo Slat. 19 <br />

Rome Cappo Slat. 23 <br />

Rome Cappo Slat. 24 <br />

Rome Cappo Slat. 26 <br />

Rcme Cappo Slat. 35 <br />

Rome Cappo Slat. 42 <br />

Rome Cappo Slst. 44 <br />

Rome Capp. Slat. 45 <br />

Roae Cappo Slst. 49 <br />

ROlle Cappo Slat. 63 <br />

Rome Pal. lat. 1982 <br />

Rome S. Pletro B 80 <br />

Rome Urb. lat. 1411 <br />

Rome Caaanatenae 2856­<br />

Regensburs_C 120 (Pernner) <br />

St. Gall 461 (S1eher) <br />

St. Gall 462 (Heer)<br />

St. Gall 46) (Tsehudl) <br />

St. Gall 464 (Tschudl) <br />

Segovia <br />

Torlno I.27 <br />

Tournai <br />

Trent 1947-4 <br />

Ulm 237 abcd <br />

Verona 757


-3­<br />

1541 2 Petreius, Trium vocum cantiones<br />

i' 1542 6 Petreius, Tomus tertius psalmorum <br />

1542 8 Rhau, Tricinia <br />

1544 21 Rhau, Neve deudsche geistliche Gesenge <br />

1545 2 Ul hard, Concentus octo • <br />

1545 3 KriessteiD, Cantiones 7, 6, ••• <br />

1545 5 Rhau, Officiorum ••• de Nativitate <br />

1546 8 Berg 11£ Neuber, Selectissimae Symphoniae <br />

1549 1 Berg & Neuber, Lamentationes Bieremiae <br />

1549 16 Berg & Neuber, Diphona amoena et florida <br />

1550 2 Berg & Neuber, Carmina vere divina <br />

21<br />

1550 Berg 11£ Neuber, 7fPOT£.AE/OG., E.YKH<br />

rc.1550]2!<br />

Berg & Neuber, 61 deutsche u. franzosische ••• Vokalsitze<br />

f C .1550J23 Berg & Neuber, 68 deutsche franzosische lateinische Vokalsfitze<br />

1552 28 Berg & Neuber, Des dritten teyls •••Teutscher Liedlein<br />

1553 4-6 Berg &Neuber, Psalmorum selectorum Bks. 1-3<br />

1553 8-10 Susato, Liber primus - tertius ecclesiasticarum cantionum<br />

14<br />

1553 12 - Susato, Liber quintus - septimus ecclesiasticarum cantionum<br />

~ 1554 8 Susato, Liber quartus ecclesiasticarum cantionum<br />

1554 10 Berg & Neuber, Evangeliorum dominicorum<br />

1554 11 Berg & Neuber, Liber quartus psalmorum selectorum<br />

12<br />

1554 Du Bosc 11£ Gulroult, Brimus liber ~otetorum (S)<br />

1554 13 Do Bosc & Gulroult, Secundus liber modulorum (S) <br />

12<br />

1555 10 - Secundus - quartus tomus Evangeli~rum, Berg & Neuber <br />

1556 8 Berg & Neuber, Quintus tomus Evangeliorum <br />

1556 9 Berg & Neuber, Sextus tomus Evangeliorum <br />

1558 4 Berg 11£ Neuber, Novum et insigne opus musicum <br />

1559 1 -2 Berg & Neuber, Secunda & tertia pars magni operis musici <br />

[1560J 1 Berg & Neuber, Selectissimorum Triciniorum <br />

1560 2 Berg & Neuber, Variarum linguarum tricinia <br />

1561 1 Berg & Neuber, Vetere. ac piae cantiones <br />

1563 2 Berg & Neuber, In tertio tomo triciniorum <br />

1<br />

1564 - 5 Berg & Neuber, Thesaurus musicus Bks. 1-5 <br />

1567 1 Gerlach, Suavissimae et jucundissimae harmoniae <br />

1568 7 Stephani, Cantiones triginta selectissimae <br />

~ 1568 8 Stephani, Liber secundus Suavissimarum et iucundissimarum harmoniarum<br />

""':Ir 1575 2 Figulua, Vetera nova carmina<br />

1576 2 & Phalese, Livre Bepti~me des chansons<br />

1597 13 Kaufmann, De fior del giardino


,<br />

Verona 758 <br />

Verona 759 <br />

Verona 761 <br />

'Vienna 11883 <br />

Vienna 15495 <br />

V1~nna 15497 <br />

Vienna 18746 <br />

Vienna 18810 <br />

Vienna 18832 <br />

Wssh1ngton Laborde <br />

Wash1ngton Wolffhe1m <br />

Weimar B <br />

Wolfenbflttel 287 <br />

Z,,1ckau 78.3 <br />

Prints<br />

Ant1co, La Courone HISK 1536 1<br />

Ant1co, Ier L1vre des chansons a 4 (no RISH no.)<br />

Ant1co, Le second l1vre (no HISK no.)<br />

Ant1co, Motetti novi HISM 15203<br />

Attaingnant, Quartus liber tres missas contlnet RISM 15324<br />

Atta1ngnant, Qu1ntus liber tres missas continet RISM 15325<br />

Atta1ngnant, Sextus llber duas mlssas habet RISK 15326<br />

AttAingnant, Septimus liber tree mIss~s habet RISM 15327<br />

(Egenolfr) Parls 504 RISM [c. 153511~<br />

Formschne1der, Trium vocum carmina RISH 15389<br />

-- .PetruccI, Odhecaton A RISM 1501<br />

PetruccI, Canti B RISM 15022<br />

PetruccI, Canti C RISM 15043<br />

PetruccI, Motetti A RISK 15021<br />

Rhau, Secundus tomus biciniorum RISK 15457<br />

Rhau, Trlclnia HISK 1542H

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