howard mayer brown microfilm collection guide - Newberry Library
howard mayer brown microfilm collection guide - Newberry Library
howard mayer brown microfilm collection guide - Newberry Library
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HOWARD MAYER BROWN MICROFILM COLLECTION GUIDE<br />
Page individual reels from general <strong>collection</strong>s using the call number:<br />
Howard Mayer Brown <strong>microfilm</strong> # ___<br />
Scope and Content<br />
Howard Mayer Brown (1930 1993), leading medieval and renaissance musicologist,<br />
most recently ofthe University ofChicago, directed considerable resources to the<br />
<strong>microfilm</strong>ing ofearly music sources. This <strong>collection</strong> ofmanuscripts and printed works in<br />
1700 <strong>microfilm</strong>s covers the thirteenth through nineteenth centuries, with the bulk treating<br />
the Medieval, Renaissance, and early Baroque period (before 1700). It includes medieval<br />
chants, renaissance lute tablature, Venetian madrigals, medieval French chansons, French<br />
Renaissance songs, sixteenth to seventeenth century Italian madrigals, eighteenth century<br />
opera libretti, copies ofopera manuscripts, fifteenth century missals, books ofhours,<br />
graduals, and selected theatrical works.<br />
I<br />
Organization<br />
The <strong>collection</strong> is organized according to the <strong>microfilm</strong> listing Brown compiled, and is not<br />
formally cataloged. Entries vary in detail; some include RISM numbers which can be<br />
used to find a complete description ofthe work, other works are identified only by the<br />
library and shelf mark, and still others will require going to the <strong>microfilm</strong> reel for proper<br />
identification. There are a few <strong>microfilm</strong> reel numbers which are not included in this<br />
listing.<br />
Brown's <strong>microfilm</strong> <strong>collection</strong> <strong>guide</strong> can be divided roughly into the following categories<br />
CONTENT<br />
MICROFILM #<br />
GUIDE<br />
Works by RISM number<br />
Reels 1- 281 pp. 1 - 38<br />
Copies ofmanuscripts arranged<br />
alphabetically by institution <br />
Reels 282-455<br />
pp. 39 - 49 <br />
I Copies of manuscript <strong>collection</strong>s and Reels 456 - 1103 pp. 49 - 84<br />
. miscellaneous compositions<br />
I Operas alphabetical by composer Reels 11 03 - 1126 pp. 85 - 154<br />
I<br />
IAnonymous Operas<br />
I<br />
i Reels 1126a - 1126b<br />
pp.155-158<br />
I
I Libretti by institution<br />
I<br />
More Italian libretti and masses, copies<br />
of 15 th C. missals, chant manuscripts,<br />
books of hours, graduals, and misc.<br />
works<br />
Reels 1127 - 1259 pp. 159 -168<br />
Reels 1260 - 1700 pp. 168 - 201<br />
This is the extensive checklist which Howard Mayer Brown kept for his extensive<br />
<strong>collection</strong> of<strong>microfilm</strong>. The <strong>Newberry</strong> <strong>Library</strong> has kept his numbering system and<br />
maintains the <strong>collection</strong> iunong its other microfiJms. Although at first somewhat<br />
daunting, we think that specialists will find this list easy.to use and we put it among our<br />
reference works here so that there can be access to the films themselves until some future<br />
time when they may be otherwise cataloged.<br />
,<br />
Mary Wyly . ,<br />
Associate Librarian<br />
June 1995
• i::~,<br />
•<br />
• <br />
1. RISlf 1537-10,<br />
2. RISM 1535-8,<br />
3. RISM 1521-3.<br />
4. RISM 1584-14.<br />
S. RISM 1.569-29.<br />
6. RISM 1539-1,<br />
7• RISM 15.39-14,<br />
8• RIS!1 1538-12, ,<br />
RISM 1538-13.<br />
RISl1: 1539-17.<br />
9. RISH 1,541-2,<br />
RISM 1,542-8.<br />
1b. RISM 1585-)4..<br />
ll. RIS!..t 1.567-14,<br />
n secondo libra de dr.iga.l1 d1 Verdelotto 1ns:1eme <br />
.cona1mmi a1 . ssim1 madriga.l:1 d1 Adriano, <br />
et d1 Cons 0 Festa••••Venezia. O. Scotto, 1537 <br />
n primo libra de~canscm1. .t1'&bZese•••per A.zidrea <br />
Antigo inta~•••Veneda. o. Scotto, 1535 <br />
Hotetti libra ~vene~. ~. ~c~, 152l.<br />
'DLbulatura nova aont2nems . atLsa:bas quasque<br />
cantiones ut aunt<br />
.' mtatae, paci"lJllae<br />
et v.Uanellae, te .sic aptata., ut qu1l1bet<br />
singulas dup1:1ai Iudere at ecmcdDt:re possit 4alIl<br />
recens edita Gregor.Um 1'.I."eDg8l•••~ "<br />
Frsnk.tort, a •• Q!8ra "A Blchom, l~<br />
,.~~;0 ": ~",' '-1':l'" .", •<br />
m. Don Fmncesco . zam. a'brliZ._,· 11 pr.1.mo <br />
libra delle ca' Cm1. ana. rapo1.1ta:aa,a tre . <br />
wei. con<br />
a qua:ttra.;'.VemHda.:G. Scotto. <br />
1569 .>. ··7j~l,'~..~i:':;~r~ITJ~!~;;{;\~ ,I,';
•<br />
12.<br />
fI'<br />
•<br />
RISM 1585-28:<br />
Gli. encomti musica.li del'Moro a quattre et a cinque<br />
voc1, •••Venezia 1 G. Vincenzi e R. Amadino<br />
13. RISM1572-9. Di Hippol:ito Baccus:!. da Mantova mestre della<br />
musica dell'illustrissimi signori di spi,., mhergo,<br />
.II secondo' l:.i.bra dei mad.r:1gali a c1:Dque voce. Con<br />
una ca.nzone nella gmn v:l.ttor.ia contra. 1 TUrchi••<br />
Venezia.G. Scotto<br />
14. RISI1 1551-1;, Di Br.ldissera Ibnato 11 primo l1bro di canzon .<br />
villanesche alla napal:l:t:a!l& a. quatro voal 1nsiema<br />
con alCUDi madrigalj. ncBiI.msnte l"!tstampate.<br />
Agg1ontovi cuchora aJ.cnme v.lllote- di Perissone a .<br />
quatre . . con-la canzon della Ga.111na.. VeneziaI G.Scotto<br />
. ~ . ,<br />
15. RISM 1551-17. Gen:im.e undav.1g1:nt!. Qial'Wll Hore.t1:1 mal octiAa, quatour<br />
vac1bus .probS ador.nataa·, CWIl selectisadad. carminum,<br />
pattim. sacrorum, pa.rtt,.m. proplwlOl'Wll, cancentibual<br />
additis c1rca fin.. a]"s item aarrt1cm1bwr, _tutines,<br />
meridiarr1s, at sal"Oti:a1s. .paedagogiis rec~<br />
institutis, "ac schoJis q1l1bisl.1bet pro axercanda<br />
1uventute litararia accoiDadatissimia.· Frankfort.<br />
G. EgenolpJ:&. ,. .<br />
: ." ~ ;<br />
16. RISM 1551-181 Het ierste mnsyclc ~n ~t Viar;~~n<br />
daer 1 inne Begrepen zya,.:x:rii1. Dieuue amorause<br />
l1edekens in anser nedar:' cf:qtscher ta1an, Gecomponeert<br />
by' diverscha compcmistan, seer<br />
1ust1.ch om singeb en speieD op ana IllllSicale .<br />
Instrumenten....Antwarpen•.. !. SUsato ... <br />
(See let 153 for soprano part ~.) ."<br />
~~~...... ::,~:...' ~'4~..;,~:::~.. .... ~ .:.:i .~:"'''':'<br />
RISl1 1551-191 Het tvueetste musick boe:x:lam ad..tvier party&n<br />
daer inne Begrepen zya...x:x:v:ti Dieue alllOreuse•••••<br />
(same as above) '. . .<br />
17, RISI-11;44-211 News deudsche geistlicba Geseng& exll II. ·H!.t<br />
vier unci funf'£ Stimmen, :fUr die gemeinen ScWen,<br />
mit sonder l:.i.chem Vl.eis &US vielen erlesen,<br />
der zuvor keins 1m llr'ick ausgangen. Wittenberg:<br />
. G. Rhaw •<br />
. .<br />
18. RISM 1;44-20. Hundert und £u.nf£zehen guter newer LiedleiJ). mit<br />
vier, fun:££, sachs S~ III!IfQ'I vor Die 1m Tra.ck<br />
auzgangen, deutsch, £rantzosisch, welsch u:nd<br />
lateir.dsch, lnstig zu singan, und aut:£ die Instrument<br />
dienstlich von den behrumtesten diser Kunst .<br />
gemacht•••!l!1rnberg: J: ott<br />
•
• 19.<br />
RIS111577-8,<br />
Aeri raco1ti insieme con a1tri bellissimi<br />
aggionti eli divern dove s1 cantano sonetti<br />
!Stanza et terze :rime", "nuovamente ristampate<br />
(3-4). Napoli, G. Cacchio dell' Aquila<br />
20. RIS1-! 1574-4. n quatro libro delle. muse a cinque voci COMpOsto<br />
diversi eccellentissimi musiai. insieme dui mad•.<br />
~.. sei, nova mente stamps. t1 et dat1 in 1uce, intitalat1<br />
benigni spirti. Venezia I figl•. di A. Gardano<br />
21. ·RISM 1566-27: Musica libro primo- a tre voci,· IlL Adrian Wigll.ar,<br />
Cipriano de Rare, Arcbade1t. lban Gero a "et a1tri<br />
madrigal1 a tre voc1. de diversi auttore, coretti,<br />
& eli novo stamps. ti. Veneziaa G. Scotto<br />
22. RISM 1550-21. •••qua chorus musicus bene precatur optimo<br />
sponso ornamentis ingenij et virto:t1.s claro<br />
Christophoro Hagio c1arissimi v:1ri. Consilio, • ~ ~<br />
D. Christopheri Hagij f'1110, et castissimaeeius<br />
sponsae. Barl::arae Goeblin wirtzburgensi. numeris<br />
•, 23. RrSH 1.54-6-23.<br />
barmonicisreddita•••Ntlrnberg, J. von Berg &<br />
U.Neuber .<br />
Intabulatura eli lautto libro sesto di diversi<br />
motetti aquattro voce, intabt:tlati et accomodati<br />
per sonara sopra 11· laut:to da1 reverendo Messer pre<br />
l·1'erchiore de Bareerijs da Padavasonatore .<br />
eccellentissimo di lautto da lui proprio nuovamente<br />
a utilita di virtuosi posta in 1uce.<br />
Agiontovi 11 nuovo modo di accordare 11 lautto<br />
posta in f'ine. Venezia<br />
24. RIS111570-24c Di Madalena Casulana 11 secondo libro de<br />
madrigal1 a quattro voci, nova mente posti in·<br />
1uce. Venezia. G. Scotto<br />
25. RISM 1572-8 a i Di .Hipolito· Baccusi da l-Jantova maestro della .mu.s1!:a ..<br />
de111 111ustri· signori di Spilimbergo. Il:<br />
. secondo libro de madrigalia sei.voc1•. Con<br />
una conazone nella gran vittoria contra i Turchi.<br />
Nuavamente post11n 1uce. (Basso only)<br />
Venezia. G. Scotto<br />
See RISM 1572-8 (KCL .56)<br />
•<br />
26.<br />
RISH 1567-17: n terza libra delle villotte alla napo1etana<br />
de diversi con due Moresche novamente<br />
stampate. A tre voc1. Venezia: A Gardano
t <br />
•<br />
27.<br />
28.<br />
RISM 1551-3:<br />
RISM 1560-20.<br />
4. <br />
Motetta trium vocum a b pluribus authoribus <br />
composita quorum nomina· sunt. Jachetus galicus• <br />
Morales hispanus. Constantius Festa. Adrianus <br />
Wilgliardus. Venezia. A. Gardane <br />
nl Francesco Portinaro. I1 quarto libro de <br />
madrigali a. cin:::tue voe! con dui madrigali a. <br />
sei dui dialogh1 a sette et dui a otto nova mente <br />
da lui composti et dati in luce. Libro quarto. <br />
Venezia.A. Gardane <br />
29.<br />
RISM 1589-16.<br />
Di Hippolito Sabino 11 settimo llbro de <br />
madrigali a cinque, ·&a sei voci al L'1ll.ustr.:it<br />
sima et eccellentissimo'Principe- di MUretta. <br />
NoVamente composte, & date in 1uce ~ <br />
Venezia. G. Vincenti <br />
30.<br />
RISM 1569-31<br />
Motecta trlum vocum ab pluribus authoribus <br />
composita Quorum nomina sunt lachetus gallicus <br />
Morales hispanus Constantius Festa Adrianus <br />
Wigliardus• . Venezia. A. Gardano . . <br />
31.<br />
•<br />
32.<br />
33.<br />
34.<br />
RISM 1538-71<br />
RISM 1,520-1.<br />
RISM 1520-2:<br />
RISM 1571-51<br />
RISl-f 1571-6:<br />
RISM 1571-71<br />
RISM 1541-1.<br />
J.1odulationes aliquot quato~ voaum se1ectissi.ma.e,<br />
quas vulgo modetas vocant, apraestantiss•<br />
. musicis campositae, 18m prium typis .excusae...<br />
Nurnberg. J. Petreius<br />
Motetti novi libro 'secondo (4 v.) VeneziaI<br />
A. An:t.ico<br />
Motetti novi libro tertia (4-5 v. Venezia. <br />
A.. Antico<br />
. <br />
Il primo libro delle villotte alla napo1etana:<br />
. de diversi eccellentiss. Autori, novamente<br />
ristampato. A tre voc1. Venezia. figliuoli<br />
di A. Gardano<br />
Il secondo libro•••• (above)<br />
Il quarto libro. it ••• (above)<br />
Opus decem missarum qua tour vocum'in gratiam <br />
scholarum a tque adeo omnium musices studiosorum, <br />
collectum a Georgio Rhavvo musico & typographo <br />
vuitembergensi.. Wittenberg: G. Rhaw <br />
•
5 • <br />
••<br />
35.<br />
RISM 1585-30:<br />
Il primo libro de madrigali a cirque voci<br />
di Gio. Ihttista 1\:1ce', et Giovan donato<br />
Vopa,. discepoli di Stefano Felis da -Bg.ri.<br />
nova mente composti. & dati in luce.<br />
Venezia. A. Gardano<br />
36.<br />
RISM 1538-201<br />
Di Verdelot _le dotte et eccellente<br />
compositioni de i madrigali a cirque vocir<br />
insieme con altri nadrigali di Varij autori<br />
nova mente ristampati, & ricorretti.<br />
Venezia. A. Gard.{lne<br />
37.<br />
RISM c.l.515-3. <br />
(36 ~der) . Mlinz. P. Schotfer<br />
•<br />
40.<br />
38.<br />
RISM 15.51-21. <br />
RISN 1540-6"<br />
.. <br />
RISM 1559-16, <br />
Intabolatura nova di varie sorte de balli<br />
da somare per arpicho.rdi, claviciembali,<br />
spinette,. et .mana.chordi,-raccolti da diversi'<br />
eccelJ.entissimi autori, novamente data in<br />
luce, et. per Antonio Gardane con ogni<br />
diligent1a stampa'ta. Libra primo.<br />
Venezia. A. Gardane<br />
Selectissimarurn mutetarurn partim quinque <br />
partim .quatour vocum tomus primus. D • <br />
qEtorgio Forstero selectore. Nurnberg: .. <br />
J. Petreius<br />
Il secondo libro de le l111se a cirque voei<br />
composto da diversi eccellentissimi musici<br />
con uno madregale a sei di Giovan Nasco, et<br />
con dui dialoghi a otto, novamente stampato·<br />
& dato in1uce.. Venezia. Garda.no, A.<br />
41.<br />
RISM 1570-22.<br />
Di Archadelt 11 primo libro de madrigali a<br />
quattro voci. Di nuovo ristampato, et con<br />
ogni diligentia corretto. Venezia: G. Scotto<br />
42.<br />
RISM 15.51-2.<br />
Nicolai Gomberti musici imperatorii motectorum<br />
nuperr:tme maxima diligentia in lucem aeditorurn.<br />
Liber primus quatour vocum. Vepezia. A.<br />
Gardano<br />
• <br />
43.<br />
RISM 1588-311<br />
Canzon di diversi per sonar con ogni sorte<br />
di stromenti a quatro cirque, et sei voci.<br />
Novamente stampate. Libro primo. Venezia.<br />
G. Vincenzi
•<br />
44.<br />
<br />
RISM 1561-111 <br />
6. <br />
M!l.dregali a tre voe! de diver51 eccellentissimi<br />
autori novamente con agni diligentia ristampati<br />
& corretti•..Venezia, A. Gardan~<br />
RISM 1594-19, <br />
norilegium omnis fere generis cantionem suavissimarum<br />
ad testw:iin:is tabulaturam accomodatarum,<br />
10nge jucundissimllm. In quo praeter fantasias<br />
lepidissimas·, continentur diversorum authorum<br />
cantiones•••redacta per Adrianum Denss.<br />
Koln. G. Greuenbruch<br />
46.<br />
RISM 15.54-28, ...<br />
De diversi"autori II quax-tO libro de DlLdriga~ <br />
a quatro voe! a. note bianche novamente dato <br />
in luce. Venezia. A. Gardano <br />
RISM 1585-311<br />
II settimo libro de DlLdriga1:i. a ciD:lue voe! del<br />
S. dio. Leonardo Priinavera. NOVamente compos to <br />
.et dato .in luce. Venezia. herede di G. Scotto <br />
• 49.<br />
48.<br />
50.<br />
RISM 1555-251<br />
RISMc.1513-31 <br />
RISM 1,546-151 <br />
II primo libro de Ie Muse a Cinque voei composto <br />
cia diversi eccellentissimi musiei nova mente per <br />
Antonio Gardano stampati & corretti con 14 <br />
gionta d'una canzon & uno madregale·a otto <br />
vo~. Venezia. A. Gardano <br />
(68 Lieder). (S.l.n.d.) (E. Oglin1)<br />
II primo 11bro d'i·madriga11 de diver51 autori <br />
a misura di breve novamente ristampato. <br />
Aggiontovi ancora alcuni DlLdriga11 novi et posta <br />
11 suoi nom veri di autori ne11i madrigali <br />
dove \-lerano s~ti posti altri nomi per errore <br />
a quatro veei. Venezia. A.Gardano <br />
.51.<br />
RISM 1576-5:<br />
Musica eli XIII. autori i11ustri a cinque veci,<br />
novamente per Angelo Gardano reccolta et data<br />
in luce. Nella quale 51 contengono i pu belli<br />
madrigali; che hoggidi. so cantino•••<br />
Venezia.· A. Gardano<br />
52.<br />
RISM 1521-4.<br />
(Motetti libro secondo) (4 v.) (Venzia. A. Antico)<br />
RISM 1521-7.<br />
(Motetti et canrdna gallica) (Roma:<br />
A. Antico)<br />
RISMc1530-1:<br />
Libro primo de la. fortuna A: (Venezia: Giunta1)<br />
(s.d.)<br />
•
•a<br />
••••<br />
•<br />
53 • RISM 1584-11,<br />
RISr-1 1585-23:<br />
55. RIS1.f 1538-3,<br />
56. RISM 1572-8:<br />
.<br />
RISM. 1542-6,<br />
58. RIS}1 1550-2:<br />
59. RISM 1538-6,<br />
60. RISM·1566-2,<br />
61. RISH 1585-29:<br />
Di Pietro Vinci siciliano della citta di<br />
Nicosia il sesto libro de madrigali a cinque<br />
voci. Novamente posti in luce. Venezia, di<br />
G. Scotto "<br />
Dl. Stefano' Felis di :sa.r.:l. mestro di Cappe11a<br />
ne1 Duomo di Ba.ri. n quarto libro de madrlgali<br />
a cirxtue voci, con a1cuni a sei, & uno Echo a<br />
otto ne1 fine,. nova mente composti &dati in<br />
1uce. Venezia, G. Vincenzi, & R. Amadino<br />
. ..<br />
Secundus tomus novi operis musici, sex,<br />
quinque et quatour vocum, nune reeens iii. 1ueem<br />
editus~. ~ . NUrnbarg: H. Grapheus<br />
. . . . '<br />
. Dl. Hipolito Ba.ccusi da Mlntova maestro della.<br />
musics. delli iliustri signori di Spi1imbergo.<br />
n secondo libro de' madrigali a· sei voci.<br />
Con una canzone nella gran vittoria contra ~<br />
. Turchi.' Nuovamente posti in 1uee•<br />
. Venezia. G. Scotto<br />
(See RISM 1572-8a)<br />
Tomus tertius psalmoruc se1ectorum.quatour.et" <br />
quinque, -at quidam plurium. yocum• <br />
Nurnberg, J. Petreius <br />
Car:mil1a vere divina, a praestantissimis <br />
artificibus ad singula aMi festa quinque <br />
vocibus sic composita. ut plane appareat <br />
impetum ilium musicum sedibus aethereis <br />
venere excellentibull ingenijs•••• Nurnberg, <br />
J. Montanus & U~ Neuber<br />
Tomus primus psalmorum se1ectorum a praestan<br />
tissimis .musicis in : harlllOnias quatour aut <br />
quinque yocum redactorum. Numberg: J. <br />
Petreius <br />
Primo libro de di-versi ecce11ent. mi auttori<br />
a quattro voci, intitulato i1 Desiderio.<br />
Novamente posti in 1uce, per Giulio Bonagionta•••<br />
Venezia, G. Scotto<br />
Di Gio. Battista r'!oscaglia, 11 secondo libro<br />
de madrigali a quattro voci: con a1cuni di<br />
diversi eccellenti musici di Roma. Novamente<br />
composti, et dati in 1uee. Venezia: G.<br />
Vineenzi et R. AtlPdino
•<br />
62.<br />
8 • <br />
RISM 1522J Missarum decem a clarissimis muS1C~S<br />
compositarum nee dum antea exeptis tribus<br />
aeditarum. Liber primus (4.v.) Hemal G.<br />
Giunta<br />
63. RISM 1569-4, Selectissimarum sacrarum cantionum (quas<br />
vulgo Moteta vocant) nores. trium vocuml<br />
ex optimis ac praestantissimis quibusque<br />
divinas Masices a uthoribus excerptarum.<br />
Jam primum summa cura ac. diligentia collecti<br />
et impressi. Liber primus. LOUvainl,<br />
P. Phalese<br />
RISM 1569-' 5.<br />
• •• (above)~ •• Liber secundus••••<br />
RISM 1569-6.<br />
• •• (abov~) ••• Liber tertjlus••••• _<br />
64. RISM 1583-15. Masioa divina eli XIX. autori illustri, a<br />
.III!. V.VI. et vn. voci, nuovamente<br />
raccolta daPietro Phalesio, et data in<br />
luce. Nella quale s1 contengono i piu<br />
excellenti madrigali che hoggidi si cantino.<br />
Ahtwerpena ·P. Phalses et J. Ballere .<br />
e·· RISM 1570-33.<br />
(See KCL 148 for canto only)<br />
Il Turino. n primo libro delle napolltane<br />
ariose' da cantara' et sonare nel leuto,<br />
composte da diversi eccellentissimimusici<br />
& novamente per U Rever. P.E. Cornellio<br />
Antonelli CIa Rimino detto U Turturino,<br />
accomodate sul leuto. Venezia, G. Scotto<br />
RISM 1570-19.<br />
RISr1 1570-14.<br />
Il primo libro della raccolta eli napolitane a<br />
tre voci eli diversi eccellentissimi musici<br />
nuovamente composto et dB.tto in luce.<br />
Venezia. G. Scotto<br />
Il secondo libro delle fia~, madrigali a<br />
cinque et sei voei de eliversi eccellentissimi<br />
mtrsici. Nuovamente ristampa. to. Venezia: G.<br />
Scotto<br />
68. RISM 1570-181 Corona delle napolitane a tre et a quattro<br />
voci. di dibersi eccallentissimi musici.<br />
Nuovamenta poste in luce. Venezia: G. scotto<br />
•
• <br />
70.<br />
71.<br />
RISH 1543-19: <br />
RISM 1544-19. <br />
II primo libro a due voci de diversi autori<br />
novamente stamps.to et con agni diligentia<br />
corretto. Venezia, A Gardane<br />
Guter, se1tzamer, und kunstreicher teutscher<br />
Gesang, sonderlich ettliche lcunstliche Quodlibet,<br />
SchlacJlt, und der gleichen mit vier<br />
oder funff Stimmen, biss her im Truck nicht<br />
. gesehen... Nurnberg: J. Pe-treius<br />
•<br />
72.<br />
73.<br />
RISM 1546-3,<br />
RISl'1 1546-4,<br />
Liber primus missarum quinque vOCUnt, a <br />
diversis mllsicis compositarum•••• <br />
Antwerpena T. Susato <br />
Liber tertius missarum quatour vocUnt, a <br />
diverBis'musicis compositarum••••. <br />
Antwerpen: T. Susato <br />
74.<br />
RISH 1547-221<br />
Intabolatura de lauto di Simon Gintz1e:r muBico<br />
del reverendissimo cardinale di Trento, de<br />
recercari motetti madrigali et eanzon franeese<br />
novamente posta in 1uee. Libro primo.<br />
Venezia 1 A. Gardane<br />
75.<br />
RISM 1546-9.<br />
.Horalis hispani et multorum eximiae artis<br />
virorum musica eum vocibus quatour vulgo<br />
moteeta eognominata. - Venezial A. Gardane<br />
76.<br />
RISH 1,546-8:<br />
Se1eetissimae symphoniae eompositae ab<br />
excellentibus musicis, antehae non aeditae.<br />
Nurnberg: J. von Berg & U. Neuber<br />
• <br />
77.<br />
RISH 1539-7,<br />
Moteti de 1a simia (Liber primus voeum<br />
quinque). Ferrara, J. de Buglhat, H. de<br />
Campis, A. Hueher
•<br />
78.<br />
RISM 1.547-3:<br />
RISM 1.547-4.<br />
10 .. <br />
Sex msse dulcissime moduJ.a.tionis auras omnium<br />
mulcentes vocibus quinque. Quarum prima :t-1antue<br />
capelle magistri Jacheti est, tres sequentes<br />
Gomberti aunt, due taman Jaeheti' Berehem, suis<br />
cum nominibus tit in indica continetur, expurgate<br />
plurimis erroribus denuo prodeunt in 1ucem.<br />
Venezia, A. Gardane<br />
Quinque missarum harmonia diapente id est <br />
quinque voces ref'erens••• Venezia. A. ,Gardane <br />
Ca.," ,,;. a .<br />
•<br />
81.<br />
•
j<br />
j<br />
•<br />
82.<br />
RISM 1569-10I<br />
ll•<br />
Recueil des f1eurs priduictes de 14 divine<br />
musique a trois parties, par Clemens non papa.<br />
Thomas Cricquillon; et aultres excellens<br />
musiciens. Second livre. Louvain, P.<br />
Pha1ese<br />
RISM 1569-ll, <br />
•••(above) ••• -Tiers livre•••••<br />
8.3.<br />
RISM 1.545-4. <br />
.Flos florum primus liber cum quatuar vocibus.<br />
Motteti del fior. Venezia, A.. Gardana .<br />
84.<br />
RrSM 1540-5,<br />
Vesperarum precum officia psalmi feriarum et<br />
cominical1wn dierum tooiusanni, cum.<br />
antiphonis, hymnis, et responsoriis (ut<br />
vocant) quatuor vocibus ab optimis & ce1eberrimis<br />
musicis compositi, •••<br />
Wittenberg, G. Rhau<br />
•<br />
86.<br />
ruSM 1.546-6,<br />
Liber primus sacrarum cantionum. quinque <br />
vocum, vulgo moteta vacant J ex optimis <br />
quibusque huius aetatis musicis se1ectarum. <br />
Antwerpena T. Susa to <br />
• <br />
87.<br />
RISM 1.546-7,<br />
RISM 1.547-5.<br />
RIS14 1.547-6,<br />
RISM 1.545-5:<br />
.Liber secundus•• ; ••(above) ••••••••••••••.<br />
Liber tertius••••••(above) ••••••.••••••••<br />
Liber quartus ••••••(above) •••••••• ~ •••••<br />
Officiorum (ut vocant) de Nativitate<br />
Circuncisione, Epiphania Domini, & Purificatione<br />
&c. Tomus primus.<br />
Wittenberg: G. Rhaw
•<br />
88.<br />
• RISM<br />
RISM 1.549-11<br />
89•. RI5M 1.543-51<br />
90. RISM 1.548-21<br />
1.549-11:<br />
91. RISH 1.542-171<br />
92. RISM 1.540-8:<br />
12. <br />
Laments.tiones Hieremiae Prophets.e, ma:x:ime <br />
1ugubribus et querulis concentibus musicis, <br />
. decoro undiquaque eruditissime observatol<br />
composits..e a clarissimis nostri seculi musicis:<br />
Thoma Crequi10ne Caesarei chori magistro.<br />
J ohanne Gardano. Petro de. la fu,e, fiandro·.<br />
Antonio Fevino. Claudio de Sermisy, •••<br />
at alio quodam incerto authore.<br />
Nurnberg, J. "von Berg & U. Neuber<br />
Moralis bispani, et linlltorum e:x:imiae artis'<br />
v.irorUm "musica cum vocibus quatuor, wlgo<br />
.ll1Otecta.. cognomina ts. i cuius magna .pars· paribus<br />
vocibus cants.nda est: reliqua vera plena voce<br />
apta est decants.ri, hadtenus non typijs<br />
excussa, nunc autem in 1ucem prodit.<br />
Veneziac G. Scotto<br />
Cantiones as1ectissinae. Quatuor vocum.<br />
Ab .eximii.s et praests.ntibus caesareae<br />
Mliests.tis Cappellae musicis. M. Cornelio<br />
Cane. Thoma Crequi1one. Nicolae .Payen<br />
& J ohanne Lests.innier organists., composits.e et<br />
in comtiis augusts.nis· studio et impensis'<br />
Sigismundi Salmingeri in J..ucem aedits.e.<br />
Liber primus.... Augsberg: P•. Ul.ba.rd<br />
Cantionesse1ectissimae. Quatuor vocum • <br />
•••••••(above) •••••Liber sacundus •••••••• <br />
Augsbergl P. t.n.hard <br />
I1 primo libro d'i madrigali de diversi<br />
acce11entissimi autori a misura. di breve<br />
novamente con grande artifficio composti et<br />
con ogni diligentio sts.mpati et posti in 1uce<br />
quatuor Yocum. Venezia, A. Gardane<br />
Concentus novi, trium VOCUM, . cee1esiarum<br />
usui in Prussia praecipue accomodati.<br />
Joanne Kugel.manno, tubicinae symphonisarum<br />
authore. News Gesanng, mit dreyen Stimmen,<br />
den Kirchen und Schulen zu nutz,.newlich in<br />
Preussen durch Joannem Kugelman gesetzt. Item<br />
etliche stuck, mit acht, sechs, funf und<br />
vier Stymmen binzu gethan.<br />
Augsbarga 11. Kraisstein<br />
•
13. <br />
•<br />
93. RIS!
•<br />
14.<br />
iam non minus iucundas. Autore Frederico<br />
Viaera friBio. Louvaina P. Phalese<br />
101•. RISM 1564-2la, Longe elegantissima excellentissimi musici<br />
Joannis Pacolini Chelista Patavini, tribus<br />
testudinibus lucenda Carmina. .Et Primo<br />
quidem ordine Passomezi Paduane saltarelli.<br />
Deinceps Galiarde faciliores. Postztemo<br />
adiecta sunt & alia non· minus elegantia<br />
.alterius Mlsici & Chelistae•.••<br />
Louvainl Pierre Phalese<br />
102. RISM 1;;44-41 Postremum Vespertini Officii opus, cuius<br />
prio.res partes, iam antea typis nostris aedi.tae<br />
sunt. Hagnifica.t octo modorum seu tonorum<br />
" ") ~ numero x:x:v. Quae commendationem habebunt,<br />
f)/ fI,)' ! ~.f-y cum ex authoribus, tum ipsa harmonia.<br />
18~ ~ , ~ ~/~I oJ-I,· A,,' \o~ifl.~tenbergi G. Maw·<br />
104.<br />
'Vf1v'~:~V<br />
RISM 1.583-2: Harmoniae miscellae cantionum sacrarum, ab<br />
exquisitissimis aetatis nostrae musicis cum<br />
·quinque & sex vocibus concinnatae, pleraeque<br />
omnes novae, necsum in Germania typis scriptaeo:<br />
e. nunc a utem editae studio Leonardi·Lechneri<br />
athensini. Nurnberg: Gerlach<br />
105. RISM 1542-16: . D. autori il primo libro d'i madregali de<br />
diversi eccellentissimi autori a cinque voci<br />
novamente. stampate et posta in luce.<br />
Venezia, A. Gardane<br />
106. RISM k,540-20, Di Verdelotto tutti li madrigali del primo,<br />
et secondo libro a quatro voci. Con la<br />
gionta de i madrigali del medesmo auttore,<br />
non piu stampati. Aggiontovi anchora altri<br />
madrigali novamente composti da Messer Adriano,<br />
.& da altri eccellantissimi musici •••<br />
Venezia: G. Scotto<br />
107. RISI1 1,549-9: Musica quatour vocum, que mat'erna lingua<br />
moteta vocantur ab optimis et varijs<br />
authoribus elaborata, paribus vocibus decantanda<br />
nonc primum soliciti cura in lucem producta.<br />
Venezia, A. Gardane<br />
e
•<br />
108.<br />
15• <br />
RISM 1540-2~: Der ander Theil, kurtzweiliger guter<br />
!rischer teutscher Liedlein, zu singen<br />
vast 1ustig. Nurnberg: J. Petreius<br />
109. RISM 1539-27: Ein Ausszug guter alter und'newer teutscher<br />
Liedlein, einer rechten teutschen Art,<br />
auf! aller1ey Instrumenten zubrauchen,<br />
ausser1esen... Nurnberg. J. Petreius<br />
llO. RISM 1541-15. 11 primo libro de imadriga.li, di Maistre<br />
Jhan, maestro di Capella dello eccellent1ssimo<br />
signor' Herco1e duea di. Ferrara, &<br />
de a1tri eceellentissimi. auttori.. Novamente<br />
posta in 1uce. Venezia: A. aardane<br />
lll. RISM 1.540-19: Madrigali a quattro voci di Messer Claudio<br />
Veggio, con la gionta di. sei a1tri di<br />
Arcade1th della misura a breve. Nuovamente<br />
con ogni diligentia stampati. Venezia.<br />
G. Scotto<br />
•<br />
112. RISM 1559-18: l'Jadregali ariosi a quatro voei eomposti<br />
da diversi eceellentissimi autori. Et per<br />
Antonio Gardano nova mente con somma diligentia<br />
stampatti. Libro primo..delle JvIuse a, quatro<br />
voci... Venezia. A. Gardano<br />
ll3. RISM 1544-6: Ciprianimusici ecce1entissimi cum quibusdam<br />
aliis doctis authoribus motectorum nunc primum<br />
maxima diligentia in 1ucem exeuntium Liber<br />
primus quinque Vocum. Venezia, A. Gardane<br />
114. RISM 1.548-6. De diversi autori i1 primo libro de madrigali<br />
a notte negre con la sua gionta novamente<br />
ristampato et correto. A qua tro voci.<br />
Venezia: A. Gardane<br />
115. RISM 1539-6: Secundus liber cum quinque vocibus. Fior<br />
de mottetti tratti. dalli 110ttetti del tiore.<br />
Venezia. A. Gardane<br />
RISl-11539-12, Primus liber cum quatuor vocibus. Fior de<br />
mottetti tratti dalli mottetti del tiore.<br />
Primus liber cum quatuor vocibus. Venezia:<br />
A. Gnrdane<br />
•<br />
lUSH 1546-19:<br />
H9.driga1i di Verde10t et de a1tri autori<br />
a sei voei novamente con a1cuni madriga.li<br />
novi ristampati & eorretti. Venezia: A •<br />
Gardane.
16• <br />
•<br />
RISM<br />
1.548-10: Husica eli Cipriano Rore sopra 1e stanze<br />
del Petrarcha in laude della I'1adonna, e<br />
cinque madrigali di due parte l'mio non<br />
piu veduti, ne stampati, con a1cuni madrigali<br />
di M. Adriano. Libroterzo. Venezia:<br />
A. G.H.rdane<br />
ll6.<br />
,It cu.. c<br />
j<br />
.< J::c::....<br />
•<br />
llB.<br />
ll7. RISM 1539-211<br />
RISM 1539-251<br />
ll9.<br />
Canzoni francese a due voci di Ant.<br />
Gardane, et di a1tri autori,bJ,lone da<br />
cantare et sonare ,stampate nuovamente.<br />
Venezia: A. Gardane<br />
Musiche fatte ne11e nozze della illus- . <br />
. trissimo Duco di Firenze i1 signor Cosimo <br />
de Medici et della illustissima consorte <br />
sua mad. Leonarda. da Tolleto.<br />
Venezia: A. Gardane<br />
•<br />
120. RISM 1569-7:<br />
RISM 1569-8:<br />
Liber primus sacrarum cantionum quatuor<br />
vocum, (vulgo motetas vocant) cantui,<br />
omnisque generis instrumentis accomoda tarum<br />
summa diligentia aeditus. Auctoribus<br />
Or1andus de Lassus & Cyprianus de Rore.<br />
Louvaina P. Pha1ese<br />
Liber secundus sacrarum cantionum•••••<br />
(above)
~<br />
17.<br />
• 121. <br />
RlSvl 1[38 I <br />
122 •<br />
•<br />
12.3.<br />
124.<br />
(:/.......... ........;~~;;a"<br />
~ :..r9'J ..<br />
•<br />
12.5 •<br />
(~, .<br />
~ "<br />
1Jc1 ~/Lu,t.,' "'~.<br />
L'1d1~ eX' C4.t:
..<br />
•<br />
18•<br />
126.<br />
RISM 1.543-18:<br />
Il secondo libro de li madrigall de diversi<br />
eccelentissimi autori a misura di breve<br />
novamente stampato a quatro voci.<br />
Venezia I A. Garrlane<br />
127.<br />
128.<br />
RISM 1555-2:<br />
RISM 1555-3: <br />
RISM 1553-11: <br />
Liber primus cantionum sacrarum, (vuJ.go <br />
moteta vocant) quinque vocum ex optimis <br />
quibusque musicis selectarum. <br />
Louvaini P. Phalese <br />
Liber secundus•••• (above)<br />
Liber quartus cantionum sacrarum (vuJ.go <br />
moteta vocant) quinque et sex vocum. ex <br />
optimis quibu~ue musicis selectarum. <br />
Louvain: P. Phalese <br />
(tenor only) <br />
•<br />
RISM 1553-24:<br />
RISM 1553-25:<br />
Premier livre des chansons a cinq et six <br />
parties nouvellement composez & mises en <br />
musique, convenables tant a ux instrumentz <br />
comme a la voix• <br />
Louvaina P. Phalese <br />
(tenor only) <br />
Second livre••• (above) <br />
(tenor only) (See KCL 129.) <br />
129.<br />
130.<br />
RISM 1553-25:<br />
RISI'1 1570-8,<br />
Second livre••• (above) <br />
(see KCL 128 for tenor part only) <br />
Septiesme livre des chansons a quatre <br />
parties, de nouveau revue, corrige et <br />
de plusieurs autres nouvelles chansons <br />
(lesquelles jamais n'ont este imprimees,) <br />
augmente. Toutes convenables tant aux <br />
instruments qu'a la voix. <br />
Louvainr P. Pjalese <br />
•
19 • <br />
•...<br />
•<br />
136.<br />
131 • RISM 15.58-10:<br />
RISH 1559-7:<br />
132. RISM 1554-24:<br />
133. RISM 1555-20:<br />
134. RISM 1555-21:<br />
135. RISM 1571-14,<br />
RISM 1583-21,<br />
137•<br />
Premier livre des chansons a quatre<br />
parties nouvellement composez et mises<br />
en musique, convenables tant aux inst~entz<br />
comme a la voix. Louvain: P. Phalese<br />
( = RISM 1554-22 )<br />
Second livre des chansons •••• (above)<br />
( = RISN 1554-23 ) <br />
Tiers livre des chansons ••••• (above)<br />
Quatriesme.livre des chansons••• (above)<br />
Cinquiesme livre des chansons ••• (above)<br />
. .<br />
Liber primus leviorum carminu-'1l, omnis <br />
fere generis tripudia complectens, padoanas <br />
nimirwn, passomezo alemandas, gaiilardas, <br />
branles et similia•••collecta • Fremer <br />
livre de danseries, contenant plusieurs <br />
pavanes, passomezo, almandes, gailardes, <br />
branles &c. Le tout convenable sur tous <br />
instrwnens musicalz, nouvellement amasse <br />
hors de plusieurs livres. <br />
Louvain: P. Phalese <br />
Chorearwn molliorum collectanea, omnis<br />
fere generis tripudia complectens: utpote .<br />
padoa.nas, pass' emezos ,alemandas, galliardas,<br />
branlesl atque id genus .quaecun,que alia.<br />
tam vivae voci, quam 1.-/l
• a<br />
20 • <br />
139. RISM 1.546-21: Des chansons reduictz en tablature de 1uc<br />
trois etquatre parties. Livre. deuxieme.<br />
Louvain: P. PhalBe·<br />
RISM .1.546-28:<br />
RISM 1.547-20,<br />
Carminum pro testudine liber nn, in quo<br />
continentur exce11entissima carmina, dixta.<br />
paduana & galiarda, composita per<br />
Franciscum medio1anensem, Petrum Faulum<br />
mediolanensem, ac alios artifices in hac<br />
arte praestantissimos. Louvain: P. Pha1eee<br />
Des chansons reduictz en tablature de 1ut·<br />
a deux, trois, et quatre parties. Avec<br />
une briefve & familiare introduction pour<br />
entendre & apprendre par soy mesmes a<br />
iouer dudict 1ut. Livre premier.<br />
~ouvain, P. Pha1eee<br />
•<br />
RISM 1.547-23:<br />
Des chansons et motetz en tablature de 1uc,<br />
a quatre, cinque, et six parties, 11vre<br />
troixiesme. Composees par l'excellent maistll!<br />
Pierre di Teghi paduano<br />
Louvainl P. Pha1ese<br />
140. RISM 1.549...]8: Ca.rmina. Car.minum quae che1y vel 1;.estudine<br />
canuntur, libar priIrms. Cum brevi<br />
introductione in usum testudinis.<br />
Louvain, P. Pha1ese .<br />
141.<br />
142.<br />
15"3(, Pl\~ Vf, 0
21. <br />
•~<br />
143. RISM 1517-3: Frotto1e intabulate da sonare organi.<br />
Libro primo. Rima: A. Antico.<br />
144. RrSM 1568-24: Nova longeque elegantissima cithara<br />
ludenda. carmina t c~ gallica tum. etiam<br />
germanica: fantasiae item, passomezi, gailllarde,<br />
branles, almandes, etc. Nunc<br />
primu!1l ex musics in usum citharae traducta<br />
per Sebastianum Vreedman mechliniensem•••<br />
Louvain. P. Phalese<br />
145. RISM 1568-231 Luculentum theatrum musicum, in quo<br />
(demptis vetustate tritiscantionibus) •••<br />
quae fantasiae dicuntur, secundo cantiJ.enae<br />
quatuor et quinque vocum. Postea carm:ina "<br />
diffieiliora quae muteta appellantur, eaque<br />
quatuor, quinque et sex vocum. t •••••••<br />
generis carmina•••ut sunt passomez"o,<br />
gaillardes, branles,etc••<br />
Louvain. P. Phalese<br />
146. RISM 1563-25a Theatrum musicum in quo selectissirna<br />
optimorum quorumlibet qutorum ac excellentissimorum<br />
artificum cum. veterum tum<br />
etiam novorum Ca.rmina summa. diligentia<br />
ac industria expressa oculis proponuntur••••<br />
que Fantasiae dicuntur, Secundo Canti1enae<br />
quatuor et quinque vocum. Postea Carmina<br />
diffi"ciliora quae Huteta apftellantur,<br />
eaque quatuor quinque et sex vocum•••• ~<br />
Paaaemezo, Gaillarde, Branles, etc.<br />
Louvain: P. Phalese<br />
RI5W.5J8-9:<br />
Trium vocum csrmina a diversa mus~c~s<br />
composita. Nurnberg: H. Formschneider<br />
148. RISM 1583-15: ¥'rusica divi!'1a di :ax. autori illustri,<br />
a InI. V. VI. et VII voci•••••Nella<br />
quale si contengono i piu excellenti<br />
madrigall che hoggidi si cantino.<br />
Antwerpen: P. Phalese. et J. Bellere<br />
Seel KCL 148 for Canto only<br />
------See: KCL 64 for all parts<br />
149; RISH 1556-1: Liber septimus cantionum sacrarum vulgo<br />
moteta vocant, quinque et sex vocum ex<br />
optimis quibusque musicis se1ectarum.<br />
Louvain: P. Phalese
• 1.50.<br />
22 • <br />
RIS11 1.5.56-2: Liber Octavus cantionum sacrarum vulgo motea vocant,<br />
quinque & sex vocum ex optimis quibusque musicis<br />
se1ectarum. Louvain: P. Pha1ese..<br />
1.51. RISM 1.54-.3-1.5, Vingt et six chansons musicales & nouvelles convenab1es<br />
tant a la voix comme aussi propices a jouer de divers<br />
instruments nouvellement imprimees•••<br />
Antwerpen, T. Susato<br />
. 1.52. RISI1 15.50,14, Le treziesme livre contenant vingt et deUll chansons<br />
nauvelles a six et a huyt parties. Propices a tous·<br />
instrumentz musicaulx. Compasees par divers autheurs.<br />
Nouvellement imprime.<br />
Antwerpena T. Susato<br />
15.3. RISM 1551-18: Het ierste musyck boexken mit v:i.er partyen• •••••••••<br />
SOPRANO PART ONLY---~<br />
See KCL 16 for complete entry and all parts.<br />
•<br />
1.54-. RISM 15Sl-19 a • Het derde musyck boexken begrepen int ghet a1 van onser<br />
neder duytscherspraken, daer innebegrepen s.yn a1derhande<br />
danserye, te vuetens Basse dansen, Ronden,<br />
Ailemaingien, Pavanen ende meer andere, mits oeck<br />
Vyfthien. nieuwe· gaillarden ~ .zeer 1ustich ende bequaem<br />
om heeren.... Antwerpen sT. Susato<br />
. 155. RISN 1.5.52':7. La Fleur de chansons et'pnmier livre ~ quatre parties<br />
contenant XXXI nouvelles chansons, propices a tous<br />
instrumentz musicaulx, compasees -la plus part- par<br />
maistre Thomas Crequillon & aultres bons maistres<br />
musiciens, • ••• Antwerpen: T. Susato<br />
BASS OEY<br />
RISt1 1552-8,<br />
RISl1 1552-9,<br />
RISY. 1.5.52-10:<br />
La Fleur de chansons et second livre••••contenant<br />
XXVIII nouvelles chansons •.•..composees par p1usieurs<br />
bons maistres musiciens, ••• Antwerpena T. Susato<br />
BASS ONLY<br />
La. Fleur de. chansons et quatriesme livre••••••<br />
contenant XXVII nouvelles chansons ••••••• ~ ••••(See above)<br />
BASS OHLY<br />
La Fleur de chansons et cinquiesme livre a trois parties,<br />
contenant XXVI nouvelles chansons••••••••(see above)<br />
BASS ONLY<br />
•
•<br />
156.<br />
• 160.<br />
BlSH 1574-12:<br />
157. RISM 1558-18,<br />
1.58. RISM 1570-341<br />
159. RISM 1570-34:<br />
RISI1 1.582-16:<br />
161. RISM 1560-7:<br />
RISH 1571-15:<br />
23 • <br />
Thesaurus musicis continens se1ectissima Alberti Ripae,<br />
Valentini Bacfari et a.1iorum paestantissimorum ca.rminaad .<br />
usum Chelys, vel testudinis accomodata. Quibus adjectae<br />
sunt ingeniosae quaedam fantasiae, . pa ssomezi, a1emandes,<br />
galliardae, branles, a tque idgenus caetera, recens in<br />
1ucem edita. Louvain: P. Pha1ese et J. BeUers<br />
Second livre tabulature de 1eut, contenant plusieurs <br />
chansons, fantasies, motetz, pavanes et gaillardes. <br />
Composees par maistre GuillaUme Morlaye, jouer de leut, <br />
et autrss bons autheurs, Farisa M. Fezandat <br />
Hortulus cytharae, in duos distinctus libros, quorum.<br />
prior cantiones musica.s 10nge pulcherrimas, passomezo,<br />
paduanas, gailiardes, alemndes, branles, ad usum vulsaris<br />
cytharael posterior similiter cantiones musica.s passomezo,<br />
ale alemandes aliaque nonnulla in tabulaturam cytharae,<br />
i talica.e vulgo dictae, convenientem redacta, continet.<br />
Louvaim P. Pha1eseJ Antwerpem J. Beilers<br />
Hortulus cytharae, in duos distinctus libros, quorum <br />
prior cantiones musicas 10nge pulcherrimas, passomezo, <br />
paduanas, galliardes, a1emandes, branles, ad usum vulgaris <br />
.cytharae......... (see above)<br />
Louvaim P. PhaleseJ Antwerpen: J. Beilere<br />
Hortulrus citharae vulgaris continens optims fantasias •••<br />
• • • •• (see above) ••••••• in tahulaturam citharae<br />
convenienter redacta, nunc primum in 1ucem elegantiore<br />
modo ac ordine edita. Acessit praeterea brevis et di1ucida<br />
in citharum introductio qua suo marte quilibet artem .<br />
pulsandae citharae•••••• Antwerpena P. Pha1ese & J. Beilere<br />
Premier livre du recuei1 des neurs produictes de la<br />
divine jusicque a trois parties de par Clemens non Fapa,<br />
Thomas Cricqui110n & autres exceUens musichiens.<br />
Louvain: P. Phalese<br />
Uber musicus, duarum vocum cantiones, tum latinas tum<br />
gallica.s a tque teutonicas lnnge suavissimas c omplec tens,<br />
instrllmentis musicis admodum convenientes. lam recens<br />
s~~ diligentia coUectas. Livre de musicque, contenant<br />
plusieurs exceUentes chansons et motetz a deux parties,<br />
convenables a tous in~rumens<br />
hors de divers livres.<br />
LoUvainl P. Phalese; Antwerpen: J. BeUere<br />
musica1z, nouvellement amassees<br />
•
•<br />
~<br />
162. RISM 1598-5: Le Rossignol musical des chansons de<br />
diverses et excellens autheurs de nostre<br />
temps a quatre, cinq et six parties~<br />
Nouvellement recueille et mises en<br />
lumiere. Antwerpen: P. Phalese<br />
24. <br />
163. RISM 1536-131<br />
De~ ander Theil des Lautenbuchs. Darin<br />
sind begriffen viI ausserlesner kunstreycher<br />
Stuck-von Fantaseyen, Preambeln, Psalmen, <br />
und Muteten die von den hochberumbten und <br />
" besten Organisten alseinen Schatz gehalten <br />
die sein mit sonderm Fleyss auff die<br />
organistisch Art gemacht und coloriert<br />
fur die geubten und erfarnen diser Kunst<br />
auff die Lauten dargeben. Dergleichen<br />
vormals nie :Un Truck aber yetzo durch mfuch<br />
Hansen Newsidler Lutinisten und Burger<br />
zu Nurnberg: J. Petreius<br />
Second copy: KCL 164.<br />
•<br />
164. RISI1 1536-13:<br />
165. RISr1 1547-26:"<br />
166.<br />
167.<br />
RISM 1551-241<br />
RI5M IG14 - IS:<br />
Second copy of above.<br />
Das erst Buch. Ein newes Lautenbuchlein<br />
mit viI feiner lieblichen llederri, fur die<br />
jungen SchUler••••auoh etlich feine Tentz<br />
welisch und frantzosische Stuck, die fein<br />
artlich und lieblich colliert••••verfast<br />
und zusamen gebracht durch mich Hansen<br />
Neusidler Lutenisten••• offentlich ausgangen.<br />
. •• Nurnbergl C. Gutknecht<br />
Premier livre de tabulature de luth,<br />
contenant plusieurs motetz, chansons,<br />
fantasies, pavanes, gaiilardes, alamandes,<br />
branles, tant simples qu'autres: Ie tout<br />
compose par Adrian Ie Roy. Paris: A. Ie<br />
Roy "et R. Ballard<br />
See eY\~r'-'\ Jar 1
•<br />
168.<br />
RISH 1564-23: <br />
25 • <br />
Second livre de cistre, contenant les<br />
commandemens de Dieu: Six Pseaumes de<br />
David, & autres oeuvres i'aciles, avec<br />
I t intelligence de la tabulature, & accords,<br />
dudict instrument par Adrian Le Roy.<br />
Paris: A. Ie Roy, & R. Ballard<br />
RISM 1565-23:<br />
Breve et i'acile instruction pour apprendre<br />
latablature, a bien accorder, conduire,<br />
et dispo~er la main sur Ie cistre.<br />
Paris: A. Ie Roy, & R. Ballard<br />
RISM 1557-14:<br />
S~ptiesme livre de chansons nouvellement<br />
composees en.musique a quatre parties par<br />
bon & excellens musiciens, imprime en quatre<br />
volumes. Paris: A. Ie Roy & R. Ballard<br />
RISM 1557-15: <br />
Huitiesme livre de chansons.... see above<br />
•<br />
171.<br />
170.<br />
RISM1576-2a: <br />
RIS1-! 1565-5:<br />
Livre septieme des chanssons a quatre<br />
parties nouvellement recorrige, et augmente<br />
de plusieurs chanssons non imprimees<br />
auparavant, accomodees tant awe instruments,<br />
comme a la voix: toutes mises en<br />
ordre convenable selon leurs tons •.<br />
Louvain: . p. Phalese; Anversi J. Bellere<br />
Setieme livre de chansons a quatre parties<br />
par plusieurs autheurs. Imprime en quatre<br />
volumes. Paris1 A. Ie Roy ~ R. Ballard<br />
Tenor only.<br />
172.<br />
RISH 1556-131 <br />
Sixiesme livre de ch nsons..... see above<br />
(complete)<br />
173.<br />
RISH 1569-13: <br />
Sisieme livre de chansons a quatre & cinq<br />
parties, de I. Arcadelt, & autres• Imprime<br />
en quatre volumes. ParisI A. Ie Roy et<br />
R. Ballard<br />
Superius and Bassus only<br />
• <br />
RISM 1570-91 <br />
Disieme livre de chans~ons a quatre parties<br />
d'Orlande de Lassus, & autres. Imprime<br />
en quatre volumes. Paris: A. Ie Roy &<br />
R. Ballard<br />
Bassus only.<br />
raSM 1570-10:<br />
Tresieme·livrede chansons ••••see above<br />
Bassus only.
• 174<br />
• RISM 1571-17: Orgel oder Instrument Tabulatur. Ein<br />
nutzlichs Buchlein in we1chem notwendige<br />
Erklerung der Orgel oder Instrument<br />
Tabulatur, sampt der Application, auch<br />
frolichedeutsche Stucklein unnd Muteten,<br />
•• ~ •••in Druck vorfertiget durch Eliam<br />
Ni colau.'n sonst Arn.merblch genandt Organisten<br />
zu Leipzig in S. Thomas •••••<br />
Leipzig, J. Berwa1ds Erben<br />
175. RISN 1.583-22s Orgel oder Instrument Tabulaturruch in<br />
sich begreiffende eine notwendige unnd<br />
kurtze Anlaitung,die Tabulatur unnd<br />
Application zuverstehen, •••••••<br />
Darnach fo1gen auffs aller1eichtest gute<br />
deutsche lateninische we1sche und frantzosische<br />
Stucklein neben etlichen passomezen,<br />
Galliarden Repressen unnd deutschen<br />
Dentzen dessgleichen zuvorin offnem Druck<br />
nie aussgangen•••Zusammengebracht l!I1ld in<br />
Druck verfertigt, durch Eliam Nicolam Ammerblch,<br />
• • • • • • Nurnberg: Gerlach<br />
176. RISM 1575-17: Ein kunstlich Tabulaturbuch. darin sehr<br />
•<br />
gute Moteten und liebliche deutsche Tenores<br />
~<br />
jetziger Zeit vornehmer Componisten auff die<br />
Orgel unnd instrument abgesetzt, beydes den<br />
Organisten unnd der Jugendt dienstlich••••<br />
in Druck vorfertiget durch Eliam Nicolaum<br />
Ammorbach••••<br />
Leipzig: J. Beyer (Nurnberg: D. Gerlach)<br />
177. RISH 1575-17s Second copy of above.<br />
178. RISM 1574-13: Teut"sch Lautenbuch, darinnenn kunstliche<br />
Huteten, Liebliche italianische, frantzosische.<br />
teutsche Stuck, froliche teutsche Tanz,<br />
Passo e mezo, sa1tarelle, und drei Fantaseien•••<br />
aussgesetzt•••durch Melchior Newsidler.... )<br />
Strasbourgs B. Jobin (~#1&J .:/or 2ndC'1J<br />
179. RIS11 1566-29. II primo libro intabo1atura di liuto di<br />
l-le1chior Neysdler a1emano.. sonatore di liuto<br />
in Augusta, ove sono ma.drigali, canzon francesi,<br />
pass'mezi. saltarelli & alcuni suoi<br />
ricercari, nova mente de ltd post! in 1uce.<br />
Venezia, A. Garciano<br />
26 •<br />
• <br />
RISM 1566-30,<br />
III secondo libro•••••••••see above
i<br />
I<br />
•...<br />
180.<br />
181.<br />
182.<br />
183.<br />
RISM 1574-13,<br />
------1552<br />
RISt1 1554-26,<br />
RrSM 1554-27'<br />
RISM 15.53-23:<br />
Teutsche Lautenbuch, ••••same as # 178.<br />
27 • <br />
Certon.M.P • Premier livre de chansons,. <br />
a.' 4. In 4 vols. Paris, 1552 <br />
Second livre de chansons, nouvellement mises<br />
en IlIUsique aquatre parties par bons et scavans<br />
musiciens, -imprimees en qt/tre volumes.<br />
Paris: A. le Roy et R. Ballard<br />
(Superius, Tenor, Bassus)<br />
Tiers livre de chansons....... see above <br />
(Superius• Tenor, Bassus)<br />
Quart livre de chansons, composees a quatre . <br />
parties par bons et excellens musiciens. <br />
imprimees en quatre volumes. <br />
PariSI A. le Roy et R. Ballard <br />
(Superius, Tenor and Bassus)<br />
• <br />
RIS14 15.56-14.<br />
Cinquiesme livre de chansons,.... see above<br />
(;'Superius, Tenor and Bassus)<br />
184 •.<br />
RISl1 1.573-7:<br />
Cinquieme (: ) livre de chansons a quatre <br />
parties, de Ia. Arcadet & autres. <br />
ParissA. le Roy et R. Ballard <br />
(Contratenor only)<br />
185.<br />
RISM 1.567-6:<br />
Cinqueme livre de chansons nouvellement<br />
composees a quatre parties, par 1'!. Arcadelt &<br />
autres autheurs. Imprime en quatre volumes•<br />
.Paris: A. le Roy et R. Ballard<br />
( Tenor only)<br />
186.<br />
RISN 1572-2:<br />
11ellange de chansons tant des vieuX autheurs .<br />
que des modernes, a cinq, sfx, sept, et huit<br />
parties. PariSI A. le Roy et R. Ballard<br />
SEE KCL 188 for SUperius only<br />
• <br />
187.<br />
188.<br />
RISM 15.54-25:<br />
RISH 1572-2:<br />
Premier recueil de chansons, composees a<br />
quatre parties par bons et excellens musiciens<br />
imprimees en quatre volumes •<br />
Paris: A. le Roy et R. Eallard<br />
SEE KCL 186 for entry<br />
(This film, Superius only)
a<br />
28.<br />
•<br />
189. RISl"1 1574";15: A briefe and plaine Instruction to set all<br />
190. m:S~l 1566-10,<br />
Nusicke of eight divers tunes in Tableture .<br />
for the Lute. With a briefe Instruction how to<br />
play on the Lute by Tableture, to conduct<br />
and dispose thy hand unto the lute, with<br />
certaine sasie lessons for that purpose.<br />
And also a -third Booke containing divers new<br />
excellent tunes. All first written in French<br />
by Adrian Le Roy, and now translated by I.<br />
Ki Gentl.eman.<br />
London, James Rowbothome<br />
(also KCL 167)<br />
Canzon napolitane a tre voci, libra secondo <br />
di l'arpa, Cesaro Todino, loan Dominico da <br />
Nola. Et di altre musici in questa profession <br />
di napolitane eccellentissimi non piu stamJS.te. <br />
Venezia, G. Scotto <br />
•<br />
~<br />
192.<br />
191- RISM 1566-9:<br />
RISH 1556-32:<br />
193. RISM 1534-17:<br />
194. RISI"1 1536-91<br />
Canzon napolitane a tre voci, di : 'arpa, <br />
Cesare Todino, Joan Dominico da Nola. Et di <br />
altri musici in questa profession di napolitane <br />
eccellentissimi non piu stampate• <br />
VeneZia: G. Scotto .. <br />
Tabulatura continens insignes et selectissimas<br />
quasdam fantasias: cantiones germanicas,<br />
italicas, ac gallicas: passemezo, choreas:<br />
& mutetas, iam primum in lucem aeditas. Per<br />
Benedictum de Drusina elbingensem•••<br />
Frankfurt, J. Eichorn<br />
Der erst Teil. Hundert und einundzweintzig<br />
newe Lieder, von berumbtenn dieser Kunst gesetzt,<br />
lustig .zu singen+ und auf! allerly Instrument<br />
dienstlich, vormals dergleichen im Truck nye<br />
aussgangen•••<br />
Nurnberg: H. Formschneider<br />
Schone· auszerlesne·Lieder;· des' hoch berumpten<br />
Heinrici Finckens, sampt andern newen Liedern<br />
von den furnemsten diser Kunst gesetzt, lustig<br />
zu singen, und die Instrument dienstlich vor<br />
nie im Druck aussgangen•••<br />
Numberg: H. Formschneider<br />
•
•<br />
195.<br />
RISM 1536-6: Tiers livre contenant XXI chansons musicales a quatre<br />
parties composez par Jennequin et Passereau esleues de<br />
plusieurs livres par cydevant imprimez et nagueres<br />
imprimees •••<br />
Paris: I Attaingnant<br />
196. RISM 1536-17:<br />
RISM 1556-29:<br />
Der funffte Theil schoner frolicher frischer alter und<br />
newer teutscher Liedlein mit funff Stimmen nicht allein<br />
zu singen, sonder auch auff allen Instrumenten zu brauchen<br />
bequem unnd ausserlesen.<br />
Nurnberg: J. von Berg & U. Neuber<br />
197. RISM (c)1550-22: (61 Deutsche, franzosische, lateinische mehrstimmige<br />
Vokalsatze) •<br />
Nurnberg: J. von Berg & U. Neuber<br />
•<br />
198.<br />
<br />
GE:RVAISE, Claude (1550) <br />
199. RISM 1530-7: (n. st.) Dixhuit basses dances garnies de recoupes et<br />
tordions avec dixneuf branles quatre que sauterelles<br />
que haulberroys quinze gaillardes & neuf pavennes de<br />
la plus grant part desquelles le subject est en musique.<br />
Le tout reduyt en la tabulature du lutz nouvellement<br />
imprime. Paris: P. A ttaingnant<br />
200. RISM 1529-5: Tres breve et familiere introduction pour entendre &<br />
apprendre par soy mesmes a jouer toutes chansons reduictes<br />
en la tabulature du Lutz, avec la maniere daccorder le<br />
dict Lutz. Ensemble .xxxix• chansons d~nt la plus part<br />
dicelles sont en deux sortes, cest'as~avoir a deux parties<br />
& la mus ique • Et a troys sans mus ique •••<br />
Paris: P. Attaingnant<br />
•
•<br />
201. RISM 1528-3: (n. st.) Chansons nouvelles en musique, a quatre<br />
parties ••. Cantiones musicales cum quatuor vocibus a<br />
doctissimis in musica magistris nuper edite•<br />
Paris: P. Attaingnant<br />
(plus - Heartz 4)<br />
:: C1!t~.,..... k ~. c&~~<br />
202.<br />
I~ {" T<br />
203. RISM 1535-7: (Chansons musicales a quatre parties, esleues de plusieurs<br />
livres par cidevant imprimes •••reimprimees••• )<br />
(Paris: P. Attaingnant), (s.d.)<br />
•<br />
204.<br />
RISM (c.)1528-4: Trente chansons musicales a quatre parties nouvellement<br />
et tres correctement imprimees •••<br />
Paris: P. Attaingnant<br />
KCL 204: Tenor<br />
250: Superius<br />
251: Tenor<br />
252: Contratenor<br />
253: Bassus<br />
RISM (c.)1528-6: Trente et quatre chansons musicales a quatre parties•••<br />
Paris: P. Attaingnant<br />
Tenor only<br />
RISM 1530-5: (n. st.) Trente et huyt chansons musicales a quatre parties<br />
nouvellement imprimees •••<br />
Paris: P. Attaingnant<br />
KCL 204: Tenor<br />
250: Superius<br />
251: Tenor<br />
252: Contratenor<br />
253: Bassus<br />
205 •<br />
•
•<br />
206.<br />
RISM 1543-16: Premier livre des chansons a quatre parties auquel sont<br />
contenues trente et une nouvelles chansons, convenables<br />
tant a la voix comme aux instrumentz•••<br />
Antwerpen: T. Susato<br />
KCL 206:<br />
KCL 207:<br />
Tenor and Contratenor <br />
Superius and Bassus <br />
RISM 1544: 10<br />
Le second livre des chansons a quatre parties auque1 sont <br />
contenues trente et une chansons convenab1es tant a la <br />
voix comme aux instrumentz••• <br />
Antwerpen: T. Susato <br />
KCL 206:<br />
KCL 207:<br />
Tenor and Contratenor <br />
Superius and Bassus <br />
•<br />
RISM 1544-11:<br />
RISM 1544-12: .<br />
RISM 1544-13:<br />
Le tiers livre de chansons a quatre parties (composees par <br />
Maistre Thomas Cricqui110n maistre de la Chappelle de <br />
Pempereur) contenant XXXVII, chansons musicales et <br />
convenables tant a la voix comme aux instrumentz••• <br />
Antwerpen: T. Susato <br />
KCL 206:<br />
KCL 207:<br />
Tenor and Contra tenor <br />
Superius and Bassus <br />
Le quatriesme livre des chansons a quatre chansons nouvelles <br />
convenables tant a la voix comme aux instrumentz•••• <br />
Antwerpen: T. Susa to <br />
KCL 206:<br />
KCL 207:<br />
Tenor and Contratenor <br />
Superius and Bassus <br />
Le cincquiesme livre contenant trente et deux chansons<br />
a cinq et a six parties composees par maistre Nicolas<br />
Gombert et aultres excellens autheurs convenab1es et<br />
propices a joue de tous instrumentz•••<br />
Antwerpen: T.<br />
susato<br />
KCL 206:<br />
KCL 207:<br />
Tenor and Contra tenor<br />
Superius, Bassus, Fifth and Sixth voice parts<br />
RISM 1545-14:·<br />
Le siXiesme liVre contenant trente et une chansons<br />
nouvelles a cincq et a six parties ~onvenables et<br />
propices a jouer de tous instrumentz nouvellement imprimees •••<br />
Antwerpen: T, Susato<br />
KCL 206:<br />
KCL 207:<br />
Tenor and Contratenor<br />
Superius, Bassus, Fifth and Sixth Parts<br />
•<br />
RISM 1545-15:<br />
Le septiesme livre contenant vingt et quatre chansons<br />
a cincq et a six parties, composees par feu de bonne<br />
memoire et tres sxcel1ent en lIIl;1Sicque Josquin des Pres,<br />
avecq troix epitaphes dudict Josquin, composez par<br />
divers aucteurs •••<br />
Antwerpen: T. Susato<br />
continued
•<br />
RISM 1545-16:<br />
RISM 1545-17:<br />
KCL 206:<br />
KCL 207:<br />
Tenor andContratenor<br />
Superius, Bassus, Fifth and Sixth Parts<br />
Ie huitiesme livre des chansons a quatre parties auque1<br />
sont contenues trente et deux chansons convenab1es tant<br />
a la voix comme aux instrumentz ••• <br />
Antwerpen: T. Susato <br />
KCL 206: Tenor and Contratenor <br />
KCL 207: Superi~ and Bassus <br />
Ie dixiesme livre contenant la Bataille a quatre de <br />
Clement Jannequin, avecq la cinquiesme partie de Phi1i. <br />
Verde10t s1 placet, et deux Chasses de L1evre a quatre <br />
parties, et 1e Chant des oysequx a troix, nouvellement <br />
imprim.e ••• <br />
Antwerpen: T. Susato <br />
KCL 206:<br />
KCL 207:<br />
Tenor and Contratenor <br />
Superius and Bassus <br />
•<br />
RISM 1549-29:<br />
L'unz1esme livre contenant vingt et neuf chansons <br />
amoureuses a quatre parties, propices a tous instrumentz <br />
musicaulx, avec deux prieres ou oraisons qui se peuvent <br />
chanter devant e:t apres 1e repas. Nouvellement <br />
composees (la plus part) par maistre Tho,tmas Crecquillon <br />
et ma1stre ·la. Clemens non papa. et par aultres bons <br />
musiciens. Nouvellement imprime ••• <br />
Antwerpen: T. Susato <br />
KCL 206:<br />
KCL 207:<br />
Tenor and Contratenor <br />
Superius amd Bassus <br />
RlSM 1550-13:<br />
Ie douzieisme livre contenant trente chansons amoureuses<br />
a cincq parties. Propices a tous instrumentz musicaulx<br />
nouvellement composees par divers autheurs •••<br />
Antwerpen: T. Susato<br />
KCL 206:<br />
KCL 207:<br />
Tenor and Contratenor<br />
Superius , Bassus , Fifth and Sixth Parts<br />
RISM 1555-19:<br />
Ie quatorirsiesme livre a quatre Parties contenant dixhuyct<br />
chansons ita1iennes, six chansons' francoises, & siX motetz<br />
faictz (a 1a nouvelle composition draucuns d f lta1ie) par<br />
Rolando di LassHS nouvellement imprime •••<br />
Antwerpen: T. Susato<br />
• <br />
KCL 206:<br />
KCL 207:<br />
Tenor and Contratenor<br />
Superius and Bassus
•<br />
207.<br />
33 • <br />
RISI1 154.3-16, Premier livre des chansons a quatre parties<br />
auque1 sont contenues trente et une nouvelles<br />
chansons, convenables tant a la. voix COllll!lS aux<br />
instrumentz•••<br />
Antwerpen, T. Susato<br />
KCL 206:<br />
KCL 207.<br />
Tenor and Contratenor<br />
Superius and Bassus<br />
RISlvl 1544-10.<br />
Le second livre des chansons a quatre parties<br />
auque1 sont contenues trente et une chansons<br />
convenables tant· a la.: voix comme aux instrumantz•••<br />
Antwer:pen. T. Susato<br />
KCL 206.<br />
KCL 207,<br />
Tenor and Contratenor<br />
Superius and Bassus<br />
•<br />
RISM 1544-11,<br />
RIS!1 1544-12:<br />
Le tiers livre de chansons a quatre parties<br />
(compasees par Maistre Thomas Cricquillon maistre<br />
de la. Chapelle de Pempereur) contenant XXXVII,<br />
chansons musicales et convenab1es tant a la.<br />
voix commeaux instru.'l18ntz •••<br />
Antwerpenr T. Susato<br />
KCL 206:<br />
KCL 207,<br />
Tenor and Contratenor<br />
Superius and Bassus<br />
Le quatriesme livre des chansons a quatre ••••<br />
(see entry for RIS1':!: 1544-10.)<br />
KCL 206,<br />
KCL 207.<br />
Tenor and Contratenor<br />
Superius and Bassus<br />
RISM 1544-13,<br />
Le cincquiesme livre contenant trente et deux<br />
chansons a cincq et a six parties compasees par<br />
maistre Nicolas Gombert et aultres excellens<br />
autheurs convenables et propices a jouer de<br />
taus instrumentz'•••<br />
,Antwerpe~, T. Susato<br />
KCL 206,<br />
KCL 207.<br />
Tenor and Contratenor<br />
Superius, Bassus, fifth and Sixth Parts<br />
•<br />
RISM 1545-14:<br />
Le sixiesme livre contenant trente et une<br />
chansons nouvelles a cincq et a six parties<br />
convenab1es et propices a jouer de tous instrumentz<br />
nouvellement imprimes•••<br />
Antwerpen, T. Susato<br />
KCL 206,<br />
KC1 207:<br />
Tenor and Contratenor<br />
Superius, Bassus, Fifth and Sixth Farts
• RIS1-1<br />
1545-15: Le septiesme livre contenant vingt et quatre<br />
chansons a aincq et a six parties, composees<br />
par feu de bonne memoire et tres excellent en<br />
musique Josquin des Pres, avecq troix epitaphes<br />
dudict Joaquin, composez par divers aucteurs •••<br />
Antwerpena T. Susato<br />
KCL 206,<br />
KCL 207.<br />
Tenor and Contratenor<br />
Superius, Bsssus, Fifth and Sixth Parts<br />
RISH 1545-16,<br />
Le huitiesme livre des chansons a quatre parties<br />
auquel sont contenues trente et deux chansons<br />
convenables tant a la voix comme aux instrumentz•••<br />
Antwerpena T. Susato<br />
KCL 206:<br />
KCL 207,<br />
Tenor and Contratenor<br />
Superius and Bassus<br />
•<br />
•<br />
RISH 1545-11,<br />
RISl v i 1549-29.<br />
RISl1 1550-13:<br />
Le dixiesme livre contenant 1a Bataille a<br />
quatre de Clement Jannequin, avecq 1a cinquiesme<br />
partie de Phi11. Verde10t si placet, et deux<br />
Chasses de Lievre a quatre parties, et Ie<br />
C~nt des oyseaux a troix, nouvellement imprime•••<br />
Antwerpena T. Susato ...<br />
KCL 206,<br />
KCL 207:<br />
Tenor and Contratenor<br />
Superius and Bassus<br />
L' unziesme livre contenant vingt et neuf<br />
chansons amoureuses a quatre parties, propices<br />
a tous instru.'11entz musicaulx, avec deux<br />
prieres ou oraisons qui se peuvent chanter<br />
devant et apres Ie repas. Nouvellement<br />
composees CIa plus part) par maistre Thomas<br />
Crecqu1l.1on et maistre Ia. Clemens non papa.<br />
et par aultres bons musiciens. Nouvellement<br />
imprime •••<br />
Antwerpen: T. Susato<br />
KCL 206. Tenor and Contratenor<br />
KCL 207: Superius and Bassus .<br />
Le douzieisme livre contenant trente chansons·<br />
amoureuses a cincq parties. Propices a tous<br />
instrumentz musicaulx nouvellement composees<br />
par divers autheurs•••<br />
Antwerpena T. Susato<br />
KCL 206:<br />
KCL 207,<br />
Tenor and Contratenor<br />
Superius, Bassus , Fifth and Sixth Parts
208 F C:~+() VLr<br />
1<br />
209 (.;, 15M I fbi/! 2-<br />
1 /'<br />
210 aJ S',/v1 I ~fL( t.--S..,<br />
! :><br />
211 KJ~(V1 l(l+'t v<br />
212 KI~M 1\)49 L{ I<br />
213 ~1'\,1-1 1:)3'i/I>y IS7fO/"'-'3{; 1~'2tlls l.i1I-Zf3-1'"t) IJ~31,q..tI:'<br />
214 )..,1;" 1S't~f1j ~ I N~I'I <br />
215j<br />
)<br />
<br />
35. <br />
~\~.M<br />
I '02.,i '> <br />
22L~ ((ltlvl IS"'W<br />
225 PN.LIM'c." L:OM'''' ~<br />
226 (~I S,M Is52s \ <br />
t<br />
227 GERLE. Nusica Teusch. 1537 {{ ( \'M Ir:st 1'2... <br />
228 ~.o:A ,~ l<br />
229 If (~JS-<br />
230 1'\ t ~ M I::,11- b 3 I<br />
31 "-vt,,,<br />
r ·n.d- ~me;:; I 9<br />
232 rzl~M ('J-€j'S'" '1<br />
2 (.0I2.J~<br />
2 G I ~'3.,)-1 L.--<br />
•
, I<br />
jr<br />
'-- I.l/ I<br />
•<br />
1')53/20<br />
<br />
.... ./ ,)/ ,,/,.. 0 10,J..., ~L '1......<br />
1t:;5(-/7<br />
:552/5<br />
Fi54/2 1<br />
1551/9<br />
238 15ic 9/ 25,26,27<br />
1550/9-12<br />
1 Cj54/2l<br />
1551/9<br />
1552/5<br />
•<br />
259<br />
1551/9<br />
::,40 Pife.ro, Harcantonio, 1546<br />
1560/1-2<br />
242 1549/36<br />
2h3 1552/34 and 1558/19<br />
2L4<br />
1554, I'lorlaye<br />
11:)33/34<br />
l~51/22<br />
246 1538/ 15<br />
153S!/18-19<br />
1540/15-17<br />
1 c:;4'L/7-8<br />
• 248<br />
1~h3/1h<br />
1538/16-17<br />
249 1~)8/15<br />
1538/16-17, 1539/18- 19, 1"'59/20
•<br />
c 1528/9,<br />
9 B&.3ses dances, R-:C. 1530<br />
15")1/2<br />
C 1528/4-7<br />
1530/3-5<br />
153'3, J aneau:'n<br />
1532/12<br />
1533/1<br />
1534/12.14<br />
1535/6<br />
r $"'3q '1<br />
1573/24<br />
•<br />
257<br />
256 1549/17-18, t ')50/6, 1537/")<br />
tS"~l '3~1f; 1)":;8'0-11<br />
258 1552/29, 1553/33, 1571/16<br />
259 Ge:r-v"Hise dances, 1555 ann. 1557<br />
Du Tertre dances, 1)57<br />
1547/28, 1550/26-27<br />
260 t$'.%, 1-" <br />
261 1548/7 <br />
262 1548/8 <br />
263 1538/15-18 <br />
15~9/18<br />
264 <br />
265 156:!/6 <br />
," {j Ii .~;<br />
f<br />
•<br />
266 1523/1 <br />
267 1520/1 <br />
268 1540/18 <br />
269 1565/17
5'6 <br />
07 0<br />
•<br />
283.<br />
282. Agostini. nuovo echo (1583)<br />
Annaberg Ms. 1126<br />
284. Annaberg Ms. 1248 ~ }--ut,U"", -:r;(} /SOr<br />
285. Augsb"rg. Schletterer Catalogue<br />
286. Augsb~rg Ms. 142a<br />
287. Basel Mss. F.X. 5-9 _~~"~ F· Y. /- :.-,<br />
288. Basel Ms. F. IX. 43<br />
; .<br />
289, Basel Ms. F. IX. 58<br />
290. Basel Mss.F. IX. 59-62<br />
291. 'B~ ';us. B 41,2 '5"'8 - (;tt;it¢o .lr~c..6....kc.s<br />
292. 'Bar-li"'-. ~u.." ki~ ~I blc.eh.<br />
•<br />
295.<br />
293. 13..e.'lJ j V1. • (Soa.c ~;~.st /,. ~ tl..tj hld(. s;H...... e4.. +-LIOJ Lc..L<br />
f.).u.liYl. B2'3>-:}-1-;tis. 18e;;"f<br />
" 294.<br />
B2JL,1 j I'\. • M.s. ntu.s. -rh..uV'. 111 ~ <br />
296,,, Berlin Ms. 40028 <br />
297. Berlin Ms. Mus. 40021 (olim Z21)<br />
298. ~I 't'\. M. 5, J./..ooCJ J<br />
299. Berlin 40098 (Glogauer Liederbuch)<br />
300 . 1~.fo1.J i "'- . M. (.(, s . }J. s.. f 0 {,3 2.<br />
301. Bologna Q16<br />
302. Bologna Q17<br />
303. Bologna Q18<br />
304. Bologna Q19<br />
305. ~."II.L-{~. IeO)t.ot.5V" Lf h ;, ..I'IleLu.f.<br />
306. Bologna Q20<br />
•<br />
308.<br />
307. Bologna Q21<br />
Bologna Q26<br />
309. Bologna Ms. R. 142<br />
310. Bologna (BU) 2216
qc <br />
•<br />
295.<br />
296. BERLIN: staatsbibliothek, ms. 40028<br />
1599 ff. A. Gumpelzhaimer. 130 works, mostly motets;<br />
all but 14 and 1 fragment listed alphabetically at<br />
beginning of ms.<br />
,. <br />
298.<br />
297. BERLIN: Staatsbibliothek, ms. mUSt 40021 (olim muse ma. Z21)<br />
Mostl.y' sacred music by Netherlands and Ger.ma.n<br />
composers; 1420-1520.<br />
<br />
299. BERLIN: Staatsbibliothek, ms. 40098 <br />
Glogauer Liederbuch <br />
300 •<br />
'• <br />
.
•<br />
~.<br />
301.<br />
BOLOGNA: Civico Huseo Bibliografico 11usicale, Codex<br />
Q 16 (olim 109)<br />
Contains 1 mass, rules for "canto figurato," and<br />
chansons a 3. Index made in 1487 by owner () Dominicus<br />
1"Jarsilius.<br />
302.<br />
BOLOGNA: Civico I'hlseo Bibliografico Husicale, Codex<br />
Q 17 (olim 148) <br />
HosUy French chansons and some motets. Early <br />
16th-century hand. Repertoire of Odhecaton. <br />
303.<br />
BOLOGNA. Civico 11useo Bibliografico l1usicale, Codex<br />
Q 18 (olim 143) ..<br />
1520-1530. 110tets, chansons and Italian secular<br />
pieces.<br />
304.<br />
•<br />
t<br />
BOLOGNAs Cinco Museo Bibliografico Nusicale, Codex<br />
Q 19 (Rusconi ms.)<br />
Dated 1518. Includes works of Lupus (1), Josquin,<br />
1-10uton, Carpentras, Agricola, da. Silva, Fevin,<br />
Longheval, Brwnel, Richafort, Divitis.<br />
306.
. I<br />
'--.<br />
--<br />
--<br />
. - <br />
- --<br />
.-~-<br />
.
. I<br />
•<br />
311.<br />
312 .<br />
bJo~~Q,.. : (!.;bL U",;\I. 1')4cS. ).23}<br />
B€>f~h.A..:<br />
8:j,/. Uhl'..,. ms' 2s13<br />
313. Brusse.I.s ,.,.....s.5. - pi(.. ~V' d.!>So. DI"\ AI t4V'!J C4! fi J.e'.5 4..1 b tt. m,s<br />
" S,. .' L ' t11- J rA-f<br />
314. 'i3udt:t.Fs i: - ....... !Sa 3 41 ( ~/~- Ct,:.,,·..:: ... : ~!' "-: f IS , t<br />
I\.. '-!". (".<br />
315. (!ttmbr~. h1 So. 18 D 93(':"0/: ;:<br />
317. Cambrai. Bibliotheque de la ville Ms. 124 - 128. Reel 1<br />
II II II If II II II<br />
318. Reel 2<br />
319. C~mbridge. Magdalene College~ Ms. Pepys 1760<br />
•<br />
323.<br />
•<br />
320. Cambridge. University <strong>Library</strong> Ms. Add. 5943<br />
321. C~Ht.L50' UVI;'" L.b. Al~~. 23.2.<br />
322. Copenhagen. Det Kongelige Bibliothek, Ny. kgl. S. 20. 1848<br />
Copenhagen..... Ms. 1872<br />
324-30. Copenhagen......Ms. Gl. Kgl. S. 1872 - 40: I - VII<br />
331-35. Copenhagen......Ms. Gl. Kgl. S. 1873 - 40: 5 reels<br />
(altus~ reel #2. missing)<br />
336. cortona Chansonnier - Nettles' dissertation<br />
337. Cracow. Neue Jagiellonische Bibl. #1716<br />
338. Dijon. Bibl. de la ville, ms. 517 (olim 295)<br />
339. Kultzen dissertation on Escorial Ms. IV. a 24<br />
340. Hanen dissertation <br />
34I. Escorial Ms. IVa. 24 <br />
342. Florence. Morrill Mss.<br />
343. Zippel G. I Suonatori della Signoria di Firenze<br />
344. Florence. Biblioteca Nazionale Centrale Mss. Catalogue<br />
345. Florence. BNC MagI. XIX 58 (II. I. 232)<br />
346. Florence BNC Magl. XIX 59 (BR 229) <br />
347. Florence BNC MagI. XIX. 59 (BR 229) - Edition<br />
348. Florence BNC Magl. XIX, 164-7.
• 314. ~-c: /11> 3-11<br />
() U ~~C~_~<br />
7<br />
~~ tJ. f7~ ; \.""~£./v~~<br />
,,~d-
•<br />
349<br />
•<br />
360.<br />
•<br />
. Florence BNC ;XIX 176<br />
350. F 1()'('.elll c.e. ~ U c... AA~\. XI )( I 198<br />
35l. Florence Bibl. Cons. Basevi~ 2439<br />
352. Florence Bibl. Cons. Basevi 2440<br />
253. Freiburg Catalogue<br />
354. G8ttingen Catalogue<br />
355. Hague. Koninklijke Bibliothek~ Ms. 74. H. 7<br />
(olim Univ. of Utrecht~ Aevum recens~ scripto varii org. no<br />
202) . . .<br />
356. Innsbruck C talogue<br />
357. Kassel Landsbibliothek 38<br />
358. Le;r"'i~. -rlt6Vi"1"~ kif('k.e.... Ms., 5J (tIL I1R 2.2.- 23.)<br />
359. Liegnitz Catalogue<br />
Lohdon BM add. 33295<br />
361:- London. BM P.S. 36810 Sch. 10851, Egerton 3051<br />
362. London. BM add. Ms. 35087<br />
363. LoYIdon. r::.,M. r-la.,../~ Ms.G:,03<br />
364. L Or\ eto", f5 M r\M~ }J.!:.. 5:J,..f;J..,<br />
365. London BM Royal appendix 20 A. XVI<br />
366. London BM Royal appendix 23-25<br />
~<br />
367. London Westminster C talogue - Squire<br />
,<br />
368. Bartolotti. La Musica in Mantova<br />
369. Milan., Ambrosiana Catalogue<br />
I/J I ·<br />
I :,i',olAe. -If 8 ;.A:::t;::;e ~ 3Obe- 226 .7<br />
370. ;cWJ.l..Ii.<br />
371. Modena. Archivio del duomo Ms. IV<br />
372. Modena. Bibl. Estense codex a. F. 9. 9<br />
373 . )/I D~. B ~b I. es£e~. AJ.. 5. a.. . M . 1 - /}
•<br />
375.<br />
376.<br />
377.<br />
378.<br />
379.<br />
Modena. Bibl. Estense Ms. a. M. 1. 13 <br />
Modena. Bibl. Estense Ms. C. 311 <br />
Montecassino 871N <br />
Montbetrard fragments <br />
Munich. Bayerische Staatsbibliothek Ms. 260 <br />
380.<br />
381.<br />
382.<br />
383.<br />
384.<br />
385.<br />
386.<br />
Munich.<br />
Munich.<br />
Munich.<br />
Munich.<br />
Munich.<br />
Munich.<br />
Munich.<br />
Bayerische Staatsbibliothek ¥s. 266 <br />
Bayerische Staatsbibliothek Ms. 267 <br />
Bayerische Staatsbibliothek Mss. 268/269 <br />
Bayerische Staatsbibliothek Mss. 322-325 <br />
Bayerische Staatsbibliothek Ms. 1512 <br />
Bayerische Staatsbibliothek Ms. 2987 <br />
Bayerische Staatsbibliothek Cod. Germ. 810 <br />
•<br />
387.<br />
388.<br />
389.<br />
390.<br />
391.<br />
3q2.<br />
Munich. Universitgtsbibliothek 20 Codex Ms. 153 / <br />
Mss. 168. 169 170 <br />
Munich.<br />
Universitgtsbibliothek Ms. 718 <br />
Oxford. Christ Church <strong>Library</strong>. James Talbot Ms. Music Ms. 118~ <br />
New Haven. Yale.<br />
Padua.<br />
Mellon Chansonnier <br />
Biblioteca Capitolare Ms. A 17 <br />
Paris. Bibliotheque Nationale~ Collection Rothschild: Ms. 297~ <br />
Cordiforme Chansonnier <br />
393.<br />
3 0' ...,4. __ .<br />
Paris.<br />
Paris.<br />
Bibliotheque Nationale Ms. fonds fro 12.615 <br />
Bibliotheque Nationale Ms. fonds fro 24.315 <br />
395.<br />
Paris. Bibliotheque Nationale Ms. fonds fro 1597 <br />
(Shipp dissertation) <br />
390.<br />
Paris.<br />
Bibliotheque Nationale Ms. fonds fro 1597 <br />
•<br />
398.<br />
397.<br />
399.<br />
Paris". Bibliotheque Nationale Ms. fonds fro 1719 <br />
Paris. Bibl~otheque Nationale Ms. fonds fro 2245 <br />
Paris. Bibliotheq~e Nationale Ms. fonds fro 9152
•<br />
400.<br />
Paris. Bibliotheque Nationale Ms.<br />
Pixerecourt chansonnier<br />
401. Paris. Bibliptheque Nationale Ms.<br />
402. Paris.<br />
Bibliotheque Nationale Ms.<br />
fonds fro 15123<br />
fonds It. 568<br />
n.a.fr. 10.660<br />
403. Paris.<br />
404. . Paris.<br />
405. Paris.<br />
406. Paris.<br />
Bibliotheque Nationale Ms.<br />
Bibliotheque Nationale Ms.<br />
Bibliotheque Nationale Ms.<br />
Bibliotheque Nationale Res.<br />
n.a.fr. 4379<br />
n.a.fr. 4917<br />
Vm 7504<br />
Vm7 Ms. 676<br />
407. Paris.<br />
Bibliotheque G. Thibault.<br />
(chansonnier)<br />
Nivelle de la Chaussee<br />
408. Perugia. Biblioteca/¢¢~~i~tt¢ Comunale Augusta Ms. M. 36<br />
409. Perugia. Biblioteca Comunale Augusta Ms. Mus. 431 (G. 20)<br />
•<br />
411.<br />
410. Regensburg. Proskesche Musikbibliothek. Codex C. 120<br />
(Codex pernner) (olim ms. D XII)<br />
Rochester. Sibley <strong>Library</strong>. Eastman School of Music/ of<br />
the University of Rochester Mus. Ms. 338177<br />
412. Rochester. Eastman School of Music ..... Ms. M. 350.F216<br />
413. Rochester. Eastman School of Music .... ML 96.L814f<br />
414. Rostock UniversitHtsbibliothek Ms. 49 (reel 1)<br />
415. Rostock UniversitHtsbibliothek Ms. 49 (reel 2)<br />
416. st. Gall. Stifsbibliothek Cod. 462 <br />
Seville. Biblioteca Colombina Ms. 1-43 <br />
418. St. GQll. Monastery <strong>Library</strong> Ms. 530<br />
419. Stuttgart: Catalogue<br />
420. SEville. Biblioteca Colombina Ms. 5-1-43 (Lanes dissertation)<br />
421. Stuttgart. Wlirttembergische Landesbibliothek Ms. 39<br />
•<br />
423.<br />
422. Stuttgart .....Ms. 44<br />
Stuttgart . Ms. 45<br />
424. Stuttgart. Ms. 46
•<br />
•<br />
425. Tournai. Ms. (1)<br />
426. Turin. Ris. mus. I. 27<br />
427. Ulm. Band III (1695) Superius<br />
428. Ulm. Band III (1595) Altus<br />
429. Ulm. (1655) Tenor<br />
430. Ulm. Band IV (1675) Bassus<br />
431. Vatican. Ms. 35<br />
432. Uppsa1a. Ms. 87<br />
433. Vatican• Ms. 51<br />
;Ve1 If..;; CI'IVI7tJ .dr<br />
434. Vatican. Ms. 63<br />
435. Vatican Mss. Pal. Lat. 1976-82<br />
436. Vatican. Ms. 11953<br />
437. Vatican. Haberl Catalogue<br />
438. Verona. Cod. DCCLV<br />
439. Verona. Cod. DCCLVI<br />
tl 440. V£trm()w. eotJ. DtCI-Vll {151}<br />
441. Verona. Cod. DCCLVII Bib1. Cap. 438<br />
442. Verona. Cod. DCCLVIII<br />
443. Verona. Cod. DCCLX<br />
444. Vienna. ONB Ms. 18810<br />
( .i..<br />
•<br />
445 • Warsaw. Ms. 2016 - Feldmann dissertation, 2 vo1s.<br />
446. Vienna. ONB Mss. 19.832<br />
447. Warsaw. Ms. 2016
•(<br />
448 •<br />
o 449.<br />
450.<br />
Washington.<br />
Ms. M.2l.M6 <br />
451.<br />
Q 452.<br />
453.<br />
454.<br />
Wolfenbilttel. Catalogue of MSs. by Emil Vogel <br />
tJoljeflb;.bJ;e(. *e.r:z.oj -~. Bi ~/. M. So • ;)'81 <br />
Zwickau. Ms. LXXVIII, 2 (12) <br />
Zwickau. MS. LXXVIII, 3 (13) <br />
455.<br />
Zwickau.<br />
Catalogue <br />
•<br />
v460<br />
"/456.<br />
"/457.<br />
v 458•<br />
-459.<br />
•<br />
./461.<br />
o 462.<br />
v'463.<br />
Aarbog fUr Musik <br />
Abondante I (1546) <br />
Abondante II (1548) <br />
Adriansen. Pratum musicum (1584) <br />
Abondante V (1587) <br />
Adriansen. Pratum musicum (1592/1600) <br />
Agricola (1530) <br />
..A64.<br />
Aichinger.<br />
Motets II (1595) <br />
v465.<br />
..466.<br />
,/ 467 •<br />
Allison. Psalms (1599) <br />
Amat (1639) <br />
Arcadelt. Madrigals II, a 4 (1539)<br />
.1468.<br />
Arcadelt. Madrigals I<br />
a 4 (n.d.)<br />
•<br />
(/473.<br />
./469.<br />
1/470.<br />
,/471.<br />
./472.<br />
Arcadelt. Madrigals I, a 4 (1559)<br />
Arcadelt. Madrigals I, a 4 (1558)<br />
Arcadelt. Madrigals, a 4<br />
Arbeau (1597) <br />
Arbeau (1588)
50 . <br />
•<br />
~74.<br />
Arnt von Aich. Liederbuch<br />
t/475. Angeli. Storia del Teatro a Firenze<br />
/476. Agricola. Duo 1ibri musices (1561)<br />
v477.<br />
/478.<br />
Agricola. (1545)<br />
Arcade1t. Madrigals III, a 4 (1539)<br />
/479.<br />
Arcade1t.<br />
Madrigals II-III, a 4 (1560&1536)<br />
/480.<br />
/481.<br />
Arcade1t. Madrigals IV, a 4 (1539)<br />
Arcade1t. Madrigals V, a 4 (1550)<br />
/482.<br />
Arcade1t.<br />
Madrigals I/IV (1539) Altus only<br />
~83.<br />
Aron.<br />
Toscane11a in Musica<br />
•<br />
/486.<br />
....
Bariolla. Capricci (1594)<br />
Barley. Tablature (1596)<br />
(./'499.<br />
~OO.<br />
-501.<br />
A02.<br />
vS03.<br />
/504.<br />
vS05.<br />
v5 06 .<br />
v507.<br />
008.<br />
.v509.<br />
v:)1 0 .<br />
~11.<br />
-5'12. ,<br />
.r:513.<br />
V514.<br />
--:>15.<br />
v516.<br />
fI 517.<br />
(1518.<br />
(/519·<br />
• <br />
Barley. New Book of Tablature (1596)<br />
Bassano. Fantasie a 3 (1585)<br />
Bassano. Fiori (1588)<br />
Bassano. Ricercat~ Passaggi ...<br />
Bassano. Motetti, Madrigali & Canzoni francesi (1591 )<br />
Bassano.<br />
Bathe, Wm.<br />
Beaujoueulx.<br />
Becchi.<br />
Belin.<br />
Bellanda.<br />
Bellanda.<br />
Be11asio.<br />
Bendusi.<br />
Bertoldo.<br />
Bianchini.<br />
Bianchini.<br />
Ricercate (1598) <br />
A Briefe Introduction (1587) <br />
Balet comique (1582) <br />
Tablature (1568) <br />
Lute Book (1556) <br />
Musiche (1599) <br />
Musiche (1607) <br />
Canzonette (1592) <br />
Opera nova de bal1i (1553) <br />
Tocate & Ricercare <br />
Intab. lauto 1°(1546) <br />
Intab. lauto (1563) <br />
B1Htter der Sackpfeife <br />
I.Y<br />
Agnoletti <br />
Brown.<br />
Instrumental Bibl.
0/521. Brown. Instrumental Bibl. / typescript, roll 2 <br />
• .,022.<br />
Brown.<br />
Instrumentation<br />
v'523. Brown. Josquin Intabulations <br />
/524. Brunetti. L' Euterpe (1606) : ~-! <br />
o 525.<br />
V'526.<br />
Buglhat, etc. (1538) Motets ~ 4 (=Eitner 1538e) <br />
Scotto/Gombert, Bk. 1 (1539) motets a 4 <br />
527. Buona. Canzonette a 3, II (1592)<br />
528. Buonamente. 11 50 Lib. de Varie Sonate... 2 vlns. & bass (1629)<br />
529. Buus. Chansons a 5 (1543)<br />
530. Buus. Chansons a 5, I (1550)<br />
531. CO£cini. Euridice<br />
532. Caccini. Le nuove musiche<br />
533. Campra. Cantatas, Books 1 & 2<br />
•534. - Caroso. 11 Ballarino (1581)<br />
535· Carpentras. Liber 10. Missarum (partial)<br />
536. Cavaccio. Musica a 4 (1597)<br />
537. Cavalli.<br />
538. C valli. L'Artemisia. (Venice Bibl. Mar. Ms. It. IV, 352)<br />
R<br />
539·<br />
Cavalli.<br />
La Calisto<br />
540. Cavalli. "11 Ciro <br />
54l. Cavalli. La Didone <br />
542. C valli. La Doriclea<br />
543. Cavalli. L'Eliogabale<br />
544. Cavalli. L'Egisto (1643) (Venice, Bibl. Mar. Mus. It. IV, 365)<br />
545 . Cavall~. Ercole amante<br />
• <br />
j
53. <br />
•<br />
547<br />
546. Cavalli. L'Eritrea<br />
. Cavalli. Le nozze di Teti e di Peleo<br />
548. Cavendish. Ayres (1598)<br />
549. Cesti. Erismena<br />
550. Chardavoine. Monophonic chansons (1576)<br />
551. Cimello. Libro de C:nti a 4 (1548)<br />
552. Clemens.non Papa. Masse~<br />
553. Clerambault. Cantatas, Books 1-3<br />
554. Conforti. ~tiifitfi/t/U Passaggi sopra tutti<br />
555. Conforti. Ricercare a 4 (1558)<br />
556. Corteccia. Madrigals I (1547)<br />
557. D ,'Accone Thesis <br />
557a. Dalla Casa, G. 11 vero modo Books I & II (1584) <br />
:: Dalla Casa,G. Il vero modo II (1584) <br />
559. Diruta. 11 Transilvana Dialogo (1593)<br />
•558.<br />
560. Diruta. 11 Transilvana Dialogo (1625)<br />
561. Discours non plus melancoli ques ... & la maniere<br />
562. Dorico. Madrigali novi (1533)<br />
563. Dowland. Prints<br />
564. Du Chemin. ler Recuil chansons<br />
565. Du Chemin. ~~~S<br />
566. Durante. Arie Devote (1608)<br />
567. J D. tree. Dances, Books 1-4/du Chemin (1559-64) (bassus)<br />
568. D. Estree. Dances, Books 1-3/du Chemin (superius)<br />
•
•<br />
569.<br />
570.<br />
571.<br />
572.<br />
573.<br />
574.<br />
575·<br />
576.<br />
577.<br />
578.<br />
579.<br />
580.<br />
•581.<br />
582.<br />
583.<br />
584..<br />
585.<br />
586.<br />
587.<br />
5880<br />
589.<br />
590.<br />
591.<br />
Facoli. II secundi libro... di balli (1588)<br />
Facoli.<br />
Ms. (check)<br />
Fallamero. Book I, Lute intab. (1584)<br />
Farmer. Diverse and sundry ayres (1590)<br />
Ferrari, B. II sansone - 2f Modena<br />
Ferretti. Canzone a 6, vol: 2 (1575)<br />
Canzone :a5, vol. 3 (1575)<br />
CanzoI!is (1585)<br />
Festa.<br />
Festa.<br />
Fezandat.<br />
Fiorino.<br />
Fiorino.<br />
Fonghetti.<br />
Is t<br />
Libro madrigali a 3/Fot. 92 (1541 )<br />
II primo Libro mads. a 3 (1559) <br />
Chansons 1/11 (1556) Bassus only <br />
La nobilita di Roma (1571 ) <br />
La nobilita di Roma (1573) <br />
Capricci et madrigali a 2 (1598 ) <br />
I<br />
I:'<br />
L_ /<br />
,3<br />
::; lrr'<br />
Formschneyder. Trium vocum Carmina (1538) - Jena copy <br />
Holtzmann dissertation on it<br />
Francesco and Perino. Lute Book I (1566)<br />
Da Milano, Francesco. Intab. da Lauto. Brown n.d. (1544)<br />
Da Milano, F. Brown 1547 2<br />
~<br />
Da M.lano, , F. Books 1 & 2 (1546)<br />
D MIlano, F. Book III (1563)<br />
Da MIlano, F. Book I. Marcollini (1536)<br />
Da MIlano, F.<br />
Paris n.d.<br />
Gabrieli, A. Madrigals and Ricercari ( 1590') - Bass<br />
Gabrieli, G. Symphoniae sacrae (1615)<br />
Gabrieli, G.<br />
Symphoniae sacrae (1615) organ parts<br />
•
592. Gabrieli and Padovano. Books 6-12 (1592)<br />
593. Gabrieli and Padovano. Dialoghi (1592)<br />
• <br />
59{; . Gabriells () concerti~ (1587) <br />
595. Gallus. Totlus Libri primi = Brown 1598 4<br />
596. Ganassi. Regola Rubertina<br />
-"~;<br />
597. Ganassi. Regola Rubertina<br />
598. G nassi. Regola Rubertina<br />
599. Gastoldi. BaIletti a 3 (1594)<br />
600. Gistoldi. B~lletti a 3 (1598) - bass only<br />
601. Gabrieli, A. Mads. & Ricercaria (1590)<br />
Ricercari II (15951<br />
Ricercari III (1596)<br />
602. Gastritz. Harmonicae cantiones (1569)<br />
603. Geminiani. Sonatas, OPe 4<br />
•<br />
•
•<br />
604.<br />
Giovanelli. Sduccioli : I (1587) a 4<br />
(1596) a4<br />
605. Gorzanis. Napolitane II (1571)<br />
IV (1579) pos. & neg.<br />
606. Guami. Ricercari a 2 (1588)<br />
607.<br />
608. Granjon. Ricercari a 2 (1588)<br />
609. Haar. Thesis<br />
610. Handel. Lucrezia<br />
61l. Hasse. A~cide al Birio <br />
Attilio Regolo <br />
612. Hasse. Antigono; Ciro riconosciuto; Solimano<br />
613. Hasse. Antigone; II ciro riconosciuto; part of Attilio regolo<br />
•<br />
615.<br />
614. Hasse. Ezio<br />
;' Hasse. L'Impermestra <br />
616. Hasse. L'Olimpiade <br />
617. Hasse. Siroe (1733); Vienna ONB Ms 17256 <br />
618. Hasse. Siroe (1763); Vienna ONB Ms 19058 <br />
619. Hausmann (1599) <br />
620. Hausmann. Basso for miscellaneous Collection (1599) <br />
62l. Herbst. musica practica (1624) <br />
622 & 623 Heckel. Discant Lautenbum (1562) <br />
624. Caix d'Hervelois. Pardeseus de Viole, 6 0 livre<br />
625. Hessen Brosl Dance Collection (1555)<br />
34<br />
626. Hessen Bros. Dance Collection, vol. II (RISM 1555 )<br />
627. Hessen Bros. Incipits<br />
•
~ (I <br />
•<br />
628.<br />
Holborne. B702<br />
629. Hersh. Thesis on Verdelot<br />
630. Holborne. Pavans, Gailliardes (1599)<br />
1. Hollander.<br />
632. Hollander. Teutsch Lieder (1575)<br />
633. -Holzmann. Thesis on Formscnneider: Trium vocum carmina (1538)<br />
634. Hotteterre. Book I, Op. 2. Flute & b.c.<br />
635. Hotteterre. Book II, Op. 5. Flute & b.c.<br />
636. Infantus. (1579)<br />
637. Ingegnieri. Madrigals II (1579)<br />
638. Ingegnieri. Madrigals I (1584)<br />
•<br />
641.<br />
639. Jachet. Motets (1539) - (Scotto)<br />
640. Jambe de fer (1556) = Brown 15567<br />
Jannequin. _Book II (1560) - (Gardano)<br />
642. JudenkBnig. Utilis & compendiaria<br />
643. Kapsberger. Libro ~o. Arie passeggiate (1612)<br />
644. Kapsberger. Libro 20. Arie ... (1623)<br />
645. Kargel. Novae Elegantissimae (1574)<br />
646. Kargel. Renovata cythara & toppel cythara (1578)<br />
647. Kargel. Renovata (1580)<br />
648. Kargel. Toppel cythara (1575)<br />
649. Kargel. (1586)<br />
650. Kaufmann. Fiori del giardino (1597)<br />
651. Kerle. Sex Missae<br />
•
•<br />
653.<br />
652. Lalande. Unconnu (1720)<br />
Land. Ret Luitboek van Thysius<br />
654. Lassus. Das Klagen des Riobs<br />
655. Lassus. Duos (1577)<br />
656. Lassus. Duos (1585)<br />
657. Le Maistre. Geistliche u. Beltliche Deuchsse Gesang<br />
658. Le Roux (1705)<br />
659. Le Roy. Livre d'airs de cour luth (1571)<br />
660. Le Roy & Ballard. Chanson books LRB 169, 185, 217,<br />
219 and 219 bis<br />
I;--/U-i;r. IL(~ "",'. ,; . ,-',<br />
I (!... ,,\..C. A; c
•<br />
662.<br />
66l. Le Roy and Ballard. II 1 0 libro di vilanelli (1565)<br />
663.<br />
664.<br />
Licino. Duos (1545-1546) <br />
Lieto, Bartholomeo. Dialogho (1559) <br />
Lindner. Bicinia sacra vox inferior (1561) <br />
665.<br />
Levy.<br />
on Le Jeune chansons <br />
666.<br />
Locatelli.<br />
X Sonate, op. 8 <br />
667.<br />
668.<br />
669.<br />
670.<br />
67l.<br />
Lucas. Le MOigne. Noels (1860ed. ) <br />
/r,)i:ip!i'p{:t~¢ Lupacchino & Tasso. Duos. (1590)<br />
Lupacchino. 1 0 libro a note nere a 2 (1565)<br />
Lupacchino. 10 libra a 2 (1559)<br />
Lupacchino.<br />
1 0<br />
libra<br />
a 2 (1560)<br />
672.<br />
Luscinius.<br />
Musurgi5.<br />
(1542 )<br />
•<br />
674.<br />
673.<br />
675,'<br />
676.<br />
Liitkemann<br />
LuzzaEchi.<br />
Mainerio.<br />
Le Maistre<br />
(1597)<br />
Madriga:s IV & V<br />
Balli a ~ (1~78)<br />
(1577)<br />
677.<br />
Malingre.<br />
sdnn 1533;<br />
spbb 1533<br />
678.<br />
Malvezzi.<br />
Intermec~i et concerti (1591)<br />
679.<br />
680.<br />
Mancinus.<br />
Lieder (~588)<br />
681.<br />
Mancinus.<br />
(1597)<br />
682.<br />
683.<br />
Marais. Pieces de ~~ales en Trio. Reel 1<br />
Marais. Pieces de 7ioles .. reel 2<br />
684.<br />
Marini.<br />
II 1 0 Lib~ de madrigali spirituali (1597) Tenor<br />
685.<br />
Marini, B. Per og~~ sonte d'stromento in diversi generi<br />
di sonate a 2, 3 ~ 4. Libro 3, op. XXII<br />
•
•<br />
688.<br />
686. Maschera. Canzoni (1584)<br />
687. Maschera. Canzoni (1588) <br />
Maschera. Canzoni I (1593) <br />
689. Mazzi. (1596) <br />
690.<br />
McKee.<br />
Dissertation on Maschera <br />
691.<br />
Meiland...cantiones latinae et germanicae (1590) <br />
692.<br />
693.<br />
694.<br />
Meiland.<br />
Meiland.<br />
Neuer...1esene Teuts che Liedlein (1569):, <br />
Motets and Lieder (1575) <br />
695&696<br />
Melli. Le terze musiche (1609) pos. & neg.<br />
697.<br />
698.<br />
699.<br />
• 61¢J<br />
700.<br />
701.<br />
702.<br />
703 .<br />
704.<br />
Merul0. Ricercari I (1574) Bass only<br />
Moderne. s.d. Basse dance Book<br />
• ,"':.i;<br />
Moderne.<br />
Le difficile II<br />
":. 1",<br />
Moderne. s.d. Paladin. F. Bianchino <br />
Molinaro.<br />
Montesardo.<br />
(1599) <br />
I Lieti giorni (1612) <br />
~~ ~fvl,~,+ le.,~-
•<br />
712.<br />
•<br />
724.<br />
711. <br />
713. Pallavicino. Madrigali V-VI, 2f, quinto<br />
714. Peetrino. madrigals I (1583)<br />
715. Pellegrini. Libro primo (1599)<br />
716. Pellegrini. Canzoni (1599) <br />
717 & 71BJ Peri. Euridice (1600) neg. & pos. <br />
719.<br />
720.<br />
\ IV C -r /..'.. (I' t . /,' d It vI.<br />
721. Petrucci. Motetti de la corona II, III, IV (1519)<br />
BM Mus. Ren. K.i.d. 14 .<br />
722.<br />
723.<br />
P .r ,<br />
f t@vv.. I<br />
Precetti. Venezia, Marciana It. IV, 739 (10269)<br />
Quagliatti (1608) <br />
725., Simon de Quercu (1509) <br />
726. Rameau. Le Berger Fidele<br />
727. Raval. II 1 0 Libro de canzonetti a 4 (1593)<br />
728. Reymann. Noctes musicae (1598) <br />
729· Reymann. noctes musicae (1598) <br />
730. Reymann. noctes musicae<br />
731. Rhaw. Bicinia, vols. 1 & 2 (1545)<br />
732. Rippe. Bk. 3 (1554); Bk. 1 (1553); Bk. 1 (1552)<br />
733. Rippe. Bk. 5 (1555)<br />
734. Rippel~Bk. 6 1 (1558)<br />
735. Rogniono.<br />
•
•<br />
739.<br />
736. Romano, Francesco V. II Leuto Antonizatto<br />
740.<br />
741. Rosetto u/151. musica nova a 5 (1566)<br />
742. Rossi, Salomone. 4th Book of varii sonate, incl. dances<br />
2 vlns. and b.c. (1642)<br />
743. Rotta. Book I (1546).<br />
744. Rotta. (1546) Book I<br />
745. Rotta (1546) Intabolatura... Book I (Gardane)<br />
746. RUhling (1583)<br />
747. Sabbatini. Intermedii (1628)<br />
•<br />
749<br />
748. Salbinger (Kriesstein 1540) Selectissimae<br />
. Sancta Maria (1565); Scaletta (1590); Severi (1615)<br />
750. Scandello. Bettliche Deudsche Liedlein (1570)<br />
751. Scandello. Neue teutsche Liedlein (1568)<br />
752. Scandello. Neue sch8ne ausserlesene geistliche<br />
deutsche Lieder (1575)<br />
753. Scarlatti. Cantatas<br />
754. Scarlatti. L'Odoacre<br />
755. Schlick. Tabulaturen (1512)<br />
756. Schlick. Tabulaturen<br />
757. Schmidt. Zwey BUcher orgel, etc. (1577)<br />
758. Schuler, M. Thesis on J. Paix orgel Tabulaturbuch<br />
•
-<br />
759·<br />
•<br />
760.<br />
761.<br />
762.<br />
763.<br />
764.<br />
765.<br />
766.<br />
767.<br />
768.<br />
769.<br />
770.<br />
Simpson. Opuisculum neuer Pavanen<br />
Simpson. Taffel consort erster theil (1621)<br />
Sponga. Ricercari (1595)<br />
Stivori. Ricercari (1599)<br />
Stradella. A quel candido foglio. Camb fitz. 32E33<br />
Striggio. Bk. i. Madrigals a 5 1~64 & 1569<br />
Striggio. Madrigals, Lib. II a 5<br />
Striggio. Libs. III, IV, V, madrigals (1596-97)<br />
Striggio. Madrigals, lib. IV, a 5 (1596)<br />
Striggio. Madrigals, Lib. IV a 5 (1596)<br />
Striggio. Madrigals I, a 6; II, a 6<br />
•<br />
772.<br />
771.<br />
774.<br />
775.<br />
776.<br />
777.<br />
778. 1<br />
779.<br />
780.<br />
781.<br />
782.<br />
783.<br />
Terzi. (1593) (1599)<br />
Tiburtino & Willaert. Ricercari a 3 (1549), (1593)<br />
Turberville~<br />
Venerye<br />
Turtle Thesis<br />
Valderrabano. (1547)<br />
Valente. Versi spirituali (1580)<br />
Vecchio Canzonette a 3 0.597) <br />
Vecchio (1597) <br />
Vecchio Selva di varia (1590 ) <br />
Vecchio Selva di varia <br />
Vendaler. Fr81iche Teutsche Lieder (1574) <br />
vento. Sch8ne annerlesene neue Teutsche Lieder (1572) <br />
784.<br />
• <br />
Vento.<br />
Neue teutsche Liedlein (1569)
785. vento. Quinque Motetae, etc. (1575)<br />
( 786. Verde10t. Ita1ia mia<br />
•<br />
787. Verde10t. Madriga1i a 4 I, II (1556) <br />
7BB. Verde10t. Madriga1i a 4, III (1537) <br />
7B9. Verde10t. Motets (1549) <br />
790. Verovio. Canzonette (1591)<br />
•<br />
Boo<br />
791. Veronensis, J.P. B/idi-. Institutions ad difersas ... (1572<br />
792. Verovio.<br />
793. Verovio.<br />
794. Verovio.<br />
795. Verovio.<br />
796. Viadana.<br />
797. Vincenti.<br />
79B. Vincenti.<br />
799. Vincenti<br />
Di1etto spiritua1i (1592) (no. intab.) <br />
Di1etto spiritua1e (1592) <br />
Ghir1anda di fioretti musica1i (15B9) <br />
Lodi della musica (1595) <br />
Canzonette a 4, 10 lib. (1590) <br />
Intav. d'organo (159B) <br />
Canzonette (1597) <br />
. Vinci. II 1ibro 10... a2 u/B5B<br />
B01. Vinci & Verso. Bk. 2. Motetti & ricercari a 3 (1591)<br />
canto<br />
""<br />
B02. Vinci & Verso. Bk. 2. M tetti & ricercari a 3 (1591) Tenore<br />
n<br />
B03. Vinde11a. Bk. 1 (1546)-,";'-{"v /UO"..,I •.s'S ,(..,Z:r«eive.d 8-.:l>-fflCf<br />
B04. Alfonso della Viola <br />
B05. Virchi. T bu1atura: cittara I (1574) <br />
B06. Virgi1iano, A. II Do1ceme10. Ms. of ca. 1600 <br />
B07. Vreedman. Carminum qual cythara (1569) <br />
BoB. Wae1rant.& Laet. Jardin Musical Bks. 1-3 (1556) <br />
B09. Waisse1ius. Tabu1atur (1591) <br />
B10. Waisse1ius. T .n buoatur (159212)<br />
!'I<br />
•
l<br />
•'<br />
•<br />
824.<br />
81l.<br />
814.<br />
815.<br />
816.<br />
817.<br />
818.<br />
819.<br />
820.<br />
82l.<br />
822.<br />
823.<br />
825.<br />
826.<br />
827.<br />
828.<br />
Waldbauer.<br />
Thesis on Cittern l-1usic<br />
/<br />
de Wert. Madriga1i a 5 IX (1588}/ .'<br />
Hhythorne. S9fylit/~/Z'lJ'5/f.J$1tl Duos (1590)<br />
/<br />
Whythorne. f.t51t%/~/lJ/~/~/I/$iyl9fI/¢yl%t Songs a 3,4,5 (1571)<br />
(1571) a 4 & 5/tenor only<br />
/<br />
Canzone vi11a~~sche Lib. 1 (1545)<br />
Motetti, lib! 2 (1529)<br />
Book III \~62) - ( Scotto)<br />
rdelot. /~1536)<br />
Willaert/Ver e10tI (1540)<br />
Wilson, John. heerful ftili Ayres (1659)<br />
Wynkende WErde ,xx Songs (1530)<br />
Wyssenbach. (}550) .<br />
Jtlnstelfl Coli. Ro~<br />
. I<br />
-,<br />
Efn.stein 9011. ~ 2<br />
/<br />
EiQs.t..ein C611 __ :Roll:-3<br />
IWlil 1+<br />
Roll 5<br />
(vols.<br />
S\\7-~e)<br />
\<br />
829.<br />
830.<br />
83l.<br />
832.<br />
833.<br />
834.<br />
Vol. il.3<br />
-50<br />
63<br />
64-65B<br />
10<br />
•
•<br />
•<br />
835. ~in Gol~ vols. 66-70<br />
E~nsteja e~l 7, vols. 71-~ <br />
837.<br />
836.<br />
838. Eilis Leln ColI. , vo'l.. 82<br />
839. ~1.<br />
840. MrJstein ~01 8~._ 85 Jon<br />
841. Chanson texts, s.d. SPBC 3 (c. 1534)<br />
J.J.<br />
842. C~anson texts. SPBC (1535)<br />
843. Chanson texts. CNA (Marst) (1538)<br />
844. Chanson texts. SPN (1538)<br />
845. Chanson texts. SPBC (1543)<br />
846. Chanson texts. (1553) Chansons nouvelles ... Lyon<br />
847. Chanson texts. Chansons spirituali (156~)<br />
848.<br />
Chanson texts. Mangeaut (1615) <br />
849. Misc. Musical Material: <br />
ScherrerC <br />
BruA<br />
BruD<br />
PiechA<br />
AttainS<br />
LenzentT<br />
OpieD<br />
L{ltkeF<br />
HalbK<br />
850. Modern editions of 16th & 17th-c'.:!Iltt.:!"j' :::u;;L:<br />
BruA & BruD<br />
L{ltkeF<br />
CabezonF<br />
LenzentT, 4 vols.<br />
AntoniK<br />
Pedrell Salberio<br />
SchwarK<br />
851.<br />
Lowinsky. Antwerpener tvlo te t tt~nbuc~<br />
Buhle. Mus. instr. 1n dem m.1nla.t.~!"t~n, •<br />
Br{lcher. Blasinstr. 1n dem al~ .• ::" -;~;<br />
Dick....Schlaginstr. 1n den 31_ :!". ---.
• <br />
RISM 15265 <br />
RISM 1529 4 <br />
_ /1./ C 1 /'"<br />
•<br />
•
• RISM<br />
MICROFIIM YASTER LIST <br />
1536-1:<br />
La Courone et fleur des chansons a troys - Venezia,<br />
A. Antico (A dell'Abbate), 1536. 3 vols.<br />
855· ~JS/v1<br />
11"856. RISM 1562-5:<br />
Ll '('<br />
0,.-1 I': (. { I L' ;;,'0 '"J<br />
L'v<br />
RISM 1562-6: <br />
I dolci et harmoniosi concenti fatti da diversi<br />
eccellentissimi musici sopra varii soggetti. A<br />
cinque voci. Libro primo. Novamente insieme<br />
raccolti et posti in luce - Venezia, G. Scotto,<br />
1562, 5 vols.<br />
Libro secondo (above)<br />
•<br />
/857.<br />
<br />
RISM 1563-21: <br />
La intabolatura de lauto de diversi autori. Di Francesco<br />
da Milano. Di Alberto da Mantoa. Di Marco da Laquila•<br />
Di 10. lacomo Albutio da Milano. Di Pietro Pauol0 Borono<br />
da ,Milano. Con alcune paduane. Et saltarelli novi.<br />
Novamente ristampata. Con ogni diligentia revista. -<br />
Venezia, G. Scotto, 1563. 1 vol.<br />
J858. RISM 1569-20:<br />
La eletta di tutta la musica intitolata Corona di diversi<br />
novamente stampata libro primo. - Venezia, (Zori), 1569.<br />
4 vols.<br />
V' 859. RISM 1590-11:<br />
Dialoghi musicali de diversi eccellentissimi autori, a<br />
sette, otto, nove, dieci, undieci, et dodeci voci,<br />
novamente posti in luce. Con due battaglie a otto<br />
voci, per sonar de istrumenti da fiato, di Annibale<br />
Pddoano et de Andrea Gabrieli, gia organisti della<br />
Serenissima signoria di Venetia in S. ,Marco. -<br />
Venezia, A. Gardano, 1590. 12 vol.<br />
I
860. /RISM 1542-15: Unzieme livre contenant XXVIII chansons nouvelles a<br />
• <br />
quatre parties, en ung volume et en deux ...• - Paris, <br />
P. Attaingnant et H. JulIet, 1542. 2 vols .<br />
IRISM 1543-8: Douziesme livre contenant XXX chansons nouvelles<br />
(see above), 1543, 2 vols.<br />
vRISM 1543-9:<br />
v1'lISM 1543-11:<br />
J-RIS¥ 1544-7:<br />
o/RISM 1545-8:<br />
vRISM 1545-10:<br />
Tresiesme livre contenant XIX chansons ...•. (see above)<br />
1543, 2 vols. [See also: KCL 213 & 214]<br />
Quatorsiesme 1ivr£ contenant XXIX chansons •••. (see above)<br />
1543, 2 vols. [See also: KCL 213 &214]<br />
Quinziesme livre contenant XXX chansons.•...• (see above)<br />
1544, 2 vols. (Paris, P. Attaingnant) [See also: KCL 213 &<br />
214]<br />
Seysiesme livre contenant XXIX chansons...• (see above)<br />
1545, 2 vo1s. [See also: KCL 215 & 216]<br />
Dixseptiesme livre contenant XIX chansons 1egeres tres<br />
musicales.... (see above) 1545, 2 vols. [See also: KCL 215 &<br />
216]<br />
.1861. RISM 1607-28: Ausser1esener Paduanen und Galliarden erster Theil•<br />
•<br />
Darinn 24. liebliche Paduanen und auch so viel Ga1liarden<br />
zu fUnff Stimmen auff Allerley Instrumenten, und in Sonderheir<br />
auff Fiolen zu gebrauchen, verfasset. Hiebevor<br />
nie in Truck aussgegangen, jetzt aber allen der edlen<br />
Music Liebhabern (so den Text nicht brauchen) zu Nutz<br />
und Frommen colligirt, und mit V,erllegung an Tag gegeben,<br />
durch Zachariam FUllsack, und Christian Hildebrand, .••<br />
Hamburg, P. von Ohr, 1607. 5 vols.<br />
Jachimecki. Tabulatura Organo...• (Cracow, 1913)<br />
Maunsell. Catalogue of English Books (1595)<br />
.)864. Rokseth, Yvonne. Danses clericals du XIIles.<br />
RISM 1579-7: Bicinia nova; subjectis distichis gnomologic is M.<br />
Procopii Lupacii a Hlavaczova ; et rhythrois czechicis;<br />
authore Andrea Chrysop:::mo gevicense - Praha, Typis<br />
nigrinianis, 1579, 2 vols.<br />
j 0''<br />
000. Bien advise, mal advise (play)<br />
I ~/'<br />
V b07. Ceccherelli. Descrizione delle reste (Florence, 1567) (play)
IV • <br />
•<br />
vB69.<br />
~68. Homme justifie par foi (Play)<br />
Honneur des dames (morality play)<br />
..,1870. vToodwind Tutors. 17th century (L.C.)<br />
\/87l. Hoodwind Tutors (17th c.)<br />
vt372.<br />
i{oodvlind Tutors (17th c.)<br />
1)873. Hoodwind Tutors (17th c.) CBr. L;br~v;j)<br />
•<br />
...-874. Trade Catalogues - 16th and 17th centuries<br />
~,<br />
./875. Pub. API'M (reel 2)<br />
/876. Pub. API'M (reel 1)<br />
V877. Italian plays:<br />
angara. L'Alceo (1582; 1614 ed.)<br />
Cecchi. 11 Servigiale (1561) (Florence Carnival 1555)<br />
Spezzani. Rappresentatione di S. Cecilia (1581)<br />
Poggi. La Inventione della Croce (1561) £P¢pJ/~¢p¢fjpttpp/pl/t~t¢f¢~~jjJ<br />
Cecchi. L'Esaltazione della Croce (1589) (sep. 'description of intermedii)<br />
Poggi. La Cangenia (1561)<br />
Epicuro. Cocaria (1535)<br />
t<br />
Plays: <br />
Homme, Ciel, Esprit <br />
Vouloir divin <br />
Noliveau I,1onde <br />
f.1a12die de Chretient~
888.<br />
~<br />
•<br />
(/880.<br />
i,,879. Play: Eustachio Romano. Tragedia<br />
Sermons: St. Belin; and Poul & Pusse (plays)<br />
V881. Le petit, Ie grand (morality play) - Paris, BN MS fro 2s.467<br />
/<br />
~ 882. Plays: Passion de nostre Seigneur and L'homme pecheur<br />
li 883. Morality play: Mars et Justice<br />
~84. Lays papon. Pastorale (1589) (play, with music)<br />
I<br />
885. Le Roy. Catalogue 8, Bk. 4 (c) -: 1:( S':':, /<br />
'><br />
886. Le Roy. Catalogue 11 I. Recueil (c)<br />
~ I ')1..,::'"<br />
•<br />
,"-,1 ~<br />
:; _:) i .<br />
Le Roy. Catalogue 136, Bk. 12 (t) <br />
,<br />
-:;- \S-"1 f)<br />
889. Le Roy. Catalogue 143, Bk. 13 (ct)<br />
. ) ./"<br />
!' 0<br />
890. Le Roy. Catalogue 145, Bk. 17 (c)<br />
89l. Le Rny. Catalogue 155, Bk. 14 (ct)<br />
"-, \ t:..,y- ".)
IL, <br />
v898. A New Interlude .••.of the four Elements (s.l.n.d.)<br />
~ ~99. Bassus in epitaphiis. Gasparis Ottimari. (s.l.n.d.) (See Kassel cat.)<br />
12<br />
900. RISM 15824 ( ~ 1585 15 , 1590 ) Dolci affetti madrigali a<br />
/ cinque voci de diversi eccellenti musici di Roma.<br />
Venezia, G. Scotto, 158~. 5 vols.<br />
'7~r<br />
f;4eseA<br />
(c~ar~<br />
---------------~<br />
• <br />
•
MICROFILMS<br />
/) - "<br />
•<br />
901<br />
RISM 1577-11. }rusica de diversi autori la Bataglia francese et Canzon<br />
delli ucelli insiemi alcune canzoni francese, partite in caselle per sonar<br />
d'instromento perfetto. Venezia, A. Gardano, 1577<br />
902 BASEL, Universitatsbibliothek, 1
a<br />
•<br />
916<br />
MICHOFIL!1S <br />
914 VATICAN, MS Cappella Sistina 51. 15th-century ~1asses by Caron, Busnois,<br />
Basiron, Vincinet, Weerbecke, etc•<br />
915 VATICAN, MS Cappella Sistina 16. Masses.aotets and hymns by Brumel,<br />
Pipeiilare, Josquin, Pevin, Willaert, etc.<br />
VATICAN, MS Chigi C. vrII.234. Late 15th-centur,r Masses and motets<br />
by Ockeghem, Agricola, Barbireau, Brumel, Busnois, Compere, etc.<br />
917 VATICAN, MS Cappella Sistina 23. 11asses by Agricola, Brumel, F~vin,<br />
Fresneau, Josquin, Prioris, La Rue _<br />
918 VERONA, Biblioteca Capitolare, Cod DCCLIX. Sixteenth-centur,y anthology<br />
of motets a 3 and a 4.<br />
919 CARPENTRAS, Missae I (Avignon, Jean de Channey, 1532)<br />
920 Johannes GALLUS (Handl). Totius Libri 1 0 Sacri Operis Musici (1598)<br />
921 GREIFSWALD, Universitiitsbibliothek, MS Eb 133. Two part books only,<br />
with motets, and German songs by Carpentras, Obrecht, Benedictus, etc.<br />
922 Paul KAST. Studien zu den Messen des Jean Mouton. Ph. :B. dissertation,<br />
Frankfurt, 1955.<br />
74. <br />
923 Orlando LASSO. Patrocinum musices, Books 1-4. Louvain: Phalese, 1574-78.<br />
~ Superius<br />
• 924 Ditto. Tenor<br />
925 Ditto. Contratenor<br />
926 Di tto. Bassus<br />
927 RISM 1589-8. Friedrich Lindner. Liber secundus Gemmae musicalis.<br />
Nuremberg: C. Gerlach, 1589. 6 vols e<br />
ql~<br />
Yttl>t <br />
- 1S-
'-;J <br />
t-rrCROFILi1S MASTER LIST<br />
•<br />
931<br />
932<br />
933<br />
934<br />
935<br />
936<br />
937<br />
London, British <strong>Library</strong>, Add. MS 30797. Letters of Elizabeth<br />
Q.ueen of Bohemia<br />
London, British <strong>Library</strong>, Add. MS 30789Q Letters to Sir H. Elliott<br />
Giovanni :B
NICROFILMS <br />
•<br />
947<br />
Mercadante. IL BRAVO (1839).<br />
MSS Addo 30790-91<br />
London, British <strong>Library</strong>,<br />
948<br />
Nicolo Piccinni. CATONE IN UTICA (1770).<br />
<strong>Library</strong>, MSS Add. 30792-94<br />
Zingarelli. GIU'LEETTA E ROMEO (1796).<br />
<strong>Library</strong>, MSS Add. 30795-96<br />
London, British<br />
London, British<br />
950 Luigi Rossi. II palazzo incantato. On a librette by<br />
Giulio Rospigliosmo<br />
Vatican, Bibl. Ap. Vat., MS Chigi<br />
Q.V.51<br />
951 Luigi Rossi. II palazzo incantato. On a libretto by<br />
Giulio Rospigliosi.<br />
London, Royal College of Music,<br />
•<br />
952<br />
MS 546 I - II (olm Sacred Harmonic Society MS 1867)<br />
Jacopo Melani. Ercole in Thebe. Paris, BN, R~so Vm 4 .1<br />
953 Jacopo Melani. Ercole in Thebe. Vatican, Bibl. Vat. Ap.,<br />
954 Giovanni Antonio Boretti. Ercole in Tebe. Venice, Biblioteca<br />
Marciana, MS It. IV, 416<br />
955 Giovanni Antonio Boretti o Ercole in Tebe. London, British<br />
<strong>Library</strong>, Add. MS 14238<br />
956 Antonio Cesti. LIARGIA. Venice, Bibl. l'1arciana, MS It. IV, 391<br />
r-., ft f- C L Jrfo .r/'( /1-- '-'<br />
957 Antonio Cesti. LA DORI. Venice, Bibl. tvIarciana, MS It. IV, 410<br />
958 Antonio Cestio II TITO. Venice, Bibl. I{arci'ana, MS Itj IV, 459<br />
959 Francesco Provenzale. 10 SCHIAVO DI SUA MOGLIE. Rome, Santa<br />
Cecilia, MS 21025<br />
•<br />
960 Francesco Provenzale. Difendere lroffensore, overo La Stellidaura<br />
vendicata. Rome, Santa Cecilia, MS 21026
( (~<br />
•<br />
MICROFILMS<br />
961<br />
962<br />
964<br />
Antonio Sartorio. L'ADELAIDE. Venice, Bibl. Y~ciana,<br />
MS It., IV, 380<br />
Antonio Sartorlo. ORFID. Venice, Bibl. l1a.rciana, MS If. IV, 443<br />
Giovanni Legrenzi.. GIUSTINOo Venice, Bibl. Harciana, 118 Ij;.<br />
IV, 426<br />
Giovanni Legrenzio TOTlLA.. Venice, Bibl. Marciana, MS It. IV,<br />
460<br />
Alessandro Stradella. IL TRESPOLO TUTOREo Modena, Bibl. Estense,<br />
MS Mus F 1128<br />
•<br />
966<br />
967<br />
Alessandro Stradella. CORI9~~.<br />
MS Mus F 1131<br />
Modena, Bibl. Estense,<br />
C F Pallavicinoo L'~1AZ01m CORSARA, aVERa L'ALVILDA REGINA DE GOTI ..<br />
Munich, Bayerische Staatsbibliothek, Mus MS 145<br />
,<br />
968 /v07 ." Pietro Andrea Zianat. L'INNOCENZA RISORTA, aVERa ErIO. Modena,<br />
pc.(!' ;,C t:.- 1 tL Bibl. Estense, 'MS Mus F 1554<br />
Antonio Lottio ALESSANDRO SEVERO. Arias onlyo Berlin, Staatsbibliot<br />
bibliothek, Preussischer Kulturbesitz, Mus 118 13200<br />
970 Antonio Lotti. ALESSANDRO SEVERO.. Dresden, Sachsische Landesbibliothek,<br />
!'15 Mus 2159 .. F2<br />
971 Johann Joseph Fux. ORFEO ED EURIDICE (1715). Vienna, Oesterreichische<br />
Nationalbibliothek, MS 17.231<br />
972 Carlo Francescm Pollarolo. GL'INGANNI FELleI. London,<br />
British <strong>Library</strong>, MS Add. 16109<br />
973 Tomaso Albinoni. ZENOBIA, REGINA DI PALMIRENI and arias from<br />
GL 'ECCESSI DELLA GELaSIA. \iashington, <strong>Library</strong> of Congress,<br />
•<br />
974<br />
M 1500oA72Z4<br />
Tomaso Albinonio LA. STATlRA (1726). Vienna, Oesterreichische<br />
Nationalbibliothek, MS 18693
I U I<br />
•<br />
975<br />
!1ICROFILr1S<br />
976<br />
977<br />
Tomaso Albinoni and Francesco Gasparini. ENGELBERTA (1708). Vienna,<br />
Oesterreichische Nationalbibliothek, }lli17 713<br />
Alessandro Scarlatti. TELEV~CO. Vienna, Oesterreichische Nationalbibliott<br />
}lli 16.487<br />
Alessandro Scarlatti. TELEMACO. ~Unster, Bibliothek des Bischofl.<br />
Priesterseminars<br />
978<br />
Alessandro Scarlatti. TE~~CO.<br />
MS D 11902<br />
Paris, Bibliotheque nationale,<br />
979<br />
Giovanni Bononcini. ETEARCO (1707). Vienna, Oesterreichische<br />
Nationalbibliothek, MS 18267<br />
980<br />
Domingo Terradellas. SESOSTRI HE D'EGITTO. Rome, S Cecilia, PS A 3734<br />
•<br />
982<br />
Antonio Caldara.. OLIMPIADE.. Vienna, Oesterreichische Nationalbibliotgek,<br />
MS 17 164<br />
981 ,'v e1<br />
1'1 Grlj,~<br />
,~~<br />
v<br />
81<br />
Domingo Terradellas..<br />
Bischofl. Priesterseminars<br />
SESOSTRI HE D'EGITTO.<br />
M&ster, Bibliothek des<br />
983<br />
Antonio Caldara (NB. Wrong attribution! ). DEr10FOONTEo<br />
Estense, 11S Mus F 1313<br />
Hodena, Bibl..<br />
Antonio Caldarao DEHO:F1JONTE .. Vienna, Oesterreichische Nationalbibliothek,<br />
985<br />
Giuseppe Porsile. SPARTACO (1726).<br />
Nationalbibliothek, MS 18010<br />
Vienna, Oesterreichische<br />
986<br />
Nicola Porpora. SEMIRAMIDA RICONOSCIUTA (1729)0 Florence, Bibl.<br />
del Conservatorio, MS B 1423<br />
987<br />
Nicola Porpora. SEMIRAMIDA RICONOSCIUTA. Dresden, Sachsische<br />
•<br />
Landesbibliothek,
I l ~<br />
MICROFILMS <br />
•<br />
c , '/ 6' 1 ,! i-.<br />
,,(I l ; '.' , ~<br />
988 . Davide Perez. SOLIMANOo London, British <strong>Library</strong>, MSS Add. 16093-94<br />
989<br />
Francesco Feo. ANDROMACAo London, British <strong>Library</strong>, ¥~S Add. 24303<br />
99~ Nicola Logroscinoo GIUNIO BRUTO (1748). 11Unster, Bibl. des Bischofl.<br />
Priesterseminars<br />
991 fr: f Nicola Logroscino.<br />
,(i - J iJ-;' :.1<br />
IL GOVERNADORE 91747). MUnster, Bibl. des Bischofl.<br />
Priesterseminars<br />
992 Tommasso Traetta. IFIGENIA IN TAURIDE. Florence, Bibl. del<br />
Conservatorio, MS B 306<br />
993 Tommasso Traetta. IFIGENIA IN TAURIDE. Modena, Biblo Estense,<br />
MS Mus 1188<br />
994 Tommasso Traetta. SOFONISBA and 1£ SERVE RIVALI. Washington,<br />
<strong>Library</strong> of Congress<br />
•<br />
995 Niccolo Jommelli.. DEMOFOONTE. 1st version (1743). ~lilan, Biblioteca<br />
del Conservatorio<br />
M 11"~<br />
996-97 Niccolo Jommelli. DEMOFPJNTE, t:::s:t. version (~). Paris, Bibliotheque<br />
nationale, 2 reels<br />
998 Niccolo Jommelli. DEMOFIONTE, 2nd version (1764). Stuttgart,<br />
Wlirttembergisches Landesbibliothek<br />
999 Leonardo Leo. OLIMPIADE (1737)0 Milan, Biblioteca del Conservatorio<br />
1000 Leonardo Leo o FARNACE (1736)0 Vienna, Oesterreichische Nationalbibliothek<br />
1001 Leonardo Leo o DEMETRIO (1741/2).. Nilan, Biblioteca del Conservatorio<br />
1002 J. Ao Hasse. SIROE. Washington, <strong>Library</strong> of Co:~gress<br />
1003 J. A. Hasse. SIROE. Vienna, Oesterreichische Nationalbibliothek<br />
1004 Carl Heinrich Grauno ARTASERSE. Darmstadt, Hessische Landes- und<br />
•<br />
1005<br />
Hochschulbibliothek, NS }!us. 372<br />
Carl Heinrich Graun. ~qTASERSE. WolfenbUttel, Herzog-August Bibliothek,<br />
Cod. Guelf 81
HICROFILHS <br />
•<br />
1006<br />
Leonardo Vinci. nlDONE ABBANDONATA (revision by G F Handel). London,<br />
British <strong>Library</strong>, MS Add 31607<br />
1007 Bald£!.ssare Galuppi. L'ARCADIA IN BRENTA. Hodena, Bibl. Estense,<br />
MS Mus. F 439 (no recitatives)<br />
1006 Baldassare Galuppi. LA DIAVOLESSA (1755). Vienna, Oesterreichische<br />
-<br />
Nationalbibliothek, Cod. 16070<br />
1009 ,[ ( David Di Chiera. The Operas of G. F. de Maio. Ph. D. dissertation,<br />
I"! U 't', P ;if<br />
v J- UCLA, 1962<br />
1010 G B Pergolesi. LO FRATE'NNAMORATO. London, British <strong>Library</strong>,<br />
~B Add 1610}-16105<br />
1011 Rinaldo di Capuao GLI nIPOSTORI. Hodena, Bibl. Estense, Mus. r·1S F 136<br />
1012 Byron Cantrell. Tommaso Traetta and his Opera Sofonisba. Ph. Do<br />
•<br />
dissertation, UCLA, 1957<br />
1013 L E Rowell. Four operas of Vivaldi'. Ph. D. dissertation, Eastman<br />
School of Yrusic, 1959<br />
tOlL _",.11 '+ •<br />
~on~o !~aples Conservrl.to::'j" HS<br />
1015 ;;.l1tonio CESTI. II Tito. Ii"aples Conser':atOI'"J lIS<br />
101Ga/b Baldassare GALUP~)L Il mondo della 11.1."18. (1750) aris, 3:~ T,w<br />
1017 3aldaGsare GALUPPI. mondo alIa '~oversa (1750) raris 3IT FS<br />
10~8 Johann j,dolph H.'J:);'{;!::. Jidone abbancionr.ta" =~ajJles Conserv::::.tory :IS<br />
1':)19 !;iccolo Jmrr·ELLI. neLlofoonte. :Taples Conservatory liS<br />
1020 Giovanni LECEr:::L Giustino. Naples Conservatory TTS<br />
1021 Leonardo LSO. :;)emoloonteo London<br />
-""'~ 1'!I''''''''<br />
1022 C. D. di E.':.ICo j')c:mofoonteo aris .:.),,', l'~::><br />
•<br />
1024<br />
~<br />
1023<br />
::linaldo di. Capua. THO scenes fl"on volcgeso and Lri[;. di S. :Jon C[~rlo Reno<br />
1025. Leonardo VIITCI., ",_rtaserse (1730). Paris B:r-T KKK 1:3
•<br />
3L,<br />
LC2G<br />
1026<br />
1029<br />
1030 <br />
1031 L:.W. Dernofoonte. I!aples IS <br />
1032 • ~:n.ples r:8<br />
. ... .. ~<br />
1,'\<br />
.i.V l~ J4..rla •<br />
1C3!c<br />
ana.<br />
10<br />
c: - -'<br />
•<br />
1038<br />
1036 <br />
Ie]7 <br />
1039 <br />
10!.;.O <br />
1 ~<br />
o<br />
1042 Uppsala, Universitetsbiblioteket, Vokalmusik i HE..ndskrift Collectiones<br />
[.·'L<br />
76b-c (16th-century llasses, iJotets a.l1d chansons, along idth<br />
some tablature), and HS 89 (16th-century German keyboard<br />
tablature)<br />
•
•<br />
1043<br />
MICROFILMS <br />
GALUPPI. La Diavolessa. Modena, Biblioteca Estense<br />
101+4 GALUPPI. I Tre Cicisbei. Modena, Biblioteca Estense<br />
1045<br />
GALUPPI. II Mondo alIa Rovescia. MOdena, Biblioteca Estense<br />
1046<br />
GALUPPI. L'Olimpiade. 11ilan, Conservatory<br />
-- -<br />
1041-- GASPARINI (Francesco).n Bajazet. Vienna, Oesterreichische<br />
Nationalbibliothek<br />
1048 GaetanoLATILLA.. __ Ezio__(1158).. Harvard College <strong>Library</strong> _<br />
,_ ,I<br />
1049r!t
MICROFIU£<br />
1063 LIBRI!.""'TTOS IDR:<br />
•<br />
~<br />
MA Bononcini. Griselda. 1718 /'<br />
Galuppi. Olimpiade. 1747<br />
Hasse. Siroe. 1733<br />
G F di !-laio. Adriano in Siria. 1769<br />
Pergolesi. Olimpiade. 1735<br />
Vinci. 1i zite1n galera. 1722<br />
from Bologna, Conservatorio<br />
1064 Graun. ARTASERSE. Rostock<br />
1065 Florence, BNC, MS MagI. XIX, 164-167. Florence, ca. 1520. Frottole,<br />
madrigals, q:p,ansons, motets, and so on<br />
1066 Florenoe, Biblioteca del Conservatorio, MS Ba:se1fi2442. Edition<br />
. .. J~.f chansol'lIrl,er(ca. 1527) py BMB<br />
1067 G B Bononcini. ASTARTO t~i-@••@-~y-g@R@tPaft.&.i~ (1720). Copy in<br />
London,. _Roy~l College of Music, MS 83<br />
1068 LIBRETTO for-Cavalli. SClFIONE AFRICANO (1664)0 Copy in Biblioteca<br />
Apostolica Vaticana<br />
1069 Cavalli. SCIPIONE AFRICANO. Vatican, MS Chigi Q V 60<br />
1070 David Perez. SOLIMANO. London, Boyal College of Music, MS 480<br />
1071 Piccinni. L10rigille (1760). Naples, Biblioteca del Conservatorio<br />
•<br />
.-.<br />
1072 Nicola Porpora. Semiramide. Naples, Conservatorio di Musica<br />
1073, [1 LIBRETTO for Rinaldo da Capua. VOLOGESO (1729). Copy in Bologna,<br />
/' ',,'c: l u·j'P Civico Museo Bibliografico Musicale<br />
d'r ,It<br />
1074 Rinaldo da Capua. VOLOGESO (1739). Yale University<br />
1075 D. Sarri. Didone abbandonata. Naples, Conservatorio<br />
,1076 Giuseppe Scarlatti. Merope. '. Naples, Conservatorio<br />
1077 Traetf;a. Ifigenia in Tauride. Naples, Conservatorio<br />
I<br />
1078 Trae~. Ifigenia in Tauride. London, Royal Colle~_ of Music, MS 618<br />
1079 Vinci. Artaserse. Naples, Conservatorio.<br />
1080<br />
1081 Vinci. Artaserse (1730/31). London, Royal College of Music, MS 630<br />
•
D l ~<br />
MICROFILMS<br />
e_ _ 1082 J;~;i-I-i:- DIDONE. Stutt~rl~ 'WUrtt;mb~rgisch;La.n-desbibiiothek<br />
____ ~08_3-~~_~~~O:ellio=-;~o•._.S~;tga.rt, --\~ttem~~;gisc~e~ ~deSb;;li;~~e~du:~i}-~()<br />
~l~r 1/ 1-Ci<br />
1084- - Jommelli-;--' Olimp1ade.; ... Stuttgart, WUrttembergische' Landesbibliothek<br />
1085a-b Jommellio Vologesoo Stuttgart, WUrttembergische La.ndesbibliothek<br />
J<br />
1086_.<br />
Pasquini.... .1l.....L:isimacCl._Vlies:antneid. Gra!. von Schonborn I sche Haputverwaltun.'.<br />
----_..._._- --------.-- ---<br />
-- -- .. -_..<br />
-I~L. ___<br />
--~--<br />
L'Bf..EnO_ -r._M1()Si11- Ve.sf"'-{,'~' W,~ ..BL. 1v1$jGA.1~!_.3lq<br />
1088-- --- ARIOSTI.- Vesp-asiano·;--London BL <br />
1089 ARIOSTI. Coriolanus. London EM <br />
__Gaetano__LATILLA. _ Angelica ed _Orlando.<br />
London, BL, J·IS _Add 14205_ <br />
•<br />
1093._.<br />
L.ATILLA.- La.-- fintacameriera-.-Brussels, Conservatory <br />
------- ---.------- ._-- -. ---------_..._---<br />
1092 LEO. Demofoonte. London BL y..s Add 16g43-44<br />
_. _~ ___Barbara_t1ARCHISIO. _ Cadenze e variante composte e. <br />
eseguite dalle sorelle }\1archisio, 2 vols. NY Horgan <strong>Library</strong>, <br />
-Cary Collection no' 142--:,;r"P'1 r-!,~c:/.;jj/,/~,.e Y EVe-" -. <br />
----~- - ._---_. --~------.--.-----------------_.<br />
1094. STEFFANI. Le rivali concordi.. London BL, MS R H 23oK.. 2-4<br />
STEFFANI. IJa: liberta.--contenta-(incomplete);- ---Schwerin,--T-Iecklenburgische----<br />
Landesbibliothek, Nus 118_ 5262<br />
1097 STEFF'&'''1L- Itrionfi del1'ato--; London B1 HS R H 23.i.3..;5·<br />
1098 VIVALDI.<br />
,-<br />
Tito Hanlio..<br />
----- ~-.<br />
Turin.EN Foa 37<br />
1099 _ VIVALDI. Tito)'Ianlio __ Turin EN_ GiordB.:no 39-<br />
1100 VIVALDI. "Il- Teuzzone.. TurinBN Foa 37<br />
1101<br />
1102 _VIVALDI. U.Bajazet. _Turin _BILGiordano 36<br />
1103 VIVAJ.JDI. 0limpiade" -Turin EN' Foa 39 <br />
•
• 58 <br />
• 75 <br />
~ <br />
MICROFILM 1103A<br />
SCHATZ LIBREl'TOS<br />
55 J. A. Adam. Zoroastro. 1752 <br />
56 <br />
57 A Adolfatio Didone abbandonata. 1747 <br />
59 <br />
60 <br />
61 M T Agnesi. Ciro in Armenia. 1753 <br />
62 C C Agthe. Martin Velten, n. d.<br />
63 <br />
64 <br />
65 P A Agostini. II ratto delle Sabine. 1680 <br />
66 J F Agricola. Achille in Sciro. 1765 <br />
67 Agricolao Cleofide. 1754 <br />
68 Agricola. I Greci in Tauride. 1772 <br />
69 0 Ahlstrom. Frigga. 1787 <br />
70 <br />
71 <br />
72 <br />
73 <br />
74 <br />
76 <br />
77 Conte P Capacelli, Albergati. Gli amici. 1699 <br />
78 <br />
79 <br />
80 <br />
81 <br />
82 <br />
83 <br />
84 <br />
85 <br />
86 G Albertinio Virginia. 1786 <br />
87 T Albinoni. Arlameneo 1740 <br />
88 Albinoni. L'arte in ~ con l'arte. 1702 <br />
89 Albinom. Didone abbando~o 1775 <br />
90 Albinoni. Dido o 1726 <br />
91 Albinoni. L 'Ermengarda. 1723
•<br />
829<br />
•<br />
MICROFILM 1103B <br />
MBernardini. Achille in Sciro. 1194<br />
830 II bassa generoso. 1182<br />
831 II conte di bell'umore. 1183<br />
832<br />
La donna bizarra. 1191<br />
833 18 quattro nazioni. 1193<br />
834 Furberia e puntiglio. 1198<br />
835 La statua per puntiglio. 1191<br />
836 L'ultima che si perde e la speranza. 1192<br />
831<br />
838 Amore per incanto. 1191<br />
839 L'allegria della campagna. 1191<br />
840 GI'incontri stravaganti. 1190<br />
841 LBult1ma che si perde a la speranza. 1190<br />
842 La donna di spirito. 1191<br />
843 II conte di bell'umore. 1191<br />
e44 II conte di bell'umore. 1183<br />
845 II barone a forzo 0 sia II trionfo di Bacco. 1188<br />
e46 La finta sposa olandese. 1116<br />
841 18 tre orfanelle 0 sia La scuola di musica. 1198<br />
848 Li tre Orfei. 1181<br />
849 Li cinque pretendenti. 1194 <br />
850 II pazzo glorioso. 1190 <br />
851 II muto per astuzia. 1199 <br />
852 La spoaa polacca. 1199 <br />
853 <br />
854 A Bernasconi. Adriano in Siria. 1155 <br />
855 <br />
856 La clemenza di Tito. 1168 <br />
851 Demetrio. 1112 <br />
858 La Didone abbandonata. 1160 <br />
859 L'Olympiadeo 1164 <br />
860 Semiramide. 1165 <br />
861 Temistocle. 1144 <br />
•
~~<br />
- ,.<br />
•<br />
1209<br />
EICROFILl1<br />
II 0 't<br />
Bontempi. 1l,_Paride (1662 L _<br />
1210<br />
1211<br />
1212.<br />
_~ 12 ~..L...~.<br />
1214 <br />
1215 Borettio L'Alessandro .amante (1667}_ <br />
1216 Bor.ettio_ .. C1audi9_ . .cesare L1672 ><br />
1217 . Borett:i,. •. Darig ~in Babilonia (1671) <br />
121ELBoret.:tj,.L Domtiano (16.7.3)<br />
1219. ~reJti c Eliogabalo (1668}.._ <br />
_ .___ . <br />
1220.13oretti. l'1arcel.lo in.. S;i.racusa .(1670). __ <br />
1221 Borettio La.Zenobia (1666) <br />
1222 Boretti..ErQo1e in..Tebe (1671) <br />
..-.--.-..... _-<br />
•<br />
1229<br />
•<br />
1242<br />
1224<br />
1226.Bprghi.J\lel:san!iro in Armenia (1768)<br />
__ 1,22I.J2rghi!!..lir:tQ.ssU;·_sEL017a~__._. _._ .~ ..~...__.._..~.~..._.<br />
1228 Borghi, Cr.esQ rELdi Lidia (1]17J_.<br />
12.~9_. _ Borghi•.1a_don;nB._instabi1ei.1776)<br />
. 1230.J3prgmo .G1Ltr.~ }JretendentL(1777)<br />
1231 Borghi. Eei1ina (1793) ..<br />
232 . )30.rehJ 0_ 11_ fi10sofO. amante (1776)<br />
1233 Borghi. Eumen.e (1.778)_<br />
1234 Borgtli•. Lamor.te d,i. Semiramide (1791)<br />
1235 .. _ Borghi. LI0 limpiac)..e en 85 L.. <br />
.J236.<br />
Borghi. Ricimero.(1778}<br />
1237 Borghio_SJrQEiL(1771J ..___<br />
1238. Borghi•. J;,e-y;i.llane11einnamorate (1778) __ .<br />
1239 .Borghi•. iI.rbaQ.e_ (U.E~2J<br />
1240 Borghi •. La.!!lor.te di SelDir.amide (1799)<br />
1241 ....J3orgognini•.La_.HicopoU._C 1,]00).<br />
1243<br />
1244 Boroni•. J, 'p.rnor~ in musics, (1763)<br />
1245. _Boronio.L!amoreinmusica (1770)<br />
1246 Boroni.!>.. La nott~ .critic.a i 1.766)
DO ..<br />
•<br />
•<br />
•
•<br />
1688<br />
•<br />
1704<br />
t<br />
:::::::..anI..:: : 105 <br />
1686 <br />
1687 <br />
1689 Castrovillari. La Pasifeo (1661)<br />
_.<br />
1690 Castrovillari. Gl'avvenimenti 'Orinda (1659)<br />
1691 Castrovillari. La Cleopatra (1662)<br />
1692<br />
1693<br />
1694<br />
- .<br />
1695<br />
-<br />
1696 <br />
1697 <br />
1698 <br />
1699 <br />
1700 <br />
1701 <br />
1702 <br />
1703 <br />
1705<br />
1706<br />
1707<br />
1708<br />
1709<br />
1710<br />
1711<br />
1712 Cattani 0 II conte di Cutro<br />
1713 Cattani. ~uinto Lucrezio proscritto (1681)<br />
1714<br />
1715 Cavalli. il.lessandro vincitor di se stesso (161)<br />
- -- - -, ,<br />
1716 Cavalli. Gli aJllori d'Apollo e di Dafne (1656) <br />
1717 Cavalli. .Antioco (1658) <br />
1718 Cavalli. La Didone. 1656 <br />
1719 Cavalli. L'~gisto (1943) <br />
1719a Cavallio L'Egisto (1646 ) <br />
1720 Cavalli. L'Ersimena (1655) <br />
1721 Cavalli. L'Eri trea (1652)<br />
CONT
•<br />
1723<br />
1722 Cavalli. I1 Giasone n. do<br />
CavIlL l'Orimonte (1650) <br />
Cavalli. L10risteo travestito (1656) <br />
Cavalli. L'Ormihdo (1644)---<br />
'-I<br />
1726 Cavalli. 1.k'_C prosperita infelice di Giulici Cesare elittatore (1656)<br />
1727 Cavalli. II Romolo e t r Remo (1645)<br />
172S----Cava1.1.i.-m--StatTra(1655) <br />
1729 Cavalli. La virtU detstrali atanore (1642) <br />
1730- . Cavalli. Artemisia (1656) <br />
1731 Cavalli. La Bradamante (1650) <br />
1732- Cavalli. Pomepo magno (1666)<br />
1733 - CavallL IIa Torilda (1648) <br />
•<br />
•
~-<br />
____ 0<br />
• __<br />
• __ • ___ • _. __ • • _____ w<br />
•<br />
1736<br />
•<br />
1752<br />
•<br />
1769<br />
1734 Cavalli. ilmore innamorato (1642)<br />
1735 Cavalli. L'Helena rapita da Theseo (1653)<br />
Cavnlli. II Ciro (1654)<br />
17t;7 Cavalli. La Doriclea (1645)<br />
-- . - -~<br />
ID8 Cavalli. L'~po (1649)<br />
1739 Cavalli. Hutio Scevola (1665)<br />
--- ---- . _.-<br />
1740 Cavalli 0 L'Orione (1653)<br />
- -_ .. _..__ .-- -.- -.<br />
~<br />
1741 Cavalli. Scipione Africano (1664)<br />
1742 Cavalli. Veremonda l'Amazzone di Aragona (1652)<br />
1743 Cavalli. Xerse (1654) <br />
1744 Cavalli. La Calisto (1651) <br />
1745 Cavalli 0 La Deidamia (1644) <br />
1746 Cavalli. Elena 1659) <br />
1747 Cavalli. Narciso et Ecco immortalati (1642) <br />
- -<br />
1748 Cavalli. Le nozze di Teti e di Peleo (1639) <br />
- - -<br />
17'-+9 Cavalli. II Titone (1645) <br />
1750 Cavalli. II novello Giasone (167 1) <br />
--- .--- -- ---_... ~<br />
1751 Cavalli. Giasone (1649)<br />
._-- ~~- _..'- - --<br />
Cavalli. L'Oristeo 1651) <br />
1753 Cavalli. ci;~ (1665) (wi-th- Hattioli) <br />
- .- ._-<br />
1754 Cavalli. ScipioUe .~ricano (1678) (with Bonaventura Viviani)<br />
1755<br />
1756<br />
-.<br />
1757 Cavi. La prepotenza delusa (1777)<br />
1758<br />
1759<br />
1760<br />
1761<br />
1762<br />
1763<br />
1764<br />
1765<br />
1766<br />
1767<br />
1768<br />
---" -"~-"--<br />
1770<br />
i771<br />
_.<br />
1772<br />
Celoniato Ecuba (1769) <br />
Celoniat. II caff~ di campagna (1762) CaNT <br />
I I •
IL I<br />
•<br />
1113<br />
1114 _Cercia. L.!eq.uivoco curiosa (1790L .<br />
17.75 . Cercia.. Le_false magie per anore .(1791)<br />
- 177~-. <br />
1777 Cesti•. L'Argia (16551 <br />
• <br />
•
•<br />
2035<br />
•<br />
MICROFItM 1106A C )<br />
G Cocchi. Li matti per smoreo 1754<br />
2036 Li matti per smore. 1764<br />
2037 II pazzo glorioso. 1758<br />
2038 L'Elisa. 1744 <br />
2039 La Gismonda. 1750 <br />
2040 La serva bacchettona. 1149 <br />
2041 Siroe. 1750 <br />
2042 Demofonte. 1154 <br />
204 3 Le donne vindicate 0 1151<br />
2044 La Rosmira fedele. 1753<br />
2045 Semiramide riconosciuta. 1153<br />
2046 Sesostri re d'Egitto. 1152<br />
2047 Zoe. 1156<br />
2048 La scuola moderna 0 sia La maestra di huon gusto. 1748<br />
2049 Merope. 1748<br />
2050 Nitocri. 1751<br />
2051 Andromeda. 1155<br />
2052 Adelaide. 1743<br />
2053 II pazzo glorioso. 1753<br />
2054 Tamerlano. 1154 (+ Pescetti) <br />
2055 <br />
2056 <br />
2057 <br />
2058 <br />
2059 <br />
2060 <br />
2061 <br />
2062 <br />
2063 <br />
2064 <br />
2065 <br />
2066 <br />
2067 <br />
2068 <br />
• 2069<br />
2070<br />
2071<br />
2072<br />
2013
MICROFILM 110gA<br />
(t)<br />
•<br />
2075<br />
2074 <br />
<br />
2076 <br />
2077 <br />
2078 <br />
2079 <br />
3080 <br />
2081 <br />
2082 <br />
2083 <br />
2084 <br />
2085 <br />
•<br />
•
'V .... .J .<br />
•<br />
•
--.~.<br />
-Dar<br />
MIGHOl
MI«ROFILM 1106B - 2 <br />
2543 ~ Cardinal Destouches. Amadio de Grece. 1703<br />
•<br />
2543A Amadis de Grece. 1742<br />
2544 Callirho6. 1714<br />
2~5 :&e carnival et la folie. 1706<br />
-<br />
2546 Isse. 1703<br />
2547 Iss6. 1710<br />
2547A lTss'. 1749<br />
2548. lfa Marthesie premiere reine des Amazones. 1703<br />
2549 Omphale. 1703<br />
2549A Omphale. 1752<br />
2550 Semiramis. 1734<br />
2551 Le·s stra~mes de l'amour. 1734<br />
2552 Telemaque. 1720<br />
2553<br />
2554<br />
2555<br />
2556 Francois Devienne. Liebe wagt alles. 1798<br />
•<br />
2557<br />
2558<br />
2559<br />
- 2560<br />
Itt<br />
•
--<br />
-~....-~-- ......- ....--. ...- .....~.--.~~<br />
3061 Feo. Arianna (1728) (= Leo)<br />
3062 Feo. Andromaca (1730) <br />
, 3063 -Fe~adini. Demofl5onte 1-759)--<br />
j064----G_:_F~rrandirrl. Ciro (1733r--- --<br />
.~:-"~ _~_=}065--F;-~~ri.L-t~i~(i639)---------------~'-==__~~-=-=~-_-_==_~-==-=--~-<br />
Ferrari. La lfinfa avara 1644)<br />
_._--- . ----~.-.<br />
306,--- -Fe~ri.Ii-pastor ;;gio-(1640) -----,----.--<br />
---------..--- -----.. -------~-- -----------<br />
3068 Ferrario II prencipe giardiniero (1644)<br />
-------_.._--_._- -----_._._--- -.---- -- -- .-~ -.--~-.- ..<br />
3069-- -F;~~. Proserpina rapita (1644)<br />
3070 Ferrari. La gara degli elementi (1660)<br />
------------ ------. --.- -~- --------.--.-- <br />
3071<br />
3072 <br />
-- -- ---------------<br />
3073 <br />
3075 <br />
3076 F-:furrarl-:- L'am~;;so lib~rti (1647) <br />
-~--- -~~~-<br />
3077 <br />
3078 <br />
- ---_._--_.<br />
3079 <br />
3080 <br />
-------- -_.,-_ ..<br />
._---<br />
_ __~081-- -G~~~ro. La disfa:~a ..~ Dario (1.179 ) <br />
• 3082<br />
-' -----._-_._---------<br />
3083<br />
--'3084<br />
3085 <br />
3086 <br />
-'-<br />
3087 <br />
3088 <br />
3089 <br />
3090 <br />
3091 <br />
3092 <br />
-<br />
3093<br />
----3-0~<br />
---- - ---------- .-- -.----------------- ..--------_._._-------<br />
.------ --_.<br />
---- --.-- 3095<br />
----_._- .--.-<br />
3096<br />
.- --~-<br />
3097<br />
._~:~'. 3098<br />
-CONT
_.. _------- _. - -- - - --'--'<br />
:,~CROFILE 1107 - CONT<br />
-I '-I t<br />
3099 <br />
3100 <br />
•.. _= ~··-j_~~.-,=--_~-~~-~;~i-.~~d-e-l-a·i-de-Adelheid<br />
.-<br />
.s..~~44~}~~~~_thS_~~~~~ri~_an_~~~hers)<br />
3102<br />
-~"-.--.- -----<br />
3103 <br />
3104 Finio Li spmnsali d'Enea (1731) <br />
.- --------~------- ...---- --- ._----_._------_._--_._-<br />
3105 Fini. Li Birbi (1732)<br />
._. ---~ ---~ -----"_. - <br />
3106 Fini. I trionfi di Goffredo in Gerusalleme (1739)<br />
3107 <br />
3108<br />
_.<br />
<br />
~---<br />
3109<br />
.. - -- ----- _._.--- ----.. - ..----<br />
3110 <br />
3111 _ .. ----. - --_.. - ._----_._,,-- . _._---------_.. - -<br />
3112 Fioravanti. L'amor per interesse (1197) <br />
- --.. -. -.- -.<br />
--- - - -.---..--.~--<br />
~ ----<br />
3113<br />
'--' --- .._--_..----<br />
.- -~--<br />
~ ----.- --~----. -- _._--- + ~.-<br />
3114 Fioravanti. L'amore immaginario (1794) .._<br />
- - ... --"------,---- ._-----_. -_ .. _ <br />
-----------~~--~<br />
3115<br />
_.. -_.- .--.-.----.-.-.---<br />
3116<br />
3111 Fioravanti. L'audicia fortunata (1193)<br />
3118<br />
3119 ,<br />
. -. ,---- -.~ --.~-- .-----'-<br />
3120<br />
3121<br />
-_._.__._----<br />
-_._---_._----<br />
3122 Fioravanti. 19 cantatrici villane (1798) <br />
3123<br />
-.-------- ------ .. _<br />
---- ----_._---- ._._--_.._-_.<br />
_ ..... _------_.. ----- _. -'<br />
--------- - -- ._. -----<br />
•
IUV. <br />
•<br />
3162<br />
•<br />
3178<br />
•<br />
3196<br />
MICROFILM 1107A<br />
3161 Valentino Fioravanti. II furbo malaccorto. 1797<br />
3163<br />
3164<br />
3165 <br />
3166 <br />
3167 <br />
3168 <br />
3169 <br />
3170 <br />
3171 <br />
3172 <br />
3173 <br />
3174 <br />
3175 <br />
3176 <br />
3177 <br />
3179<br />
3180<br />
3181<br />
3182<br />
3183<br />
3184<br />
3186<br />
3186<br />
3187<br />
3188<br />
3189<br />
3190<br />
3191 Stefano Andrea Fior~. L'Argippo. 1722<br />
3192 Sesostri, r~ dlEgitto. 1717<br />
3193 SliIroe, r~di Fersia. 1730<br />
3194 II pentimento generoso. 1719<br />
3195 La Svanvita. 1708<br />
3197
•<br />
-<br />
3199<br />
3200<br />
l,aCROFILM 1107A - 2<br />
3198 Ignazio Fiorillo. Alessandro nell'Indie. 1752<br />
Li birbi. 1749<br />
Didone abbandonata. 1751<br />
3201 Ipermestra. 1759<br />
32Da L'Olimpiade. 1749<br />
3203 Mandane. 1736<br />
3204 11 vincitor di se stesso. 1741<br />
3205 L'Olimpiade. 1745<br />
3206 Giovanni Andrea Fioroni. La Didone abbandonata. 1755<br />
IU 1, <br />
•<br />
~
~~- -.<br />
.-<br />
__ ••__ __. •• ___ w ___ _____•<br />
•<br />
3423<br />
!~ICI~OFIL!'l 1108<br />
3421 <br />
3422 <br />
---<br />
3424<br />
3425<br />
-<br />
3426 <br />
3427 <br />
3428 <br />
3429 <br />
- ..-. ---- - ---<br />
3430 Galuppi. Alessandro nell'Indie (1755)<br />
- .------- ----~ ~._.- -_..<br />
3431 Alessandro nell'Indie - Alexander in Indien (1755)<br />
.<br />
3432 L'amante di tutte (1761)<br />
- -.<br />
3433 L'arnante di tutte - Der liebhaber von allen (1770)<br />
- - ~- -- - ---~-' -. ~---.- --.<br />
3434 Den flauevurne kone (La moglie bizzarra)<br />
---..... -- <br />
-- - -_ .. -. - ----.--.,--.~--.--..<br />
3435 Der liebhaber von allen (1770) <br />
-- ----<br />
3436 Amor lunatico (1770)<br />
~-~ .. --<br />
3437 Antigone (1754) <br />
~-- -,---------_._.- ---- -- ~- --~-~ --. <br />
3438 Antigona (1752)<br />
-_..'-- .--.---- -~-.--<br />
3439 Antigono (1762)<br />
.. - -,- ...._--_.- - -- ---.---- <br />
3440 LtArcadia in Brenta (1750) <br />
• - """"'- I<br />
.<br />
• 3441 -- - -J~ianna e Teseo (1769)<br />
----.-.. _._-----,---_._--- -.------ --- .. --~..-.<br />
3442 Arcifanfano, re dei matti (1750)<br />
•<br />
3456<br />
-.- ----, ---- ~---. - _. - --~--..<br />
3443 L'arrivo d'Enea nel Lazio (1765)<br />
--- ~~----,.---<br />
-<br />
3444 L'Artaserse (1749)<br />
--- ~--.---- --_.- - ~-<br />
3445 Ciro riconosciuto (1759)<br />
--_._. - -. .. ~ --- .. ~- <br />
3446 11 conte Caramella (1759)<br />
3447 11 conte Caramella - Der graf Caranella (1755)<br />
- -- .. ~ .- - - ._- --<br />
,448 Le contese domestiche (1769)<br />
3449 La diavolessa (1755) <br />
- ~.<br />
.<br />
3450 Die artigen zufaelle zwischen liebe und Eifersucht (transl. of <br />
Li vaghi accidenti fra &~ore e gelosia) (1756)<br />
. ~ .-<br />
3451 La donna di governo (1764)<br />
- -<br />
3452 11 filosofo di campagna (1754)<br />
3453 11 :ilosofo - ~er landmann ein philosoph (1755)<br />
3454 La finM cameriera - Das verstellte ka.mrr.erma(,dgen (1751)<br />
. -. -_. . -- ~- ---- - _. -~<br />
L'inimic 0 delle donne (1771)<br />
3456 Il nemico delle donne (1775) conT
liVO - V\...',;.'4":"<br />
----------------<br />
-
•<br />
3501<br />
MICROFILM 1108A <br />
3468 Baldassare Galuppi. II re pastore. 1769 <br />
3469 La Semiramide riconosciuta. 1749 <br />
3470 Sofoniiba. 1764 <br />
3471 Li tee amanti ridicoli. 1765 <br />
3472 II villano geloso. 1769 <br />
3473 Adriano in Siria. 1760 <br />
3474 Gustavo Primo, re di Svezia. 1740 <br />
3475 II r~ alIa caccia. 1763<br />
3476 La. calamita de' CllOr!. 1753<br />
3477 L'ambizione depressa. 1733<br />
3478 La. forza d'amore. 1745<br />
3479 AIcimena principessa dell'Isole Fortunate, 0 sia L'amore fortunato<br />
ne'suoi disprezzi. 1750··<br />
3480 L'AIvilda.1737<br />
3481 Argenide. 1733<br />
3482 LfArminiO. 1747<br />
3483 Berenice~ 1741<br />
3484" II Demofoonte. 1758<br />
3485 Elisa regina di Tiro. 1736<br />
3486 Ergilda. 1736<br />
3487 La mascherata. 1751<br />
3488 La ninfa Apollo. 1734 .<br />
3489 Le nozze di Paride. 1756<br />
3490 L1odio placato. 1730<br />
3491<br />
3492 II paeee della CUccagna. 1750<br />
3493 SCipione nelle Spagne. 1746<br />
3494 Sesostri. 1757<br />
3495 Tamiri. 1734<br />
3496 L·Olimpiade. 1763<br />
3497 Arcifano, ~ dei matti. 1759<br />
3498 La clemenza di Tito. 1760<br />
3499 Issipile. 1738<br />
3500 La vittoria d'Imeneo. 1750<br />
II caffe di campagna. 1761<br />
3502<br />
3503<br />
Cajo Mario. 1764<br />
Didone abbandonata. 1764
•<br />
•<br />
3504<br />
MICROFIDM 1108A - 2<br />
Galuppi. Gl'intrighi amorosi. 1112 <br />
3505 La lavandara astuta. 1111 <br />
3506 II matrimonio per inganno. 1111 <br />
3501 II puntiglio amoroso. 1163 <br />
3508 La serva per amore. 1113 <br />
3509 L'uomo femmina. 1162 <br />
3510 II vecchio geloso. 1161 <br />
3511 <br />
3512 <br />
3513 <br />
3514 <br />
3515 <br />
3516 <br />
3511 <br />
3518 <br />
3519 <br />
3520 <br />
Viriate. 1162 <br />
Le virtuose didicole. 1152 <br />
La serva astuta, 0 sia II filosofo in campagna. 1161 <br />
Issipile. 1156 <br />
La lavandara. 1110 <br />
Clotilde. 1148 <br />
eiro riconosciuto. 1131 <br />
LfArcadia in B:renta. 1159 <br />
I bagni dfAbano. 1153 <br />
II protettore alIa moda. 1149 <br />
\O~ ,<br />
- •<br />
,
-_.<br />
••<br />
•<br />
3539<br />
•<br />
3556<br />
HIC::GFIUI 1109 <br />
3521 Galuppi. Gl'odi delusi dal s~~gue (1728)<br />
3522 Ernelinda (1750) (pasticcio)<br />
3523<br />
3524<br />
3525<br />
3526 <br />
3527 <br />
3528 <br />
3529 <br />
3530 <br />
3531 <br />
3532 <br />
3533 <br />
3534 <br />
3535 <br />
3536 Gardi. Amor l'astuzia insegna (1797) <br />
..- - - - ,~-..-- <br />
3537 Gardio La bella Lauretta (1795) <br />
3538 <br />
3540 Gardi. II nuovo convitato di pietra (1787)<br />
-- - . - - .-~,- - <br />
3541 Gardi. La semplice, ovvero La virtu premiata (1798)<br />
---_.- ----~-~ -'~"~-- ----~ -~~ ... -<br />
3542 Gardi. Tancredi (1795) <br />
3543 <br />
3544 <br />
3545 <br />
3546 <br />
, --<br />
3547 Gardi. II contraveleno (1799)<br />
- . .<br />
3548 Gardi. La fata capricciosa (1789) <br />
3549 Gardi. II finto Stregone (1798) <br />
3550 <br />
3551 <br />
3552 <br />
3553 <br />
3554 <br />
_.. - - - - -----"- ~<br />
3555 Garcia (Spagnoletto). Die pfleg-tochter (transl. of La pupilla, 1755)<br />
.-- ., -- - ~<br />
-- - <br />
Gasparini 0 Ambleto (1705)<br />
..- . -<br />
3557 Gasparini. L'amor generoso (1707)<br />
- . .<br />
3558 L'emor tirannico (1710)<br />
_.. -- _.<br />
3559 Anfitrione (1707) CONT
-<br />
-~- -~--- ~~.-<br />
--------<br />
1109 - CON'T \ "'" I ( <br />
•<br />
3561<br />
3560 Gasparinio Amphytrion (1725 (with Joh. v. \'iich)<br />
Antioco (1705) <br />
--- -- - --<br />
3562 II Bapazet (1719)<br />
.. -- -_.. -~.~ <br />
3563 Democrito (1718)<br />
... _.<br />
3564 Engelberta (1708)<br />
_.<br />
3565 Gl'equivoci d'amore e d'innocenza (1723)<br />
.<br />
3566 La fede tradita e vendicata<br />
- .<br />
(1704)<br />
3567 La fede tradita e vendicata (1707, ivith Vignola)<br />
-- .. - --~- ----~."-<br />
3568 Flavio Anicio Olibrio (1723)<br />
.. -- - - - - --.. -~ --<br />
3569 La. Fredegonda (1705)<br />
3570 Gli Imenei stabiliti dal caso (1703)<br />
•<br />
•
MICROFInl 1109A<br />
4116 Carl Heinrich Graun. Silla. 1753 <br />
•<br />
4117 <br />
Rode linCia , regina de'Longobardi. 1741 <br />
~<br />
4118 Christoph Graupner. Bellerophon. 1708 <br />
4119 Berenice e Lucilla. 1710 <br />
4120 L'amore ammalto. 1708 <br />
4121 <br />
La costanza vince l"nganno. 1719 <br />
4122 Dido, koenigin von Carthage. 1707 <br />
4123 II fido amico. 1708 <br />
• -, <br />
412~<br />
4125 <br />
4126 <br />
4127 <br />
9128 <br />
4129 <br />
4130 <br />
4131 <br />
4132 <br />
4133 <br />
4134 <br />
4135 <br />
4136 <br />
4137 <br />
41 38 <br />
4139 <br />
4140 <br />
4141 <br />
4142 <br />
4143 <br />
4144 <br />
4145 <br />
4146 <br />
4147 <br />
Antoine Fr~d~r:ic<br />
Gresnich. Les faux monnoyers. 1797 <br />
A E M Gr~tr,y. L'ami de la maison. 1772 <br />
Der Hausfreund. 1774 <br />
L'amiti~ A It~preuve. 1771 <br />
Die freudnschaft auf der probe. 1772 <br />
Ditto. 1780 <br />
Anacreon chez Polycrate. 1797 <br />
Andromaque. 1780 <br />
Aucassin et Nicolette. 1784 <br />
Ferdinand und Nicolette. 1787 <br />
La caravane du Caire. 1783 <br />
Graf Albert. 1798 <br />
Les deux avares. 1771 <br />
Das grab des Mufti. 1778 <br />
Die beiden geizigen. 1772 <br />
La double ~preuve, ou Colinette Ala cour. 1784 <br />
•
• 4532 <br />
• <br />
HICROFIUI 1109B<br />
4515 HASSE.<br />
HASSE. Asteria. 1737 <br />
Atta10 re di Britania. 1739 <br />
4518 Atti1io Rego10. 1750 <br />
4519 Atti1io Rego10 1750 <br />
4520 I1 bevitore. 1747 <br />
4521 <br />
4522 <br />
4523 <br />
4524 <br />
4525 <br />
4526 <br />
4527 <br />
4528 <br />
4529 <br />
4530 <br />
4531 <br />
4533 <br />
4534 <br />
4535 <br />
4536 <br />
4537 <br />
4538 <br />
4539 <br />
Cajo Fabriciot 1735 and 1737 -<br />
Cajus Fabritius. 1734 <br />
Cajo Fabricio. 1766 <br />
I1 Ciro riconosciuto. 1752 <br />
La c1emenza di Tito. 1738 <br />
La c1emenza. 1744 <br />
La c1emenza. 1748 <br />
Don Tabarrano. 1737 <br />
Don Tabarrano. 1747 <br />
I1 Tabarano. 1749 <br />
I1 Demetrio. 1732 <br />
ditto. 1740 <br />
Demofoonte. 1748· <br />
La Didone abbandonata. 1742 <br />
Didone ~bbandonata.<br />
Egeria. 1764 <br />
Lteroe cinese. 1773 <br />
Ezio. 1755 <br />
176~ <br />
•
~ ~<br />
}IICROFIIJ.l 1109C<br />
4540 HASSE. La finaa tedesca. 1749<br />
4541 Galatea ed Acide. 1748<br />
•<br />
4542 LIIper.mestra. 1744<br />
4543 Ipermestra. 1751<br />
4544 Irene. 1738<br />
4545 Leucippo. 1747<br />
4546 Lucio Papirio. 1784 <br />
4547 La Uitteti. 1758 <br />
4548 Numa. 1743 <br />
--,-". -.<br />
4549 01impiade. 1756<br />
-----.<br />
4550 L'Olimpiade. 1765<br />
- . -- --.... -.~-- -- . - . ".~-... <br />
4551 Parlenope. 1757<br />
••ow •__~_._._____ .,,*"_.__. __ ..<br />
---<br />
4552 Partenope. 1775<br />
._------ ._._.. . --~,-. -- ~.- . - -~ --- - ._---_._...<br />
4553 Pbara:mwu]us. 1746 <br />
---<br />
4554 <br />
4555 Piramo e Tisbe. 1771 <br />
...-- .". - .. - ._- ..<br />
4556 I1 re pastore. 1755<br />
• >- ._._-_.. <br />
4557 I1 re pastore. 1770<br />
4558 I1 Ruggiero overo Meroies. gratitudine. 1771<br />
4559 Semiramide riconosciuta. 1745<br />
. . .<br />
4560 ditto. 1747 <br />
4561 Senocrita. 1737 <br />
,.. _-------.._---- ..- <br />
4562 Siree. 1763 <br />
4563 Solimano. 1753 <br />
4564 Solimano. 1754 <br />
II<br />
1\ u ,<br />
----_._----.--.. ---<br />
•<br />
-~- ._--<br />
..__ .__ .•._..- .__ . ------<br />
..•..<br />
. .-.._---- - ----_._----_ .•. __.- ----.... -.--.... ..-- -_•.._.. ...--_.--..-.._-
HICROFILN 1109D <br />
!t~SSE. La spartans generosa avera Archidamia.<br />
4565 <br />
1747<br />
1+566 II trionfo di Clelia. 1762<br />
•<br />
4567 ditto. 1762<br />
4568 <br />
l;.569 II tutore. 1738<br />
l~570<br />
II tutore e la pupilla. 1747<br />
4571 <br />
Semiramide riconosicuta. 1760<br />
1~572<br />
4573 Cleofide. 1777<br />
4574 II Demofoonte. 1765<br />
4575 Arminio. 1730<br />
4576 Artaserse. 1730<br />
4577 Dalisa. 1730<br />
4578 Cleonice. 1740<br />
- 4579 Eurimedonte e Timocleone. 1746<br />
4580 Euristeo. 1732 <br />
4581 Viriate. 1739 <br />
4582 Benoffonte. 1749 <br />
•<br />
L~58:; Pandolfo.<br />
-...<br />
1739<br />
4584 Tigrane. 1745 <br />
4585 Demetrio. 1748 <br />
4586 Catone in Utica. 1732 <br />
4587 Siroe. 1736 <br />
4588 II capitan Galmppo. 1741 <br />
4589 Romolo ed Ersilea. 1765 <br />
4590 Artaserse. 1765 <br />
4591 Leucippo. 1749 <br />
4592 Siroe. 176:; <br />
4593 Alesaandro nell'indie. 1743 <br />
•<br />
4594 <br />
4595 <br />
4596 <br />
4597 <br />
4598 <br />
4599 <br />
4600 <br />
4601 <br />
4602 <br />
4603 <br />
4604 <br />
i I ....... <br />
I <br />
/<br />
"./
HICi:10FILH 1110<br />
4815 <br />
4816 -<br />
4817· <br />
e- 4818<br />
4819- -<br />
e<br />
.<br />
l}851<br />
4820 <br />
4822 <br />
4823 -<br />
4824- ----- -<br />
4825-<br />
4826--<br />
G827<br />
4828<br />
4829<br />
4830- .<br />
4831--------<br />
<br />
--.-- --.<br />
482t<br />
4832<br />
4834 _. Insaliguinef; Merop-e--(1773;-<br />
4835 - Insanguine~Montezuma (1780)<br />
-#836--msahguine;--r1edonte (1779) .._--- ----------------- ------<br />
4S3r-Insanguine.La-finia semplice (1773)<br />
1+83S--- Insanguine; Eumene (1778) - <br />
4839--·- Ins-anguine. Calipso (1782)<br />
4840 Insanguine~La vedova capricciosa (1765r<br />
4841- . Jommell1: o --Alessandro nell'tndie-Ale-cander in Indien (1760) .<br />
4842 --Armida abbandonata (1780)<br />
4843 - ArtaserseArtaxerxes (1756)<br />
4844 -- -Attilio Regolo (1753)<br />
4845<br />
4846- - Jommelli. Cajus Fabricius (1760) (\vi th Colla)<br />
4847-- -Catone in Utica-Der Cato-in Utica (1754)<br />
4848----- . Cesare in Egitto (1751)<br />
4849"- Clemenza di Tito-Die mildigkeit des Titus (1753)<br />
4850- II Demetrio (1753)--- ----<br />
Demetrius (1753) <br />
ll-852<br />
--- Demofoonte (17 6l~ ) <br />
4853<br />
Demofoonte-' (1775)<br />
4854-- -La Didone- abbandonata- (1751)<br />
4855 -- - La: Di-domr -abbandonata (176lj)
4857-.<br />
•<br />
•<br />
l'7I;:;!tOIU: 1111 <br />
4856 Jommelli. L'Endimione (1759) <br />
Ezio (1741J_ <br />
4858 . Ezio (1758). <br />
4859 .. Fetonte .(1769J..-.<br />
. 4860_. ________FatantEL-( 1768 ).. __.<br />
4861.._ . Ifigenia in..Aulide(1753) 9with Traetta) __ ....<br />
. 4862.. _____-L!.Ifigenia_(176.6l- _._ ____ ... _____.<br />
486) L.!isola disabitata.(1761)<br />
4864 __.. _ . __....ILmatrimonio per .concorso (1768)<br />
4865 j·Iexop.e (17 '±2 }<br />
_ 4866 ...<br />
.l1erope (1749) _. <br />
4861 L'Olimpiada. ( 1761) . <br />
4868_ . ____ La pastorella illustre (1763)_ <br />
4869Pelope (1755)-- _ _ __ <br />
4870 Se,;;j ramj de. (1762) <br />
. 4871. . __.. Sofonisba .( 17.46) _. <br />
4a72__ Il. trionfo....d '.amor_(1.16 3) ____ _ <br />
4873- L'ucaellatrice .(1750)... _. <br />
.4874_ _. ILmatto. ])on Narciao _(1762) . <br />
4875 . L 'amore in_maachera (1748) <br />
4876_- ____-<br />
..cerera.-Placata ...(1.1.12.)._. __.._. <br />
4877 - .. .- II Vologeso... (11.6g.). __<br />
4878 .. ____.... :Bajazet_(1754)_ .. _.. <br />
4879 Ciro ..ridonosciuto .. (1.141/-). <br />
4880 . Semiramide (1743) <br />
. 4881 _ ... Tito Nanlio .(11l~3). _ . <br />
4882 II ~on Trastullo{1762) <br />
4883 Iltrionfo dL.Clelia. (177/t-). <br />
J~884_.<br />
La. clemenza di ...Tito (1771) . <br />
.4885 L'Olimpiade (1174.).. ... __<br />
1..886. La. pastorella...illustre .(1773~<br />
4887._ .<br />
4888<br />
..L'accademia. dimusica_e. La .. conversazione.(11-75)<br />
.l~889 . Jo;nmellioXli 18 .aVYentu.:re_.di.Cleomede _(1772) ..... .<br />
4890 .. Ifigenia..in.l'auride. (1776).____ ..__.___.<br />
•<br />
4891<br />
La I'lltteti (1770)<br />
.CONT _
4894<br />
•<br />
t:ICRO.FIUI 1111-COHT <br />
4892 Jomoelli. Semiramide (1771) <br />
4893 Enea ncl Lazio (1767) <br />
Ezio ('1772)<br />
- _. _. _. --<br />
4895 L'Endimione (1780)<br />
4896 Cajo Hario (1761)<br />
4897 II cacciatore deluso (1771)<br />
-.. - -- --- -- - _._.<br />
4898 La schiava liberata (1770)<br />
4~99 Alessandro nell'Indie (1776)<br />
- - . - --- ..<br />
4900 Tito Manlio (1746) (with Zanetti)<br />
• <br />
•
\ \~. <br />
• <br />
• <br />
•
-.--~-.<br />
5396 <br />
5397 <br />
5398 <br />
.~_ - 5399<br />
5l~00<br />
5401 <br />
5402 <br />
5403 <br />
5404 <br />
----- --- -----------.-- ._----- "-- -----------------<br />
•<br />
5414<br />
•<br />
5431<br />
5407 <br />
5408 <br />
5409 <br />
5410 <br />
5411 <br />
5412 <br />
"--- - -- ---~--.--- - ----- .- ----~-.---- -------- - ------------. "_.---- - --<br />
5l~13<br />
._-- - .- --- - - --_.- --- - -- -- - - -- -. ---- +------- _. -- -- ---- -- - -<br />
5415 Lange. List und ungefaehr (1793)<br />
5416<br />
5417 <br />
5418 <br />
.... -<br />
5l~19<br />
5420 <br />
5421 <br />
5422 <br />
5423 <br />
5424 <br />
5425 <br />
--<br />
5426 <br />
5427<br />
5428<br />
5429<br />
5430<br />
Lapiso La generosit~ di Tiberio (1729) with Cordans<br />
5432<br />
5433 CONT<br />
- -" - _.-_ .. _-
I:::CJO:ILN 1112 - com'<br />
t / t<br />
I<br />
•<br />
51;-36<br />
La Ruette. L'yvrogne corrige (1759)<br />
La Ruette. Cendrillon- (1159)<br />
5437 -. ---- La. -fausse'Clventuriere (1757)'<br />
- 5438 --- ,----- -Le--medecin- de-j:'amour(1758)<br />
5439 -Le-Guy de Chesne (1763)-- - <br />
5441 <br />
5442 -- Latilla.. L'arnoreartigiano (1761)-' <br />
5443---- _·----·-Danimr--transl-.-of above (1762)' <br />
5444 ----Amore'in tarantola (1750Y<br />
5445 La finta-cameriera. (1743)' <br />
5446 GI 'inpostorl-(1751 )-<br />
sLf.47 Uadama- Ciana (1744-)- -<br />
5448 Ciana-(1749}<br />
•<br />
5449 . L'01i~piade-(1752)<br />
-I;'opera1n prova alIa moda- La repetition ordihn.ire de I 'opera.<br />
"followed by' Urganostoctor (1753 )-<br />
•
:·;I0r~:ILI: 1112,A<br />
Siroe. 1755 <br />
L'Ott
1112.A - 2<br />
5498<br />
9r~9<br />
• <br />
i<br />
.1
_______ • _ w _. __~ ••<br />
-<br />
_.<br />
.-<br />
•<br />
5567<br />
--<br />
5531 <br />
5532 Legrenzi. L'Acb~lle in Sciro \1663) <br />
-.-~ --- . ----<br />
5533 Antioco il Grande (1681) <br />
. - - -'--'-" --<br />
5534 La divitmone del mondo (1G75)<br />
-- - _.. .-" ._-- .-. - ,._<br />
5535 Eteocle e Polinice (1675)<br />
-- -~ -.----.- --- --_.... ~ ~- ,<br />
5536 Germnnico suI Reno (1676)<br />
~"' .---~<br />
5537 Ottaviano Cee. Augusto (1682)<br />
5538 Pub.<br />
Elio Pertinace (1684)<br />
.~-.-" --. - ~<br />
--~ ..<br />
5539 Tiridate (1668)<br />
- - .__._-- .--.-~----.--<br />
..~ .- --~<br />
5540 Adone in Cipro (1676)<br />
5541 L'anarchia dell'imperio (1684)<br />
5542 II Creso (1681)<br />
5543 I due Cesari (1683)<br />
5544 Giustino (1683)<br />
-- -~- ---<br />
5545 Lisimaco riamato da Alessandro (1682)<br />
. -- - -- - - -_... -. <br />
5546 Il Pausania (1682) <br />
5547<br />
---,-<br />
Totila (1677)<br />
~<br />
5548 <br />
5549<br />
5550<br />
- - -<br />
5551 Lenzi. Li tre Eugeni (1778)<br />
-- ----------- ~- - -_._----- --<br />
5552 Leo. Argeno (1728)<br />
-~. - ---.-~ --.-.<br />
5553 La clemenza di Tito (1735)<br />
__ _ _. __ _4. ~___<br />
'.-<br />
_ ..<br />
..<br />
5554 Die listige witwe (La vedova ingegnosa) (1747)<br />
- ---- - -_ ..- .- -- --~-- <br />
5555 Sofonisba (1718)<br />
- - . <br />
5556 LIAndromaca (1742)<br />
-- . ... - <br />
5557 Catone in Utica (1729)<br />
5558 L1impresario dell'isole Canarie (1747)<br />
5559 Germ transl of above (1748)<br />
.---- - - .<br />
5560 Timocrate<br />
_.<br />
(1723)<br />
...- - -.<br />
5561 Il giramondo (1749)<br />
-<br />
5562 Vologeso re de'Parti (1744)<br />
5563 <br />
5564<br />
-<br />
5565<br />
::568<br />
5569<br />
5570<br />
5571 <br />
5572
•<br />
5632<br />
5633<br />
5634<br />
-5635 - <br />
5636 <br />
5637---- --- - --- ---- ------ -- ----<br />
-5638<br />
5631<br />
5640<br />
5641<br />
5642<br />
5643<br />
5611-4<br />
•<br />
5649<br />
•<br />
5666<br />
56l~5<br />
56 l t6 <br />
56lq--- ---- ------<br />
"5648-<br />
5650 <br />
5651------------<br />
5652- - <br />
5653 <br />
5654 <br />
5655 <br />
5656<br />
5657 <br />
5658 <br />
5659 <br />
5660 <br />
5661 <br />
5662-<br />
5663--<br />
5664 ---<br />
5665 <br />
5667<br />
5668<br />
5669 <br />
CONT
,~ --<br />
e.<br />
5670<br />
5671<br />
5672<br />
...<br />
5673<br />
5674<br />
5675<br />
5676<br />
5677<br />
5678<br />
+~ ---"-~--"<br />
5679<br />
5680<br />
5681<br />
5tI<br />
Logroscinoo La gelosia (1765)<br />
. Don P~duano (1745)<br />
-_.- - _.
.<br />
::i: :"':ROFILM 1115<br />
5682 Lonati. L'Ajace (1697) with Hagni<br />
5683 Longarini. La donna ne sa piu del diavolo (1797)<br />
5684 Lorazi. Der kapellmeister (1781)<br />
5685<br />
5686<br />
5687 <br />
5688 <br />
- -_.._---<br />
5689 <br />
5690 <br />
5691 <br />
5692<br />
5693<br />
.-<br />
5717<br />
... - -.-. - .~.<br />
5695<br />
....<br />
5696 <br />
5697 <br />
5698 <br />
5699 <br />
5700 <br />
5701 <br />
---"'"<br />
5702 <br />
--------.--- ------~~.------ .--- - -~. ~~ .__ . _ ..<br />
5703 <br />
5704 <br />
5705<br />
5706<br />
5707 Lotti. Gl'odi delusi dal sangue (1718)<br />
- ..__ ...<br />
5708 Policioro (1714)<br />
5709 Teuzzone (1707)<br />
5710 II tradimento traditor di se stesso (1711)<br />
--.. - -" - - .- . .<br />
5711 Porsenna (17 13)<br />
5712 Artaserse (1713)<br />
- -- --_._...-- .-.-.- -. .... -_... .<br />
5713 Ac~iIle placato (1707)<br />
5714 Alessandro Severo (1717)<br />
• _N___ '_'~<br />
_ ••_.______ __ " -.__ "'_" - __••_._ .'_<br />
5715 AIDa piu chi men si crede (1709)<br />
5716 II comando non inteso, et ubbidito (1709)<br />
5718<br />
Foca Superbo (1716)<br />
- - -. - - - .--.. -. <br />
La forza del sangue (1711)<br />
CONT
•<br />
5883<br />
:·:ICROFII1·1 1115A <br />
NiI.nelli. La maga fulminant,::. 1644<br />
51389 1...'1. ]ilo ovvero Giunone repacificata. 1060<br />
5690 L'Alcato. 16l~2<br />
5891 I sei GiGli. 1660<br />
5892 Vincenzo Nanfredini•. Artaserse. 1772<br />
5893 ArL~c~. 1771<br />
5894<br />
5895<br />
5896<br />
5897<br />
5898<br />
5899<br />
5900<br />
5~01 Gennaro Hanna. Didone ab:1andona to.. 1751<br />
5902 Siroe. 1743<br />
5903 Demo.foonte. 175 1 +<br />
5904<br />
5905<br />
5906<br />
5907<br />
5908<br />
5909<br />
5910<br />
5911<br />
5912<br />
5913<br />
59111<br />
5915<br />
5916 Luigi Hanza. Ale::;sandro in Susa. 1708<br />
5917 Paride in Ida. 1706<br />
5918<br />
5919 Hp...rin lIarais. Al:::ione. 1710<br />
5920 j~iadne et Bacchus. 1703<br />
59~1 S&mfile. 1710<br />
• 5922<br />
593 I:arco j·hrazzoli. Gli amori di Giasone .e rllIsifile. 1642<br />
5924
•<br />
5721<br />
5719 Lotti. Giove in Argo (1717) <br />
5720 Irene augusta (1713)<br />
<br />
5723 <br />
5724 <br />
5725- <br />
5727-<br />
5722<br />
5726<br />
Isaciu-ti-ranno(17101<br />
----- -Sidunio- (1706) <br />
------Teof'ane--(1719)-<br />
------ ----li:- -trlonf'o--dell-a-innocenza;-(1692) -<br />
----- - -Id: quattro- elementi -(1719 )<br />
- --- -Ir-v±ncttor gene-rOBO -{1708-;------ -------- -- ..----<br />
-- - L'inganno -vinto dalle ragione (1708)<br />
\ L-'J. <br />
• <br />
•
'2..&.<br />
•<br />
5925<br />
5926<br />
5927<br />
5928<br />
5929<br />
5930<br />
5931<br />
5932<br />
5933<br />
5934<br />
5935<br />
5936 Giovanni Ha.ria Uarchi. La generositAo politica. !7~6<br />
5937 . La clemenza di Tito·. 1738<br />
5938<br />
5940<br />
• ~
"'r"!1"1<br />
0..;0 ...<br />
6062<br />
G063<br />
GiOV8...'1ui . • La di~Jfatt::.. di Daria. 177!~ <br />
Vincenza Ec.sini. Ces::"!"G ::..1 Rt1.bicai.C. 1725 <br />
•<br />
6no:;<br />
6065<br />
6061;)<br />
6067<br />
6068<br />
6069<br />
6070<br />
6071.<br />
6072<br />
6073<br />
6074<br />
6075<br />
6076<br />
6077<br />
6078·<br />
6079<br />
6080<br />
6031<br />
6082<br />
GOG3<br />
6004<br />
G085<br />
6086<br />
6087<br />
GOBS<br />
6069<br />
r;o~.y)9<br />
G091<br />
6092<br />
6093<br />
609 1 7<br />
~./-'<br />
GO]6<br />
Giovan~1i :2attista l-In.stini. L'amo!" fr8. gl'irrpassibili. 1727
.,<br />
~<br />
5099<br />
.6097 <br />
6098 <br />
<br />
610e <br />
6101 <br />
6102 <br />
C10) <br />
6104 <br />
6105 <br />
6106 <br />
6107 <br />
610S <br />
6109 <br />
Je.::m :Sapti:~teI:atho. Arion. 1720<br />
Joha.."L'1 Eatthe,son. Die geheinen begebe}"lJl.eiten Henrico IV. 1711 <br />
Die betrogene daats-liebe, oJ.er, die ur..glueckselige Cleopatra. 1704 <br />
l.ndrea. !·Iattioli. Dic.one. 1656 <br />
Perseo. 1665 <br />
. .<br />
La palma d1arnore. 1650 <br />
La filIi di TTacia. 1664 <br />
L1esiglio d1amore. 1651 <br />
""•<br />
&<br />
•
••<br />
•<br />
372j<br />
1'~ICrtOFILH I~ l6<br />
7705 <br />
7106 <br />
. 7707 __<br />
7708_<br />
__ 7709__<br />
_7710_ .<br />
77.11.__ Palellao JLchimicCL(.17.!i-2)_ ._____ . ___.__._.______.___. <br />
7712._ _ L!incanti. per aIlore.-. 1741 _....._ __ __.__ <br />
7713_ _ _Origile•. 1744. wi th .others .. -_ - - ___~..__.__. <br />
77J4_ ... Pallavicini_(Vinc£nzo)...Lo_spe.ziale. 1755•. with Fischictti <br />
__ 7115__ ._______ L.cLs..,peziale-Der apotheker•.1755 ..<br />
.___-1716_ CarlCL Pallavicino.L '~'Una.zOllfL.corsara, overo 1 'Alvilda.. -1686--__..<br />
._77H. __ L.e.. Amazon:L nell.!isole...fortunate. 1679.·- --. __. _.<br />
.1718_.___<br />
Amore inamorato. 1686__<br />
.. 7719 L!Aureliano.16.6~ . <br />
7720 Bassiano, .overo.I~ maggior impossibile. 1682 <br />
772L __ Dio.cletiano .._1685. _. .. ' __ " <br />
.7722 ____ Elmi.ro..,..re.di Corinto.. 1686 . <br />
___ __ mea_in. Italia.. 167-5 _. __. . -<br />
7724- Galieno.•.1676 ... <br />
_17~_.__... __.La.-..Gie.rusalernme ] j aerata. 1681-.<br />
.... 7726.....___. . Licinio. imperatore.... 1684 <br />
.77.2.1._.. _~.._._'_ !1assimO-Puppieno. •. 1685 <br />
_.___ 7128 __ ..____<br />
Hessalina•. 1680 <br />
7729 _ .... Il Nerone.. 167;1... <br />
773Q_.___Yenelo.p.e la casta•. 1.685. <br />
7731. . __ Ricimero re di Vandalia 1684 <br />
7732 II Vaspasiano. 1678 <br />
7733 'iarlo..re_d '.Italia.1682.. <br />
7134.. Il..re .infante ... 168} . <br />
._.7735.. .__ II Demetrio,,- 1666_<br />
_ 773.9_..__._<br />
. La Didone .. delirant.e.... 1686 _____<br />
..77.37. . Il ...tinmno humiliato d' amore, avera II l:Ieraspe •. 1667· .<br />
.. 7738<br />
_7.733.. __.. _.. ___<br />
7740<br />
• 77l~~ _ PalI:1El o La .finta matta. 1789.
!:I~::OIll: 1116 - cc:r2:'<br />
7742<br />
.<br />
7743<br />
7744.-<br />
7745<br />
7746' -_. Palma..···Gli-ronantt-ridicoli.;··'1797·_··-<br />
7747- - --.-.. Gli-'a.ma:nti- della dote. 1794-·<br />
7740 -- ·---~--chi-ma.T"r"{l-lM:r-'aS1Jetti, -·ovvero-Lo'··scoc-ca;toresms:schera to;-1792"<br />
77 4 9.. - -- ..._. - ... <br />
. -'7750·-~- <br />
- 7751--- .. Palomino 0 II ritorno·di Ast·rea·-in terra. 1785 <br />
7752 Pampani';- Demof4:ionte-;·-1764<br />
7753 -Pampino-; Art"aserse- Longir.1BJlo. 1737-··<br />
•<br />
•
---..--~.. <br />
~<br />
•<br />
7861<br />
•<br />
7878<br />
•<br />
7894<br />
:'::~..OIl.J:': 1117<br />
7859 ~;ellegrini. A;r!lor tiranno. 1649 (:Jonenico iellebirli)<br />
'7860 Pietro Pellegrini. Cireneo 17~2<br />
7862<br />
7863<br />
7864 Pepusch. The beggar's opera. 1777<br />
7865 Polly. 1777<br />
7866<br />
7867<br />
-<br />
7868 <br />
7669 <br />
7870 <br />
7871 <br />
7872 <br />
" - -.-- - - ~ "-- - <br />
7873 Perez. Lucio Vero. 1754<br />
7874 l'Ierope. 1750<br />
7875 La Semiramide riconosciuta. 1765<br />
7876 Demetrio. 1751<br />
. --- -_.- ------ -.-. - -"-<br />
7877 Solimano. 1768<br />
~. 17510 Furnace<br />
7879 La Berenice. 1762<br />
.__._-----<br />
7880 Creusa in Delfo. 1774<br />
7881 L1eroe coronato. 1775<br />
7882 Alessandro nell'Indie. 1755<br />
7883<br />
7884<br />
7885<br />
7886<br />
7887<br />
7688<br />
7889<br />
7890<br />
7891 -~~~ I.,{ .f~G-P~)·~
I·:!CIiOFILI~<br />
1117 - CON'l.'<br />
j
•<br />
8030<br />
--<br />
8029 Philidor. Tom Jones (1718)<br />
dto<br />
8031 dto<br />
8032 dto<br />
- ,-"-..,---... -~- ------------ - - <br />
8033<br />
Helide ou Le navigateur. 1714<br />
- -<br />
8034 Helide oder Der schiffer. 1118<br />
8035 dto<br />
8036 L'Huitre et les plaisirs ou Le tribunal de la chicane. 1161<br />
8031<br />
8038<br />
8039<br />
•<br />
~<br />
-- - - -- ...--- --<br />
8041 <br />
8042 <br />
8043 <br />
8044 <br />
8045 <br />
-..-,,--.. ~ <br />
80lt6<br />
.- ----------------- -- ..- --- ---- - <br />
8041 <br />
8048 <br />
8049 <br />
8050 <br />
8051 <br />
8052 <br />
8053 <br />
8054 <br />
8055 <br />
8056 <br />
8051 <br />
8058 <br />
8059<br />
8060<br />
- -<br />
8061<br />
8062 Luigi Piccinni. L'amante statua. 1194<br />
8063<br />
-~ --. - ---- - <br />
~riccolo Piccinni. L'runa.'1te ridicolo deluso. 1163<br />
8064 L'AmericanO g 1119<br />
- .<br />
8065<br />
Der Amerikaner. 1191<br />
-<br />
8066<br />
L'astratto ovvero II giocator fortunato. 1172<br />
8066a dto. 1773 CONT
\ 71..1<br />
- \ I<br />
8067 IT Piccinr.i. Atys. 1780 <br />
• 806s <br />
11 barone di Torreforte o 1766 <br />
8069 <br />
La bella veritil <br />
8070 <br />
8071 <br />
8072 <br />
- . <br />
8073 <br />
dto 1771 <br />
8074 <br />
--<br />
dto<br />
----<br />
1781<br />
- ---- -- . <br />
8075 <br />
dto 1783 <br />
8076 <br />
dto 1791 <br />
8077 <br />
La capricciosa 1776 <br />
8078 <br />
Catone in Utica. 1770 <br />
La buona figliuola. 1768 <br />
- --. '- ---- . <br />
dto 1770 <br />
.. _- .. -.<br />
dto. !J69 __ .__ <br />
•<br />
•
•<br />
8271~<br />
I:rCROFILH 1119<br />
8~69 C F Pollaroli. L'Allna:nsore i:1 Alinena. 1703<br />
8~70 Am~~, ~egina de'Sarmati. 1694<br />
___~~<br />
_f..mor_e _d.over. _169} <br />
8272 _____ . ______ .Ario_dante_e 1716. _ _~ <br />
8273_ ______L'ArminiOL.172Z_____ _<br />
6274_ __ Ascanioe 1.702. __<br />
_ 82}5__. ___ ~___Gli aV!Lenimenti__d'Erminia e dL_Clorinda._:3cpra il_Tas.so L. 169.3__<br />
8276_ __ _ .Catone Uticense. 1701.._<br />
8277~ .. ILcolore ..fit la regina. 1700<br />
8278_ _ .. _.Il __Co.stantino.a_1710<br />
8279_. _.. _______ILDafni ___.1JQ5_<br />
8280 ___ ... ____ __Il_deliri.Q_ comune, perla incostanza de'genii. 1701._.__.____ .. _<br />
8281___ __ Il_.demon~_amante, overo Giugurtaa 168.6<br />
_ 8282_. ___..<br />
L'enigma. disciolto. 1708 <br />
8283 ... GEo.mici riYali •. 1714_ _ <br />
6284 Ercole _in ciel0. 1696_ <br />
_ .8285____<br />
____ ._ Il_falso.---Tiberino .. __ 1708. _ <br />
8286 _______ Faramondo. __1699___ _ <br />
8267 _____________Farnace. _1118_ _ _ <br />
• _ _ 8288 ___ La fede.ne tradinentio 1705<br />
•<br />
8304<br />
_____8Z.8L______F'i..lipp~della_ Greciae __ 1706 ___<br />
___ 8290_ ____ Flano_ Eer_taridCLre de Longobardio 1706<br />
8291._ ____ _____ La_f_or...t:una.Rer_dotee 1704. <br />
1"<br />
_ 823~ _________ La foiza dtamore. 1697<br />
. .8293 . La,. forzs, __ della _virtu. _.1693 <br />
8294 .. II. Qermanico. 17..16___ <br />
8295 II giornQ.di notte. 1704 <br />
8296 L~Ibr~im_sultanoQ_ 1692 <br />
8297 _____._ Gl' inga.rull_ felici __ 1696_ <br />
_8298 .. . L'Jnnocenza. __ riconosciutae_1717__ . <br />
8299____ _<br />
_Irene.•.1695_ <br />
830.0 ___ .. __II Lir,urgo~-overoIl cieco d'acuta vista. 1686<br />
8301_ ..< TJucio.Yero. 1700<br />
.8302 ._ l1arsia _.deluso .. 171~_ <br />
8303 ____ I1arzio_CQriolano... 1698_ <br />
L'odio e I t amor. 1703<br />
emIT
•<br />
8306<br />
•<br />
-<br />
~:ICRC:rIL!l 1119 - CO:;T I.-'::'JG I<br />
5305 ~. <br />
C F PolIaroli4 Onorio in.Roma. 1692 <br />
L'Oreste in Sparta. 1697 <br />
8307 - Ottone" 1694 <br />
8308 La pace fra Tolomeo e SeIeuco. 1691 <br />
8309 II Seleuco. 1693 <br />
8310 II pastore d'Anfriso. 169~ ___ <br />
8311 1e pazzie.degl'amanti. 1712 <br />
8312 Peribea in Salamina. 17.12 <br />
8313 Publio Cornelio Scipione. 1712 <br />
8314 I regii eq~voci. 1697 <br />
8315 II ripudio d'Ottavia. 1699 <br />
8316 Rosimonda. 1696 <br />
8317· La schiavitu fortunata•. 1694 <br />
8318 Semiramide. 1714<br />
8319 ~~.~7_~5<br />
8320 _ Spurio Postmmioo 1712 <br />
8321 Y£iifrl~J~ Tito Uanlio. 1696 __ <br />
---08322-· --_ Venc.eslao...--UO...... 3___ <br />
...----..----------_._---_.__... __ ..<br />
•
•<br />
8325<br />
•<br />
•<br />
8358<br />
~:I;;ROFILH<br />
U20<br />
8;393 C F Polln.roli. Iole, regina G.i Kapoli. 1692<br />
8324 Circe abbandonata da UliJseo 1697<br />
FaraJ!londo. 1699<br />
8326 L'imfedelta punitao 1712. with Lotti<br />
8327<br />
8328<br />
8329<br />
-.- -_.<br />
8330 <br />
8531 <br />
8332 <br />
8333 <br />
.<br />
8334 <br />
8335 <br />
8336 <br />
8337 <br />
8338 <br />
8339 <br />
8340 <br />
83 1 1-1 <br />
8342 <br />
8345 <br />
8346 <br />
8347 <br />
8348 <br />
8349<br />
8350 <br />
8351 <br />
8352 <br />
8353 <br />
8354 Ponzo. Demetrio. 1762<br />
8355 j\.rtaserse. 1761<br />
8356 Porfiri. Zenocrate ambasciatore n'Hacedonia. 1687<br />
8357 Porpora. Fmlandro. 1747<br />
8359<br />
Ge~~ico in Gernania. 1732<br />
ILleneo in Atene. 1726<br />
CONT
--_.-<br />
__ ~7<br />
--<br />
•<br />
8362<br />
•<br />
s360 or:;)oro.. iiosbale. 1737<br />
8361 Semiramide riconosciuta. 1729<br />
Siface. 1726<br />
8363 Syphruco 1727<br />
8364 Statira. 1742<br />
8365 Ger tr of Didone abbandonata. 1731. rec by Tele~nnn<br />
- -<br />
8366 Eumene. 1721<br />
8367<br />
8368 orporao Annibale. 1731<br />
8369 AriAnna e Teseo. 1727<br />
8370 Ezio. 1728<br />
83~1 Lucio Papirioo 1737<br />
8372 I1eride e Selinunte. 1726<br />
8373 Uitridate. 1730<br />
8374 Le nozze d'El'cole e d'Ebeo 1744<br />
8375 Tamerlano. 1730 <br />
8376 Adelaide. 1723 <br />
_. ~ - . -. - ._- ~-. .._-- _.- -..~---~<br />
8377 Porsile. Spartaco. 1726 <br />
8378 Porta. Dorici~a ripudiata da Creso. 1729 <br />
8379<br />
-~~ -~.- ---<br />
Farnace. 1740 <br />
8380 Ifigenia in Aulide. 1738 <br />
-------<br />
8381 Ger transl of N~itore. 1724<br />
8332 II trionio di Flavio mlibrioo 1726<br />
8383 Aldiso. 1726<br />
-<br />
8384 Nel perdono 1
•<br />
9359<br />
9557 <br />
9358 <br />
9360<br />
9361<br />
~ - -. - --.------.-.~ .<br />
•<br />
9376<br />
•<br />
"939f<br />
9363 <br />
"9364<br />
·9365 <br />
9366 <br />
9367<br />
-9369<br />
9370<br />
- -~ -_ .. - .-----.-~ ~<br />
9371 Sander. Don Sylvia von Rasalva. 1795<br />
9372 Di"eregata: zu Venedig. 1795<br />
9373<br />
9374"<br />
-- ~~-. ,<br />
9375<br />
9377<br />
9378<br />
9379<br />
9380<br />
9381<br />
9382<br />
9383<br />
9384- _ .. "<br />
9385 <br />
9386 <br />
9387 <br />
9388 <br />
9389 <br />
9390 <br />
9391 <br />
9392 <br />
.-. -- . ._<br />
Santi. II marito indolento. 1778<br />
- " -<br />
9394 La sposa bizzarra. 1781 CONT
•<br />
'3397<br />
•<br />
~95 Santos, 3rcole suI Tago. 1785<br />
9596 Gli orti Esperidi. 1764<br />
II palladio conservato. 1771<br />
9398 Ati e Gangaride. 1779<br />
9399 Palmira di Tebe<br />
9400 <br />
9401 <br />
9402 <br />
9 L 03<br />
99G5<br />
9 h 06<br />
9~·07<br />
9it.08<br />
9409<br />
94 10<br />
9411 Sarro. Lti~presario. 1737<br />
9412 Alessandro Severo. 1719<br />
Armida al c~po. 1718<br />
Arsace. 1718<br />
La fede ne'tradi~enti. 1718<br />
9416<br />
_. . <br />
9't17 Sarro. Candaule re di Lidia. 1706<br />
9418<br />
9419 Sarro. La Rosaura. -. 1736<br />
9420<br />
..<br />
Siroe, re di Persia. 1727<br />
9421 Barillotto. 1712<br />
9422 Didone abbandonata. 1730<br />
9423 G Sarti. Aglae eller Stphten. 1774<br />
•
•<br />
..<br />
)~'5)<br />
9/:-24 CiusC;lpe ~a~~~ti. illes;;and.rQ e Tir::o teo • 1782 <br />
<br />
5 <br />
9!~26<br />
)!,27<br />
9L~2e<br />
9 f !- 30<br />
9431 <br />
9432 <br />
9'+33 <br />
9434 <br />
9435 <br />
9 / +36<br />
9437 <br />
9438 <br />
9439 <br />
9440 <br />
94l!-1<br />
9442 <br />
9443 <br />
9441+ <br />
·9445 <br />
9446 <br />
9447 <br />
9!t48 <br />
9h49<br />
9 i "58<br />
9451 <br />
9452 <br />
9453 <br />
9454 <br />
9!.;-55 <br />
9456 <br />
9457 <br />
9[1-53 <br />
9 L f61<br />
9 l .;.G5<br />
Astreu pl~cata.<br />
Cesare in <br />
Cleomene. 1789 <br />
1760 <br />
I contrattenpi. 17 iT1 <br />
I contratGl'7lpi. 1781 <br />
Gli equivoci svelati. 1786 <br />
Didone aot~ndonata. 1762 <br />
.<br />
I fin-~i eredi. 1785 <br />
ditto. 1787 <br />
Le gelosie vi11ane. 1784 <br />
ditto. 1778 <br />
ditto. 1791 <br />
Giulio Sabino. 1781 <br />
elitto. 1785 <br />
ditto. 1781 <br />
ditto. 1788 <br />
ditto. 1785 <br />
L'Ida.lide. 1788 <br />
I1 gran Tanerlano. 1764 <br />
Kierlighe(ls-brevene. 1774 <br />
r:edonte. 1783 <br />
II militare bizzal~. 1778 <br />
I~tridnte a Sinope. 1779 <br />
II Iiarciso. 1763 <br />
II naufragio di Cipro. 1764 <br />
La !Iitteti. 1761 <br />
I p~'etendenti (1e1'.181. 1782 <br />
Pra i cue liticnnti il terzo gode. 1795 <br />
1p. nczze di Jorina. 1796 <br />
I due liticanti. 1792 <br />
ra i due litiganti••• 1784 <br />
Jer fischer in trJeben. 1785 <br />
.in trueben••• 1785 <br />
In trueben ••• 1786 <br />
eli-t to. 17 87 9462. d~tto. 1795 <br />
Se3ir~mide.<br />
1762
•<br />
_9465<br />
9 LL 64 G Sarti. Siroe o 1780<br />
V:ologesoo --.1765__ <br />
jLr66 __ _Jl__ r~pSlsto_re.J751_ <br />
946_7_ I _finti_gr~9ci. 1794 <br />
9468<br />
. __ Fra _i.Jiue_litiganti -.il._terzo go_d.e. 1793 __.<br />
~99 uLgiardinicra .brilla-nte. 1773_<br />
3~~O.__ . ________ :Im'JC'il&:'1ftjIDDCil1f'fi~#x:wrl'iawi1[ril\{~"'iew__ Adriano<br />
94rp1<br />
91,.72. Attalo _re di Bitinia. 1783. <br />
9473 ___ . - Farnac.e. J776._ <br />
9414_.________ Soipione.•. lTlJ3. <br />
9475 . __. ___.La_lIi t_t~ti. 1765 <br />
94.76. S~rni:rar:.rlde_•.._l16e_.____ _<br />
9471.___ __ .Ldei_d~l.rna.re._<br />
1776.. <br />
II..trionfo _della pace. 1781_._ <br />
Julius Sabinus. 1791 <br />
9h8Q_ .ASart_oriJl _Gl~ar.Jo);'L lnfr1lttosi _di Eirro Q<br />
9':1-81. _______ . _<br />
1_ d1JQ_ tiranni.. a.l~oglip._ 167SL <br />
1661 <br />
9482 L' EJ;rnengarda regina .de ' LonGObard:' 0 1670 <br />
._ 9!+83_ . .' L'Orieo. 1673... .__ .<br />
. ______ 5L4ti~_______Onh.eus.!-_t69_0_._______<br />
9485 _ _ ___ Orf_eo•• 0 _ 1691. __ _ _<br />
___ .__ La__ill'OSipe);'i tu. __..dLEli_QSeiano•. _1667_<br />
_9':1-87 .____._.Sele'q_9 0 c 1668 _ <br />
1719-_<br />
9Le88<br />
L'Adelaide. 1672 ".'j' <br />
9489 Giulip C~sar~in Egi tto. 1677 <br />
9490. lillacreontetirannoo_1678 <br />
;491 .Antonino.. e. Pompeiano. 1677.. <br />
9492 La caduta di BUo Seiano. 1667. <br />
9 L 93 . ErcoleslJ'.l Teroodonte•. 1678 <br />
9494 _ Hr,"ss~nzioo._1673 ._ <br />
9 L 1-95 __ _La nora._ 1681 •. wi thJIJ,\Ziani_ <br />
9~96 __ 0 Snrtorio. l'Ergindf'co 1652. <br />
9L~99 __<br />
• .9500<br />
9501<br />
CONT
.t l~~2 - COIrr<br />
•<br />
9503<br />
9502<br />
9504- ..<br />
9505- <br />
::506- -<br />
9507<br />
950a-~·<br />
9509<br />
9510<br />
951t-~ ..<br />
9512 -Sbacci~ Zenobi~. 1740 ..<br />
9513<br />
9514-~ Scalabrini;;lljfi'it,ildao 1772<br />
9515 Artaserse~ 1752.· '.d. th others<br />
•<br />
. -~----.• _.-._._- - ..-~<br />
•
7517 <br />
• <br />
~ 18 <br />
9519 <br />
95~0<br />
:7521<br />
. Venceslao. 17 1 t4. J:i-:r~ others.<br />
. 9533 <br />
• <br />
9550 <br />
• <br />
La caduta de'Jecemviri. 1697 <br />
9524 <br />
9525 <br />
.9526 <br />
9527 <br />
9528. <br />
II Eitridate Eupatore. 1707 <br />
II. trionfo della liberta. 1707 <br />
Cawbise. 17J9.. <br />
__ Gl'equiyoci nel.sembiD11.te. 1679 <br />
II l':uzio Seeyola. 1698 <br />
9529. Ilprigioniero fortun~to. 1698 <br />
9530 <br />
9531 <br />
IlfigliQ delle selve. 1699 <br />
La Dorisbe avera L'ar.lor volubile e tira.'1llo.• 1711 <br />
_ .9532... __ .. ~_. ___ TGlema.eo. l1HL_____ ..<br />
__ BassianQ overo 11. IDr.ggior ir.lpossibile•. 169 l c . <br />
9534 <br />
Despina .e ruso. 1724 <br />
9535 <br />
Gli equivoei in runore oyero La R03aura. 1690 <br />
9536__ _La_SJ;;Cl,.ti.=JJ..._ J690~_._ <br />
9537 <br />
Scipione.Lff:::-ieanoo . 1671 <br />
9538 <br />
L!hurr:.anita._nelle fere. 1708. ',lith Vignola <br />
9539 D Scarlatti. 1'lrene. 170l~. with G B Pullaroli<br />
95l~0 G Sec.rlattL L.' AdripJ:lo in Siriao 1752 <br />
3541 <br />
Artaxerses. 1763 <br />
9542 <br />
La cle!!',Snza di Tito. 1760 <br />
De BUG tibus non est dis putanc.um. 175'+ <br />
95'+4<br />
Demetrio•.1752 <br />
9545 <br />
Ezio. 1754 <br />
.9546 <br />
...L'i30la. disabi tata.. 1757 <br />
9547 <br />
.1 I i80le. disabitatao 1767 <br />
LIIssipile._1760 <br />
0::;).1.0<br />
.J./ ./<br />
ltrpsipile. 1760 <br />
II Elercato_ di.J·I.l;:untile. 1758 <br />
1 <br />
.Pelopida. 1763 .. <br />
)552<br />
POElpeo in .d.rnenia. 1747 <br />
9553 <br />
I po:::-tentosi effetti della r.ladre HatLtra. 1758 <br />
9554 dto. 1752 ~ONT
k-' /<br />
•<br />
9556<br />
9555 G jcurl~tti. La se~ja scaltra. 17h 9<br />
Partenape.1749<br />
9557 ---Biroe-;; 1750<br />
• <br />
•
1(;'2u5<br />
(0266 <br />
1:)267 <br />
10268 <br />
10269 <br />
10270 <br />
10271 <br />
10272 <br />
10273 <br />
10274 <br />
10275 <br />
lG276· <br />
10277 <br />
1G278 <br />
10279 <br />
10280 <br />
10281 <br />
• <br />
10282 <br />
10283 <br />
102sL~<br />
10285' <br />
10286 <br />
IJ2J7 <br />
10288 <br />
10239 <br />
10290 <br />
10291 <br />
10292 <br />
10293 <br />
10294 <br />
10295 <br />
Sa.'1ci 0 • 1727 <br />
Dar verkehrte '.reIt. 1728 <br />
Der weiseste in Sidon. 1733 <br />
Die c:ms der eins2!!1kei t in die \·relt zurueckge}:ehrte opera. 1729 <br />
Il capita.no. 1726 <br />
Die geliebte eigensi~'1iGe und der leicht-Glaeubige liebp~ber. 1725 <br />
Das neu-beglueckteSachsen. 1730 <br />
Die ungleiche heyrai;h zi.n.schen Vespetta und Pimpinone. 1725 <br />
Terradellas. Artaserse. 1744 <br />
I~eneo<br />
Didonc. 1750 <br />
Pietro Te~·ziani.<br />
in Atene. 1750 <br />
Creso. 1788 <br />
Fra.'1Z Teyber. Die ritorfdeputierten. 1792 <br />
1J2)B<br />
•
---"~~-~--<br />
•<br />
10386<br />
1038~ To~zio 2enobia. 1775<br />
10385 La morte di Dimone 0 Gia L I iYL.'1ocenza venc:ica tao 1763<br />
Rinaldo. 1775<br />
10387 TigraneQ 1762<br />
1O:~88 Traetta. Buovo d'Antona. 1759<br />
10389 II cav:cliere errante. 1780<br />
10390 Il cavilliero errante. 1780<br />
--.~-----~-~---- -.-..----...-<br />
-----<br />
- --~-<br />
10391 Enea nel La3io. 1760<br />
10392<br />
.<br />
Le feste d'Imeneo o 1760<br />
10393 Ifigenia in Tau~iQe. 1763<br />
10393 dto<br />
__ w ____________ , • _" ____<br />
- -_., --<br />
10394 L'isola disabitata. 1768<br />
10395 dto 1772<br />
-.<br />
10396 Olimpiade. 1767<br />
--~~------- - ~ ~-<br />
10397 Le serve rivali. 1767<br />
10398 Zenobia. 1762<br />
10399 Ellea e Lavinia 1768<br />
10400 I Tintllridi. 1768<br />
•<br />
.-<br />
._-..- .. -.. --_._--_._-- - -'-'--~<br />
--<br />
1 01~01 II tributo cunpestre. 1768<br />
<br />
10402 Didone abbanclonata .. 1757<br />
--- _...<br />
10403 La Nitteti. 1757<br />
-------..<br />
10L~04 Olimpiade. 1758<br />
10405 ADore in trappolao 1768<br />
10406 Antigono. 1764<br />
-- - ---.~--.<br />
10407 J.nnida. 1767<br />
lOlf08 Demofoonte. 1770<br />
10 l l-09 La disfatta di Dario. 1778<br />
10 l l-1O .8zio. 1765<br />
lOl~11 La :rancese a l:alghera. 1764<br />
___ M_.. _<br />
-<br />
101~12 La M*0li~ii{ l-~erope.. 1776<br />
.-...-~ -~-<br />
10 l l-13 Semiranis. 1765 <br />
lOL;.14 <br />
.--.-----.--.---.~--.- .<br />
101.15<br />
10416<br />
ill.<br />
-<br />
10418 ~rento. Bianco de'rtossi. 1797<br />
1Oh19<br />
101[-20<br />
CONT
1 l '-' .<br />
•<br />
10422<br />
101.;.21 <br />
10423<br />
10421.;.<br />
. 101+25<br />
10'f26<br />
-·-101j21-<br />
... ----- ..- ._-_. - --.---<br />
10428 <br />
10i;.29<br />
Trento. La serva padrona. 1795 <br />
lOL~30<br />
• <br />
•
10711.~<br />
10715 La cororl3,tione d r Apollo per D:::.f'n(j conyers,,- ir. lauro. 1623 <br />
·~<br />
•<br />
10716 <br />
!C717<br />
1 IS II eiro riconosciuto. 17h6 <br />
10719 Denofoonte. 17L;.2 <br />
10720 <br />
107:::1 <br />
10722 <br />
10723 <br />
10724 Giuseppe Vignati. I rivali generosi. '1726<br />
10725 <br />
10726 <br />
10727 <br />
10728 <br />
10729 <br />
10730 <br />
10731 <br />
10732 <br />
10733 <br />
1073/+ <br />
10735 <br />
10736 <br />
10737 <br />
10758 .~i~e Jacques Villeneuve. h~ princesse Q!Elide. 1734 <br />
10739 <br />
10740 <br />
Benedetto Vin:,.cese. Gli nnanti Geneoosi. 1703 <br />
L'innocenza giustificata. 1699 <br />
10741 <br />
10742 <br />
10743 <br />
Vi::1ci. Alessandro nell'Indie. 1730 <br />
Art.:J.serse. 1730 <br />
Artaserse. 17 L ;.6 <br />
DeDofoonte. 171.;.1 <br />
10746 <br />
107 l e7<br />
10748 <br />
Catene i::1 Utica. 1728 <br />
GiSDO:ldo 1':2 tii Polonia. 1727 <br />
;·:edo. 1728 <br />
107 1 ;9 Siroa, r~<br />
di Persia. 1731 <br />
10750 Ifiger.ia in ~auride. 1725 <br />
107 1. La ltosmira fedc:le. 1725
10753<br />
l~C,<br />
•<br />
10732 vr;c;I. Se;.irar~.ide riconosdub. 1729 <br />
Eedea :::,iconosciuta. 1735 <br />
107::/.: Catone in Utica. 1747 <br />
10755 La nogliere fede1e. 1731 <br />
10756 <br />
10757 <br />
10758 .:L.'1.ge10 Vitali. Tomiri. 1680 <br />
10759 Viya1di. Arrtida 21.1 campo dlEgil:;to. 1718 <br />
10760 Arsilda, regina di Ponto. 1716 <br />
••<br />
•
10761 Vivaldi. 1
10799<br />
•<br />
= 1125 - C02.:'<br />
1(1)797 Vogler. Der kaufmrum von ;:iJ:'ryrna. 1771 <br />
10798 L1.'\.tlpedo. 1779 <br />
<br />
10800 Vogler. Castore e Polluce. 1788 <br />
10801 J C Vogler. Ulysses. 1721 <br />
- -<br />
10802 <br />
10803 <br />
10804 <br />
10805 <br />
10806 <br />
10807 <br />
10808 <br />
10809 <br />
10610 <br />
'--''- .<br />
• <br />
•
11193<br />
•<br />
•<br />
11209<br />
•<br />
11226<br />
11191 I I A Zia."1.i. Odoardo. 1698<br />
11192 La pace generosa. ~700<br />
. ll_Romalo.. 17D2 __ <br />
1119L ll-Teodosio.__L699_· <br />
11195- __rcJ.llo Ostilio...1685_<br />
11196 La ..Falsirena.--1690<br />
1119-7- . <br />
11198 1!amante.. eroe__ 1691 <br />
11199 GI' amon tra gl'odii, a sia II RaDiro in Norvegia" 1699-. <br />
11200._~ .<br />
1120L__<br />
_.Damiraplacata. 168~ <br />
._- -Eumene.._..1697<br />
11202... _____ . IUleleag:ro.._ 1710_.__ __ <br />
.11203 .~ La _moglie.. nemica.. 1694 <br />
11204 . _ .Chl.lonida.1710 <br />
11205 _L'inga.nno regnante overo L' A tanagilcia. 1688 <br />
11206 11.cl. .:3iani.I .rivali-generosi.- 1697 . <br />
11207____~_ J..cLvirtlL.trionfan.te dell'amore e dell'odio. 1681<br />
11208 ____<br />
H A Ziani.... La_virtu sublimata dal gr~de ovvero II J·1a.cedone continente. 1683-<br />
11210 La Rosalinda.. 1693<br />
1121L P A Zia.n.i..a-.L~.Alciada...J.6.67+-____<br />
11212_ . ____ L'.ilntigona delusa d.a1W.ceste. 1662.<br />
11213_ .__ Attila.. 1672...____ . ____ <br />
1121!~ .1'Eupatra. 1655-<br />
11215 Le fortune di_Rodope e ~amira. 1658 <br />
11216 La guerrieraSpartana. 1654 <br />
11217 L'Heraclio.. 1671 <br />
11218 Gli scherzi.di.fortuna. 1662 <br />
11219 Candaule.. 1680__ . <br />
.11220 l'amo.r guerriero..1663 <br />
11221 . 1e_ fatiche_d.!..Ercol..e- per j)eicmrira. 1662 <br />
11222 .L'inconstanza_trionfante overo II Theseo. 1658 <br />
11223 La .. Semiramide.• ..167.1~--<br />
11224 .. _ -L'innocenza riso:rta, ov.."ero Etio. 1683 <br />
11225 _ L'.Anciba.le in. Capua... 1G61 <br />
11227<br />
CONT
11229<br />
::el:OFlil\~ 1126 - conT <br />
•<br />
11228 <br />
<br />
11230 <br />
11231 <br />
112 <br />
11233 <br />
11234 Zimmermann. Andromeda und Perseus. 1780 <br />
112 35 <br />
• <br />
•
EICROFILH 11261'1.<br />
11<br />
• <br />
,v... C".., ~ .~.:-)<br />
!:; , 1 ~27 {r.',"A, ~ ~ r= !"tv"i.'! ' '-.( ,:~,: .-I/'( I (. ,-C"<br />
11328 '.<br />
L ~< c..t ~I,,~t-~<br />
11329 ;hl../lll. h'1/l.·." (t.' I :;"r+ / / Ii")'<br />
11330<br />
11331<br />
11332<br />
11333 Jlyw.. r-h..... ,Lt.... · i(, gf (t'd.
, ' ./ ~.\ '<br />
•<br />
I1j08<br />
11<br />
11567 <br />
11<br />
11')70<br />
,!-h\.I'''"l. 1'1'1).l,'. I<br />
11_;71<br />
+f: '/- (La-;.".;. ..... )<br />
1f.-0" If 1-., .;" ...../>r. .d : /!-v"'7 f.~. Ie. (,/'t..Jk.,(p, d ~.t'"'-.i:"" :.:C (.:, /-..~&.. I j-ll 4".; '/:){I ( (2l!..
j·J:CROli'ILE 1126..3 - 2<br />
l1Lt05<br />
, 11406 <br />
4Ii' 11 h 07<br />
1 <br />
4Ii' <br />
111~10<br />
114;i11 <br />
11412 <br />
11413 <br />
11414 . <br />
11415 <br />
11416 <br />
111+17 <br />
11418 <br />
11419 <br />
11420 <br />
11421 <br />
11422 <br />
11423 <br />
11424 <br />
ll1r25<br />
11426 <br />
11427 <br />
11428 <br />
11429 <br />
11430 <br />
11431 <br />
l1ll-32<br />
11433 <br />
11434 <br />
11435 <br />
'11436 <br />
11437 <br />
11l,38<br />
11439<br />
ie 11 LJ +O
N C S· /1700 - 117 5 0<br />
•<br />
•<br />
•
LONDON BL<br />
SERIES OF LIBHEl'TI<br />
.~ - -<br />
---~<br />
639.d.17<br />
.1\1-{ ~daspes a.ri Opera j-L'Idaspe fedele 1712<br />
,11<br />
Amadis/Amadig:L di _Gaula_1715 _<br />
Radamistus/II Radamisto 1720<br />
Asta.rtus/Astarto--<br />
_____ Arsace_172i<br />
_<br />
L'Odio e l'amore 1721 (a Cyrus)<br />
Muzio Scevola - 1721----<br />
639.d.18 ____ _<br />
Ottone 1723<br />
- L'Erminia Favola Boschereccia: -~723- -<br />
Farnace_ 1723__<br />
Flavio Re de' Longoba.rdi 1723<br />
Calfurnia 1724--<br />
Aquilius (Aquilio Consolo) 1724_<br />
Darius/II Dario 1725<br />
l v~- 639.d.19------<br />
\ Siro_e 1728 __ _<br />
Poro 1731<br />
Admeto --t731<br />
__ Rinaldo_ 1731<br />
Cajo Marzio Coriolano 1732<br />
Catone --1732 - -<br />
Ezio _1732 _<br />
•<br />
639.d.20<br />
\\~C\<br />
L if ;1./ it'L/ • I<br />
. {.<br />
Lotharius/Lotar1o- 1729 --- - ~- -<br />
____Tolome9 J1.e_ di Egitto/Ptolemy King of Egypt_ 1728<br />
Lucius Verius/Lucio Verio 1727 (Ariosti)<br />
Astianatte 1727 (As~) <br />
Scipione/Scipio __1726 ___<br />
Alessandro/Alexander 1726<br />
L'Elpidia overo 11 Rivali- Generosi-1725 (Vinci and Gioseppe Orlandini)- ~- ---<br />
639.do21_<br />
r \ Lucio Papirio Dittatore 1732 <br />
II Floridante -- 1733 -<br />
Semiramis Riconosciuta 1733 __ <br />
Ariadne in Creta 1733 <br />
II Pastor Fido 1734<br />
Ariadn€!in Naxus _1734 (Rolli/Porpora) <br />
Polypheme/Polifemo 1734 (Porpora)<br />
639.d.22--- - --- ---------<br />
Alcina 1735__ _<br />
Artaserse/Artaxerxes 1735 <br />
Honorius!Onorio 1734 .. <br />
Atalanta 1736 <br />
La Conquista del Vello d'Orc, The Conquest of the Golden Fleece 1738 (G B Pescetti) <br />
Anibale in Capua<br />
1746 (Pasticcio)-<br />
Fetonte 17lfJ (ParadiesL---- __ <br />
• <br />
OVER
.,IV J --_. ... -----<br />
\ V \<br />
\\ (<br />
!'\' Mandane 1742 (Brino)<br />
,~<br />
Temis~~ale 1742 (Porpora)<br />
1,..,'<br />
•<br />
Enrico 1742' (Ga~uppi)<br />
Meraspe, overo l'Olimpiade 1742<br />
Scipione 1742<br />
. Sirbace -1743 -- .<br />
Rossane 1743- -<br />
Rossalinda 1744 (Veracini)<br />
Aloeste 1744 (LaJnpugnani-'<br />
Alfonso 1744 .(Lampugnan i ).<br />
Aristodemo 1744 (Pescetti)<br />
. I<br />
•<br />
------ _.__._- ---<br />
•
i~.<br />
1'lICROFIIJ1S<br />
•<br />
• •<br />
LIBRETrOS FOR<br />
Caldera. Olimpiade. 1733<br />
Handel. Tamerlano. 1724<br />
Melani. Ercole in Tebe. 1661<br />
Sarri. Didone. 1724 /<br />
Terradellas. Sesostri. 1751<br />
Vinci. Didone. 1726<br />
all from WashtOgton LC<br />
/<br />
LIBRETTO for Porpora. Si~e. 1727. Washington LC<br />
/<br />
Handel. Ariodante. Hamburg score no. 250<br />
I<br />
I<br />
1130 MS Berlin Deutsche Staatsbibliothek (DDR) MS Mus 30.182<br />
Arias by Gasparini'and :B
•<br />
-CONTI. - Don ChiGchiottc ir" ::iicrri:, Ji:o:-::-enc (1719).<br />
!IS 17207<br />
~" ./ .<br />
I'~; ( (<br />
iJienna mm<br />
1150 CO:TTI. Don Chisciotte in Sierra Eorena (1719). Be:~.'lin IIS l'r076<br />
1151--- ---iLntonio DRAGF.J:. 1eoni':.c in 'J:1egea (1610). Vienna ON3 1;:5 15599 (,l,i;NCJ:t., )<br />
\ /L/(.,"~r /~-r· Zi.~--L' -,,':~.---:. -
l \c I<br />
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11.70 Ve ron:::. t 1:3ibliotec;::l. tolare, Co,l. I~s D:CLIX (759).<br />
'\\ !,salr:1S, h~~ns CLYld nUl~3!li..fic3.t;s<br />
0':::<br />
1171 {:::ra~1a, 3i'oliobca Capi tolare t <br />
cynd seq1,;.en~es. <br />
tl7 't<br />
'rei-ana, Bibliateca C'-l.pi talare, Cael. :iu::.;c 1~3S33<br />
,/,~ ,/, \, L;' ., L.,<br />
LI3::D:."TTO: i ...'"lon. :1 alamo preservata dalla :reidt:l ;:ti D,lclossa. 21e ,::;,:;ia ,<br />
, _ ,:f'. Ved:ro~ti, 1683. 1Iaiena, Eiblioteca :::;stense, 85.G.21.3<br />
/ ...." C, :.. />" \ /J '1- • r, I t:.:.,<br />
~\~ I ~',~' 0 Je( A) (Q.~J.M.Jl ) /vi ~ M. I.f ~1f, ~ ~ MiA 2-1:: 1f2 - I L<br />
Lu. /{]t.., .\1- ~ n, r...~l. I/".Nf.I (tiJ:Ul ~ MS ~ 1(1~ In~, I f32-), $Ow I<br />
'be~ w~ (/1_ ;-~,,,: fl.;'O ...r;;:.. k.~t4 ,Jo-\ ~ ":LC . ave>{ "- k~<br />
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'b ~~~, ; £oU\-n..~1 /tw:.C:u;., ~'4"" W,<br />
•<br />
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,4,.\./-iec (CiN.kJ~ ~'~we (=-I
1184 Vatican, Biblioteca Ap. Vaticana, ~~ 26 (Rome, Santa Maria<br />
•<br />
}~ggiore, MS JJ.I11.4). Mostly Masses, ca. 1520-30. Compiled<br />
in Rome by Frenoh scribes.<br />
1185 Wittenberg, Lutherhalle, MS S. 404/1048. Tenor part book<br />
containing sacred and secular music with German and Latin<br />
texts or incipits, written as a MS appendix to Johann Walther,<br />
Geystliche gesangk Bucbleyn (Wittenberg, 1524).<br />
See Musikgeschichtlicl<br />
Archiv Kassel, Katalog der Filmsammlung, Vol. 3, no. 2, no.<br />
3/941<br />
1186 Berlin, Staatsbibliothek Preussischer Kulturbesitz, !1us. ms. 400260<br />
Anthology o£ German keyboard tablature compiled by Leonhard<br />
Kleber between about 1521 and 15240<br />
•<br />
1188<br />
•<br />
1181 Vergier d'onneur•••£aictes et composees par••• Octovien de Saint<br />
Gelais•••et par Maistre Andry de la Vigne. Paris, n. d. (ca. 1500).<br />
!D Orlord, Bodleian <strong>Library</strong>, Douce 0 168.<br />
La chasse et Ie depart d'amours••• composee par•••Octovien de Sainct<br />
Gelaiz•••et par•••Blaise d'Auriol. Paris: widow o£ J. Trepperel<br />
and J. Jehannot, n. d. Paris~ BN, Res. Yeo 390.<br />
and also<br />
Rondeaux en nombre 350. Paris: J. Sainct Denys, n. d.<br />
Yeo 1401<br />
Paris, EN, Res.<br />
1189 Vatican, Biblioteca Ap. Vaticana, l"Ius MS 51. Vineteenth-centUry<br />
sacred music!!! (YUCk!)~<br />
1190 Vatican, Biblioteca Ap. Vaticana, Cappella Sistina 154 and ~55<br />
~~sse8<br />
by Josquin, Pierre de la Rue, Johannis de Billhon,<br />
Morales, Arcadelt, Sermisy, Jacquet o£ Mantuao<br />
1191 Vatican, Biblioteca Ap. Vaticana, Cappella Sistina 160. Masses by<br />
Obrecht, Josquin,Isaac, etc.<br />
1192 Vienna, Oesterrichische Nationalbibliothek, Cod. 11883. Alamire<br />
choirbook with 11asses, Mass movements and antiphons.<br />
1193 Brussels, Bibliotheque royale de Belgique, 115 II. 2101 An anthology<br />
of religious poems, refrains and sayings, Latin hymns and musical<br />
settings of religious songs in Dutch and Latin,<br />
Brussels, BR, ME IV 900<br />
PLUS<br />
Superius part book of a chansonnier compiled<br />
in Bruges cao 15110 Tournai = Tenor part book.
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•<br />
Dear Dr Bonavera<br />
THE UNIVERSITY OF CHICAGO <br />
1"""\<br />
THE DEPARTMENT OF MUSIC <br />
5835 SOUTH UN.IVERSITY AVENUE<br />
CHI C AGO • ILL I N 0 I S 60637<br />
25 February 1980<br />
Thank you for comple~ my last request for <strong>microfilm</strong> so promptly. I enclose<br />
a check for $50. Would it-also be possible to have made <strong>microfilm</strong>s of copies<br />
in the Civico 11u.seo Bibliografico Husicale di Bologna of the following<br />
volumes:<br />
liS, <br />
!1agnificat I10ralis Ispani Cum quatuor voci bus.·v~nezia: Antonio Gardane, 1545. 13~<br />
}Ia.gnificat Omnito num cU!'llquatuor vocibus Christoph N:orioralis Hispani<br />
Aliorumque excelkentium virorum • • • Venezia: Antonio Gardahe, 1562.<br />
I have not written to the library for permission. Perhaps I should <br />
In any case, as always I am very grateful to you for sending me the films <br />
so promptly. <br />
\ 33 '<br />
•<br />
With best wishes,<br />
~n~<br />
Drl Howard H. Brown<br />
Professor of lfu.sic<br />
•
1221 ~ >' i\'1ASJ(~ (6-a.~iaw: / I,'jltI) de{A '-v> if. 'f 1"((..,..1 1 )'1lC',<br />
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'
•<br />
I ,<br />
25 October 1980<br />
Director ' .<br />
.'<br />
8taatliches Archiv~ager <br />
G6ttingen .'<br />
t <br />
GeI'lEany (BRn) <br />
•<br />
<br />
The<br />
\ ' .' ,<br />
Dear 3ir~, , \<br />
I ,<br />
,<br />
Would it be possible to. have made a <strong>microfilm</strong>, either<br />
positive or regative, of the fol:o....ingmanuscript now in<br />
your <strong>collection</strong>:<br />
Staatliches' Arch1vlager IvlS 7 (fo~erly K6nigsberg<br />
. D
\
THE UNIVERSITY OF CHICAGO <br />
•<br />
Dr Antonio Bonavera. <br />
Casella postale 125 <br />
40100 Bologna <br />
Dear Dr Bonavera<br />
THE DEPARTMENT OF MUSIC <br />
5845 SOUTH ELLIS AVENUE<br />
CHI C AGO • ILL IN 0 I S 60631<br />
16 Nay 1981<br />
Would it be possible to have <strong>microfilm</strong>s (either positive or negative)<br />
made of the following volUIIIes in the Civico museobibliografico musicale:<br />
~RISM 1531 1 :Delli madrigali a tre voci. Venezia, O. Scotto, 1531. :Bassus<br />
only<br />
~RISM 154211:Hymnorum musica secuhdum ordinem romanae ecclesaae. Venezia,<br />
G. Scotto, 1542<br />
~SM 1544 1 : Sex misse. Liber primus trlssarum. Venezia, A Gardane, 1544<br />
~SH 1544 2 : Liber primus missarum quinque, cum quatuor vocibus.<br />
G. Scotto, 1544<br />
Venezia,<br />
•<br />
JRISN. 1544 3 : tiber quartus Ir.issarum quinque cum quatuor vocibus.<br />
A Gardane, 1544<br />
IRISH 1545 18 : Quarto libro di madrigali a quatro voci d tArchadelt.<br />
vi· Venezia, A. Gardane, 1545<br />
Venezia,<br />
~RISM 1546 11 : II primo libro di madrigali d'Archadelt a quatro voci.<br />
Venesia, A Gardene, 1546<br />
RISM 15411: D. Joannis Jacobi Lucarii concentuum qui vulgo motetta<br />
, nuncupantur. Liber primus quatuor Yocum. Venezia, A. Gardane, 1541<br />
~RISM 154113: II primo libro di nadrigali di diversi eccellentissimi autori<br />
Venezia, A Gardane, 1541<br />
JRISI1 154116: Madrigali a cinque voci il primo libro ••• Missier<br />
Jacomo Fbgliano. S. 1., 1541<br />
RIS}! 1548 5 : Secondo libro di canzon francese a quatro voci' • • • Janequin,.<br />
Venezia, A Gardane, 1548<br />
",/ RISH 1549 31 : 11 vero terzo libra di I:ladrigali de diversi autori.<br />
Venezi~, A Gardane, 1549<br />
•<br />
IRISH<br />
1549 33 : Verdelot tutti li nrHirigali del primo et secondo lihro a quatro<br />
V voci. Venezia, G Scotto, 15 l f.9<br />
• I<br />
J .:II::iH 1555.i':Verdelot tutti li mai:-igali del rrino et secondo libro<br />
, 1
183 .. <br />
I<br />
I'<br />
.", .<br />
10 July 1980<br />
Professor Juliaa G. Flante<br />
Curator, I J :onaatic, 1Ia.nusoript<br />
;:icrofilm <strong>Library</strong> <br />
St. Johnls University' <br />
Collegeville, }Iinnesota 56321 <br />
,;)ear :'I'ofessor l'lantes<br />
First of all, mP~ I say how pleased I ac at the success of the<br />
Ecnastic Eanusoript l·:icrofilm <strong>Library</strong>, and whut a great benefit it is<br />
to all of us working in this field. \v'ould it be ~Jossible, I ....onder, to<br />
have copies made of tbaeforl~Reng <strong>microfilm</strong>s in'the liill Monastic<br />
<strong>Library</strong>' r:;:'he ones I 'r:ould like to have are the follawing:<br />
I'roject no~<br />
I.<br />
\~ ....2680 Sankt Florian, Auguatiner-Chorheren Stift"<br />
i:S XI, 470<br />
&/5602' . Kloaterneuburg, Stiftsbibliothek, HS 617<br />
\'}~\ 30,082A~ !(ontaerrat, Bibloteea del 1
- /1<br />
---.. .. -~- ...-<br />
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.-- ---_.
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---.'-~~~~'~-~~~~~.~--------------------.--<br />
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- - ---~--.- - -----------<br />
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.__~---LtIT:l-/2&._.....__ _._ _~-_~_--=~~----<br />
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~3q.1/l.-·····-·- --------------.---. ----~--<br />
-=-=\g§o _-=-~} '}fJ/3---'--Th~ M~~----~~------------<br />
l fb-L--- ______ r~l/,oo.--"_---------------------.----~<br />
I Lt (, z,- ~-. IS1f/j; -~ ..----~---~ --~.--. --- -.<br />
..-------. l% 3- .. - {)3C1 (L--------------------.-----. ..----.-<br />
--J s_5"_'2, -~~__ . ~~__ -~_=-<br />
__~:~__ ~-==~_~_~~~=~____~-_--____<br />
l~·3-- .~ <br />
lS-~g- W\c- &k-.S---.---. --.--- ------------- ----- - -.- .-<br />
._---_....._-,--- ----..-.-.-~-.<br />
I~~___ ~-.--<br />
• -- )t+CoLf (08-)----------<br />
.----~ 15'j ~---.-...-----.----------...---...----...---------.....---<br />
---.----......~--------., \2f~----.------ --- ---- ~--,;..;;::---------------<br />
- -. ~·--r>3q~~ ~ f-. &..J. ylW~~-
~_ ~. !~(,.r- ___ IS-LtLfJ,,8' ___ ~_____ ..__._____.. __.__.___ <br />
.~ \lf~t~~J2+'t~--------~--------.~-~---------________.<br />
__<br />
j~ I<br />
--------------.-<br />
f:--'------=-~ Do L., _~_ .<br />
..<br />
---_.---_....__ .<br />
.- ..•------.. ----.------------ .--....-<br />
_______.!.JwI_........--I
------------------- ---=-~-----------------------------<br />
________br~~______________________<br />
If<br />
..._____ __<br />
~ ______'_ ..... ~_.o...L______~<br />
_L'6gclS;g. I%; ~_2..,,---c,---,---,~==--c:l.A-r:...:...="""'-,--=----G-=I_:-_1\Il_h--tL..)__________<br />
._~_ -L'Mq-
!tt crofilms-1<br />
\ l U,<br />
•<br />
1501.<br />
•<br />
1522.<br />
•<br />
1500. Variae preces<br />
Liber responsorialis<br />
1502. London BL ~~ Add. 15277: Historiated Bible (Italian. 14th c.)<br />
1503. Chantilly. r1usee Conde. MS 1426: Canzone delle Scienze e di Virtu<br />
1504. London BL MS Sloane 3097: Tacuinum sanitatis<br />
1505. London BL MS Add. 38689: Tacuinum sanitatis<br />
1506. London BL HS Add. 12228: Mel iadus<br />
1507. Barcelona. HS 681<br />
1508. Barcelona. Orfeo catala 5<br />
1509. Coimbra 2<br />
1510. Saragossa 17<br />
1511. Saragossa 34<br />
1512. Tarazona 2. 3<br />
1513. Tarazona 8<br />
1514. Valladolid 15. 16<br />
1515. Valladolid 17<br />
1516. NY Pierpont Horgan <strong>Library</strong> HS M 14: Hours (Florence and Milan. late<br />
15th c.)<br />
1518. NY Pierpont Morgan <strong>Library</strong> ~~ H 187 (Ferrarese Hours. late 15c)<br />
1519. UY Pierpont Morgan <strong>Library</strong> MS M361 (Florentine Hours. late 15c)<br />
1520. NY Pierpont Morgan <strong>Library</strong> ~~ H454 (Mantua/Ferrara Hours. made for<br />
Cecilia Gonzaga)<br />
1521. Milan Ambrosiana<br />
Ambrosian Missal c. 1459 (A.257. inf. )<br />
Printed breviary. 1550 (So Q. II.22)<br />
Ambrosian missal. 1548 (S. Q. IX. 31)<br />
Milan Ambrosiana<br />
Breviary 1539 (S~n G.II.4)<br />
Ambrosian missal 1494 (Incun 1462)<br />
Ambrosian missal 1475 (SP II.22)<br />
1523. Bologns MS A71<br />
RISM 1555/17<br />
1524. Bologna MS Q25<br />
Bologna ~~ Q27<br />
1525. Vienna ONB ~~ SH 15496 = ser. nov. 2661<br />
1526. Berlin MS 40194<br />
Berlin r-~ 40196<br />
1527. Vatican MS C. s. 76<br />
MS C. s. 77<br />
l1S San Pietro B 80<br />
1528. Edinburgh Univ ~~ 64 (Dunkeld Antiphonary)<br />
1529. Hunich. Univers1 taetsbibliothek, MS 20 art. 239<br />
1530. Verona. HS 218<br />
1531. Basel. Universit!tsb1bliothek. t~ F.IX.25<br />
1532. Seville. MS 1<br />
1533. York Minster. Hedi us Decani part books<br />
1534. Holkam ~~. Missale romanum (1I1534)<br />
1535. RISH 1560/6<br />
1536. Stuttgart, Cod. Mus. I, 36<br />
Stuttgart. Cod. Mus. I. 25<br />
1537. Stuttgart. Cod. Nus. I. 47<br />
<br />
Stuttgart. Cod. Mus. I. 38 <br />
1538. Luebeck. 113 A. 203 <br />
Lueneburg. r1S KN 150
Hicrofilms-2<br />
1°d..<br />
•<br />
1542. Casale ~10nferrato HSS <br />
•<br />
1559. Rome Vallicelliana ~~S SI 35-40 <br />
• <br />
1539. l1ilan, Ambrosiana, HS E.46 inf<br />
Hilan, Ambrosiana MS Trotti 519 <br />
1540. Casale Honferrato BSS <br />
1541. Casale Honferrato HSS <br />
1543. Heilbronn, Gymnasialbibliothek, HSS rJ-V/2 (1;1543) <br />
1543. Heilbronn, Gymnasialbibliothek, ~~S XCIII-XCVI/3 (#1543) <br />
1544. Budapest Bartfa MS 31 <br />
1545. Brussels 228 and 11239 <br />
1546. stockholm Mus. Academy: MS TYska Kyrkans Samling 45,34 <br />
1547. Perugia MS 3314 (incl. pro books) <br />
1548. Florence BNC ~~ Mag!. XIX, 125bis <br />
Florence Cons. MS Basevi 2441 <br />
1549. Munich ~~ 5 <br />
MS 46 <br />
1550. Munich HS 53 <br />
MS 59 <br />
NS 65 <br />
1551. Halle, Universitaetsbibliothek, MS Ed. 1147 (#1551)<br />
includes RISM 1550/1 <br />
1552. Frankfurt MS Mus. fol. 2 <br />
1553. RISM 1556/13 (Phalese) <br />
1554. vlroclaw U HS 40 <br />
MS 52 <br />
MS 428 <br />
1555. Berlin MS 40013 (now in Cracow) <br />
1556. Berlin MS 40031 <br />
1557 • Berlin .HS .l.j0043 <br />
1558. Berlin MS 40634 A.J t /' / " <br />
1560. GB:Lbl Bass parts to <br />
Willaert Motets Bk. 1 a 5 <br />
RISM 1540/6 <br />
1543/2 <br />
1541/16 <br />
1544/28 <br />
Buus Canzoni francesi a 6, Bk. 1 (1543) <br />
Manchicourt Motets. Att. 1545 I <br />
II <br />
III <br />
RISM 1543/4 (no title page) <br />
1544/2 <br />
Certon Bk. 1 of psalms a 4 (Att. 1545) <br />
1561. RISM 1549/36 and 37 <br />
1562. Paris BN HS Res. Vm 851 (Bourdeney l·~) <br />
1563. RISM 1559/14 <br />
1559/15<br />
1557/11 <br />
1557/12 <br />
1560/3a <br />
1560/3b <br />
Paris BN I·LS 41 (Carpentras f.1i ssae and HS addi tions) <br />
1564. Paris BN US fonds fro 9346 <br />
Paris BN as fonds fro 12744
Hicrofilms-3<br />
)92.<br />
1565. Dresden I/D/505) \.(l\l ~tLS.f\";> A,<br />
•<br />
'hM~ C{ ftLM.\rJ(,<br />
1566. Dresden I/D/506 <br />
1567. Dresden Grimma 7 <br />
1568. Dresden Grimma 51 <br />
1569. Dresden Grimma 52 <br />
1570. Dresden Grimma 55 <br />
1571. Dresden Grimma 57: reel 1 <br />
1572. Dresden Grimma 57: reel 2 <br />
1573. Dresden Grimma 53 <br />
1574. Dresden Grimma 58 <br />
1575. Dresden Grimma 59a <br />
1576. Dresden L~bau 50: reel 1 <br />
1577. Dresden L~bau 50: reel 2 <br />
1578. Dresden Pirna VIII <br />
1579. Dresden Pirna IV <br />
1580. Hof/Saale, MS Paed. 3713 Sbd (11580) <br />
1581. Munich BSS, MS 13 <br />
Munich BSS, MS 25 <br />
1582. RISM 1538/21 <br />
RISM 1550/17 <br />
1583. RISM 1562/9 <br />
RISM 151712 <br />
RISM 1518/1 <br />
RISM 1518/2 <br />
1584. RISM 1555/22<br />
1585. RISM 1549/13 <br />
•<br />
RISM 1549/14 <br />
RISM 1549/42 <br />
1586. Hiller. Italian arias ornamented (1778) <br />
1587. Piacenza MSS <br />
1588. Piacenza HSS <br />
1589. Berlin MS Theol. lat. 4' 113: Ordinary (Magdeburg, 15th c.) <br />
1590. London BL MS Add. 35315: Book of Hours (French, 16th c., use of Rome)<br />
1591. London BL MS Ass. 10826: Italian Book of Hours (15th c.),L,CT /-'d'r'~t:V d'r .(_t-<br />
London BL MS Add. 15265: Italian Book of Hours (late 14th c.) <br />
London BL MS Add. 18751: French Book of Hours (15th c.) <br />
London BL MS Add. 25695: French Book of Hours, 15th c. (use of Paris) <br />
London BL ~~ Add. 31835: French Book of Hours, 15th c. <br />
1592. LondonBL l1S Add. 18850: Bedford Hours (French, ca. 1427) <br />
1593. Londonm BL. MS Add. 17280: Flemish Book of Hours (late 15th c.) <br />
1594. London BL ~~ Add. 18192: French Book of Hours, 15th c. <br />
1595. London BL MS Add. 17026: Flemish Book of Hours, late 15th c. <br />
1596. London BL MS Add. 16.997: French Book of Hours, 15th c. <br />
1597. London BL MS Yates Thompson 30: Italian Book of Hours, ca. 1502 <br />
1598. London BL MS Add. 22590: Book of Hours <br />
1599. London BL MS Add. 27697: Book of Hours <br />
1600. London BL MS Add. 35319: Book of Hours <br />
1601 . London BL HS Add. 35314: Flemish Book of Hours, 15th c. <br />
1602. London BL MS Add. 8824: French Book of Hours, 1530 <br />
1603. London BL: Missal (Freising, 1492) <br />
H1ssal (Magdeburg. 1497)<br />
• <br />
l1issal (Magdeburg, 1503) <br />
1604. Copenhagen: Breviary, 1491 <br />
1605. Copenhagen: Missal (Magdeburg, 1480)
1607.<br />
llicrofilms-4 <br />
•<br />
•<br />
•<br />
1606. Stockholm: tUssal (Brandenburg, 1494) <br />
Paris Breviary 1497 (Pl'. Pasq. Bonhomme) <br />
1608. Agenda Hagdeburg 1497 (in Paris BN) <br />
1609. 'Vlittenberg UB liS Fol. 101: fUssal (Brandenburg, 1516) <br />
1610. WittenbergUB liS Fo!. 115: Breviary (Hagdeburg, n. d.) <br />
\Uttenberg UB HS 8' 361: Breviary (Magdeburg, 1514)<br />
1611. RISM 1569/19 (GB :Lbl - AB only)<br />
1612. Florentine intermedii - 1585<br />
1613. RISM 1555/25<br />
RISM 1557/17 (STB) <br />
RISM 1557/22 <br />
RISM 1558/13 <br />
1614. Gerona, La Coleg1ata San Felix, Cod. (136) 24 (Hf.JNL 31.054: Spanish<br />
Book of Hours<br />
1615. Gerona, Seminario diocesano, Cod. 238 (HMHL 31100): Spanish Book of<br />
Hours<br />
1616. Madrid, Academia de la Historia, Cod. 91 (HHML 34,497): Spanish Book<br />
of Hours<br />
1617. Montserrat, Bibl. del Monasterio, Cod. 53 (HMHL 29,996): Spanish Book<br />
of Hours<br />
1618. Montserrat Bibl. del Monasterio, Cod. 66 (HMHL 30,000): Spanish Book<br />
of Hours<br />
1619. Vich, Museo episcopal Cod. 87 (HMHL 31249): Spanish Book of Hours<br />
1620. Vich, Museo episcopal Cod. 89 (HMHL 31253): Spanish Book of Hours<br />
1621. Vich, Museo episcopal Cod. 91 (mtlL 31250): Spanish Book of Hours<br />
1622. Zaragoza, Bibl. de la Real Seminario de San Carlos, Cod. 7 (HMHL<br />
31887): Spanish Book of Hours<br />
1623. Vich, Museo episcopal, Cod. 205 (HMP-L 31252): Spanish Book of Hours<br />
1624. Harvard roll 33<br />
French Hissal () 1538<br />
HS Typ125: Ordo vestimentorLlll (early 15th c.)<br />
MS Typ 520.95.241: Bry drawings<br />
liS Typ 127: Somnium Viridarii (ca. 1430)<br />
MS Typ 132: Breviary in Dutch (after 1423)<br />
MS Typ 133: Antiphonary (French, early 15th c.)<br />
MS Typ 136: Ponitifical (northern Italy, early 16th c.)<br />
MS Tyup 137: Quintus Curtius: Historia Alexandri Magni (Italy,<br />
ca. 1480)<br />
1625. Harvard roll 51<br />
HS Typ 425: Terence Comedies (1463)<br />
MS Typ 429: St. John Chrysostom: De patientia (ca. 1480)<br />
MS Typ : Bernardino Leo; Bellicum Turcicum (1572)<br />
MS Typ : German hunting MS<br />
HS Typ: anon. Latin HS<br />
HSS Typ 443 and 443.1: So-called Hours of Juana la. Loca (Ghent or<br />
Brugges, ca. 1485-90)<br />
1626. Harvard roll 67<br />
MS Richardson 41: Boccacio, De alaris mulieribus (15th c.)<br />
MS Richardson 42: De Buz Hours, Paris Use (ca. 1415)<br />
MS Richardson 43: Petrarch Canzoniere (1440)<br />
MS Richardson 44: Life of S. Catherine<br />
t·iS Richardson 45: Book of Hours (Paris, ca. 1405)<br />
MS Richardson 46: Bastiano Foresi: Triumphus virtutum<br />
HS Richardson: Incipit datari sive martiloquium
tlicrofilms-5<br />
JlL-f.<br />
HS Richardson: Papal document dated 1423<br />
•<br />
1627-29. RISM 1558/4, 1559/1, 1559/2: Novum et insigne opus musicum<br />
(Nuremberg, Berg and Neuber)<br />
1630. Juan Bermudo, Declaracion in English translation<br />
1631. RISM 1569/19 (GB :Lbl: AB)<br />
1632. RISM 1555/26<br />
1557117 <br />
1557122 <br />
1563/9 <br />
1633. RISM 1562/7 (GB:Lbl: STB) <br />
1634. RISM 1557/17 (STB) <br />
1558/13 (STB) both from I:VEnm <br />
1635. RISM 1555/25 <br />
1558/13 (B) both from GB;Lbl <br />
1636. RISM 1561/8 (Oxford) <br />
1637. RISM 1557/20 (Leipzig) <br />
1638. CambF.62 (Hours of Isabel of Burgundy) <br />
1639. CambF.63 (French Hours, 15c) <br />
1640. CambF.154 (Italian Hours, 15c) <br />
1641. CambF,143 (Dutch Hours, 15c) <br />
1642. CambF.118 (Fr Hours, 15/16 c. use of Paris) <br />
1643. CambF.127 (French Book of Hours) <br />
1644. CambF.89 (Fr Bk of Hours) <br />
1645. CambF.135 (Fr Bk of Hours) <br />
1646. Paris BN MS lat. 16823. Gradual 14c <br />
1647. Paris Mazarine, MS lat 14819. Gradual 14c <br />
1648. Paris Mazarine, MS lat. 906. Gradual 15c <br />
1649. Paris Mazarine, MS lat 411. Missal 14c <br />
1650. Paris BN MS lat 14452. Gradual 13c <br />
1651. Paris BN MS lat 830. Missal 14c <br />
1652. Limoges, BM. MS 2 (17). Gradual 14c <br />
1653. Brussels BR MS IV.264 (Hours, Amiens. 1425-35) <br />
1654. Brussels BR MS IV.281 (Hours, Paris, ca, 1530)<br />
1655. Brussels BR MS 5070 (Hours. Tournai. ca. 1470)<br />
Brussels BR ~~ 2895 (Hours, Tournai. ca. 1450)<br />
1656. Brussels BR MS 15077 (Hours, Rouen. ca. 1480)<br />
Brussels BR MS 8840 (Hours. Tournai. ca. 1520-30)<br />
1657. Brussels BR MS 15079 (Hours. Paris, ca. 1470-80)<br />
1658. Brussels BR t1S 2890 (Hours. Eastern France. ca. 1460)<br />
Brussels BR MS 2893 (Hours. Rouen, ca. 1460)<br />
1659. London BL loiS Add. 18852 (Hours of Joanna of castile)<br />
1660. London BL MS Add. 38126 (Huth Hours)<br />
1661. London BL MS Add. 34294 (Hours of Bona Sforza)<br />
1662. London BL ..~ Add. 18851 (Breviary of Isabella of Spain)<br />
1663. London BL MS Add. 28962 (Hours of Alfonso V of Aragon) .<br />
1664. RISM 1555/26. Barre (Chantilly copy)<br />
1665. Lasso, Antwerp Motet Book (Munich copy)<br />
1666. RISM 1555/27. Barre, Primo libro delle muse a 4 (Valladolid copy)<br />
1667. RISM 1560/10. Barre. Madregali ariosi ••• libro secondo (Munich<br />
copy)<br />
1668. From Harsaw, National <strong>Library</strong>: SA only<br />
•<br />
Rore, Madrigals a 5. Bk. III (1557): NV 2409<br />
Teodoro Riccio, Primo libro delle canzone all a napolitana (1577): NV<br />
2342
Hi. crofilms-6<br />
Bartolomeo Sorte. Secondo libro de madrigali a cinque voci (1579): NV<br />
•<br />
2625<br />
Luzzasco Luzzaschi, Secondo libro de tfadrigali a cinq ue voci (1576): NV<br />
1526<br />
Pedro Valenzola, Madrigali (1578): NV 2790<br />
Filippo Nicoletti, Primo libro de madrigali a cinque voci (1578): NV<br />
2039<br />
Antonio Scandello, El primo libro de le canzoni napoletane a IIII. voci<br />
(1566): NY 2578<br />
Scandello, n secondo libro <br />
1672. Mouton. Motets (Paris, Le Roy and Ballard, 1555) (Ga: Lbl)<br />
1673-1674. Zwickau MS LXXIII (73)<br />
Zwickau LXXXIII, 1 (83,1)<br />
Zwickau LXXXI, .2 (81,2)<br />
1675. Gastoldi, Concenti musicali (1610) NY 1110 (Ghent copy; incomplete)<br />
1676. Gastoldi. Madrigals a 6. Bk. 1 (1592) NY 1115 (copy from Verona)<br />
1677. Barre. Madrigals a 4. Bk. 1 (1552) NY 250 (copy from I:Vnm)<br />
1678. Paris BN, MS lat. 17310 (14th c. Gradual 1)<br />
1679. from GB:Lbm:<br />
Gastoldi. canzoni a cinque (1581) NY 1107<br />
Gastold1. l-Bdrigals a 5. Ek. III (1598) (T only)<br />
1680. Gastoldi. Madrigals a 5. Bk. IV (1602) NY 1114 (I:VEaf)<br />
1681. from I:Vnm:<br />
Da Ponte (Du Pont), 50 stanze del Bembo (1558): STB: NY 885<br />
Dorati Book I a 6 (1579) NY 862<br />
Dorati. Le stanze della Sra. Vittoria Colonna (1570-71) NY 863<br />
Scaletta, Primo libro a 5 (1585): ATE: NV 2574<br />
1682. from I :Bologna:<br />
Chamatero. Madrigals a 5, Bk. I (1560): A only ON 554)<br />
Tuttovale Menon. Madrigali d I amore a 4 (Ferrara, 1548) NY 1804<br />
Merulo. Hadrigals a 5, Bk. 2 (1604) NY 1836<br />
Herulo. Madrigals a 4, Bk. 1 (1579) NV 1833<br />
Merulo. l-Bdrigals a 3, Bk. 1 (1580) NY 1831<br />
•<br />
Ruggiero Giovanelli. Madrigals a 5. Bk. 1 (1600) NY 1216<br />
~farenzio. Madrigals a 5, Bk. 9 (1599) NY 1639<br />
1683. Lodz (Poland). Biblioteka Uniwersytecka (olim Berlin, Staatsbibliothek<br />
1·1S 5102)
Hicrofilms-7<br />
I t LC<br />
•<br />
16 aq. f rom I:VEar :<br />
Rosseto, Stefano. Madrigals a 4, Bk. 1 (1560). NV 2436<br />
Macque. Madrigaletti a napolitane a 6, Bk. 1 (1581). NV 1545<br />
i~" '.;<br />
Bk. 2 (1582). NV 1546<br />
Dorati, Nicolo. Madrigals a 5, Bk. 3 (1561). NV 560 (RISM 1561/14)<br />
1685. from GB :Lbl<br />
~~dregali ariosi (1565)<br />
Madregali ariosi (1560): T only<br />
1686. from Modena<br />
Montella, Giovan Domenico. Madrigals a 5, Bk. 1 (Naples, 1595). NV 1881<br />
Montella, Bk. 2 (1596). NV 1882<br />
1687. from Krakow, Biblioteka Jagiellonska<br />
Barre, Primo libro delle muse a quattro (RISM 1555/27)<br />
1688. Munich BSB, MS 5023. Gradual/Antiphoner with polyphonic music (German,<br />
15th century) ,l t:'/ /c/
YOUENS-MICROFILM COLLECTION<br />
11<br />
manuscripts <br />
Augsburg, Schl. 6 (olim 23) <br />
li6'rtfa 22 <br />
Mrtfa 20 <br />
Bl3artfa 24. <br />
Berlin 4.0024 <br />
Dreslau I.F. 386, 391, 4.5Y <br />
Breslau I. Qu. 4.38& <br />
Copenhagen 1872 <br />
Copenhagen 1873 <br />
Dresden 1;D /3 <br />
Dresden 1 /D/6 <br />
Dresden 1;D/501 <br />
Dresden l/E/24 <br />
Eisenach Stadtarchiv.s.". <br />
f~langen<br />
CHashtitte V <br />
Gotha A 98 <br />
(,rel fSW8ld Eb 133 <br />
51 <br />
Gri.lll!.llA 56 <br />
Grimma 57 <br />
iirimma 59 <br />
\;rimrD8 59a <br />
ti:assel 38 <br />
Kassel 43 <br />
Kassel 53/2 <br />
Kassel 143/1-2 <br />
Kassel 118 <br />
Klosterneuburg 69 <br />
Klosterneuburg 70 <br />
Leipzig 49/50 <br />
Leipzig 51 <br />
'j5bau 12 <br />
i-funich, UB 328-331 <br />
4.73/1---4. (Heilbroon) <br />
Munich 1503b <br />
Munich 1536 <br />
Modena, d .M.I.ll <br />
Modena,0l.M.1.12 <br />
Modena,e( .M.l.13 <br />
NUremberg 83795-/1 <br />
Pima Chorbuch VI <br />
Padua A 17 <br />
Regensburg B 211-215 <br />
Regensburg B 216-219 <br />
Regensburg, Thurn u. Tu:is 76 <br />
Regensburg 722 (C 99) <br />
Regensburg C 120 (Peroner) <br />
Regensburg A.R. 838-843 <br />
Regensburg A.R. 863-870 <br />
Regensburg A.R. 883-886 <br />
fRegensburi A.R. 940-941 <br />
Rostoek 40 <br />
Rostoek 49 <br />
Speeialnik (Bradee Kr'lov~)<br />
Stuttgart 39 <br />
Stuttgart 40 <br />
Stuttgart 42 <br />
rom 237 a --d <br />
Vienna 15495 <br />
Vienna 15500 <br />
Vienna 18825 <br />
Weimar B <br />
Zvickau 78,3 (Vollhardt 12) <br />
Zvickau 81,2 (Vollhardt 16) <br />
Zvickau 33,34 (Vollhardt 19) <br />
Zviekau 73 (Vollhardt 4) <br />
Zvickau, Vollhardt 6 <br />
Zvickau, Vollhardt 7 <br />
<br />
mich 6 <br />
't!mich '27 <br />
"unich 32 <br />
'~uni ch lto
non-RISH 16tb-century prints (non-5ammlungen) \9<br />
L Klug, Geistliche Lieder zu Wittenberg, 1544<br />
2. Ein Schlesich Singbuchlein<br />
. Lossius, Psalmodia hoc est cantica sacra <br />
1(, Ambrosius Wilphlingseder, Erotemata musices (Niirnberg, HeuBler 1563) <br />
,j. Berg and Neuber, Liber canticorum quae vulgo responsoria <br />
d, Vienna, 1519 Johannis Winterpurger: Graduale and Antiphonarius <br />
7. Berg and Neuber, Homer Herpol, Novom et insigne opus musicum<br />
pooks, catalogues, and dissertations<br />
1. Haier, Munich catalogue <br />
~ Regensburg catalogue <br />
3. Lange, Kassel catalogue<br />
4. Irtenkauf, Stuttgart choirbooks <br />
~. Steude, Dresden catalogue diss. <br />
6. German Books Before 1601 <br />
--:. Blackburn, Lupus Problem <br />
8. Stein, Franco-Flemish Masses<br />
..' ;;. Kindermann, Hasses of Adam Rener<br />
,eo. Vollhardt, Geschichte der Cantoren u. Organisten<br />
11. Hoser, Die Kantorei der Spntgotik<br />
12. Putzig, Liturgische Grundlagen•••Choralis Constantinus<br />
~hronological list of RISM Sammlungen prints<br />
1<br />
1503 Petrucci, Hotetti de Passione<br />
Petrucci, Hissarum diversorum auctorum <br />
15OI- Antico, Hotetti novi libro 2-3 <br />
:1520 4 Grimm & wyrsung, Liber selectarum cantionum <br />
l53211 Moderne, Liber secundus Motteti del fiore <br />
If)<br />
1536 ~ Newsidler, Ein newgeordnet kUnstlich Lautenbuch <br />
1<br />
1537 Formschneider, Novum et insigne opus musicum <br />
1<br />
1538 Rhau, Selectae harmoniae<br />
153H 6 PetreiuB, Tomus primus psalmorum <br />
8<br />
538 Rhaa, Symphoniae jucundae <br />
f>3~14 Rhau, Officia Paschalia <br />
0 5<br />
1 t::f<br />
1"
WECHSLERISCHES MUSIKGESCHICHTLICHES ARCHIV <br />
Manuscrlpts<br />
• Bologna Q 18 <br />
• s'Hertogenbosch 726 <br />
• <br />
Aosta <br />
Augsburg 142a <br />
Bologna Q 16 <br />
Bologna Q 17 <br />
Bologna Q 19 <br />
Bologna. Q 22 <br />
Bologna R. 142 <br />
Basel F.X. 1-4 <br />
Basel F.X. 21 <br />
Berlln 78 C 28 <br />
Berlln 40021 <br />
Berl1n 40098 (Glogauer) <br />
Brussels 228 <br />
Brussels 5557 <br />
Brussels 11239 <br />
Brussels IV.90 <br />
Cambral 18 <br />
Cambr1dge Pepys 1236 <br />
Cambr1dge Pepys 1760 <br />
Casale Monferrato M <br />
Copenhagen 291 8 <br />
Copenhagen 1848 <br />
Cortons 95 <br />
Cortona 96· <br />
EI Escor1al IV.a.24 <br />
Grelfswald Eb 133 <br />
He1lbronn x.2 <br />
s'He-togenbosch 72A <br />
s'Hertogenbosch 72C <br />
Jena 7 <br />
Jena 20 <br />
Florence BNC 107b1s <br />
Florence BNC 112b1s <br />
Florence BNC 117 <br />
Florence BNC 121 <br />
Florence BNC 164-7 <br />
Florence BNC 176 <br />
Florence,BNC 178 <br />
Florence BNC BR 229 <br />
Florence BNC Penc1at1chl 27 <br />
Florence Cons Basev1 2439 <br />
Florence Cons Basev1 2440 <br />
Florence Cons Besevl 2441 <br />
Florence Cons Basev1 2442 <br />
Florence Ricc 2356 <br />
Florence Ricc 2794 <br />
Leipzig 1494 <br />
London Addtl 19583 <br />
London Addtl 31922 <br />
London Addtl 35087 <br />
London Egerton )051 <br />
Madrld 6486 (Stoquerus) <br />
Montecasslno 871 <br />
Modena F. 2. 2 <br />
Modena Lat. 457 (a~.M.1.2) <br />
Munlch 1516 <br />
Munlch Schedel <br />
Munich 3232a <br />
New Haven Mellon <br />
Oxford Can. Mlsc. 213 <br />
Parls Cordlforme <br />
Parls f. fr. 1596 <br />
Paris f. fro 1597 <br />
Parls f. fro 1719 <br />
Parls f. fro 1722 <br />
Parls f. fr. 2245 <br />
Parls f. fr. 9346 (Bayeux) <br />
Parls f. fr. 12744 <br />
Paris f. fr. 15123 (Pixerecourt) <br />
Parls I tal. 568 <br />
Parls n. a. f. 1817 <br />
Paris n. a. f. 4379 <br />
Parls n. a. f. 6771 (Relna) <br />
Parls R~s. Vm7 676 <br />
Paris Nlvelle <br />
Pavla Aldlnl )62 <br />
Perugia 431 <br />
Rome Cappo Giulia XIII.27 <br />
Rome Cappo Slst. 15 <br />
Rome Cappo Slat. 19 <br />
Rome Cappo Slat. 23 <br />
Rome Cappo Slat. 24 <br />
Rome Cappo Slat. 26 <br />
Rcme Cappo Slat. 35 <br />
Rome Cappo Slat. 42 <br />
Rome Cappo Slst. 44 <br />
Rome Capp. Slat. 45 <br />
Roae Cappo Slst. 49 <br />
ROlle Cappo Slat. 63 <br />
Rome Pal. lat. 1982 <br />
Rome S. Pletro B 80 <br />
Rome Urb. lat. 1411 <br />
Rome Caaanatenae 2856<br />
Regensburs_C 120 (Pernner) <br />
St. Gall 461 (S1eher) <br />
St. Gall 462 (Heer)<br />
St. Gall 46) (Tsehudl) <br />
St. Gall 464 (Tschudl) <br />
Segovia <br />
Torlno I.27 <br />
Tournai <br />
Trent 1947-4 <br />
Ulm 237 abcd <br />
Verona 757
-3<br />
1541 2 Petreius, Trium vocum cantiones<br />
i' 1542 6 Petreius, Tomus tertius psalmorum <br />
1542 8 Rhau, Tricinia <br />
1544 21 Rhau, Neve deudsche geistliche Gesenge <br />
1545 2 Ul hard, Concentus octo • <br />
1545 3 KriessteiD, Cantiones 7, 6, ••• <br />
1545 5 Rhau, Officiorum ••• de Nativitate <br />
1546 8 Berg 11£ Neuber, Selectissimae Symphoniae <br />
1549 1 Berg & Neuber, Lamentationes Bieremiae <br />
1549 16 Berg & Neuber, Diphona amoena et florida <br />
1550 2 Berg & Neuber, Carmina vere divina <br />
21<br />
1550 Berg 11£ Neuber, 7fPOT£.AE/OG., E.YKH<br />
rc.1550]2!<br />
Berg & Neuber, 61 deutsche u. franzosische ••• Vokalsitze<br />
f C .1550J23 Berg & Neuber, 68 deutsche franzosische lateinische Vokalsfitze<br />
1552 28 Berg & Neuber, Des dritten teyls •••Teutscher Liedlein<br />
1553 4-6 Berg &Neuber, Psalmorum selectorum Bks. 1-3<br />
1553 8-10 Susato, Liber primus - tertius ecclesiasticarum cantionum<br />
14<br />
1553 12 - Susato, Liber quintus - septimus ecclesiasticarum cantionum<br />
~ 1554 8 Susato, Liber quartus ecclesiasticarum cantionum<br />
1554 10 Berg & Neuber, Evangeliorum dominicorum<br />
1554 11 Berg & Neuber, Liber quartus psalmorum selectorum<br />
12<br />
1554 Du Bosc 11£ Gulroult, Brimus liber ~otetorum (S)<br />
1554 13 Do Bosc & Gulroult, Secundus liber modulorum (S) <br />
12<br />
1555 10 - Secundus - quartus tomus Evangeli~rum, Berg & Neuber <br />
1556 8 Berg & Neuber, Quintus tomus Evangeliorum <br />
1556 9 Berg & Neuber, Sextus tomus Evangeliorum <br />
1558 4 Berg 11£ Neuber, Novum et insigne opus musicum <br />
1559 1 -2 Berg & Neuber, Secunda & tertia pars magni operis musici <br />
[1560J 1 Berg & Neuber, Selectissimorum Triciniorum <br />
1560 2 Berg & Neuber, Variarum linguarum tricinia <br />
1561 1 Berg & Neuber, Vetere. ac piae cantiones <br />
1563 2 Berg & Neuber, In tertio tomo triciniorum <br />
1<br />
1564 - 5 Berg & Neuber, Thesaurus musicus Bks. 1-5 <br />
1567 1 Gerlach, Suavissimae et jucundissimae harmoniae <br />
1568 7 Stephani, Cantiones triginta selectissimae <br />
~ 1568 8 Stephani, Liber secundus Suavissimarum et iucundissimarum harmoniarum<br />
""':Ir 1575 2 Figulua, Vetera nova carmina<br />
1576 2 & Phalese, Livre Bepti~me des chansons<br />
1597 13 Kaufmann, De fior del giardino
,<br />
Verona 758 <br />
Verona 759 <br />
Verona 761 <br />
'Vienna 11883 <br />
Vienna 15495 <br />
V1~nna 15497 <br />
Vienna 18746 <br />
Vienna 18810 <br />
Vienna 18832 <br />
Wssh1ngton Laborde <br />
Wash1ngton Wolffhe1m <br />
Weimar B <br />
Wolfenbflttel 287 <br />
Z,,1ckau 78.3 <br />
Prints<br />
Ant1co, La Courone HISK 1536 1<br />
Ant1co, Ier L1vre des chansons a 4 (no RISH no.)<br />
Ant1co, Le second l1vre (no HISK no.)<br />
Ant1co, Motetti novi HISM 15203<br />
Attaingnant, Quartus liber tres missas contlnet RISM 15324<br />
Atta1ngnant, Qu1ntus liber tres missas continet RISM 15325<br />
Atta1ngnant, Sextus llber duas mlssas habet RISK 15326<br />
AttAingnant, Septimus liber tree mIss~s habet RISM 15327<br />
(Egenolfr) Parls 504 RISM [c. 153511~<br />
Formschne1der, Trium vocum carmina RISH 15389<br />
-- .PetruccI, Odhecaton A RISM 1501<br />
PetruccI, Canti B RISM 15022<br />
PetruccI, Canti C RISM 15043<br />
PetruccI, Motetti A RISK 15021<br />
Rhau, Secundus tomus biciniorum RISK 15457<br />
Rhau, Trlclnia HISK 1542H