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Giuseppe Cavalli

Giuseppe Cavalli

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e consulted permanently at the MUSINF and on the Museum’s website.<br />

It should also be mentioned that the research and cataloguing inspired by Daniele <strong>Cavalli</strong> has greatly facilitated<br />

the organization of the exhibition at Palazzo del Duca in Senigallia, and the creation of this catalogue published by<br />

the Senigallia Municipal Council. The Council’s photographic collections are truly impressive and generally considered<br />

fundamental to understanding the dynamics and achievements of fine art photography in the twentieth century.<br />

Hence, the collections and digital catalogues are consulted continuously by scholars and students from Italian and<br />

foreign universities, and a special video library has been set up at the MUSINF.<br />

One must consider that there are over 200 works by Mario Giacomelli, almost 200 by <strong>Giuseppe</strong> <strong>Cavalli</strong>, hundreds<br />

of works by the exponents of the Misa group (Bocci, Branzi, Camisa, Ferroni, Malvagia, Pellegrini and<br />

Simoncelli, who along with <strong>Cavalli</strong> and Giacomelli participated in Misa’s activities from its foundation) and by the<br />

artists who adhered to the Manifesto del passaggio di frontiera (Berengo Gardin, Brunetti, Carli, Cutini, Giacomelli,<br />

Melchiorri, Mengucci, Renzi, Valenti). There are also photographs by artists, some of whom are still alive, who<br />

worked with Giacomelli and <strong>Cavalli</strong>. Of these I would just like to mention Tortelli, who took the superb photos of<br />

Giacomelli busy with his camera at Scanno, which have gone down in photographic history. The MUSINF library<br />

also contains extensive bibliographic documentation on the photographers represented and, where <strong>Giuseppe</strong> <strong>Cavalli</strong><br />

is concerned, on his critical contributions to various specialist magazines.<br />

The MUSINF uses state-of-the-art equipment for its digital cataloguing and the conservation of its collections.<br />

This equipment was specifically chosen by the Museum staff, as a result of in-depth analyses carried out with their<br />

managerial counterparts at the National Library in Paris. It should also be mentioned that it was precisely the meetings<br />

with Anne Biroleau that produced the superb exhibition on Mario Giacomelli at the National Library, which<br />

attracted a huge number of visitors and was reviewed extensively in the international press.<br />

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