juli 2012 - Kunsthistorisches Institut in Florenz
juli 2012 - Kunsthistorisches Institut in Florenz
juli 2012 - Kunsthistorisches Institut in Florenz
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TAGUNGEN | STUDIENTAGE | WORKSHOPS | 29<br />
Ole W. Fischer (Salt Lake City) Archipelago Urbanism<br />
Claudia Tittel (Jena)<br />
Medienfassaden: Der Platz als Display<br />
Sharon Hecker (Mailand) »Markets, Bacchanals and Gallows«: Luciano Fabro’s »Italia all’Asta« <strong>in</strong> Naples’ Piazza del Plebiscito (2004)<br />
Carol<strong>in</strong> Höfler (Braunschweig) Agora 2.0. Der Platz als materieller und medialer Ort der neuen Protestbewegungen<br />
29.06.–01.07.<strong>2012</strong><br />
The Tusk and the Book: The Salerno/Amalfi Ivories <strong>in</strong> their Mediterranean Contexts<br />
International Conference<br />
E<strong>in</strong>e Kooperation des KHI und des Centro di Cultura e Storia Amalfitana<br />
Organisation: Francesca Dell’Acqua, Herbert L. Kessler, Av<strong>in</strong>oam Shalem und Gerhard Wolf unter Mitarbeit von Beat Brenk, Gudrun Bühl,<br />
Anthony Cutler und Giuseppa Zanichelli<br />
Herbert L. Kessler<br />
Introduction<br />
Holger Kle<strong>in</strong><br />
Byzantium, Amalfi, and the Vexed Question of Artistic Influence<br />
Karen Mathews<br />
Objects on the Loose: The Salerno/Amalfi Ivories as Luxury Commodities <strong>in</strong> Mediterranean Trade<br />
and Cultural Exchange<br />
Mariam Rosser-Owen<br />
»Diverse Precious Merchandise«: Amalfitan Relations with Umayyad Córdoba and their Implications<br />
for the Ivory Trade<br />
Gudrun Bühl<br />
The »Grado Chair Story« Revisited<br />
Antonio Milone<br />
Nuove acquisizioni documentarie sugli avori di Grado e di Salerno<br />
Fabrizio Crivello<br />
Alle orig<strong>in</strong>i degli avori del »gruppo Amalfi/Salerno«. Considerazioni sui presupposti, sulla cronologia<br />
e la localizzazione<br />
Anthony Cutler<br />
Fabric and Facture of the Salerno Ivories<br />
Pietro Baraldi<br />
La policromia superstite di avori medievali di Salerno e oltre<br />
Gabriella Bernardi/<br />
»Tavolette quadrae bislonghe«. Note critiche sugli avori salernitani del Museo Civico Medievale di Bologna<br />
Giovanni Gasbarri<br />
Francesca Dell’Acqua<br />
The »B-Side« of the Salerno Ivories and a Hypothetical Reconstruction of the Orig<strong>in</strong>al Programme<br />
Herbert L. Kessler<br />
»Veteris Testamenti typos Evangelicae veritati profecisse monstravimus«: Realia and Spiritualia on the<br />
Salerno Ivories<br />
Natalia Teteriatnikov<br />
When Art and Ritual Clashed: the Case of the Salerno Plaque with the Women at the Tomb<br />
Maria Evangelatou<br />
God is <strong>in</strong> the (Botanical) Details: on the Representation of Plants <strong>in</strong> the Salerno Ivories<br />
Maria Crist<strong>in</strong>a Carile<br />
Architectural Illusions and Architectural Representations: Space <strong>in</strong> the Salerno Ivories<br />
Ruggero Longo/Elisabetta Scirocco A scenario for the Salerno Ivories: the Liturgical Furnish<strong>in</strong>gs of the Salerno Cathedral<br />
Jill Caskey<br />
The Salerno Ivories and Church Furnish<strong>in</strong>gs: The Cathedral of Salerno and Beyond<br />
Philippe Cordez<br />
Play<strong>in</strong>g with Images <strong>in</strong> Norman Italy: the »Charlemagne« Chess Set before Sa<strong>in</strong>t-Denis<br />
Gerhard Wolf<br />
F<strong>in</strong>al Remarks<br />
Round Table and general discussion mit Gudrun Bühl (coord<strong>in</strong>ator)<br />
03.07.<strong>2012</strong><br />
Bildarchitektur. Technologie und Rolle der Sgraffito-Fassade im Florent<strong>in</strong>er Quattrocento<br />
Workshop<br />
Organisation: Wolf-Dietrich Löhr und Andreas Huth<br />
Andreas Huth<br />
Architekturbild. Der Innenhof von Francesco Sassettis Villa und die Sgraffito-Fassade im <strong>Florenz</strong> des<br />
Quattrocento<br />
Diskussion mit Beiträgen von Maria-Rosa Lanfranchi (OPD Firenze), Daniela Valent<strong>in</strong>i (Istituto Sp<strong>in</strong>elli) und Eleonora Pecchioli (Istituto Sp<strong>in</strong>elli)
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