juli 2012 - Kunsthistorisches Institut in Florenz

TAGUNGEN | STUDIENTAGE | WORKSHOPS | 25
Serena Autiero
Rebecca Gould
Jesse Howell
Galia Halpern
Ines G. Zupanov
Tolga Erkan
Fatma Sinem Eryilmaz
Jessica Keating
Indian Ocean Routes: Trade and Cultural Exchange
The Circulation of Twelfth-Century Persian Prison Poetry
From Adriatic to Marmara: Ragusan Agents in the Ottoman Balkans
»Fetch a Few Good Sailors to Explain the Mappamundi«: Vernacular Geography in the Time of Charles V of France
The Circulation of Talents in Asia. People, Objects, Ideas (XVI–XVIIIth centuries)
Celestial Bodies in Anatolian Seljuq Art
From Prophets to Philosophers to Kings: The Interpretation and Fabrication of Knowledge in the Ottoman
Court of the Sixteenth Century
Cupid, the Kaiser, and the Shah: Allegorical Portraiture and the Origins of a Cosmopolitan Global
Community in 1600
»Imago Urbis«: the Politics of City Views in the Mediterranean in the age of the Great Ottoman Empire
Denis Ribouillault
Laura L. Schmidt Rational Representations: The Dissemination of al-Jazari’s Automata 1106–1821
Sara Mondini
Construction of Identity and Construction of Authority in Islamic India
29.09–01.10.2011
Figure and Ornament: Aesthetics, Art and Architecture in the Caucasus region, from 400 to 1650
Conference
Eine Kooperation des George Chubinashvili National Research Centre, Tbilisi mit dem KHI und der Universität Basel
Veranstaltungsort: Goethe Institut, Tbilisi
Manuela De Giorgi (Florence)/
Annette Hoffmann (Florence)
Nina Chichinadze (Tbilisi)
Ekaterina Gedevanishvili (Tbilisi)
Margaret Graves (Glasgow)
Barbara Schellewald (Basel)
Kitty Machabeli (Tbilisi)
Vera Beyer (Berlin)
Simon Rettig (Berlin)
Dionysios Mourelatos (Athens)
Maria Raffaella Menna (Viterbo)
Joachim Gierlichs (Berlin)
Antony Eastmond (London)
Bärbel Dümler (Tübingen)
Sophia Vassilopoulou (Berlin)
Leila Khuskivadze (Tbilisi)
David Khoshtaria (Tbilisi)/
Marcus Bogisch (Copenhagen)
Nino Kavtaria (Tbilisi)
Eka Quatshatadze (Tbilisi)
Alexander Saminski (Moscow)
Iván Szántó (Vienna)
Tamar Khundadze/
Ana Shanshiashvili (Tbilisi)
Irine Giviashvili (Tbilisi)
Sarah Laporte Eftekharian (Paris)
Christiane Esche-Ramshorn
(Cambridge)
Gerhard Wolf (Florence)
Figure and Ornament. Conceptual and Aesthetical Considerations for an Introduction
Framing the Sacred: Repoussé Revetments of Medieval Georgian Painted Icons
Representation of the Saints Making the limitless Sacral Space
Figural Necessity? Architecture as Ornament in the Secular Sphere
Image versus Ornament or vice versa?
Ornament – Figure – Symbols (Early Medieval Georgian Reliefs)
Ornaments and Figures. Contextualising an Ornament within a Miniature in a Manuscript of Nizamis
Iskandername (Topkapi H. 788 f.319r)
Tricky Images? Analysing the Presence of Figurative Elements in Persian Ornamental Illuminations
Interpretation of motifs in royal panels. The case of a panel at Sinai
Paintings of Ishkhani Cathedral (Tao-Klarjeti) (1032): Between Figure and Ornament
Figur und Ornament an mittelalterlichen Bauten im Kaukasus und in Anatolien
Between Figure and Ornament: the Functions of Text on Georgian Icons
Meaning and Function of Geometrical and Vegetable Ornamentation within the Iconographic Program
of Armenian Khachkars
Secular or mystical? – The image of a »couple around a tree« on Persian lustre tiles
The Issue of Cultural Correlation (In the Ornamental Repoussé Art)
Palmettes with Concentric Ribs. Study of an Ornament in Medieval Georgian Art and Beyond
Canon Tables Types, Ornamental Decorations and Aesthetics of the XI–XIII Century Georgian and Armenian
Book Art
Seljuk Ornament in Georgian and Armenian Architectural Sculpture
The Canon Tables in the Program of Illumination of the Mokvy Gospels
Figures on Canvas, Ornaments on Silk: the Caucasian Element in the Art of Early-Modern Eurasia
Figures and Ornament Confirming Georgian Diplomatic and Missionary Activities in the North Caucasus
Meeting of Two Traditions: Sculptures of the Georgian Church in Armenian Ani
Figure and Ornament – the Case of Bethlehem – Church in New Julfa
Western Image and Armenian Ornament: The Dominican Monasteries at the Ararat and in Nachitschevan/
Azerbaijan and their Arts
Figure/Ornament and the Question of Caucasian Aesthetics
27.–29.10.2011
Photo Archives IV: The Photographic Archive and the Idea of Nation
Internationale Tagung/Convegno internazionale
Organisation: Costanza Caraffa und Tiziana Serena
Wissenschaftliches Komitee: Costanza Caraffa, Elizabeth Edwards (DeMontfort University, Leicester), Joan M. Schwartz (Queen’s University,
Kingston), Tiziana Serena
Costanza Caraffa (Florence)/
Tiziana Serena (Florence)
Elizabeth Edwards (Leicester)
Tiziana Serena (Florence)
Bernhard Jussen (Frankfurt)
Joan M. Schwartz (Belfast)
Roberto Mancini (Venezia)
Ewa Manikowska (Warsaw)
Introduction
The Invisibility of History: Photography, the Colonial, and the Refiguring of Nation
Cultural Heritage, Nation, Italian State: Politics of the photographic Archive between Centre and Periphery
Towards an Iconology of Medieval Studies: Approaches to the Pictorial Formation of Historical Knowledge
in Modern Scholarship
Images and Imaginings: Photographs, Archives, and the Idea of Nation
La fabbrica degli albanesi: Lo studio fotografico Marubi e la definizione della identità nazionale del ›paese
delle aquile‹ tra età moderna e contemporanea
Turning Local into Universal. Museums, Photography, and the Discovery of Poland’s Cultural Patrimony
(1918–1939)