juli 2012 - Kunsthistorisches Institut in Florenz
juli 2012 - Kunsthistorisches Institut in Florenz
juli 2012 - Kunsthistorisches Institut in Florenz
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20 | WISSENSCHAFTLICHE VERANSTALTUNGEN<br />
11.–13.11.2010<br />
It<strong>in</strong>erari mediterranei fra IV e IX secolo. Città-capitale e Deserto-monastico<br />
Convegno <strong>in</strong>ternazionale<br />
Organisation: CantiMed (Cantiere Mediterraneo), Mu.MA – Istituzione Musei del Mare e della Navigazione, KHI, Università degli Studi di Genova<br />
und Università Roma Tre<br />
Veranstaltungsort: Galata Museo del Mare und Museoteatro della Commenda di Prè, Genova<br />
Letizia Erm<strong>in</strong>i Pani (Roma) Le <strong>in</strong>tercettazioni culturali tra mondo mediterraneo ed Europa occidentale: Fonti archeologiche<br />
e iconografiche per la storia e la cultura degli <strong>in</strong>sediamenti nell’Alto Medioevo<br />
Barbara Mazzei (Roma)<br />
»Convento Rosso«: pr<strong>in</strong>cipali risultati dell’analisi <strong>in</strong>tegrata<br />
Giusepp<strong>in</strong>a Capriotti Vitozzi (Roma) Il deserto nell’Egitto faraonico<br />
Francesca Sever<strong>in</strong>i (Roma) Villes mortes versus Deserto monastico: le porte basaltiche della Siria cristiana<br />
Rosario P<strong>in</strong>taudi (Mess<strong>in</strong>a/Firenze) Ant<strong>in</strong>oupolis nei recenti scavi dell’Istituto Papirologico »G. Vitelli« di Firenze<br />
Ala<strong>in</strong> Delattre (Bruxelles) Les rapports entre la ville d’Ant<strong>in</strong>oé et le monastère du Deir Abou Hennis en Moyenne-Égypte<br />
Adele Monaci (Tor<strong>in</strong>o)<br />
Città e deserto monastico <strong>in</strong> alcuni testi agiografici fra IV e V secolo: costruzione culturale e trasformazioni<br />
Cäcilia Fluck (Berl<strong>in</strong>)<br />
Textiles from Ant<strong>in</strong>oupolis: Recent f<strong>in</strong>ds from the so called Peristyle Court<br />
Giuseppa Z. Zanichelli (Salerno) Il codice del »Deserto«: immag<strong>in</strong>e e visione<br />
Alessandra Giuglia (Roma) Costant<strong>in</strong>opoli e Roma: i term<strong>in</strong>i di un dialogo<br />
Mar<strong>in</strong>a Falla Castelfranchi (Lecce) I santuari di pellegr<strong>in</strong>aggio del territorio del patriarcato di Antiochia (474–565)<br />
Chiara Lambert (Salerno) La parola iscritta nei luoghi di pellegr<strong>in</strong>aggio della Campagnia Tardoantica e Altomedievale<br />
Francesca Romana Stasolla (Roma) Gli it<strong>in</strong>erari dei pellegr<strong>in</strong>i tra Oriente e Occidente: paesaggi, uom<strong>in</strong>i, culture<br />
Paola Falcioni (Roma)<br />
Deserto monastico e modelli di antropizzazione: Tebaide paleocristiana, Siria bizant<strong>in</strong>a.<br />
Etiopia post-Axumita, Armenia medievale<br />
Mattia Guidetti (Firenze)<br />
Cristiani, chiese e monasteri nel primo Egitto musulmano<br />
Beat Brenk (Williamstown Mass) Apse, Icon and Image Propaganda<br />
Gerhard Wolf (Firenze)<br />
Per una storia dell’arte mediterranea<br />
Paolo Piva (Milano)<br />
La diffusione della basilica doppia <strong>in</strong> area mediterranea fra V e VI secolo<br />
Taha Mattar (Roma)<br />
Il ruolo dell’esperienza italiana nello sviluppo del restauro del patrimonio culturale egiziano<br />
Badrya Serry (Alexandria, Egypt) The Role of the Antiquities Museum of the Bibliotheca Alexandr<strong>in</strong>a to preserve the archeological heritage<br />
<strong>in</strong> Alexandria<br />
Silvana Casartelli Novelli (Roma) La »nouvelle histoire« della rivoluzione dell’immag<strong>in</strong>e <strong>in</strong> Occidente: dai »secoli bui« alle »avanguardie« del<br />
Novecento (e viceversa)<br />
02.–04.12.2010<br />
Exodus: Border Cross<strong>in</strong>gs <strong>in</strong> Jewish, Christian and Islamic Texts and Images<br />
Interdiscipl<strong>in</strong>ary Conference<br />
E<strong>in</strong>e Kooperation des KHI mit dem Exzellenzcluster »Asia and Europe <strong>in</strong> a Global Context: Shift<strong>in</strong>g Asymmetries <strong>in</strong> Cultural Flows«, Projekt D3<br />
»Images of Alterity«. Gefördert von der Fritz Thyssen Stiftung<br />
Organisation: Annette Hoffmann<br />
Veranstaltungsort: Karl-Jaspers-Centre, Heidelberg<br />
Helmut Utzschneider<br />
(Neuendettelsau)<br />
Annette Hoffmann (<strong>Florenz</strong>)<br />
Wolfgang Oswald (Tüb<strong>in</strong>gen)<br />
Rella Kushelevsky (Ramat-Gan)<br />
Kara Schenk (Baltimore)<br />
Galit Noga Banai (Jerusalem)<br />
Sarah Offenberg (Beer-Scheva)<br />
Susanne Talabardon (Bamberg)<br />
Silvan Wagner (Bayreuth)<br />
Hannah Baader (<strong>Florenz</strong>)<br />
Thomas Böhm (Freiburg)<br />
Uri Rub<strong>in</strong> (Tel Aviv)<br />
Sarah Bowen Savant (London)<br />
Rachel Milste<strong>in</strong> (Jerusalem)<br />
Mika Natif (Worcester)<br />
»Und Gott nahm wahr...« (Ex 2, 25), Ästhetik und politische Theologie <strong>in</strong> der Exoduserzählung<br />
Exodus. A Story of Passover(s)<br />
Auszug aus der Vasallität – Die Exodus-Erzählung (Ex 1–14) und das antike Völkerrecht<br />
Border Cross<strong>in</strong>g and Lim<strong>in</strong>allity <strong>in</strong> Rabb<strong>in</strong>ic Narratives of Moses’ Death and the ›Dead of the Desert‹: Analogical Aspects<br />
The Exodus Narrative and ›Anti-Roman Polemic‹ <strong>in</strong> the Dura-Europos Synagogue<br />
From the Desert to Loca Sancta: A Contribution to »Dom<strong>in</strong>us legem dat«<br />
Cross<strong>in</strong>g over from Earth to Heaven: The Image of the Ark and Merkavah <strong>in</strong> the London Miscellany<br />
The Paradigm of Second Exodus <strong>in</strong> Jewish Tradition<br />
Bewegung <strong>in</strong> der altdeutschen Exodus als translatio veritatis, Heilsempfang und Übersetzung<br />
Erythra Thalassa. Das Meer als Grenze, Abgrund und Ort des Durchzugs<br />
Die Theophanien des Moses aus patristischer Perspektive<br />
The Israelite Exodus and the Lost Tribes <strong>in</strong> the Qur’an and <strong>in</strong> Islamic tradition: further considerations<br />
Muhammad’s Companion, Salman al-Farisi, and his Legendary Movement from Iran to Med<strong>in</strong>a<br />
From Darkness to Light, from Displacement to Self: the Iconography of Exodus <strong>in</strong> Islamic Lands<br />
Moses: The Man Who Crossed Worlds<br />
04.12.2010<br />
Modernity <strong>in</strong> Translation? Das globale Phänomen des Modernismus<br />
Symposium<br />
E<strong>in</strong>e Kooperation der LMU München, Kunstwissenschaftliche Fakultät mit dem KHI<br />
Organisation: Christoph Balme (München) und Av<strong>in</strong>oam Shalem (München/<strong>Florenz</strong>)<br />
Veranstaltungsort: Center for Advanced Studies, München<br />
Kirsten Scheid<br />
Christoph Balme<br />
Burcu Dogramaci<br />
Wendy Shaw<br />
Av<strong>in</strong>oam Shalem<br />
Glenn Panny<br />
Unbounded Landscapes: Secular Modernism and Subversive Nationalism?<br />
The Cairo Opera House and the Beg<strong>in</strong>n<strong>in</strong>gs of Global Theatre<br />
E<strong>in</strong> Orientale als Orientalist? Der Istanbuler Maler Osman Hamdi Bey<br />
Cubism on the Bosporus<br />
Surrealism on the Nile<br />
Conclud<strong>in</strong>g Remarks
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