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1993 Hildegard of Bingen: Universal Proportion, in “Mystics Quarterly” 19/1,
pp. 34-9.
1995 Das mathematische Mittel als Symbol für das universale Denken
Hildegards von Bingen, in SCHMIDT 1995, pp. 143-53.
FASSLER, MARGOT ELIZABETH
1984 Who was Adam of St. Victor? The evidence of the Sequence Manuscripts,
in “Journal of the American Musicological Society” 37/2, pp. 233-69.
1993 Gothic Song. Victorine Sequences and Augustinian Reform in twelfthcentury
Paris, Cambridge, Cambridge University Press.
1998 Composer and Dramatist. “Melodious Singing and the Freshness of
Remorse”, in NEWMAN 1998, pp. 149-75.
2003 Hildegard and the Dawn Song of Lauds: An Introduction to Benedectine
Psalmody, in HAROLD W. ATTRIDGE, MARGOT E. FASSLER (edd.), Psalms in
Community. Jewish and Christian Textual, Liturgical and Artistic Traditions,
Society of Biblical Literature, Symposium Series 25, Leiden, Brill.
FELTEN, FRANZ J.
2001 “Nolui esse uolunt … deserentes bene contritam uiam …”: Hildegard von
Bingen und Reformbewegungen im religiösen Leben ihrer Zeit, in BERNDT 2001,
pp. 27-86.
FLANAGAN, SABINA
1987 Hildegard of Bingen as Prophet: The Evidence of her Contemporaries, in
“Tjurunga” 32, pp. 16-45.
1990 Hildegard and the Global Possibilities of Music, in “Sonus” 11/1, pp. 20-
32.
1991 Ildegarda di Bingen. Vita di una profetessa, Firenze, Le Lettere.
FLISFISCH, MARÍA ISABEL
2004 The Eve-Mary Dichotomy in the Symphonia of Hildegard of Bingen, in
The Voice of Silence: Women‟s Literacy in a Men‟s Church, THÉRÈSE DE
HEMPTINNE, MARÍA EUGENIA GÓNGORA (edd.), Turnhout, Brepols, pp. 37-46.
FORSTER, EDELTRAUD
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