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LUOGHI<br />
16<br />
1947, quando per la prima<br />
volta Edda tornerà a Capri,<br />
si presenterà in Piazzetta al<br />
braccio di Chantecler. E, come<br />
sempre, si siederà a un<br />
tavolino del Bar Tiberio.<br />
Ormai famoso, nel 1952<br />
Capuano lasciò via Camerelle<br />
per trasferirisi con la<br />
sua gioielleria nel più centrale<br />
corso Vittorio Emanuele,<br />
quasi di fronte al<br />
Quisisana. La boutique è<br />
ancora lì, con le vetrine scintillanti<br />
e con la portantina<br />
all’ingresso diventata negli<br />
anni segno di riconoscimento<br />
della casa. Non è quella originale, però:<br />
raccontava Chantecler che un cliente americano<br />
che aveva fatto incetta di gioielli gli aveva<br />
chiesto di comprare anche quella. Come<br />
dirgli di no? Detto fatto, la rimpiazzò subito<br />
con un’altra. Mai più messa in vendita.<br />
Poi arriveranno gli anni Sessanta, quelli che<br />
hanno segnato per l’isola un nuovo rinascimento<br />
e il definitivo trionfo. Nel suo piccolo,<br />
lo testimonierà anche la strada che era stata<br />
anche di Diefenbach e di Cerio. Lì Tonino<br />
D’Emilio, parrucchiere bravissimo e intraprendente,<br />
aprì bottega nella speranza di<br />
tagliare e sistemare tutte le ciocche che contavano.<br />
Ci riuscirà presto: si rivolgeranno a<br />
lui la duchessa di Windsor e la principessa<br />
Soraya, Grace Kelly e Jackie Kennedy. Poi<br />
verranno le grandi boutique, i profumi, le<br />
scarpe e i vestiti, il cachemire e i libri d’arte, i<br />
caffè tranquilli e i ristorantini appartati. Ma<br />
anche gli oleandri e le cicale, la vista sulla<br />
Certosa e i pini, e oltre i pini il mare. Questa<br />
è Capri. E null’altro è Capri.<br />
Camerelle, and which was known by his<br />
nickname, Chantecler – like the cockerel in the<br />
French literary tradition.<br />
The Chantecler jewellery shop<br />
Roberto Ciuni, who knows the island, its history<br />
and its leading personalities like the back of his<br />
hand, has written some delightful and<br />
enlightening pieces on Capuano aka<br />
Chantecler, such as “I peccati di Capri”(“Capri’s<br />
Sins”). The son of Neapolitan jewellers, Pietro<br />
was sent by his father to sell semiprecious and<br />
precious stones to Capri’s wealthy visitors.<br />
During the Fascist period, Ciuni recounts, Capri<br />
high society was divided into two quite separate<br />
clans: one revolved around the Neapolitan<br />
general Armando Diaz, hero of the First World<br />
War and one of Mussolini’s ministers; the other<br />
took delight in being part of the court of<br />
Tommaso Marinetti, the poet and author of the<br />
Futurist Manifesto.<br />
For business reasons, Capuano frequented<br />
both, but it was obvious that his heart lay with<br />
the more upbeat, imaginative Marinetti types.<br />
Shameless, excessive and a born provocateur,<br />
Pietro followed Marinetti’s example and<br />
sunbathed in the nude (in later years, the<br />
Iaconos at the Canzone del Mare would put a<br />
screen around him so that he could do so<br />
there). One day, he appeared in the Piazzetta<br />
wearing red trousers and created a scandal.<br />
Another day, he was seen dressed as a<br />
woman and people began to think he was gay.<br />
From the beginning of the post-war period, his<br />
personal life was closely intertwined with that of<br />
Edda Ciano, a long-time friend and visitor to the<br />
island. After the tragic death of her husband<br />
Galeazzo Ciano and his father, the Duce’s<br />
daughter, who had been confined to Lipari<br />
following the Liberation, received a postcard with<br />
a message saying: that she had a friend on Capri.<br />
It was signed “Pietro Capuano”. In 1947, Edda<br />
returned to Capri for the first time, walked into the<br />
Piazzetta on Chantecler’s arm, then sat at one of<br />
the Bar Tiberio tables like she always did.<br />
In 1952 the then famous Capuano left Via<br />
Camerelle and opened his jewellery shop in the<br />
more central Corso Vittorio Emanuele, almost<br />
opposite the Quisisana. The store is still there,<br />
with its glittering window displays and the sedan<br />
chair in the entrance, which has become its<br />
symbol. But it’s not the original one. Chantecler<br />
used to tell the story that an American customer<br />
who had virtually bought the shop, also wanted<br />
to purchase the sedan. How could he say no? In<br />
fact, it was no sooner said than done, and the<br />
sedan chair was immediately replaced with<br />
another – which has never been for sale.<br />
Then came the Sixties, which signalled another<br />
renaissance for the island and its definitive<br />
triumph. The street associated with Diefenbach<br />
and Cerio was also part of this, in its own small<br />
way. There, a very talented and go-ahead<br />
hairdresser named Tonino D’Emilio opened a<br />
salon with a view to styling the locks of the jet<br />
set. He soon succeeded, and the Duchess of<br />
Windsor, Princess Soraya, Grace Kelly and<br />
Jackie Kennedy all came to him for their<br />
hairdos. Then came the luxury brand boutiques,<br />
the perfumes, the shoes and clothes, the<br />
cashmere and the art books, the quiet cafés<br />
and the small, secluded restaurants. But also<br />
the oleanders and the grasshoppers, the view<br />
of the Charterhouse of San Giacomo and the<br />
pines, and beyond the pines, the sea. This is<br />
Capri. This, and nothing else.<br />
U. D’ANIELLO - <strong>CAPRI</strong>ONLINE.COM