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0 Cop CAPRI 25 - Caesar Augustus

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LUOGHI<br />

16<br />

1947, quando per la prima<br />

volta Edda tornerà a Capri,<br />

si presenterà in Piazzetta al<br />

braccio di Chantecler. E, come<br />

sempre, si siederà a un<br />

tavolino del Bar Tiberio.<br />

Ormai famoso, nel 1952<br />

Capuano lasciò via Camerelle<br />

per trasferirisi con la<br />

sua gioielleria nel più centrale<br />

corso Vittorio Emanuele,<br />

quasi di fronte al<br />

Quisisana. La boutique è<br />

ancora lì, con le vetrine scintillanti<br />

e con la portantina<br />

all’ingresso diventata negli<br />

anni segno di riconoscimento<br />

della casa. Non è quella originale, però:<br />

raccontava Chantecler che un cliente americano<br />

che aveva fatto incetta di gioielli gli aveva<br />

chiesto di comprare anche quella. Come<br />

dirgli di no? Detto fatto, la rimpiazzò subito<br />

con un’altra. Mai più messa in vendita.<br />

Poi arriveranno gli anni Sessanta, quelli che<br />

hanno segnato per l’isola un nuovo rinascimento<br />

e il definitivo trionfo. Nel suo piccolo,<br />

lo testimonierà anche la strada che era stata<br />

anche di Diefenbach e di Cerio. Lì Tonino<br />

D’Emilio, parrucchiere bravissimo e intraprendente,<br />

aprì bottega nella speranza di<br />

tagliare e sistemare tutte le ciocche che contavano.<br />

Ci riuscirà presto: si rivolgeranno a<br />

lui la duchessa di Windsor e la principessa<br />

Soraya, Grace Kelly e Jackie Kennedy. Poi<br />

verranno le grandi boutique, i profumi, le<br />

scarpe e i vestiti, il cachemire e i libri d’arte, i<br />

caffè tranquilli e i ristorantini appartati. Ma<br />

anche gli oleandri e le cicale, la vista sulla<br />

Certosa e i pini, e oltre i pini il mare. Questa<br />

è Capri. E null’altro è Capri.<br />

Camerelle, and which was known by his<br />

nickname, Chantecler – like the cockerel in the<br />

French literary tradition.<br />

The Chantecler jewellery shop<br />

Roberto Ciuni, who knows the island, its history<br />

and its leading personalities like the back of his<br />

hand, has written some delightful and<br />

enlightening pieces on Capuano aka<br />

Chantecler, such as “I peccati di Capri”(“Capri’s<br />

Sins”). The son of Neapolitan jewellers, Pietro<br />

was sent by his father to sell semiprecious and<br />

precious stones to Capri’s wealthy visitors.<br />

During the Fascist period, Ciuni recounts, Capri<br />

high society was divided into two quite separate<br />

clans: one revolved around the Neapolitan<br />

general Armando Diaz, hero of the First World<br />

War and one of Mussolini’s ministers; the other<br />

took delight in being part of the court of<br />

Tommaso Marinetti, the poet and author of the<br />

Futurist Manifesto.<br />

For business reasons, Capuano frequented<br />

both, but it was obvious that his heart lay with<br />

the more upbeat, imaginative Marinetti types.<br />

Shameless, excessive and a born provocateur,<br />

Pietro followed Marinetti’s example and<br />

sunbathed in the nude (in later years, the<br />

Iaconos at the Canzone del Mare would put a<br />

screen around him so that he could do so<br />

there). One day, he appeared in the Piazzetta<br />

wearing red trousers and created a scandal.<br />

Another day, he was seen dressed as a<br />

woman and people began to think he was gay.<br />

From the beginning of the post-war period, his<br />

personal life was closely intertwined with that of<br />

Edda Ciano, a long-time friend and visitor to the<br />

island. After the tragic death of her husband<br />

Galeazzo Ciano and his father, the Duce’s<br />

daughter, who had been confined to Lipari<br />

following the Liberation, received a postcard with<br />

a message saying: that she had a friend on Capri.<br />

It was signed “Pietro Capuano”. In 1947, Edda<br />

returned to Capri for the first time, walked into the<br />

Piazzetta on Chantecler’s arm, then sat at one of<br />

the Bar Tiberio tables like she always did.<br />

In 1952 the then famous Capuano left Via<br />

Camerelle and opened his jewellery shop in the<br />

more central Corso Vittorio Emanuele, almost<br />

opposite the Quisisana. The store is still there,<br />

with its glittering window displays and the sedan<br />

chair in the entrance, which has become its<br />

symbol. But it’s not the original one. Chantecler<br />

used to tell the story that an American customer<br />

who had virtually bought the shop, also wanted<br />

to purchase the sedan. How could he say no? In<br />

fact, it was no sooner said than done, and the<br />

sedan chair was immediately replaced with<br />

another – which has never been for sale.<br />

Then came the Sixties, which signalled another<br />

renaissance for the island and its definitive<br />

triumph. The street associated with Diefenbach<br />

and Cerio was also part of this, in its own small<br />

way. There, a very talented and go-ahead<br />

hairdresser named Tonino D’Emilio opened a<br />

salon with a view to styling the locks of the jet<br />

set. He soon succeeded, and the Duchess of<br />

Windsor, Princess Soraya, Grace Kelly and<br />

Jackie Kennedy all came to him for their<br />

hairdos. Then came the luxury brand boutiques,<br />

the perfumes, the shoes and clothes, the<br />

cashmere and the art books, the quiet cafés<br />

and the small, secluded restaurants. But also<br />

the oleanders and the grasshoppers, the view<br />

of the Charterhouse of San Giacomo and the<br />

pines, and beyond the pines, the sea. This is<br />

Capri. This, and nothing else.<br />

U. D’ANIELLO - <strong>CAPRI</strong>ONLINE.COM

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