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Fig. 1.<br />

Main plan of the<br />

exposition and the<br />

internal path.<br />

Fig. 2.<br />

Elevated view of the<br />

cover and the interior<br />

patio.<br />

Mine Under the Roof: Parque Arqueològico<br />

Minas Prehistòricas de Gavà<br />

andrea ronzino, Politecnico di Torino<br />

The complex of Prehistoric Mines of Gavà is the oldest known<br />

gallery mining complex in Europe. It’s excavations began approximately<br />

six thousand years ago, and its exploitation continued for<br />

over a thousand years later. The main target was the extraction of a<br />

particular green mineral called Variscita, used in the manufacture<br />

of objects and precious jewels, distributed throughout all the Iberian<br />

Peninsula. The first research, started in 1982 by the culture department<br />

of Catalan municipalities, led to discovery an underground<br />

complex, with galleries organized on different layers able to connects<br />

shafts and tunnels. The general project’s program coincides with a<br />

cultural and popular formula, particularly unusual in the tradition<br />

of archaeological musealization. It aims to transform the site into<br />

an interpretation centre with the effort of adjusting an instrument of<br />

dialogue, very direct and quick, with the audience and the existing<br />

archaeological heritage. In fact, the clear intention is to combine<br />

different requirements for use: to study, to preserve, disseminate and<br />

promote the knowledge from time to time collected.<br />

The architectural proposal by the architects Freixes and Gonzáles<br />

seeks to provide consistent response to policy requirements imposed<br />

by the municipality. It exacted, in particular, compatibility and<br />

complementarity between the museum installations, the excavation<br />

research and the same structure foreseen in the intervention (fig.<br />

1). In fact, we should not forget the obvious difficulties, mainly<br />

structural, to settle on perforated an unstable ground (fig. 2). This<br />

aspect is one of the most significant and crucial feature that must (or<br />

should) to influence and become part of the compositional reasoning.<br />

The main structure, therefore, of this great and slight cover was<br />

conceived through the use of large metal trusses, normally employed<br />

for industrial projects, supported by tripods pillars with circular<br />

section (which resemble huge stools) that provide a better distribution<br />

of ground pressure. The structural tripods, as said before,<br />

suggest the image of transience and refer to the idea of an excavation<br />

99

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