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Fig. 1.<br />
Main plan of the<br />
exposition and the<br />
internal path.<br />
Fig. 2.<br />
Elevated view of the<br />
cover and the interior<br />
patio.<br />
Mine Under the Roof: Parque Arqueològico<br />
Minas Prehistòricas de Gavà<br />
andrea ronzino, Politecnico di Torino<br />
The complex of Prehistoric Mines of Gavà is the oldest known<br />
gallery mining complex in Europe. It’s excavations began approximately<br />
six thousand years ago, and its exploitation continued for<br />
over a thousand years later. The main target was the extraction of a<br />
particular green mineral called Variscita, used in the manufacture<br />
of objects and precious jewels, distributed throughout all the Iberian<br />
Peninsula. The first research, started in 1982 by the culture department<br />
of Catalan municipalities, led to discovery an underground<br />
complex, with galleries organized on different layers able to connects<br />
shafts and tunnels. The general project’s program coincides with a<br />
cultural and popular formula, particularly unusual in the tradition<br />
of archaeological musealization. It aims to transform the site into<br />
an interpretation centre with the effort of adjusting an instrument of<br />
dialogue, very direct and quick, with the audience and the existing<br />
archaeological heritage. In fact, the clear intention is to combine<br />
different requirements for use: to study, to preserve, disseminate and<br />
promote the knowledge from time to time collected.<br />
The architectural proposal by the architects Freixes and Gonzáles<br />
seeks to provide consistent response to policy requirements imposed<br />
by the municipality. It exacted, in particular, compatibility and<br />
complementarity between the museum installations, the excavation<br />
research and the same structure foreseen in the intervention (fig.<br />
1). In fact, we should not forget the obvious difficulties, mainly<br />
structural, to settle on perforated an unstable ground (fig. 2). This<br />
aspect is one of the most significant and crucial feature that must (or<br />
should) to influence and become part of the compositional reasoning.<br />
The main structure, therefore, of this great and slight cover was<br />
conceived through the use of large metal trusses, normally employed<br />
for industrial projects, supported by tripods pillars with circular<br />
section (which resemble huge stools) that provide a better distribution<br />
of ground pressure. The structural tripods, as said before,<br />
suggest the image of transience and refer to the idea of an excavation<br />
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