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The Restoration Project of Hellenistic Agorà<br />

of Kos: the Anastylosis of a Section of the<br />

Eastern Colonnade and the Musealization of<br />

the Archaeological Area<br />

rossana netti, Politecnico di Torino<br />

The hellenistic agorà of Kos<br />

The large complex of the Agorà of Kos came to light in the southwestern<br />

area of the so-called “Walled City”, the medieval fortified<br />

district destroyed in the 1933 earthquake and subsequently excavated<br />

by Luciano Laurenzi, replaced by Luigi Morricone 1 in 1935.<br />

The excavation brought to light the northernmost part of the agorà,<br />

but, as time passed, other areas, belonging to the same monument,<br />

were identified further south, as far as to include some religious<br />

buildings - the Dionysus’ altar and the Attalids’ temple 2 - placed at<br />

a distance of more than 200 meters from the northern sector. Kos’s<br />

would therefore be one of the largest agoras of the ancient world.<br />

Situated in the centre of the ancient city, at the intersection of two areas<br />

of the urban assemblage, the Eastern one, with its checkerboard<br />

like implant and regular blocks, and the Western one, corresponding<br />

to the Acropolis, rotated, considering the first one, presumably<br />

for topographical reasons, the agorà is structured according to the<br />

Hippodamian urban principles.<br />

More complex is the complete and detailed reconstruction of the<br />

planimetry, based on assays and excavations carried out in isolated<br />

points of the city.<br />

The archaeological remains document the succession of different<br />

constructive phases: the construction of the square probably began<br />

in the fourth century BC, after the foundation of the city in 366,<br />

while the last phases of occupation of public spaces can be traced<br />

back to the Byzantine age.<br />

The agora was the subject of a full reconstruction between the late<br />

third and the early second century BC when the whole city of Kos<br />

reached the stage of its heyday, as it was completely renewed of the<br />

square were entirely built of marble, using the chromatic contrast<br />

between white marble and black-blue marble, a choice that is characteristic<br />

of several monuments from the same period. 3<br />

89

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