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The Restoration Project of Hellenistic Agorà<br />
of Kos: the Anastylosis of a Section of the<br />
Eastern Colonnade and the Musealization of<br />
the Archaeological Area<br />
rossana netti, Politecnico di Torino<br />
The hellenistic agorà of Kos<br />
The large complex of the Agorà of Kos came to light in the southwestern<br />
area of the so-called “Walled City”, the medieval fortified<br />
district destroyed in the 1933 earthquake and subsequently excavated<br />
by Luciano Laurenzi, replaced by Luigi Morricone 1 in 1935.<br />
The excavation brought to light the northernmost part of the agorà,<br />
but, as time passed, other areas, belonging to the same monument,<br />
were identified further south, as far as to include some religious<br />
buildings - the Dionysus’ altar and the Attalids’ temple 2 - placed at<br />
a distance of more than 200 meters from the northern sector. Kos’s<br />
would therefore be one of the largest agoras of the ancient world.<br />
Situated in the centre of the ancient city, at the intersection of two areas<br />
of the urban assemblage, the Eastern one, with its checkerboard<br />
like implant and regular blocks, and the Western one, corresponding<br />
to the Acropolis, rotated, considering the first one, presumably<br />
for topographical reasons, the agorà is structured according to the<br />
Hippodamian urban principles.<br />
More complex is the complete and detailed reconstruction of the<br />
planimetry, based on assays and excavations carried out in isolated<br />
points of the city.<br />
The archaeological remains document the succession of different<br />
constructive phases: the construction of the square probably began<br />
in the fourth century BC, after the foundation of the city in 366,<br />
while the last phases of occupation of public spaces can be traced<br />
back to the Byzantine age.<br />
The agora was the subject of a full reconstruction between the late<br />
third and the early second century BC when the whole city of Kos<br />
reached the stage of its heyday, as it was completely renewed of the<br />
square were entirely built of marble, using the chromatic contrast<br />
between white marble and black-blue marble, a choice that is characteristic<br />
of several monuments from the same period. 3<br />
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