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Fig. 4.
Reconstruction of the
external order of the
Temple of Mars Ultor in
the Traiano’s Forum.
Taken from the
site: http://www.
mercatiditraiano.
it/percorsi/
galleriafotografica
an anastylosis that, starting from the history of the archaeological
site and its features, is a means of knowledge and depth for the user
of the museum, presenting an its more advanced and complete use.
The rooms inside the museum are also in contact with the external
space of the Biberatica street, and create a continuity with the
outside of historical and visual communication value, through the
glass windows. Following the path marked by the paved floor of
the Roman era and restored in the 1930s, you can relive the charm
of the old era of which are rediscovered significants parts inside the
halls and with the video-panels. The external path is also characterized
by leaps of share exceeded by walkways made on wood and
steel, which are integrated in their shape and color to the features of
the site. Particularly expressive in its formulation static and material,
with the color of burnished steel, is the bridge was designed by
the architect Michele Molè, who follows in his lightness the shape
of the wall creating a passage through the archaeological site of Traiano’s
Market characterized of particular beauty and effectiveness.
The system of glass railings, metal railings, furniture of corten steel,
is a cohesive and widespread whole in the site and has features of
simplicity and beauty.
The system of communication and information of the museum
The museum is now a basic component of a system of communication
and diffusion activities that appeal to a together wider audience,
offering messages that become more understandable and
immediate as much as its use forms of expression technologically
advanced, forms of production that reminds the old structure of
Roman architectures, possibility of use also through performances,
permanent exhibitions and temporary exhibitions, and flexibility
in the arrangement of spaces and of exhibition-design.
In particular the analysis of both traditional and multimedia information
system, the analysis of itself exhibition-design, the structure
of courses, allow us to locate the new of the museum of the imperial
Forums. The system of communication and information of
the museum is defined by the authors themselves “embedded” in
the sense of an interaction with the place and the realization of an
exhibition-design continuous and carefully. It consist in a series
of panels and video- panels explanatory which contains descriptions,
drawings of three-dimensional modeling, connected to an
archeology revisited on a virtual viewpoint and that leads you to
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