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Fig. 2.<br />

The Great Hall of the<br />

Museum of the Imperial<br />

Forum.<br />

Taken from the<br />

site: http://www.<br />

mercatiditraiano.<br />

it/percorsi/<br />

galleriafotografica<br />

These actions are part of a series of works of restoration and revaluation<br />

that led to the creation of the Museum of Fori Imperiali, in the<br />

same architectural complex, and to the renovation in the sense of a<br />

new and intelligent use, of the hemicycle of the Traiano’s Markets,<br />

of the Biberatica street and the tabernae that face on it. The Traiano’s<br />

Markets, compounds from the ancient tabernae that face on the big<br />

semi-circle of the Ulpian street and along the Biberatica street, developing<br />

on different levels, emanate from the hall consisting of the<br />

large classroom. The great hall, the wider environment on which<br />

appear two levels of halls, is the heart of the Museum of Imperial<br />

Markets (fig. 2). It is a museum who lives on the interior of archeological<br />

area and is itself an integral part of that. The tabernae are organized<br />

around the street Ulpian, and on a higher level, around the<br />

street Biberatica, that at the time of the roman civilization is a shopping<br />

street full of people, life, goods. Beside that stood the Ulpian<br />

Basilica, and the Forum of the Traiano Emperor, characterized by<br />

the Ulpian Basilica, by the Temple of Peace and by the Temple<br />

of Mars Ultor. All of these buildings dates back to the era of the<br />

empire of Traiano, are found remains dating from the year 96 AD<br />

to year 115 AD. During the recent restoration, it was possible to<br />

recover archaeological ruins and sculptures, whose inclusion in the<br />

cycle of the new museum exhibition, has resulted in a production of<br />

the most interesting archaeological sites in present day, which has<br />

combined the modernity of the use of the latest technologies and<br />

materials to the evocative power of the Roman ruins and of their history.<br />

The location of ancient sculptures and pieces within the same<br />

environments of Traiano Markets, has caused sow the rediscovery<br />

and the restoration of this archaeological site and the assimilation<br />

of the entire complex to a collective use multiple and present, also<br />

conducted with the support of information and multimedia systems.<br />

The outdoor areas have also been revived and animated by<br />

a varied and active use, characterized by paths, platforms and a<br />

pleasant night lighting. The halls of the Museum are characterized<br />

by an organization for themes, starting with a room dedicated to<br />

the projections, on which are showed videos that propose historical<br />

reconstructions of big value informative and evocative.<br />

The exhibition spaces of the Museum: the rooms inside and the outside<br />

The Museum’s classrooms follow the structure of the ancient complex<br />

of Traiano’s Markets: they develop on either side of the great<br />

84

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