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Fig. 3. View of the musealization. its location, in the midst of an area replete with heritage elements, considered highly scenic by visitors, and the symbolic value given to the mountain by the local population we opted for conservation work that contributed to creating a stereotypical, almost romantic, image of the archaeological ruins. However, we made some concessions in order to make the site easier to understand. Hence, conservation work consisted of reinforcing archaeological structures and some minimal reconstructions which we believe contributed to making the site easier to understand. Surface treatment of the archaeological space followed the same criteria. Different materials, textures and shades of colour were used according to the use of each space. Thus, entrances were paved with prefabricated concrete slabs and wood was used in the gathering points. In contrast, the archaeological areas were treated with compacted soil in order to reinforce the idea of ruins and reproduce the ancient Iberian pavements. To facilitate a vision of Iberian architecture and urban planning the street was paved with light shades of soil and the interiors of the houses with darker coloured soil. The different houses making up the visitable part of the Iberian settlement and the street going through the centre were linked by an internal circuit which favours access to each of these elements. This circuit has three interesting aspects. Firstly, the use of the Iberian street itself as the main hub of communication, thus integrating the visitor with the ancient Iberian settlement, like a way of moving back in time. Secondly, the existence of points along the circuit where large numbers of visitors can gather comfortably with excellent views of the whole site. Finally, a small picnic area located at the extreme end of the archaeological site with beautiful views of the sea. The picnic area, consisting of three tables with benches, was installed with the intention of providing a space for carrying out activities specifically related to the archaeological site for example, school visits and educational workshops. However, the area can also be used by visitors who wish to enjoy the scenic landscape: the sea views, the forests and the archaeological ruins. Finally, the route was equipped with a set of coloured panels, with drawings depicting the activities carried out in the settlement, easily identifiable with each of the archaeological sites visible. Each panel has short texts in Catalan, Spanish and English with photographs of the archaeological objects found during the excavations. Given 68
that there was no physical space to display these objects this was the only way to make them accessible to the general public. Conclusions The aim of the work carried out at the Iberian settlement of Sant Sebastià de la Guarda was to make the archaeological site accessible to the general public. This involved working on the site’s surface: the textures, materials and shades of colour, and its spatial arrangement: accessibility and internal routes. An attempt was made to integrate the archaeological remains with the other heritage elements on the mountain without altering visitors’ image of the place. The population in general value the beauty of the landscape while local people value the mountain because of its link to their identity. Simultaneously, we tried to integrate the site with the other Iberian sites in the area by looking at its specific characteristics and to contribute to the development of the territory through the public use of archaeological heritage. 1 This work was carried out with support from The Ministry of Science and Innovation in the framework of the project “La patrimonialización de la arqueología. Conceptualizaciones y usos actuales del patrimonio arqueológico”. Reference number HAR2008-00132/ HIST. BiBliograPhy J. Burch, A. Rojas, J. Vivo, “L’assentament ibèric de Sant Sebastià de la Guarda (Palafrugell, Baix Empordà)”, in Tribuna d’Arqueologia 2008-2009, 2010, p. 45-58. M. Brugada i Clotas, “Notes històriques sobre la capella de Sant Sebastià de la Guarda i la seva devoció a Palafrugell”, in Sant Sebastià de la Guarda, Palafrugell 2010, p. 97-134. M. C. Saurí i Ros, “El Far de Sant Sebastià”, in Sant Sebastià de la Guarda, Palafrugell 2000, p. 195-213. JoseP BUrch i riUs PhD in History from the University of Girona, 1996. He has been lecturer in archaeology at the University of Girona since 1999. He has managed and participated in various archaeological research projects, mainly in the county of Girona. He has also participated, as coordinator, in various European projects as part of the Culture 2000 Programme with researchers from French and Italian universities. In 2005, he participated in a research stay at the Università di Siena, developing the project “Production 69
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THE ARCHAEOLOGICAL MUSEALIZATION ed
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Published by Umberto Allemandi & C.
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71 The Museographic Presentation of
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Unità di ricerca di torino 240 La
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I primi risultati della ricerca son
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Foreword The PRIN Research Project
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- Unità di Genova Il museo diffuso
Page 17 and 18: Oltre il Parco Archeologico: le esp
Page 19 and 20: Fig. 2. Carta del Salento con la di
Page 21 and 22: Fig. 4. San Vito dei Normanni, Muse
Page 23 and 24: Three Different Ways to Exhibit Arc
Page 25 and 26: Fig. 1. Herne, Museum for Archaeolo
Page 27 and 28: Fig. 3. Xanten, RömerMuseum: narra
Page 29 and 30: Fig. 6. Chemnitz, Haus der Archäol
Page 31 and 32: Fig. 1. “Part Alta” of Tarragon
Page 33 and 34: Fig. 2. The three topographic platf
Page 35 and 36: Fig. 5. Plaça del Forum. Each type
Page 37 and 38: Fig. 7. Porxos Carrer Merceria. Pla
Page 39 and 40: Multiple Interpretations, Technolog
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Page 43 and 44: a new trend prevailed, according to
Page 45 and 46: Fig. 3. Levels of meaning in an app
Page 47 and 48: ) kids as cUrators: Virtual galleri
Page 49 and 50: BiBliograPhy G. Abend, “The Meani
Page 51 and 52: Archaeological Museography: Present
Page 53 and 54: of the reunion between our faith an
Page 55 and 56: well. They had recuperated and rest
Page 57 and 58: Fig. 2. MAHE, plan project. the wal
Page 59 and 60: Fig. 6. MAHE, interior of Museo Arq
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Page 64 and 65: There are several historical buildi
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Page 72 and 73: Fig. 2. Plan of the forum with its
Page 74 and 75: around the main temple and finally
Page 76 and 77: Fig. 4. Reconstructed ceiling of th
Page 78 and 79: Fig. 9. The Curia (photo by A. Goul
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Page 84 and 85: Fig. 2. The Great Hall of the Museu
Page 86 and 87: Fig. 4. Reconstruction of the exter
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Page 90 and 91: Fig. 1. Anastylosis of a section of
Page 92 and 93: of the second century BC heights, s
Page 94 and 95: Fig. 2. The musealization of the ar
Page 96 and 97: Fig. 6. The ancient entrance stairw
Page 99 and 100: Fig. 1. Main plan of the exposition
Page 101 and 102: Fig. 5. View of the internal path a
Page 103 and 104: From Static Conservation to Dynamic
Page 105 and 106: of showing particular application o
Page 107 and 108: Fig. 1. Archeological observatory o
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Page 111 and 112: Coverage of Chromatius Hall, Aquile
Page 113 and 114: Fig. 2. Aquileia, coverage on the C
Page 115 and 116: Fig. 1. The virtual recovery view o
Page 117 and 118: Fig. 3. The virtual view of Hanyuan
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Fig. 5. Part of the foundation of t
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Unità di ricerca di Genova
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Unità di ricerca di Milano
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Unità di ricerca di Palermo
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Unità di ricerca di Roma
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Unità di ricerca di Torino
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Unità di ricerca di Genova Paesagg
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Dal rudere all’icona alessandro v
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della Città del Vaticano e non del
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Le polverose teche sature di piccol
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servizi accompagnato da prezzi non
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Fig. 2. Liguria. Strategie per il m
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together with non competitive price
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alessandro valenti Si laurea a Roma
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di un passato inteso come dato conc
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Fig. 3. Veduta di Dresda dopo il bo
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apporto tra la cultura museale e la
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Abstract The themes developed in th
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cheologici del Lazio, Politecnico d
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Fig. 1. Immagine storica del restau
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Fig. 3. L’intervento protettivo e
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Nella macro-area Contexts rientrano
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Abstract The intervention on ruins
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carola gentilini Carola Gentilini (
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espect for cultural diversity and h
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Fig. 3. Mappa dell’Atlantikwall (
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utilizzati per portare alla luce al
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BiBliografia Dividing lines, connec
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Michela Bassanelli Architetto, dott
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Fig. 1. Schema degli interventi pos
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al suo interno il tormentone, così
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Fig. 3. Schema del rapporto fra le
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1 Appartenenti al già dipartimento
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Unità di ricerca di Roma Allestire
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dell’astronomia. Le muse erano fi
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Fig. 2. Masterplan Spazi ipogei. de
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Fig. 3. Vista del margine da via An
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ventinus Minor, sono dislocate tre
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La struttura dei padiglioni è in s
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Fig. 5. Vista dell’accesso alle T
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Fig. 6. Vista dei percorsi del Frig
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nenti dell’articolato impianto at
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Fig. 7. Vista dell’Asse della cul
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e altimetricamente secondo un princ
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Fig. 8. Vista dello spazio ipogeo (
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Fig. 9. Veduta del Calidarium. Un v
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all’immagine reale e poetica, anc
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13 G. Jenewein, Die Architekturdeko
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lUcio altarelli Professore ordinari
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tura e pubblicazioni. Nel 2007 part
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- Studium snc, ricerche archeologic
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Research in Piedmont provides in a
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a un panorama variegato di interven
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ischia di andare incontro a una pro
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si veda il Museo del Paesaggio di P
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sinergie però possono e debbono es
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valeria MinUcciani Ricercatore pres
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Madama o il Museo Egizio, ma anche
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La musealizzazione di siti archeolo
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Fig. 2a. Torino, il settore occiden
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Fig. 4a. Torino, piazza San Giovann
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Un secondo stadio dell’intervento
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La musealizzazione di siti archeolo
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dell’impero fu dotata di una capi
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Fig. 2. Riproposizione in versione
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piano interrato del Castello, colle
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sotto della sede dell’Istituto ba
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Fig. 4. Area 3: vista dell’allest
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Abstract The “case studies” of
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Editors Marco vaUdetti Full Profess
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Il convegno internazionale svoltosi
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