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Archaeological Museography: Presentation<br />

and Representation<br />

david Pérez garcía<br />

Good morning. I am going to try and speak in English, but for<br />

me, this is difficult. It is not easy because my heart, my soul and the<br />

right side of my brain speak Spanish. Only the left side of my brain<br />

sometimes tries to speak in English; rarely do I manage. That is why<br />

I will try not to talk for long. I am going to use lots of pictures and a<br />

few key words that will appear on the screen.<br />

Before I begin, I would like to thank the Archeoshow organizational<br />

committee for their invitation to speak at this conference. For<br />

me, it is an honour to share the stage and this round table with these<br />

wonderful professionals. I would like to express special appreciation<br />

to Clara Ruggieri for the interest she has shown in my work, as well<br />

as to Professor Marco Vaudetti for his determination and patience.<br />

My name is David Pérez and I am an exhibition designer. This<br />

term, in English, can be a play on words, so taking advantage of<br />

PowerPoint, I can convert the term “exhibition designer” into a<br />

contraction to create “ex-designer”. Ex-designer began in 2001 as a<br />

definition of Martí Guixé’s work in the context of design, emerging<br />

as a consequence of the de-contextualization attributed to his work.<br />

This concept is the first thing I explain to my students taking their<br />

Masters in Museography: an exhibition designer must forget, almost<br />

all the time, that he/she is a designer.<br />

I have devoted the past 15 years to creating spaces for encounters<br />

between an audience and objects, between an audience and ideas.<br />

My hands have touched thousands of objects that someone wanted<br />

to show, and hundreds of ideas that someone wanted to express. The<br />

first five years, I worked in a large company, perhaps one of the best<br />

in Europe. It is called GPD. At that time, in the mid 1990s, museums<br />

in Spain were undergoing an exhibition design transformation<br />

process due to the influence of the World’s Fair held in Seville.<br />

While working for that company, I worked on a number of interesting<br />

projects. Some of them were linked to things that could be found<br />

51

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